2020 National Headliner Award Winners
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83Rd National Headliner Awards Winners
83rd National Headliner Awards winners The 83rd National Headliner Award winners were announced today honoring the best journalism in newspapers, photography, radio, television and online. The awards were founded in 1934 by the Press Club of Atlantic City. The annual contest is one of the oldest and largest in the country that recognizes journalistic merit in the communications industry. Here is a list of this year's winners beginning with the Best of Show in each category: Best of show: Newspapers “Painkiller Profiteers” Eric Eyre Charleston Gazette-Mail, Charleston, W. Va. Best of show: Photography “An Assassination” Burhan Ozbilici Associated Press, New York, N.Y. Best of show: Online The Panama Papers, the International Consortium of Investigative Journalists, a project of the Center for Public Integrity Best of show: Radio “Texas Standard: Out of the Blue: 50 Years After the UT Tower Shooting” Texas Standard staff Texas Standard, Austin, Texas Best of show: TV First place “Cosecha de Miseria (Harvest of Misery) & The Source” Staff of weather.com and Telemundo Network weather.com and Telemundo Network, New York, N.Y. DAILY NEWSPAPERS AND NEWS SYNDICATES Spot News in daily newspapers, all sizes First Place “Dallas Police Shootings” The Dallas Morning News Staff Dallas, Texas Second Place “Oakland's Ghost Ship warehouse fire” East Bay Times staff East Bay Times, San Jose, California Third Place “The Shooting Death of Philando Castile” Star Tribune staff Star Tribune, Minneapolis, Minnesota Local news beat coverage or continuing story by an individual or team First Place “The Pulse Shooting” Orlando Sentinel staff Orlando Sentinel, Orlando, Fla. -
ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
Radio and Television Correspondents' Galleries
RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES* SENATE RADIO AND TELEVISION GALLERY The Capitol, Room S–325, 224–6421 Director.—Michael Mastrian Deputy Director.—Jane Ruyle Senior Media Coordinator.—Michael Lawrence Media Coordinator.—Sara Robertson HOUSE RADIO AND TELEVISION GALLERY The Capitol, Room H–321, 225–5214 Director.—Tina Tate Deputy Director.—Olga Ramirez Kornacki Assistant for Administrative Operations.—Gail Davis Assistant for Technical Operations.—Andy Elias Assistants: Gerald Rupert, Kimberly Oates EXECUTIVE COMMITTEE OF THE RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES Joe Johns, NBC News, Chair Jerry Bodlander, Associated Press Radio Bob Fuss, CBS News Edward O’Keefe, ABC News Dave McConnell, WTOP Radio Richard Tillery, The Washington Bureau David Wellna, NPR News RULES GOVERNING RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES 1. Persons desiring admission to the Radio and Television Galleries of Congress shall make application to the Speaker, as required by Rule 34 of the House of Representatives, as amended, and to the Committee on Rules and Administration of the Senate, as required by Rule 33, as amended, for the regulation of Senate wing of the Capitol. Applicants shall state in writing the names of all radio stations, television stations, systems, or news-gathering organizations by which they are employed and what other occupation or employment they may have, if any. Applicants shall further declare that they are not engaged in the prosecution of claims or the promotion of legislation pending before Congress, the Departments, or the independent agencies, and that they will not become so employed without resigning from the galleries. They shall further declare that they are not employed in any legislative or executive department or independent agency of the Government, or by any foreign government or representative thereof; that they are not engaged in any lobbying activities; that they *Information is based on data furnished and edited by each respective gallery. -
What Inflamed the Iraq War?
Reuters Institute for the Study of Journalism Fellowship Paper, University of Oxford What Inflamed The Iraq War? The Perspectives of American Cartoonists By Rania M.R. Saleh Hilary Term 2008 1 ACKNOWLEDGEMENT I would like to express my deepest appreciation to the Heikal Foundation for Arab Journalism, particularly to its founder, Mr. Mohamed Hassanein Heikal. His support and encouragement made this study come true. Also, special thanks go to Hani Shukrallah, executive director, and Nora Koloyan, for their time and patience. I would like also to give my sincere thanks to Reuters Institute for the Study of Journalism, particularly to its director Dr Sarmila Bose. My warm gratitude goes to Trevor Mostyn, senior advisor, for his time and for his generous help and encouragement, and to Reuter's administrators, Kate and Tori. Special acknowledgement goes to my academic supervisor, Dr. Eduardo Posada Carbo for his general guidance and helpful suggestions and to my specialist supervisor, Dr. Walter Armbrust, for his valuable advice and information. I would like also to thank Professor Avi Shlaim, for his articles on the Middle East and for his concern. Special thanks go to the staff members of the Middle East Center for hosting our (Heikal fellows) final presentation and for their fruitful feedback. My sincere appreciation and gratitude go to my mother for her continuous support, understanding and encouragement, and to all my friends, particularly, Amina Zaghloul and Amr Okasha for telling me about this fellowship program and for their support. Many thanks are to John Kelley for sharing with me information and thoughts on American newspapers with more focus on the Washington Post . -
CBS News Archives, Our Efforts in Preservation and End with Some Suggestions Addressing the Mission of This Panel
DOUG MCKINNEY, DIRECTOR, CBS-NEWS ARCHIVES FOR ORAL PRESENTATION TO LIBRARY OF CONGRESS STUDY RE TV . PRESERVATION (3/19/96): It is with a combination of some relief and awe that we come before this panel, the nature of which has been imagined as a hoped-for eventuality, now gladly arrived. While many eloquent voices are here to cry, we no longer face such a wilderness. The preservation of entertainment programming as it applies to CBS will be addressed by other counterparts at the Los Angeles hearing. Today, in tandem with Mr. DeCesare, I will focus my remarks on the nature of CBS News Archives, our efforts in preservation and end with some suggestions addressing the mission of this panel. CBS has the largest collection of its kind among the major networks, having kept and maintained more material generally in addition to having started earlier. Dating principally from 1950 to the present, CBS News Archives has well over a million videotapes, including original field cassettes as well as program broadcasts, and several million feet of hard news film, as well as 80,000 containers of film and tape masters, . prints, program negatives and outtake material from long-form documentaries and news magazine programs. All materials are stored in Manhattan on approximabely 60,000 square feet of climate-controlled space. (All nitrate film was transferred to safety stock some years ago.) In addition,. copies of the CBS Evening News from the mid-'70s to present, and of many other CBS News broadcasts including special and documentary programs are on deposit at the National Archives via Library of Congress copyright registration. -
News and Documentary Emmy Winners 2020
NEWS RELEASE WINNERS IN TELEVISION NEWS PROGRAMMING FOR THE 41ST ANNUAL NEWS & DOCUMENTARY EMMY® AWARDS ANNOUNCED Katy Tur, MSNBC Anchor & NBC News Correspondent and Tony Dokoupil, “CBS This Morning” Co-Host, Anchor the First of Two Ceremonies NEW YORK, SEPTEMBER 21, 2020 – Winners in Television News Programming for the 41th Annual News and Documentary Emmy® Awards were announced today by The National Academy of Television Arts & Sciences (NATAS). The News & Documentary Emmy® Awards are being presented as two individual ceremonies this year: categories honoring the Television News Programming were presented tonight. Tomorrow evening, Tuesday, September 22nd, 2020 at 8 p.m. categories honoring Documentaries will be presented. Both ceremonies are live-streamed on our dedicated platform powered by Vimeo. “Tonight, we proudly honored the outstanding professionals that make up the Television News Programming categories of the 41st Annual News & Documentary Emmy® Awards,” said Adam Sharp, President & CEO, NATAS. “As we continue to rise to the challenge of presenting a ‘live’ ceremony during Covid-19 with hosts, presenters and accepters all coming from their homes via the ‘virtual technology’ of the day, we continue to honor those that provide us with the necessary tools and information we need to make the crucial decisions that these challenging and unprecedented times call for.” All programming is available on the web at Watch.TheEmmys.TV and via The Emmys® apps for iOS, tvOS, Android, FireTV, and Roku (full list at apps.theemmys.tv). Tonight’s show and many other Emmy® Award events can be watched anytime, anywhere on this new platform. In addition to MSNBC Anchor and NBC. -
1 Curriculum Vitae Philip Matthew Stinson, Sr. 232
CURRICULUM VITAE PHILIP MATTHEW STINSON, SR. 232 Health & Human Services Building Criminal Justice Program Department of Human Services College of Health & Human Services Bowling Green State University Bowling Green, Ohio 43403-0147 419-372-0373 [email protected] I. Academic Degrees Ph.D., 2009 Department of Criminology College of Health & Human Services Indiana University of Pennsylvania Indiana, PA Dissertation Title: Police Crime: A Newsmaking Criminology Study of Sworn Law Enforcement Officers Arrested, 2005-2007 Dissertation Chair: Daniel Lee, Ph.D. M.S., 2005 Department of Criminal Justice College of Business and Public Affairs West Chester University of Pennsylvania West Chester, PA Thesis Title: Determining the Prevalence of Mental Health Needs in the Juvenile Justice System at Intake: A MAYSI-2 Comparison of Non- Detained and Detained Youth Thesis Chair: Brian F. O'Neill, Ph.D. J.D., 1992 David A. Clarke School of Law University of the District of Columbia Washington, DC B.S., 1986 Department of Public & International Affairs College of Arts and Sciences George Mason University Fairfax, VA A.A.S., 1984 Administration of Justice Program Northern Virginia Community College Annandale, VA 1 II. Academic Positions Professor, 2019-present (tenured) Associate Professor, 2015-2019 (tenured) Assistant Professor, 2009-2015 (tenure track) Criminal Justice Program, Department of Human Services Bowling Green State University, Bowling Green, OH Assistant Professor, 2008-2009 (non-tenure track) Department of Criminology Indiana University of -
Tuscaloosa, Alabama
CREATIVE COMMUNITY TUSCALOOSA, ALABAMA DANCE LITERATURE MUSIC THEATRE • Drishti • Alabama Heritage Magazine • Alabama Public Radio (WUAL) • Stillman College Fine Arts Department • Actor’s Charitable Theatre • Druid City Ballet • Improbable Fictions • Alabama Blues Project • The University of Alabama Community Music School • The Rude Mechanicals • Numerous Dance Schools available to the public • Nano Fiction • Alabama Choir School • The University of Alabama Opera Theatre • The University of Alabama Department of Theatre and Dance • The Dance Initiative • Poetry Out Loud • Chamber Music Tuscaloosa • The University of Alabama School of Music • Theatre Tuscaloosa • The University of Alabama Department of Theatre and Dance • The University of Alabama English Department-Creative Writing • City of Tuscaloosa Arts and Entertainment • Tuscaloosa City Schools Fine Arts • Tuscaloosa Children’s Theatre • Tuscaloosa City Schools Fine Arts • The University of Alabama Press Tuscaloosa Amphitheater Strings in Schools • Tuscaloosa City Schools Fine Arts • Tuscaloosa Community Dancers • Crimson Pride Chorus • Tuscaloosa County Schools Fine Arts • Tuscaloosa County Schools Fine Arts • Prentice Concert Chorale • Tuscaloosa Symphony Orchestra • Tuscaloosa Theatre Troupe VISUAL ART • Shelton State Community College Fine Arts Department • Art Garage • United States Federal Court House Murals • Bama Theatre’s Junior League Gallery • The University of Alabama Department of Art and Art History MUSEUMS & HISTORIC PLACES • Betak Frangoulis Art Gallery Paul R. Jones -
View Media Tips
A Nina Mason Pulliam Charitable Trust Learning Event Panelists Kathy Tulumello Mark Phillips News Director Political Editor Arizona Republic KNXV-TV ABC 15 Andrea Tyler Evans Matt Wendt Publisher Executive Producer Frontdoors Media KPNX-TV 12 News Al Macias Kim Covington News Director Senior Director KJZZ/KBACH Arizona Community Foundation A Nina Mason Pulliam Charitable Trust Learning Event Panelist's insight • We look for stories that identify with the audience and/or make a difference in their lives. • People crave a wealth of different types of information. They want the latest sports scores, information on the newest craft breweries, a quick heartwarming story, an update on crime in their area, a deep look at important issues like water or child welfare or charter schools. • Major news outlets provide stories at the top of the news funnel, but draw people into deeper reporting. It’s all about striking a balance so that the audience comes back for more. • All media solicit feedback from listeners/readers/viewers/users and use it to create better content and understand what information their audience desires. A Nina Mason Pulliam Charitable Trust Learning Event Media Tips A Nina Mason Pulliam Charitable Trust Learning Event Six ways to make a story powerful 1. Simplicity • Don’t try to convey too many messages at once. 2. Emotion • Good stories will evoke emotion: anger, disgust, fear, happiness, sadness or surprise. 3. Humanity • Show vulnerability; what makes us human? 4. Passion • Don’t be afraid to convey the passion that drives you as the storyteller or your story subjects. 5. -
The Global Network for Women in the News Media 2011 – 2012
INTERNATIONAL WOMEN’S MEDIA FOUNDATION The Global Network for Women in the News Media 2011 Staff Elisa Lees Munoz Executive Director Alana Barton Program Manager Nadine Hoffman Director of Programs Anna Schiller Communications Strategist – Mary Lundy Semela Director of Development Ann Marie Valentine Program Assistant 20 12 D THE INTERNATIonal Women’s MEDIA FOUNDATION • ANNUAL REPORT 2011-2012 May 2013 From the IWMF Co-Chairs Dear Friends and Supporters, The International Women’s Media Foundation is actively strengthening the quantity and impact of women’s voices in the news media worldwide. Through pioneering programs and opportunities for women journalists, the IWMF effects change in newsrooms. We empower women journalists with the training, support and network they need to become leaders in the news industry, and we promote freedom of the press by recognizing brave reporters who speak out on global issues. Journalists from Ethiopia, Gaza and Azerbaijan were honored in 2012 with Courage in Journalism Awards. “I knew that I would pay the price for my courage and I was ready to accept that price,” 2012 Courage Award winner Reeyot Alemu told the IWMF. A columnist for the independent Ethiopian newspaper Feteh, Alemu received a prison sentence after being wrongfully convicted of terrorism charges related to her reporting. IWMF initiatives help women journalists thrive in their profession across the world. For example, the IWMF boosts women’s participation as entrepreneurs in the digital news media with a grant program that provides selected women journalists the opportunity to launch innovative digital media startups. Since 2011, six $20,000 grants have been awarded through the Women Entrepreneurs in the Digital News Frontier program. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Rhetorical Logic Bombs and Fragmented Online Publics of Vaccine Science
Journal of Contemporary Rhetoric, Vol. 7, No.4, 2017, pp. 203-216. Rhetorical Logic Bombs and Fragmented Online Publics of Vaccine Science Miles C. Coleman Vaccine denialists are commonly conceived as those who trade “internet articles” within their own “worlds.” Such fragmentation of publics is often regarded as a problem exacerbated by the technical features of the web (e.g., the algorithms of search engines and news aggregators) allowing people to avoid texts inharmonious to their already established worldviews. I make the point that such fragmentation is not simply a technical problem, solved by adding “diversity of texts,” exposing members of fragmented publics to new content, but also a rhetorical one, requiring adaptive engagement with the forms, and lines of argument, practiced between others’, and one’s own, publics. Rhe- torical logic bombing is offered as the strategy of placing media within the common network of texts that constitutes a given fragmented public in order to “sneak in” a critique of the belief-structures of that public. Keywords: digital rhetoric, rhetoric of science and technology, vaccination, rhetorical logic bombs, networked publics What a thing was this, too, which that mighty man wrought and endured in the carven horse, wherein all we chiefs of the Argives were sitting, bearing to the Trojans death and fate! Then thou camest thither, and it must be that thou wast bidden by some god, who wished to grant glory to the Trojans, and godlike Deiphobus followed thee on thy way.1 In the legend of the “Trojan Horse,” Greek soldiers hid inside a large horse, carved of wood, as the rest of their comrades feigned retreat and sailed away from Troy.