A Guide to Taxila
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1000 BC 500 BC AD 500 AD 1000 AD 1500 AD 2000 TAXILA Pakistan SANCHI India AJANTA CAVES India PATAN DARBAR SQUARE Nepal SIGIRIYA Sri Lanka POLONNARUWA Sri Lanka NAKO TEMPLES India JAISALMER FORT India KONARAK SUN TEMPLE India HAMPI India THATTA Pakistan UCH MONUMENT COMPLEX Pakistan AGRA FORT India SOUTH ASIA INDIA AND THE OTHER COUNTRIES OF SOUTH ASIA — PAKISTAN, SRI LANKA, BANGLADESH, NEPAL, BHUTAN —HAVE WITNESSED SOME OF THE LONGEST CONTINUOUS CIVILIZATIONS ON THE PLANET. BY THE END OF THE FOURTH CENTURY BC, THE FIRST MAJOR CONSOLIDATED CIVILIZA- TION EMERGED IN INDIA LED BY THE MAURYAN EMPIRE WHICH NEARLY ENCOMPASSED THE ENTIRE SUBCONTINENT. LATER KINGDOMS OF CHERAS, CHOLAS AND PANDYAS SAW THE RISE OF THE FIRST URBAN CENTERS. THE GUPTA KINGDOM BEGAN THE RICH DEVELOPMENT OF BUILT HERITAGE AND THE FIRST MAJOR TEMPLES INCLUDING THE SACRED STUPA AT SANCHI AND EARLY TEMPLES AT LADH KHAN. UNTIL COLONIAL TIMES, ROYAL PATRONAGE OF THE HINDU CULTURE CONSTRUCTED HUNDREDS OF MAJOR MONUMENTS INCLUDING THE IMPRESSIVE ELLORA CAVES, THE KONARAK SUN TEMPLE, AND THE MAGNIFICENT CITY AND TEMPLES OF THE GHF-SUPPORTED HAMPI WORLD HERITAGE SITE. PAKISTAN SHARES IN THE RICH HISTORY OF THE REGION WITH A WEALTH OF CULTURAL DEVELOPMENT AROUND ISLAM, INCLUDING ADVANCED MOSQUE ARCHITECTURE. GHF’S CONSER- VATION OF ASIF KHAN TOMB OF THE JAHANGIR COMPLEX IN LAHORE, PAKISTAN WILL HELP PRESERVE A STUNNING EXAMPLE OF THE GLORIOUS MOGHUL CIVILIZATION WHICH WAS ONCE CENTERED THERE. IN THE MORE REMOTE AREAS OF THE REGION, BHUTAN, SRI LANKA AND NEPAL EACH DEVELOPED A UNIQUE MONUMENTAL FORM OF WORSHIP FOR HINDUISM. THE MOST CHALLENGING ASPECT OF CONSERVATION IS THE PLETHORA OF HERITAGE SITES AND THE LACK OF RESOURCES TO COVER THE COSTS OF CONSERVATION. -
Buddhist Histories
JIABS Journal of the International Association of Buddhist Studies Volume 25 Number 1-2 2002 Buddhist Histories Richard SALOMON and Gregory SCHOPEN On an Alleged Reference to Amitabha in a KharoÒ†hi Inscription on a Gandharian Relief .................................................................... 3 Jinhua CHEN Sarira and Scepter. Empress Wu’s Political Use of Buddhist Relics 33 Justin T. MCDANIEL Transformative History. Nihon Ryoiki and Jinakalamalipakara∞am 151 Joseph WALSER Nagarjuna and the Ratnavali. New Ways to Date an Old Philosopher................................................................................ 209 Cristina A. SCHERRER-SCHAUB Enacting Words. A Diplomatic Analysis of the Imperial Decrees (bkas bcad) and their Application in the sGra sbyor bam po gnis pa Tradition....................................................................................... 263 Notes on the Contributors................................................................. 341 ON AN ALLEGED REFERENCE TO AMITABHA IN A KHARO∑™HI INSCRIPTION ON A GANDHARAN RELIEF RICHARD SALOMON AND GREGORY SCHOPEN 1. Background: Previous study and publication of the inscription This article concerns an inscription in KharoÒ†hi script and Gandhari language on the pedestal of a Gandharan relief sculpture which has been interpreted as referring to Amitabha and Avalokitesvara, and thus as hav- ing an important bearing on the issue of the origins of the Mahayana. The sculpture in question (fig. 1) has had a rather complicated history. According to Brough (1982: 65), it was first seen in Taxila in August 1961 by Professor Charles Kieffer, from whom Brough obtained the photograph on which his edition of the inscription was based. Brough reported that “[o]n his [Kieffer’s] return to Taxila a month later, the sculpture had dis- appeared, and no information about its whereabouts was forthcoming.” Later on, however, it resurfaced as part of the collection of Dr. -
The Apsidal Temple of Taxila
T HE THE APSIDAL TEMPLE OF TAXILA: A TRADITIONAL HYPOTHESIS AND PSIDA L POSSIBLE NEW INTERPRETATIONS T EMP L E Luca Colliva O F T AXI L A The so called ‘apsidal temple’ of Sirkap is an imposing building belonging, according to Marshall, : T RADI to the Indo-Parthian period (Figure 1) (Marshall 1951, 150-151). It is built over an artificial terrace T facing the main street in the northern part of the town and was brought to light by John Marshall at IONA th the beginning of the last century after some minor excavations during the 19 century. Unlike his L H predecessors, who were very doubtful about its nature (Cunningham 1871, 126-128), Marshall identified YPO T this building as a Buddhist gr. ha-stūpa (Marshall 1930, 111; Marshall 1951, 150); this interpretation HESIS has indeed never been questioned and is accepted, also, in the last study on urban form in Taxila A (Coningham & Edwards 1998, 50). ND However, we cannot deem this attribution certain. No traces are detectable of the main stūpa P OSSIB Marshall recognises in the ‘circular room’ (Marshall 1951, 151). Besides, what Marshall describes as L E two additional stūpas are nothing but scanty remains of foundations belonging to two monuments N of uncertain nature. As I already pointed out in a more exhaustive way (Colliva in press), Marshall EW I was probably convinced that the apsidal shape of this building was enough to identify it as a N T Buddhist caitya. The discovery at Sonkh of an apsidal-shaped temple, probably dedicated to a nāga ERPRE cult, shows, on the contrary, that non-Buddhist religious buildings with an apsidal plan occur in T A T periods chronologically consistent with that of the “apsidal temple” of Sirkap (Härtel 1970; Härtel IONS 1993). -
The Heritage of India Series
THE HERITAGE OF INDIA SERIES T The Right Reverend V. S. AZARIAH, t [ of Dornakal. E-J-J j Bishop I J. N. FARQUHAR, M.A., D.Litt. (Oxon.). Already published. The Heart of Buddhism. K. J. SAUNDERS, M.A. Asoka. J. M. MACPHAIL, M.A., M.D. Indian Painting. PRINCIPAL PERCY BROWN, Calcutta. Kanarese Literature, 2nd ed. E. P. RICE, B.A. The Samkhya System. A. BERRIEDALE KEITH, D.C.L., D.Litt. Psalms of Maratha Saints. NICOL MACNICOL, M.A., D.Litt. A History of Hindi Literature. F. E. KEAY, M.A., D.Litt. The Karma-MImamsa. A. BERRIEDALE KEITH, D.C.L., D.Litt. Hymns of the Tamil Saivite Saints. F. KINGSBURY, B.A., and G. E. PHILLIPS, M.A. Rabindranath Tagore. E. J. THOMPSON, B.A., M.C. Hymns from the Rigveda. A. A. MACDONELL, M.A., Ph.D., Hon. LL.D. Gotama Buddha. K. J. SAUNDERS, M.A. Subjects proposed and volumes under Preparation. SANSKRIT AND PALI LITERATURE. Anthology of Mahayana Literature. Selections from the Upanishads. Scenes from the Ramayana. Selections from the Mahabharata. THE PHILOSOPHIES. An Introduction to Hindu Philosophy. J. N FARQUHAR and PRINCIPAL JOHN MCKENZIE, Bombay. The Philosophy of the Upanishads. Sankara's Vedanta. A. K. SHARMA, M.A., Patiala. Ramanuja's Vedanta. The Buddhist System. FINE ART AND MUSIC. Indian Architecture. R. L. EWING, B.A., Madras. Indian Sculpture. Insein, Burma. BIOGRAPHIES OF EMINENT INDIANS. Calcutta. V. SLACK, M.A., Tulsi Das. VERNACULAR LITERATURE. and K. T. PAUL, The Kurral. H. A. POPLBY, B.A., Madras, T> A Calcutta M. of the Alvars. -
National Periodic Report on the Application of the World Heritage
PERIODIC REPORTING EXERCISE ON THE APPLICATION OF THE WORLD HERITAGE CONVENTION SECTION I Application of the World Heritage Convention by the State Pady State Party: ......PAKISTAN ............................................... LIST OF CONTENTS 1. Application of the World Herita e Convention by the state party Form (Section-I). 9 2. Map showing World Heritage Sites in Pakistan 3. Books/Leaflets a) Taxiia Museum, by Mr. M. A. Halim, Department of Archaeology & Museums. b) Thatta by Mr. ldris Siddiqui, Department of Archaeology & Museums. c) Moenjodaro by Mr. Tahir Saeed, Department c~fArchaeology & Museums. d) Lahore Fort (Leaflet) e) Rohtas Fort (Leaflet) f) Shlamar Garden(Leaf1et) Periodic Reporting Exercise on the Application of the World Heritage Convention Section 1: Application of the World Heritage Convention by the State Party 1.I. Introduction Organisation(s) or entity(ies) responsible for preparation of this reF Organisation: Department of Archaeology 8 Museums Person responsible: Saeed-ur-Rehman (Director General) Address: 27A, Al Asif Building, Shaheede-Millid Road, City and Post Code: Karachi - Pakistan Telephone: 92-214520638 Fax: 92-21-4526558 E-mail: [email protected] Date of the report: 21-09-2002 Signature On Behalf Of The State Party Signature: Name: Saeed-ur-Rehman Function: Director General I 1.2 Identification of the cultural and natural properties This ltem refers in particular to Articles 3. 4 and 11 of the Convention regarding the identification of cultural and natural heritage and the nomination of properties for inscription on the World Heritage List. NationalInventories Inventories of cultural and natural heritage of national significance Form the basis for the identification of possible World Heritage properties. -
Ancient Universities in India
Ancient Universities in India Ancient alanda University Nalanda is an ancient center of higher learning in Bihar, India from 427 to 1197. Nalanda was established in the 5th century AD in Bihar, India. Founded in 427 in northeastern India, not far from what is today the southern border of Nepal, it survived until 1197. It was devoted to Buddhist studies, but it also trained students in fine arts, medicine, mathematics, astronomy, politics and the art of war. The center had eight separate compounds, 10 temples, meditation halls, classrooms, lakes and parks. It had a nine-story library where monks meticulously copied books and documents so that individual scholars could have their own collections. It had dormitories for students, perhaps a first for an educational institution, housing 10,000 students in the university’s heyday and providing accommodations for 2,000 professors. Nalanda University attracted pupils and scholars from Korea, Japan, China, Tibet, Indonesia, Persia and Turkey. A half hour bus ride from Rajgir is Nalanda, the site of the world's first University. Although the site was a pilgrimage destination from the 1st Century A.D., it has a link with the Buddha as he often came here and two of his chief disciples, Sariputra and Moggallana, came from this area. The large stupa is known as Sariputra's Stupa, marking the spot not only where his relics are entombed, but where he was supposedly born. The site has a number of small monasteries where the monks lived and studied and many of them were rebuilt over the centuries. We were told that one of the cells belonged to Naropa, who was instrumental in bringing Buddism to Tibet, along with such Nalanda luminaries as Shantirakshita and Padmasambhava. -
Problems of Chronology in Gandhāran Art
Rienjang and Stewart (eds) Problems of Chronology in Gandhāran Art Edited by Wannaporn Rienjang Peter Stewart Problems of Chronology in Gandhāran Art Since the beginning of Gandhāran studies in the nineteenth century, chronology has been one of the most significant challenges to the understanding of Gandhāran art. Many other ancient societies, including those of Greece and Rome, have left a wealth of textual sources which have put their fundamental chronological frameworks beyond doubt. In the absence of such sources on a similar scale, even the historical eras cited on inscribed Gandhāran works of art have been hard to place. Few sculptures have such inscriptions and the majority lack any record of find-spot or even general provenance. Those known to have been found at particular sites were sometimes moved and reused in antiquity. Consequently, the provisional dates assigned to extant Gandhāran sculptures have sometimes differed by centuries, while the narrative of artistic development remains doubtful and inconsistent. Building upon the most recent, cross-disciplinary research, debate and excavation, this volume reinforces a new consensus about the chronology of Gandhāra, bringing the history of Gandhāran art into sharper focus than ever. By considering this tradition in its wider context, alongside contemporary Indian art and subsequent developments in Central Asia, the authors also open up fresh questions and problems which a new phase of research will need to address. Problems of Chronology in Gandhāran Art is the first publication of the Gandhāra Connections project at the University of Oxford’s Classical Art Research Centre, which has been supported by the Bagri Foundation and the Neil Kreitman Foundation. -
Occasional Publication
OCCASIONAL PUBLICATION 1 INDIA INTERNATIONAL CENTRE 40, MAX, MUELLERMARG, NEW DELHI-110 003 TEL.: 24619431 FAX: 24627751 / ... BB.gI r Dog Pe"allo~ n B. 0~" I " Map (Not to scale) of Archeological Sites in Gandhara, around Pes ha war Acknowledgement: Photographs of the sites ofTaxila are the copyright of AS!. The views expressed in this publication are solely those of the author(s) and not of the India International Centre The Occasional Publication series is coordinated and edited by Bela Butalia, Deputy Editor, and published for the India International Centre by Cmde. R. Datta. Design: Kamal Purna Jammual. Ancient Gandhara Then and Now Dr B.R. Mani Joint Director-General Archaeological Survey of India andhara is mentioned in the Rigveda in the context of producing quality wool. It is further mentioned in the Atharvaveda, Sutra G literature and many of the Sanskrit and Pali texts of later times. It was one of the Sixteen Great States mentioned in the Anguttara Nikaya. Tradition records that the name of Gandhara was derived from the name of Druhyu King Gandhara, the son ofAngara.' The core area of Gandhara seems to be the region with Lamghan and Jalalabad to the west, the hills of Swat and Buner to the north, the Indus to the east and the hills of Kala Bagh to the south.' Pushkalavati (Charsadda) and Takshasila (Taxila) were the capitals of Candhara, in its western and eastern parts respectively. Pali literature often mentions Gandhara together with Kassamira (Kashmir) although amongst the Sixteen Great States, Gandhara is mentioned along with Kamboja and Madra. -
Role of Gandhara in Spread of Styles, Influence of Gandhara Art and Influences on Gandhara Art
2013 Hawaii University International Conferences Arts, Humanities, & Social Sciences January 6th to January 8th Ala Moana Hotel Honolulu, Hawaii Role of gandhara in spread of styles, Influence of Gandhara Art and Influences on Gandhara Art SAMINA SALEEM Quaid-i-Azam University, Islamabad, Pakistan Role of Gandhara in spread of styles (Its influences) 1 Samina Saleem Academic Qualification: Masters in Fine Arts from University of Punjab, Pakistan. Presently: student of M.Phil in Asian Studies, Taxila Institute of Asian Civilizations, Quaid-i-Azam University, Islamabad, Pakistan. Personal Position: Working as Assistant Professor in Fine Arts, in Government Post Graduate College for Women Satellite Town, Rawalpindi, Pakistan. Date of Birth: 18th April, 1963 Nationality: Pakistani Address (Work): Taxila Institute of Asian Civilizations, Quaid-i-Azam University, Islamabad, Pakistan. Title of Research: Role of Gandhara in spread of styles (Comparison of South Asian Civilization of Gandhara; and its influences on Later Eastern and Western Art) Role of Gandhara in spread of styles (Its influences) 2 ABSTRACT BY SAMINA SALEEM Role of gandhara in spread of styles, Influence of Gandhara Art and Influences on Gandhara Art Basic purpose of this paper is to provide the students and researcher a new dimension to look into the art of South Asian region. This art which is known as Gandhara art flourished here from 1st Millennium to the of the 11th century AD. First part of Paper is comprised of brief history of this area, that is a part of subcontinent specially Pakistan. This area has been a trade route from west to East, also been having a magnetic attraction for West since long, because it has versatility in its Geography, climate and also its inhabitants. -
Gandharan Sculptures in the Peshawar Museum (Life Story of Buddha)
Gandharan Sculptures in the Peshawar Museum (Life Story of Buddha) Ihsan Ali Muhammad Naeem Qazi Hazara University Mansehra NWFP – Pakistan 2008 Uploaded by [email protected] © Copy Rights reserved in favour of Hazara University, Mansehra, NWFP – Pakistan Editors: Ihsan Ali* Muhammad Naeem Qazi** Price: US $ 20/- Title: Gandharan Sculptures in the Peshawar Museum (Life Story of Buddha) Frontispiece: Buddha Visiting Kashyapa Printed at: Khyber Printers, Small Industrial Estate, Kohat Road, Peshawar – Pakistan. Tel: (++92-91) 2325196 Fax: (++92-91) 5272407 E-mail: [email protected] Correspondence Address: Hazara University, Mansehra, NWFP – Pakistan Website: hu.edu.pk E-mail: [email protected] * Professor, Department of Archaeology, University of Peshawar, Currently Vice Chancellor, Hazara University, Mansehra, NWFP – Pakistan ** Assistant Professor, Department of Archaeology, University of Peshawar, Pakistan CONTRIBUTORS 1. Prof. Dr. Ihsan Ali, Vice Chancellor Hazara University, Mansehra, Pakistan 2. Muhammad Naeem Qazi, Assistant Professor, Department of Archaeology, University of Peshawar, Pakistan 3. Ihsanullah Jan, Lecturer, Department of Cultural Heritage & Tourism Management, Hazara University 4. Muhammad Ashfaq, University Museum, Hazara University 5. Syed Ayaz Ali Shah, Department of Archaeology, University of Peshawar, Pakistan 6. Abdul Hameed Chitrali, Lecturer, Department of Cultural Heritage & Tourism Management, Hazara University 7. Muhammad Imran Khan, Archaeologist, Charsadda, Pakistan 8. Muhammad Haroon, Archaeologist, Mardan, Pakistan III ABBREVIATIONS A.D.F.C. Archaeology Department, Frontier Circle A.S.I. Archaeological Survery of India A.S.I.A.R. Archaeological Survery of India, Annual Report D.G.A. Director General of Archaeology E.G.A.C. Exhibition of the German Art Council I.G.P. Inspector General Police IsMEO Instituto Italiano Per il Medio ed Estremo Oriente P.M. -
Punjab Tourism for Economic Growth Final Report Consortium for Development Policy Research
Punjab Tourism for Economic Growth Final Report Consortium for Development Policy Research ABSTRACT This report documents the technical support provided by the Design Team, deployed by CDPR, and covers the recommendations for institutional and regulatory reforms as well as a proposed private sector participation framework for tourism sector in Punjab, in the context of religious tourism, to stimulate investment and economic growth. Pakistan: Cultural and Heritage Tourism Project ---------------------- (Back of the title page) ---------------------- This page is intentionally left blank. 2 Consortium for Development Policy Research Pakistan: Cultural and Heritage Tourism Project TABLE OF CONTENTS LIST OF ACRONYMS & ABBREVIATIONS 56 LIST OF FIGURES 78 LIST OF TABLES 89 LIST OF BOXES 910 ACKNOWLEDGMENTS 1011 EXECUTIVE SUMMARY 1112 1 BACKGROUND AND CONTEXT 1819 1.1 INTRODUCTION 1819 1.2 PAKISTAN’S TOURISM SECTOR 1819 1.3 TRAVEL AND TOURISM COMPETITIVENESS 2324 1.4 ECONOMIC POTENTIAL OF TOURISM SECTOR 2526 1.4.1 INTERNATIONAL TOURISM 2526 1.4.2 DOMESTIC TOURISM 2627 1.5 ECONOMIC POTENTIAL HERITAGE / RELIGIOUS TOURISM 2728 1.5.1 SIKH TOURISM - A CASE STUDY 2930 1.5.2 BUDDHIST TOURISM - A CASE STUDY 3536 1.6 DEVELOPING TOURISM - KEY ISSUES & CHALLENGES 3738 1.6.1 CHALLENGES FACED BY TOURISM SECTOR IN PUNJAB 3738 1.6.2 CHALLENGES SPECIFIC TO HERITAGE TOURISM 3940 2 EXISTING INSTITUTIONAL ARRANGEMENTS & REGULATORY FRAMEWORK FOR TOURISM SECTOR 4344 2.1 CURRENT INSTITUTIONAL ARRANGEMENTS 4344 2.1.1 YOUTH AFFAIRS, SPORTS, ARCHAEOLOGY AND TOURISM -
Ancient Coins
• Classical Numismatic Group Sale 32 Wednesday· December 7, 1994 • 2 PM in conjunction with the NEW YORK INTERNATIONAL A Public & Mail Bid Sale of AV Greek' Roman Republican • Roman Imperial' Byzantine' World' British Also incll/ding a mail bid only section of books featl/ring tIle Numismatic Library of Dr. Frank J. Novak OUR CURRENT LIST' XIX, 4 • OUT October 24, 1994 Tlw Classical Numismatic Review Featuring over 500 coins at fixed prices Holiday edition of our Book List also available Write for a complimentary copy of both Catalogue with prices realized $15/£10. Contact either our U.s. or U.K office. Seaby Coins Eric J. McFadden, Senior Director 14 Old Bond Street London WIX 4JL, United Kingdom (0171) 495-1888, Fax (0171) 499-5916 Classical Numismatic Group, Inc. Victor England, Senior Director Post Office Box 479 (j) Lancaster, Pennsylvania 17608-0479 (j). (717) 390-9194, Fax (717) 390-9978 • INSIDE THE CELATOR... Vol. 8, No. 11 FEATURES November 1994 6 Astrological omens commemorated The CeitlToJ( on Roman coins: The Ides of March Incorporating Roman Coins and Culture by Michael R . Molnar Publisner/Senior Editor Wayne G. Sayles 16 Sasanian bronze coins Editor minted in Alexandria Steven A. Sayles Page 6 by Ed Dobbins Office M anager The Ides of March by Michael R. Molnar Stephanie Schultz 34 The case of the curious coin of Production Ass t. Caligula: A provincial bronze Nick Popp restruck with legend-only dies M I Parnell Nelson by Thomas P. McKenna The Cefator (ISSN 1# 10480986) is an 45 The sword of peace independent journal by Norman A.