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An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
One Two Films / Blackbird Pictures
www.triciagray.com FILM THE TALE, HBO/A Luminous Mind Production/ One Two Films / Blackbird Pictures- Drama/ Period 1973 Producers: Lawrence Inglee, Laura Rister, Reka Posta, Oren Moverman Director: Jennifer Fox With: Laura Dern, Ellen Burstyn, Elizabeth Debicki, Isabelle Nelisse, Sebastian Koch KID VS MONSTERS, Dark Dunes Productions Producers: Lawrie Brewster, Adamo P. Cultrano, Kenneth Burke Director: Sultan Saeed Al Darmaki with Malcolm McDowell, Armand Assante, Lance Henriksen, Francesca Eastwood THE BABYMAKERS, Duck Attack Films, Blumhouse Productions Producers: Jason Blum, Jay Chandrasekhar, Brian Kavanaugh-Jones, Bill Gerber, Jeanette Brill, Gerard DiNardi Director: Jay Chandrasekhar with Olivia Munn, Paul Schneider, Jay Chandrasekhar, Kevin Heffernan, Nat Faxon, MC Gainey OPEN HOUSE, Stonebrook Entertainment Producers: Mitchell Goldman, Jack Schuster, Randy Wayne Director: Andrew Paquin with Anna Paquin, Stephen Moyer, Brian Geraghty, Rachel Blanchard, Tricia Helfer FREELOADERS, Broken Lizard Industries, ATG Productions Producers: Adam Duritz, Richard Perello, Matthew Pritzger Director: Dan Rosen with Clifton Collins Jr, Jane Seymour, Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, Erik Stolhanske, Adam Duritz, Sir Richard Branson THE SLAMMIN’ SALMON, Broken Lizard Industries Producers: Peter Lengyel, Richard Perello Director: Kevin Heffernan with Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, Erik Stolhanske, Michael Clarke Duncan, Morgan Fairchild, Lance Henriksen DUKES OF HAZZARD 2: The Beginning, -
Blacks Reveal TV Loyalty
Page 1 1 of 1 DOCUMENT Advertising Age November 18, 1991 Blacks reveal TV loyalty SECTION: MEDIA; Media Works; Tracking Shares; Pg. 28 LENGTH: 537 words While overall ratings for the Big 3 networks continue to decline, a BBDO Worldwide analysis of data from Nielsen Media Research shows that blacks in the U.S. are watching network TV in record numbers. "Television Viewing Among Blacks" shows that TV viewing within black households is 48% higher than all other households. In 1990, black households viewed an average 69.8 hours of TV a week. Non-black households watched an average 47.1 hours. The three highest-rated prime-time series among black audiences are "A Different World," "The Cosby Show" and "Fresh Prince of Bel Air," Nielsen said. All are on NBC and all feature blacks. "Advertisers and marketers are mainly concerned with age and income, and not race," said Doug Alligood, VP-special markets at BBDO, New York. "Advertisers and marketers target shows that have a broader appeal and can generate a large viewing audience." Mr. Alligood said this can have significant implications for general-market advertisers that also need to reach blacks. "If you are running a general ad campaign, you will underdeliver black consumers," he said. "If you can offset that delivery with those shows that they watch heavily, you will get a small composition vs. the overall audience." Hit shows -- such as ABC's "Roseanne" and CBS' "Murphy Brown" and "Designing Women" -- had lower ratings with black audiences than with the general population because "there is very little recognition that blacks exist" in those shows. -
Grown-Ish Introduction
THE REPRESENTATION OF FEMALE AFRICAN MONEJAH BLACK AMERICAN COLLEGE NATHANIEL FREDERICK, PHD, FACULTY STUDENTS ON MENTOR EMMANUEL NWACHUKWU, FACULTY TELEVISION: A MENTOR CONTENT ANALYSIS DEPARTMENT OF MASS COMMUNICATION OF A DIFFERENT WINTHROP UNIVERSITY WORLD AND GROWN-ISH INTRODUCTION Source: Wikipedia Commons Source: Fan Art TV •1987-1993 • 2018-present •Spin-off of The Cosby • College • Spin-off of Black-ish: experience of Show: black female the female black female daughter daughter (Denise African (Zoey Johnson) American lead attends California Huxtable) attends Hillman Predominantly Historically Black character University (PWI) White College (HBCU) College or University Institution Source: HBCU Buzz Source: TV Over Mind WHY IT MATTERS The representation of the female AA college student The representation of the college experience PWI non-minority students who have limited first-hand experience with AAs prior to/during college Who’s watching? What are they learning? High school students who have limited knowledge of what to expect in college LITERATURE REVIEW The Social Construction Sitcoms and African of the African American American Portrayal on Family on Television Television Television as a Vicarious Perceived Realism Experience THE SOCIAL CONSTRUCTION OF THE AFRICAN AMERICAN FAMILY ON TELEVISION: A COMPARATIVE ANALYSIS OF THE COSBY SHOW AND BLACK-ISH Differences in How AA family is Similarities in family Textual analysis on willingness to address constructed on demographics (well- The Cosby Show and certain topics such as television, evolved rounded, educated, Black-ish racial issues and over time suburban) stereotypes Stamps (2008) Source: Amazon Source: NPR SITCOMS AND THE AFRICAN AMERICAN PORTRAYAL ON TELEVISION Situational Comedy • Comical, yet expected to be Characters with Tells us how to run traits the audience moral our lives relate to • “The producers seem to have forgotten that you can’t raise a Berman moral issue and play with it— (1987) people expect you to solve it. -
Broadway Guest Artists & High-Profile Key Note Speakers
Broadway Guest Artists & High-Profile Key Note Speakers George Hamilton, Broadway and Film Actor, Broadway Actresses Charlotte D’Amboise & Jasmine Guy speaks at a Chicago Day on Broadway speak at a Chicago Day on Broadway Fashion Designer, Tommy Hilfiger, speaks at a Career Day on Broadway AMY WEINSTEIN PRESIDENT, CEO AND FOUNDER OF STUDENTSLIVE Amy Weinstein has been developing, creating, marketing and producing education programs in partnership with some of the finest Broadway Artists and Creative teams since 1998. A leader and pioneer in curriculum based standards and exciting and educational custom designed workshops and presentations, she has been recognized as a cutting edge and highly effective creative presence within public and private schools nationwide. She has been dedicated to arts and education for the past twenty years. Graduating from New York University with a degree in theater and communication, she began her work early on as a theatrical talent agent and casting director in Hollywood. Due to her expertise and comprehensive focus on education, she was asked to teach acting to at-risk teenagers with Jean Stapleton's foundation, The Academy of Performing and Visual Arts in East Los Angeles. Out of her work with these artistically talented and gifted young people, she co-wrote and directed a musical play entitled Second Chance, which toured as an Equity TYA contract to over 350,000 students in California and surrounding states. National mental health experts recognized the play as an inspirational arts model for crisis intervention, and interpersonal issues amongst teenagers at risk throughout the country. WGBH/PBS was so impressed with the play they commissioned it for adaptation to teleplay in 1996. -
Choosing the Right Path
MAGAZINE SPRING 2015 The Choosing the right path BUTLER With every pedagogical and strategic decision we make at UNIVERSITY Butler University, we must ask ourselves a crucial question: What will the future of learning look like? Advances in technological quality and access; shifting A MESSAGE demographics; rising educational-delivery costs and student-debt loads; nationwide cuts in public-university from funding; a growing movement among bright young people PRESIDENT to skip the college experience; and the promise of micro- credentialing—among other factors—have forced American JAMES M. universities to recognize that undergraduate education is DANKO in the midst of a profound transformation from which there will be no return. Harvard Professor Clayton Christensen, an expert in disruptive innovation, has asserted that half of all American universities may be bankrupt by 2028. While I view this estimate as high, I do believe that 20 percent is a reasonable prediction. However, I also know that Butler is exceptionally well prepared for this sea change in higher education. As we continue to make thoughtful decisions as a collaborative community, we are ensuring that Butler not only survives for many generations to come, but thrives. In the approaching decades, there will be an ongoing demand among young people and their families for high-quality, traditional, residential undergraduate education. Although the number of schools that offer this campus experience may shrink, those who do it best—including Butler—will succeed. Accordingly, in our Butler 2020 Strategic Plan, we are protecting our University’s unique character by investing in the attributes that define it: outstanding academics within a caring campus community; faculty who are accessible to their students; a commitment to integrate the liberal arts with professional education; learning that emphasizes global perspectives, critical thinking, and meaningful volunteerism; and curricular and extra-curricular programs that prepare graduates for lives of purpose in an increasingly complex world. -
E Spelman Spoilif., T
e Spelman SpoilIf., t VOLUME XVI NO.8 APRIL 8, 2002 AUC Entreprenuers: Meet 5 Young Stars Rising to the Top MEET THE AUC’S FINEST for last year’s Morehouse Spring time stu- Actually, the only thing Bray and1 By: Domnick Hadley & Cynthia Fest Stepshow, the Spelman Col EO. Like other en- Parish is waiting on is the profit Brown college I Daniels lege Freshman week flier, this , time is her main en- that will roll in as her business operate and up-and-cc year’s Homecoming flier, and sev grows to a remarkable size, fueled clothing line, DaReales.' Acknowledging Your Gifts eral activities for various Greek “Designing is not some by a determined young woman. collegians, both natives of organizations. thing I can sit down in an hour And yet Parish is not Mass., teamed up in It took Erika Parish a Parish’s first assignment and pump out. It takes a good alone: Take a look at some other 2000 to launch their idea and short while to realize that her tal as a teenage girl growing up in deal of time, and I have two part young entrepreneurs from around haven't looked back sense. ent was a gift from a higher being, Memphis, TN was to design shirts time jobs outside of this and I am the AUC ■ jP They plan to pursue other it took an even shorter time for her for a bowling team in Memphis. taking a full load of-classes at »Ventures but the pilot project for to transform her gift into a profit Her cousin, who taught her how Spelman,” says Parish. -
Fall Colors, 2001-02: Prime Time Diversity Report. INSTITUTION Children Now, Oakland, CA
DOCUMENT RESUME ED 464 750 PS 030 374 AUTHOR Parker, McCrae A.; Miller, Patti; Espejo, Eileen; Grossman-Swenson, Sarah TITLE Fall Colors, 2001-02: Prime Time Diversity Report. INSTITUTION Children Now, Oakland, CA. SPONS AGENCY Mott (C.S.) Foundation, Flint, MI. PUB DATE 2002-04-00 NOTE 49p.; For Fall Colors II, see ED 444 707. Also supported by The Atlantic Philanthropies. AVAILABLE FROM Children Now, 1212 Broadway, 5th Floor, Oakland, CA 94612. Tel: 510-763-2444; Fax: 510-763-1974; e-mail: [email protected]. For full text: http://www.childrennow.org/media/fc2002/fc-2002-report.pdf. PUB TYPE Information Analyses (070) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Comparative Analysis; Content Analysis; *Cultural Pluralism; *Diversity (Institutional); Ethnicity; Mass Media Effects; *Programming (Broadcast); Racial Distribution; Television Research IDENTIFIERS Diversity (Groups) ABSTRACT Television is an integral part of American culture, and has the ability to play a major role in shaping belief systems, particularly for the youngest and most impressionable viewers. This study is the third annual study of diversity of characters in prime time television programming. The study examined the first two episodes of each prime time entertainment series airing on the six broadcast networks. The findings indicate that despite ongoing emphasis, encouragement, and pressure on the part of media advocates, civil rights groups, government officials, and even some entertainment industry leaders, the networks have yet to produce a prime time -
Alvin Ailey American Dance Theater's Opening Night Virtual Benefit
ALVIN AILEY AMERICAN DANCE THEATER’S OPENING NIGHT VIRTUAL BENEFIT, “REVELATIONS REIMAGINED” LAUNCHES SEASON CELEBRATION OF REVELATIONS AT 60 WEDNESDAY, DECEMBER 2 AT 7:30PM ET Special Celebrity Guests Slated to Appear Include Sterling K. Brown, Jasmine Guy, Jillian Hervey of Lion Babe, Nigel Lythgoe, Tarell Alvin McCraney, Phylicia Rashad, Shonda Rhimes, Lynn Whitfield, Vanessa Williams, Jeffrey Wright and More Post-Benefit Dance Celebration with Music by Elan Artists Entertainment Ailey Salutes Dove® for its Commitment to Real Beauty and Racial Equality New York – November 25, 2020 – Alvin Ailey American Dance Theater’s holiday virtual season Ailey Forward celebrating six decades of the beloved American masterpiece, Revelations, will launch on Wednesday, December 2 at 7:30pm ET with a “Revelations Reimagined” Opening Night Virtual Benefit. The joyous program will feature a series of pièce d'occasion performances by Ailey’s extraordinary dance artists, along with planned appearances by special celebrity guests Sterling K. Brown, Jasmine Guy, Jillian Hervey of Lion Babe, Nigel Lythgoe, Tarell Alvin McCraney, Phylicia Rashad, Shonda Rhimes, Lynn Whitfield, Vanessa Williams, Jeffrey Wright and more. It will surely be a night to remember — one of celebration, dance, and love shared with people around the world. The benefit will salute Dove®, the No. 1 personal wash brand nationwide, for its groundbreaking commitment to real beauty and racial equality. Dove continues to make a measurable difference in redefining beauty through various initiatives including the Dove Self-Esteem Project, established to ensure a positive beauty experience is accessible to every woman and girl, and the CROWN Coalition, an alliance Dove co-founded to create a more equitable and inclusive experience for Black people through the advancement of anti-hair discrimination legislation, known as the CROWN Act. -
Wednesday, December 2, 2020 a SPECTACULAR PERFORMANCE INCLUDING REVELATIONS REIMAGINED
Artistic Director Co-Chairs Vice Chairs Robert Battle Emily & Len Blavatnik Jill & Gunther Bright Paulette Mullings Bradnock & Howard Bradnock Anthony S. Kendall Associate Artistic Director Daria L. & Eric J. Wallach Stephen J. Meringoff Matthew Rushing Joan & Sandy Weill Elaine P. Wynn An Evening Celebrating the 60th Anniversary and global influence of Revelations Wednesday, December 2, 2020 A SPECTACULAR PERFORMANCE INCLUDING REVELATIONS REIMAGINED FEATURING ALVIN AILEY AMERICAN DANCE THEATER AND SPECIAL GUESTS INCLUDING: Sterling K. Brown Nigel Lythgoe Lynn Whitfield Jasmine Guy Tarell McCraney Vanessa Williams Jillian Hervey of Lion Babe Phylicia Rashad Jeffrey Wright Shonda Rhimes HONORING THIS WILL BE LIVE STREAMED ON OUR WEBSITE, YOUTUBE, AND FACEBOOK. Please join us immediately following the performance for a celebration with music by Elan Artists Entertainment TO MAKE A CONTRIBUTION, VISIT ALVINAILEY.ORG/OPENING-NIGHT-GALA-BENEFIT OR TEXT REV TO 888-AILEY60 Our commitment remains raising the vital funds Ailey needs to sustain its important programs for young people, especially during this challenging time when other sources of funding, such as from the live theater performances, aren’t possible. WE GRATEFULLY ACKNOWLEDGE THE FOLLOWING MAJOR SUPPORTERS OF THE OPENING NIGHT VIRTUAL BENEFIT. AILEY TRAILBLAZERS Bank of America Emily & Len Blavatnik BNY Mellon Diageo Dove EHE Health Daria L. & Eric J. Wallach MAJOR SUPPORTERS The Weill Family Foundation Joy Allen-Altimare Elaine P. Wynn & Family Foundation Anonymous Eleanor S. Applewhaite AILEY CHAMPIONS Joan Binstock & David Silvers Maury & Joseph Bohan Simin N. Allison Linda Stafford Burrows American Express Cleary Gottlieb Steen & Hamilton LLP Glorya Kaufman Sela & Art Collins Stephen J. Meringoff Anthony S. -
080905 Tv Land Premieres Tv Land Confidential, a New Original Series
Contacts: Jennifer Zaldivar Vanessa Reyes TV Land & Nick at Nite MTV Networks 212/846-8964 310/752-8081 IT USED TO BE CLASSIFIED INFORMATION BUT NOT ANYMORE… TV LAND PREMIERES TV LAND CONFIDENTIAL, A NEW ORIGINAL SERIES ON SEPTEMBER 14 Series Reveals Untold Stories from Television’s Celebrated Shows and Stars New York, NY, August 9, 2005 – What happened when Barbara Eden found out she was pregnant the same day the I Dream of Jeannie pilot was picked up by NBC? How did Garry Marshall handle network objections to Fonzie wearing a leather jacket on Happy Days ? What did Phil Rosenthal do when he was asked to make Everybody Loves Raymond sexier? You’ve seen the shows and you know all the characters. Now, the network that brings you America’s most beloved television shows, shares the stories you haven’t heard with the debut of its next original series, TV Land Confidential . Beginning September 14, 2005 at 10 p.m. (ET/PT), this seven episode series kicks off with “Network Notes,” and airs every Wednesday at 10 p.m. through October 26. The series is executive produced by David P. Levin of BrainStorm Inc. “These are the untold stories behind some of the greatest shows on TV,” explains Sal Maniaci, Vice President, Development and Production, TV Land and Nick at Nite. “We are thrilled to continue to create originals for TV Land that celebrate all that is special about television.” Each 30-minute episode of TV Land Confidential is filled with anecdotes and clips, bringing viewers the tales behind their favorite comedies, dramas and commercials on and off the screen, from the earliest days of the Golden Age of television through today’s current hits. -
“It's Gonna Be Some Drama!”: a Content Analytical Study Of
“IT’S GONNA BE SOME DRAMA!”: A CONTENT ANALYTICAL STUDY OF THE PORTRAYALS OF AFRICAN AMERICANS AND HISTORICALLY BLACK COLLEGES AND UNIVERSITIES ON BET’S COLLEGE HILL _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by SIOBHAN E. SMITH Dr. Jennifer Stevens Aubrey, Dissertation Supervisor DECEMBER 2010 © Copyright by Siobhan E. Smith 2010 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “IT’S GONNA BE SOME DRAMA!”: A CONTENT ANALYTICAL STUDY OF THE PORTRAYALS OF AFRICAN AMERICANS AND HISTORICALLY BLACK COLLEGES AND UNIVERSITIES ON BET’S COLLEGE HILL presented by Siobhan E. Smith, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Jennifer Stevens Aubrey Professor Elizabeth Behm-Morawitz Professor Melissa Click Professor Ibitola Pearce Professor Michael J. Porter This work is dedicated to my unborn children, to my niece, Brooke Elizabeth, and to the young ones who will shape our future. First, all thanks and praise to God, from whom all blessings flow. For it was written: “I can do all things through Christ which strengthens me” (Philippians 4:13). My dissertation included! The months of all-nighters were possible were because You gave me strength; when I didn’t know what to write, You gave me the words. And when I wanted to scream, You gave me peace. Thank you for all of the people you have used to enrich my life, especially those I have forgotten to name here.