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National Arts Awards Monday, October 19, 2015
2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States. -
Songs About Joni
Songs About Joni Compiled by: Simon Montgomery, © 2003 Latest Update: Dec. 28, 2020 Please send comments, corrections or additions to: [email protected] © Ed Thrasher, March 1968 Song Title Musician Album / CD Title 1967 Lady Of Rohan Chuck Mitchell Unreleased 1969 Song To A Cactus Tree Graham Nash Unreleased Why, Baby Why Graham Nash Unreleased Guinnevere Crosby, Stills & Nash Crosby, Stills & Nash Pre-Road Downs Crosby, Stills & Nash Crosby, Stills & Nash Portrait Of The Lady As A Young Artist Seatrain Seatrain (Debut LP) 1970 Only Love Can Break Your Heart Neil Young After The Goldrush Our House Crosby, Stills, Nash & Young Déjà Vu 1971 Just Joni Mitchell Charles John Quarto Unreleased Better Days Graham Nash Songs For Beginners I Used To Be A King Graham Nash Songs For Beginners Simple Man Graham Nash Songs For Beginners Love Has Brought Me Around James Taylor Mudslide Slim & The Blue Horizon You Can Close Your Eyes James Taylor Mudslide Slim & The Blue Horizon 1972 New Tune James Taylor One Man Dog 1973 It's Been A Long Time Eric Andersen Stages: The Lost Album You'’ll Never Be The Same Graham Nash Wild Tales Song For Joni Dave Van Ronk songs for ageing children Sweet Joni Neil Young Unreleased Concert Recording 1975 She Lays It On The Line Ronee Blakley Welcome Mama Lion David Crosby / Graham Nash Wind On The Water 1976 I Used To Be A King David Crosby / Graham Nash Crosby-Nash LIVE Simple Man David Crosby / Graham Nash Crosby-Nash LIVE Mama Lion David Crosby / Graham Nash Crosby-Nash LIVE Song For Joni Denise Kaufmann Dream Flight Mellow -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Imagine Project-'Writing-To-Heal' Lessons
Imagine Project-‘Writing-to-Heal’ Lessons - Daily Lesson Plan Teacher: Grade: 6th- Subject: Language Arts, Social Studies, Homeroom, 12th Social-Emotional Learning, Various Electives, etc. Unit Title: Unit 1 Date of Lesson: Common Core Standards Used W.8.3.3: Reading, Writing and Communicating-Standard 3.3 Writing and Composition-Write engaging real or imagined (Eighth Grade Standards used, but narratives effectively using techniques such as relevant and sufficient descriptive details, sensory language, logical pacing applies to multiple content area and dialogue to detail actions and to develop and reflect on experiences and events. standards for grades 6th-12th) CH.8.3.2. & 4.5 Comprehensive Health Eighth Grade, Standard 4. Prevention and Risk Management 4.5. Demonstrate ways to advocate for a positive, respectful school and community environment that supports pro-social behavior. 3.2 Analyze internal and external factors that influence mental and emotional health. Objective (or Content Language Objective) SWBAT write an original journal entry from processing trauma/life difficulty using a seven step writing process. Texts Needed Printed version of the student journals, sample stories attached or stories from the book/website, The Imagine Project: Stories of Courage, Hope and Love (www.theimagineproject.com), YouTube video examples, YouTube song references. Materials Needed Extra paper, pen or pencils, balloons and sharpies (both optional) Agenda Item + Time Description of Task (Consider depth of knowledge) Do Now: • What are three things you do when you are feeling negative emotions (anger, Time: 8 minutes sadness, lonely, etc.) to help you feel better? • Can been done as a ‘quick-write’, Think-Pair-Share, group discussion, small group discussion, etc. -
John Beasley
JOHN BEASLEY GRAMMY-NOMINEE PIANIST / COMPOSER / ARRANGER ******************************************************************************************* “Beasley, the one-time keyboardist for Freddie Hubbard and Miles Davis, reflects a variety of generational influences, incorporating the emphatic chordal clusters of Herbie Hancock, the rhythmic quirkiness of Monk and the lush intelligence of Art Tatum into a highly refined personal voice.” --Los Angeles Times ******************************************************************************************* BIOGRAPHY Grammy-nominated recording artist John Beasley’s music career spans three decades. LA Times jazz critic Bill Kohlhaasee describes Beasley’s music and playing as "a variety of generational influences, incorporating the emphatic chordal clusters of Herbie Hancock, the rhythmic quirkiness of Monk and the lush intelligence of Art Tatum into a highly refined personal voice.” His credits cross the spectrum of the entertainment world: performing, recording, and touring with major jazz, pop, and world artists; composing for hit-TV series; arranging for ensembles and orchestras; working on award-winning films and commercials. With the popularity of reality singing TV shows, Beasley has taken the helm as Music Director for major studio shows. Highlights of Beasley’s multi-track career include: • Pianist/Keyboardist for Miles Davis, Freddie Hubbard, Chaka Khan, Carly Simon, Christian McBride, Dianne Reeves, Kenny Garrett, Stanley Clarke, Lee Ritenour, even a stint with James Brown, Barbra Streisand, -
San Diego Tribune March 2016
Luciana Souza sings, if not speaks, in tongues We chat with the Brazilian vocal great, a 6-time Grammy-nominee, who performs in La Jolla Thursday with her all-star band By George Varga March 12, 2016 Six tracks on Luciana Souza’s Grammy-nominated 2015 album “Speaking in Tongues” are wordless, each an attempt to create a rich and varied soundscape. Kim Fox 1 0 What’s in a word? This question has long challenged and fascinated singers and songwriters as they strive to articulate both simple and complex thoughts and emotions with maximum impact. But what if there are no words to sing? How do performers capture and convey the feelings and stories they want to tell, using their voice, but no lyrics? That was the challenge internationally acclaimed Brazilian singer Luciana Souza faced — or, rather, embraced — when she made her striking 2015 album, “Speaking in Tongues.” It is the 13th solo release by Souza, whose past collaborators range from Herbie Hancock and Paul Simon to David Bowie saxophonist Donny McCaslin and the Atlanta Symphony Chorus and Orchestra. Jazz at the Athenaeum presents Luciana Souza: Speaking in Tongues Six of the nine selections on “Tongues” feature Souza singing, wordlessly, with consistently stunning results. Two of the other tracks, “No One to Follow” and “Split,” are poems by Leonard Cohen set to music, while the Souza-penned “Straw Hat” was inspired by her father, a noted Brazilian singer and composer. Drawing from jazz, samba, funk, Afro-pop and more, the album delights in any language, with or without words. -
John Scott Obit
John N. Scott (February 25, 1939—February 20, 2020) From Lexington, IL, John was with our class our first three years (1957- 60). The following three years (1960-63) he studied jazz music at the Berklee College of Music in Boston and was a professional jazz trumpeter in combos in that city. Our sophomore year, John and I lived in separate rooms in the Gates basement, and Herbie Hancock ’60 frequently came over from Clark Hall to John’s room to listen to jazz LPs on his HiFi set. When Miles Davis LPs were played, John jammed along on his own trumpet while Herbie sans piano listened and hummed. (How amazing that only a few years later Herbie was a member of the Miles Davis Quintet, 1963-68.) In the spring of our junior year, John played the trumpet in the Herbie Hancock Quintet on campus with Herbie, piano; Bob Taylor ’63, trombone; Phil Balick ’63, bass; and Steve Hecht ’62, drums. According to the S&B (the student newspaper), the group’s music included three pieces written by John plus three others by John and Herbie together with “the bulk of the credit” for the latter belonging to Hancock. Two of the Hancock-Scott tunes—“Portrait of Miles” [Davis] and “Griffin”--had been well received in “the Chicago jazz world” by 1960 with “Portrait of Miles” being played on the road by a group led by the well-known drummer, Philly Joe Jones. The S&B article also said, “Scott aspires to writing as well as playing jazz,” as he “is a serious student of jazz, and his one ambition is to play it” with those skills to be enhanced by his attending Berklee (‘Cool’ Five Play Oldies, Moderns, S&B, April 22, 1960). -
Boston Globe, March, 2006
The Boston Globe March 17, 2006 She breaks down musical boundaries Luciana Souza sings with no fear, winning respect of her peers Three of Luciana Souza's four most recent CDs have earned her Grammy nominations, including ''Duos II," which this year was edged out for best jazz vocal album by Dianne Reeves and the ''Good Night, and Good Luck" soundtrack. But Souza's not a big star yet by any means. What popularity she has remains largely confined to the jazz cognoscenti and her fellow musicians, the latter of whom seem uniformly to adore her. High on the list of things they admire about Souza is her willingness to take risks. Consider the rapid-fire unison lines she sings with guitarist Romero Lubambo on ''Duos II," the album they'll likely draw heavily from in their Bank of America Celebrity Series double bill with Joe Lovano tomorrow night at Sanders Theatre. Souza, 39, and Lubambo have been playing together for a decade. But while they've built up a large repertoire of material over the years, they rarely have occasion to practice together beyond sound checks. It can sometimes come back to haunt them in concert, Souza admits. ''We have a way of doing them that hopefully comes out clean," Souza explains, laughing. ''Some nights we get into trouble, but even that is exciting for the audience. You try your best, and sometimes it succeeds. Sometimes we fail miserably, and we go back and go, 'Here we go one more time,' and just try again in front of people. -
Herbie Hancock: Possibilities Free
FREE HERBIE HANCOCK: POSSIBILITIES PDF Herbie Hancock,Lisa Dickey | 346 pages | 27 Nov 2014 | Penguin Putnam Inc | 9780670014712 | English | New York, United States Possibilities by Herbie Hancock on Apple Music More Images. Please enable Javascript to take full advantage of our site features. Edit Master Release. Herbie Hancock Keyboards, Piano, Producer. Jack Rovner Executive-Producer, Management. Ken Levitan Executive-Producer, Management. Brian McCullough 2 Herbie Hancock: Possibilities. Melinda Murphy Coordinator. Steve Jordan Drums. Michael Bearden Keyboards. Ted Jensen Mastered By. Bassy Bob Brockmann Mixed By. Yaron Fuchs Mixed By. Cyro Baptista Percussion. Douglas Biro Photography By. Jon Fine Photography Herbie Hancock: Possibilities. Alan Mintz Producer. Jessica Hancock Producer. JoAnn Tominaga Producer. Add Review. Add all to Wantlist Remove all from Wantlist. Have: Want: Avg Rating: 4. Joutes by Titi-Panzer. DKG best 20 listened most by geogjazz. DKG s top 20 by geogjazz. Hear No Evil by Jealous. Best by Dubai-Bunnies. Gaucho by dindomartinez. Rolling Stone by indy WOM by indy Stitched Up. A Song For You. Hush, Hush, Hush. Sister Moon. When Love Comes To Town. Don't Explain. Gelo Na Montanha - 1st Movement. Sell This Version. Hear Music. Hancock Music. Verve Records Herbie Hancock: PossibilitiesSony Music 2. Warner Music Group. Not On Label. Herbie Hancock: Possibilities on Apple Books Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to experience all the features of our site. Learn how to enable JavaScript on your browser. -
Johnaye Kendrick Photo by Daniel Sheehan LETTER from the DIRECTOR One Foot in Summer …
A Mirror and Focus for the Jazz Community August 2018 Vol. 34, No. 08 EARSHOT JAZZSeattle, Washington Johnaye Kendrick Photo by Daniel Sheehan LETTER FROM THE DIRECTOR One foot in Summer … …the other foot in the coming The upcoming festival builds on fall. First of all, thank you for your that legacy, focusing on the multi- support of this summer’s expanded faceted creative momentum of to- concert activity. We’ve had remark- day’s jazz world. There is so much able opportunities to pull alongside great music being made right now. some of today’s most expansive jazz With all honor to the Black cultural thinking, from New York and Chi- core of jazz, the Earshot festival, as cago, and from Seattle’s own creative DownBeat magazine once said, “dis- artists. rupts assumptions, gets in your face Now, as we approach the waning and finds fresh synergies.” days of summer, plans are being fi- Some of the fresh synergies we’re nalized and excitement is building proud to unveil this year include a for this fall’s Earshot Jazz Festival, special four-day residency with 2019 kicking off October 7, and running NEA Jazz Master Maria Schneider, in venues all around the city through and a featured artist residency with November 4. We’re cooking up one our own Jovino Santos Neto. Also, of the most exciting Earshot festivals the new Jazz at Langston series, ever, and you’re invited! within this festival, will honor Se- Tickets for most shows will be avail- attle legends like Dave Lewis, and don, Billy Kilson, Andy Ezrin, and able this month, with Earshot Jazz introduce bright new artists like Ben Williams. -
Herbie Hancock 1 Jive Hoot (Bob Brookmeyer)
MUNI 20150420 – Herbie Hancock 1 Jive Hoot (Bob Brookmeyer) 4:43 From album BOB BROOKMEYER AND FRIENDS (Columbia CS 9037 / 468413) Bob Brookmeyer-vtb; Stan Getz-ts; Gary Burton-vib; Herbie Hancock-p; Ron Carter- b; Elvin Jones-dr. New York City, May 1964. Herbie Hancock: THE COMPLETE BLUE NOTE SIXTIES SESSIONS (all compositions by Herbie Hancock) Recorded at Rudy Van Gelder Studio, Englewood Cliffs, New Jersey (all sessions) Three Wishes 5:10 Donald Byrd-tp; Wayne Shorter-ts; Herbie Hancock-p; Butch Warren-b; Billy Higgins-dr. December 11, 1961. From album Donald Byrd: FREE FORM (Blue Note 95961) Watermelon Man 7:08 Freddie Hubbard-tp; Dexter Gordon-ts; Herbie Hancock-p; Butch Warren-b; Billy Higgins-dr. May 28, 1962. From album TAKIN’ OFF (Blue Note 84109 / 46506) Yams 7:56 Jackie McLean-as; Donald Byrd-tp; Herbie Hancock-p; Butch Warren-b; Tony Williams-dr. February 11, 1963. Jackie McLean: VERTIGO (Blue Note LT-1085) Blind Man, Blind Man 8:16 Donald Byrd-tp; Grachan Moncur III-tb; Hank Mobley-ts; Grant Green-g; Herbie Hancock-p; Chuck Israels-b; Tony Williams-dr. March 19, 1963. MY POINT OF VIEW (Blue Note 84126 / 84126-2) Mimosa 6:34 Herbie Hancock-p; Paul Chambers-b; Willie Bobo-dr, timb; Oswaldo „Chihuahua“ Martinez-bongos, finger cymbals. August 30, 1963. INVENTIONS AND DIMENSIONS (Blue Note 84147 / -2) One Finger Snap 7:16 Freddie Hubbard-co; Herbie Hancock-p; Ron Carter-b; Tony Williams-dr. June 17, 1964. EMPYREAN ISLES (Blue Note 84175 / -2) Maiden Voyage 7:55 Dolphin Dance 9:16 Freddie Hubbard-tp; George Coleman-ts; Herbie Hancock-p; Ron Carter-b; Tony Williams-dr.