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Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
Voices in My Head," a One-Man Show Anthony Michael Mcmurray Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2013 The creation of "Voices in My Head," a one-man show Anthony Michael McMurray Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation McMurray, Anthony Michael, "The creation of "Voices in My Head," a one-man show" (2013). LSU Master's Theses. 1485. https://digitalcommons.lsu.edu/gradschool_theses/1485 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. THE CREATION OF “VOICES IN MY HEAD”, A ONE-MAN SHOW A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Master of Fine Arts In The Department of Theatre by Anthony Michael McMurray B.A., University of Northern Colorado, 2010 May 2013 ACKNOWLEDGEMENTS First and foremost I would like to thank myself. The amount of hard work that I put into this project is astounding. I feel that my level of virtuosic comedy will never again be matched by man. My ability to be the most creative, clever, and charming person in the northern hemisphere is unmatched. If there were a noble peace prize for telling jokes, I would win in a landslide. -
Page | 1 VON FREEMAN NEA JAZZ MASTER (2012) Interviewee: Von
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. VON FREEMAN NEA JAZZ MASTER (2012) Interviewee: Von Freeman (October 3, 1923 – August 11, 2012) Interviewer: Steve Coleman Date: May 23-24, 2000 Repository: Archives Center, National Museum of American History Description: Transcript, 110 pp. Coleman: Tuesday, May 23rd, 2000, 5:22 pm, Von Freeman oral history. My name: I’m Steve Coleman. I’ll keep this in the format that I have here. I’d like to start off with where you were born, when you were born. Freeman: Let’s see. It’s been a little problem with that age thing. Some say 1922. Some say 1923. Say 1923. Let’s make me a year younger. October the 3rd, 1923. Coleman: Why is there a problem with the age thing? Freeman: I don’t know. When I was unaware that they were writing, a lot of things said that I was born in ’22. I always thought I was born in ’23. So I asked my mother, and she said she couldn’t remember. Then at one time I had a birth certificate. It had ’22. So when I went to start traveling overseas, I put ’23 down. So it’s been wavering between ’22 and ’23. So I asked my brother Bruz. He says, “I was always two years older than you, two years your elder.” So that put me back to 1923. So I just let it stand there, for all the hysterians – historian that have written about me. -
The Woman Behind Father's Day Wit and Wisdom
Belmont Village at Buckhead 5455 Glenridge Drive NE • Atlanta, GA 30342 • Tel 404-252-6271 • Fax 404-252-6508 June 2014 Lisa Davis Dodd, an Arkansas native, was Executive Director 96 when she died in 1978. (404) 252-6271 x 11 [email protected] Tim Rainey Building Engineer (404) 252-6271 x 26 [email protected] Patricia Mann Chef Manager Lisa Davis, Executive Director (404) 252-6271 x 29 [email protected] The Woman Behind Wit and Wisdom Lee Shaffer Father’s Day “By the time a man realizes that Community Relations It took a mother to bring equity maybe his father was right, he (404) 252-6271 x 16 to fathers. usually has a son who thinks he’s [email protected] As she sat in church more than wrong.” Keisha Jones 100 years ago in Spokane, Wash., —Charles Wadsworth Dir. Res. Care Services Sonora Smart Dodd listened to a “When I was a boy of 14, my (404) 252-6271 x 27 sermon about Mother’s Day. It father was so ignorant I could [email protected] made her wonder why there was hardly stand to have the old man Mary Ellen Wilkins no Father’s Day. Dodd, one of six around. But when I got to be 21, I Activity Memory Program children, was determined to find a was astonished at how much he Coordinator way to honor her father, who had learned in seven years.” (404) 252-6271 x 36 raised the family after Dodd’s —Mark Twain [email protected] mother died. That year, 1909, “Fatherhood is pretending the Montrese Williamson Dodd took her concerns to the present you love most is Human Resources Spokane Ministerial Alliance and soap-on-a-rope.” (404) 252-6271 x 20 suggested that fathers have their —Bill Cosby mwilliamson@ day. -
The Tim Ferriss Show Transcripts Episode 124: Jamie Foxx Show Notes and Links at Tim.Blog/Podcast
The Tim Ferriss Show Transcripts Episode 124: Jamie Foxx Show notes and links at tim.blog/podcast Tim Ferriss: Jamie, welcome to the show. Jamie Foxx: Man, thanks buddy. Tim Ferriss: I am so excited to be here. I'm admiring your setup, here. Jamie Foxx: Crazy, right? Tim Ferriss: This is where the magic happens. Jamie Foxx: To be honest with you, a lot of magic happens here. For the people that are listening, we are actually in my studio, my home studios. Studios – we’re talking about tech world. Studios, because of tech world, a lot of them dissipated in closed doors. Because if you think about when LMFAO came around, they didn’t need studios. They did all of their music on a laptop, flying from here to Germany or whatever like that and just dumped it onto – just pressed up the CD or the iTunes. So studios have almost become obsolete. But there’s something very interesting about this studio. First, just for people that are listening, this studio – and I'll describe it – it’s sort of plush, the carpet’s great, we can sit next to a grand piano. You hear the grand piano? [Plays piano] So we keep a grand piano around just to make sure we don’t get too techy. But what’s interesting about it is, it’s actually electric. But it’s an electric grand piano so we still have the wood to give you that warm sound. I think it makes a lot of sense because as music starts to progress, because of the way we record now, sometimes you lose a little bit of the heart of it. -
Cult of Death Llolt-D up in a Tt'u~ Fum(·''· Kurbh and H" Follltl\\L'r
. : ' ' \ .. , ... ' \ ' .·' .. ., "' •• Vo L X X I I s suE 3 . A p R I L 7 1 9 .. ... .. .. .. ' ' I 9 3 ·. I .' . .. .. i . f·. ·\ . ' ,. \ . ' \ . \ ': .. .. .• . - i. i . • ' ' · .· I . ' '· . .. .• . ~ ' ' ••• .. ~ .. • \ ·. .. .. .. ... .. ·. ..· . ., - ~ .. '. ·~ .. ' . .. -. : • t \ . ' .. -·. : .. .. · . ,, ....._ ..: •.. ... '.:. ..... .. .·. ' . I .. ; . \ ' .' . '. ·. .9Lmendment II: ·. • ... !• . • ·. · ' ' '-. .. ....... · ..... ... ...,. .. .• . , . ' . .. .. ' . ' . '· .. .. ·· ' . , . ·. ~ . • • • • '* • · " - .~ . -. • .. •' • ·. ... .. .- . .. :..,. - ~., ' . .... • .. • ..; ~:..... :~- ' """ \ ~· - ! ' I ·-· .. ·,. ' .\ -. • . ·, ··-. : '" .····. 4 .. ~ •• ... ... ... ··..- .. ' " . ' . - ... ·. ... ~ · ...· ... ... \ I • ..·· -. ' ' .. , ·. \ .. · .. ' . •. .. ... .. ....~ .· . .. .... I -; • .. i- : . Cult of Death llolt-d up in a Tt'u~ fum(·''· Kurbh and h" follltl\\l'r-. frnl'ntl~ ht-lil'H' he b ( hri,t-and till dPath du tht>m part T HE O THER S IDE L e "You can never really see what they see in this country until you have seen where they have been. Then you know why they are here, searching for a new life." But Ms. Payne, do you really, truly know why? I don't t think so. t Last month's issue of The Other Side had an article that talked about the Latino immigrant workers in e Southern California and their experiences here in the United States. The first mistake was to refer to them as r "illegals," ''beaners," and "wetbacks." I do not think that this story was written with malicious intent to hurt or offend anyone. It was an honest attempt of self-expression. I can see her honesty, but also her ignorance. You say that "they deserve a medal." Yes they do, but please do not belittle their situation. More than t a medal, they deserve a good job with fair wages and proper working facilities. What good is a medal if one 0 cannot afford a mantle to put it on. And maybe you thought you had it bad at Burger King for one year, but that is all many of us have. -
Skip-Groff-Oral-History-Interview.Pdf
SkipGroffInterviewFinal Skip Groff Interview 0:00:00 to 1:25:33 ________________________________________________________________________ [start at 00:00:00] Davis: My name is John Davis. I’m the performing arts metadata archivist at the University of Maryland. I’m speaking with Skip Groff. Skip, throughout your career, throughout your life, you seem to have worn many hats—DJ, record store owner, record label proprietor, album promoter. Many things. And I’d like to just talk to you about that today and get your story. That’s essentially what I’m here for today: Tuesday, September 19th, 2017. Groff: [laugh] Davis: So, basically I just want to get your story from the beginning. Groff: Well, the beginning in terms of music for me started in 1964. I went to Suitland High School in Prince George’s County, and I never listened to music, radio, anything, other than for Washington Senators games. It just was nothing that was part of my life at all. I was never exposed to it as a kid growing up in Japan. There was nothing that I had heard that made me want to listen to music. And it wasn’t until February of 1964, when The Beatles were going to be on Ed Sullivan, that Sunday, for their first appearance—all these kids in high school were talking about this great new group from England that was going to be on the show that Sunday. I was in the tenth grade, and as a warm-up to watching the show that Sunday, I started listening to the local station, WPGC, and heard so many things that sounded great besides the Beatles stuff, that I started listening to the other stations. -
Reference PUB TYPE Collected Works Materials General (130) Nl Jan 1992 JOURNAL CIT Biography Today; Vl
DOCUMENT RESUME SO 022 551 ED 351 257 Ed. AUTHOR Harris, Laurie Lanzen, Interest to Biography Today:Profiles of People of TITLE 1, January 1992. Young Readers,Volume 1, Issue ISSN-1058-2347 REPORT NO ISBN-1-55888-761-X; PUB DATE Jan 92 177p. NOTE Penobscot Building,,Detroit, MI AVAILABLE FROMOmnigraphics Inc., 48226 ($42 per year,3-4 issues). Serials (022) Reference PUB TYPE Collected Works Materials General (130) nl Jan 1992 JOURNAL CIT Biography Today; vl MFOI/PC08 Plus Postage. EDRS PRICE Literature; CurrentEvents; DESCRIPTORS *Biographies; *Childrens *Youth ABSTRACT quarterly periodical This is the firstissue of a new above) with designed to provide youngstudents (9 and well-known people in astory-telling format biographies/profiles of interesting than thosefound in more that are moreappealing and dictionaries. The first encyclopedic biographical comprehensive and Paula Abdul, Larry profiles of thefollowing persons: issue features Bush, Bill Berke Breathed,Barbara Bush, George Bird, Judy Blume, Matt Groening, Gorbachev, SteffiGraf, Wayne Gretzky, Cosby, Mikhail Bo Jackson, StevenJobs, Hammer, MartinHandford, Lee Iacocca, Nelson Mandela,Thurgood Marshall, Michael Jordan,Madeleine L'Engle, Powell Sally Ride,Pete Rose, H. Ann M. Martin,Luke Perry, Colin Waterson. Dr. Seuss, ClarenceThomas, and Bill Norman Schwarzkopf, categories of information:birth, include the following The profiles influences, memories, education,iirst job, major youth, early and family,writings, choosing a career, careerhighlights, marriage address. (DB) honors and awards,further reading, and best that can bemade Reproductions suppliedby EDRS are the from the originaldocument. *********************************************************************** to II In C\1 t,- 71" 1 r; 4 4* ,.,,,:,,----rn A-:-...e.,-, ., --`2.T.. 1 . , . I , 7 1 rINTI: _ a.- U S DEPARTMENT OF EDUCATION Office or Educational Research andImprovement EDUCATIONAL PESOURCESINFORMATION Featured in CENTER (ERIC) 'this document has been reProduDeAl As this issue.. -
Administration of Barack H. Obama, 2009 Remarks at a Townhall
Administration of Barack H. Obama, 2009 Remarks at a Townhall Meeting on Fatherhood and a Question-and-Answer Session June 19, 2009 The President. Hello, everybody. Please be seated. Thank you so much. And let me, first of all, thank John and Joe and Juan Carlos and Etan and Mike for sharing their remarkable stories with us. And let me thank Mike Strautmanis for helping to guide us through this process. Where did Mike go? There he is over there. A couple other people that I want to acknowledge. First of all, our terrific Secretary of Transportation, Ray LaHood, is here in the house. A dear friend of mine, former colleague in the Senate, Senator Evan Bayh is here; where is—Evan go. Okay. Chicago's own, Congressman Danny Davis, from the West Side—where's Danny? He was here a second ago. Give him a round of applause anyway. And I want to thank kids from the Life Pieces to Masterpieces as well—and Foundry United Methodist Church. Thank you very much for your participation. And I want to thank members of the faith-based advisory council's subcommittee on fatherhood that has helped us to organize these events today. Good afternoon, everybody. It is wonderful to see you. I see some familiar faces in the house. Rev, how are you doing? It is great to have all of you here today as we gear up to celebrate Father's Day and to recognize the vital role that fathers play in our communities and, obviously, in our families. This townhall marks the beginning of a national conversation that we hope to start about fatherhood and personal responsibility, about how fathers across America are meeting the challenges in their families and communities, and what government can do to support those who are having a difficult time. -
Interview CD-1
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JAMES MOODY NEA Jazz Master (1998) Interviewee: James Moody (March 26, 1925 – December 9, 2010) Interviewer: Lida Baker Date: August 19-20, 1993 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 121 pp. Baker: Okay, let's just start from the beginning. You were born in Savannah, Georgia, right? Moody: Right. 1925. March 26th. Uh-huh. [Affirmative] Baker: Tell me a little about your family. About your parents? Moody: My -- I knew my mother, Lida [phonetic sp.], but -- but I didn't meet my father till I was 21 years old. Baker: Really? Moody: Worked at -- with Gillespie. I was in -- I was with the band and we came to Indianapolis, nap time. Baker: [laughs] Moody: And this gentleman came up to the bus and asked me if my mother's name was Ruby Moody [phonetic sp.] and if my grandfather's name was James Hamm [phonetic sp.] and my grandmother's name was Maddie Hamm [phonetic sp.], and I told him, "Yeah." Everything was For additional information contact the Archives Center at 202.633.3270 or [email protected] affirmative and he said, "Well, I'm your father." You know. [indiscernible] I said, "Well, what know, pop?" Baker: [laughs] Moody: You know, 'cause I didn't feel anything when he said he was my father, but, "Well, glad to see you." You know, so that's what that was. Baker: Wow! Moody: And I thought that he played trumpet. -
The Absolutely True Diary of a Part-Time Indian by Sherman Alexie Art by Ellen Forney
The Absolutely True Diary of a Part-time Indian by Sherman Alexie art by Ellen Forney LB LITTLE, BROWN AND COMPANY New York Boston Copyright © 2007 by Sherman Alexie Illustrations copyright © 2007 by Ellen Forney Interview © 2009 by Hachette Book Group, Inc. Discussion guide prepared by Beverly Slapin, Oyate Design by Kirk Benshoff All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission the publisher. The Absolutely True Diary of a Part-time Indian The Black-Eye-of-the-Month Club I was born with water on the brain. Okay, so that's not exactly true. I was actually born with too much cerebral spinal fluid inside my skull. But cerebral spinal fluid is just the doctors' fancy way of saying brain grease. And brain grease works inside the lobes like car grease works inside an engine. It keeps things running smooth and fast. But weirdo me, I was born with too much grease inside my skull, and it got all thick and muddy and disgusting, and it only mucked up the works. My thinking and breathing and living engine slowed down and flooded. My brain was drowning in grease. But that makes the whole thing sound weirdo and funny, like my brain was a giant French fry, so it seems more serious and poetic and accurate to say, "I was born with water on the brain." Okay, so maybe that's not a very serious way to say it, either.