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Research and Development
Annual Report 2010-11 Research and Development RESEARCH AND DEVELOPMENT FACULTY OF ARTS & HUMANITIES DEPARTMENT OF ARCHAEOLOGY Projects: (i) Completed UNESCO funded project ―Sui Vihar Excavations and Archaeological Reconnaissance of Southern Punjab” has been completed. Research Collaboration Funding grants for R&D o Pakistan National Commission for UNESCO approved project amounting to Rs. 0.26 million. DEPARTMENT OF ENGLISH LANGUAGE & LITERATURE Publications Book o Spatial Constructs in Alamgir Hashmi‘s Poetry: A Critical Study by Amra Raza Lambert Academic Publishing, Germany 2011 Conferences, Seminars and Workshops, etc. o Workshop on Creative Writing by Rizwan Akthar, Departmental Ph.D Scholar in Essex, October 11th , 2010, Department of English Language & Literature, University of the Punjab, Lahore. o Seminar on Fullbrght Scholarship Requisites by Mehreen Noon, October 21st, 2010, Department of English Language & Literature, Universsity of the Punjab, Lahore. Research Journals Department of English publishes annually two Journals: o Journal of Research (Humanities) HEC recognized ‗Z‘ Category o Journal of English Studies Research Collaboration Foreign Linkages St. Andrews University, Scotland DEPARTMENT OF FRENCH LANGUAGE AND LITERATURE R & D-An Overview A Research Wing was introduced with its various operating desks. In its first phase a Translation Desk was launched: Translation desk (French – English/Urdu and vice versa): o Professional / legal documents; Regular / personal documents; o Latest research papers, articles and reviews; 39 Annual Report 2010-11 Research and Development The translation desk aims to provide authentic translation services to the public sector and to facilitate mutual collaboration at international level especially with the French counterparts. It addresses various businesses and multi national companies, online sales and advertisements, and those who plan to pursue higher education abroad. -
Ky; Okf”Kzd Izfrosnu
2013-14 tokgjyky usg# fo’ofo|ky; Jawaharlal Nehru University okf”kZd izfrosnu 44 Annual Report Contents THE LEGEND 1 ACADEMIC PROGRAMMES AND ADMISSIONS 5 UNIVERSITY BODIES 10 SCHOOLS AND CENTRES 19-302 School of Arts and Aesthetics (SA&A) 19 School of Biotechnology (SBT) 35 School of Computational and Integrative Sciences (SCIS) 40 School of Computer & Systems Sciences (SC&SS) 45 School of Environmental Sciences (SES) 51 School of International Studies (SIS) 60 School of Language, Literature & Culture Studies (SLL&CS) 101 School of Life Sciences (SLS) 136 School of Physical Sciences (SPS) 154 School of Social Sciences (SSS) 162 Centre for the Study of Law & Governance (CSLG) 281 Special Centre for Molecular Medicine (SCMM) 292 Special Centre for Sanskrit Studies (SCSS) 297 ACADEMIC STAFF COLLEGE 303 STUDENT’S ACTIVITIES 312 ENSURING EQUALITY 320 LINGUISTIC EMPOWERMENT CELL 324 UNIVERSITY ADMINISTRATION 327 CAMPUS DEVELOPMENT 331 UNIVERSITY FINANCE 332 OTHER ACTIVITIES 334-341 Gender Sensitisation Committee Against Sexual Harassment 334 Alumni Affairs 336 Jawaharlal Nehru Institute of Advanced Studies 336 International Collaborations 340 CENTRAL FACILITIES 342-370 University Library 342 University Science Instrumentation Centre 358 Advanced Instrumentation Research Facility 360 University Employment Information & Guidance Bureau 370 JNU Annual Report 2012-13 iii FACULTY PUBLICATIONS 371-463 FACULTY RESEARCH PROJECTS 464-482 ANNEXURES 483-574 MEMBERSHIP OF UNIVERSITY BODIES 483 University Court 483 Executive Council 489 Academic Council 490 Finance Committee 495 TEACHERS 496 Faculty Members 496 Emeritus/Honorary Professors 509 Faculty Members Appointed 510 Faculty Members Confirmed 512 Faculty Members Resigned 512 Faculty Members Retired Compulsorily 513 Faculty Members Retired Superannuation 513 Faculty members Re-employed 513 RESEARCH SCHOLARS 514-574 Ph.D. -
SADEQUAIN Born 1930, Amroha, India Died 1987, Karachi
SADEQUAIN Born 1930, Amroha, India Died 1987, Karachi, Pakistan B.A. in Art History and Geography, Agra University (1948) Syed Sadequain Ahmed Naqvi was one of the first Pakistani artists to gain international recognition, embarking on his notable career with an award from the Biennale de Paris in 1961. The artist was born in Amroha, India, descending from a family of Qur’an scribes and is recognized as the foremost calligrapher and painter of Pakistan, responsible for the renaissance of Islamic calligraphy in the country since the late 1960s and bringing the art form into the mainstream. In the late 1940s, Sadequain joined the Progressive Writers and Artists Movement and through his career, produced works of thematic content reflected by his commitment to social justice, and the progressive ideals of his peers of writers and poets. On the eve of Partition, Sadequain painted anti-British, nationalistic slogans in Dehli and such politically charged works gained the artist a wider, responsive audience both abroad and in Pakistan among the 1960s intelligentsia. Sadequain's unique visual vocabulary stemmed from the complex merging of Eastern (calligraphy) and Western (figurative) traditions in art, alongside Hindu and Muslim ideology. Sweeps of a calligraphic brush are echoed in the artist's flamboyant approach to painting figures but his forms and themes are mostly biographical. Contortions to figurative style arose from his observation of wild, defiant cacti growing against the odds in the deserts of Gadani (Karachi) which left an indelible impression on the artist and his work. Colors used are simplistic, yet provide strong structural elements through Sadequain's contrast of etched strokes. -
List of Ngos
Registration Sr. Name of NGO Address Status(Reg No,& No Date & Relevant Law Malot Commercial Center, Shahpur VSWA/ICT/494 ,Date: 1. Aas Welfare Association Simly Dam Road, Islamabad. 051- 6/9/2006, VSWA 2232394, 03005167142 Ordinance 1961 VSWA/ICT/439, Village Khana Dak, Madina Town, Date:31/3/2004, 2. Abaseen Welfare Society Jabbah, Barma Chowk, Islamabad. VSWA Ordinance 03005308511 1961 Office No.5, 1st Floor, A & K Plaza, F- VSWA/ICT/511,Date 3. Acid Survivors Foundation. 10 Markaz, Islamabad. 051-2214052, 02/08/2007, VSWA 03008438984 Ordinance 1961 VSWA/ICT/282, Date Ali Pur Frash Lehtrar Road, 4. Akhmat Welfare Centre 24/04/1998, VSWA Islamabad. 051-2519062 Ordinance 1961 Al Mustafa Towers VSWA/ICT/438, Date # 204, Al Mustafa Towers F-10 5. Residents Associations 27/03/2004,VSWA Markaz, Islamabad. 03458555872 (AMPTRWA) Ordinance 1961 VSWA/ICT/520, Date Al-Firdous Welfare Mohallah Ara, Bharakau, Islamabad. 6. 2/04/2008, VSWA Association 051-2512308, 03008565227 Ordinance 1961 VSWA/ICT/261,Date:0 Model Village Ali Pur Farash 7. Al-Itehad Welfare Society 5/08/1996, VSWA Islamabad. Ordinance 1961 VSWA/ICT/202,Date:1 NearF.G.Boys High School Shahdra 8. Al-Jihad Youth Organization 7/06/1993,VSWA Islamabad Ordinance 1961 VSWA/ICT/377, Date H.No.39 Gali No.67 I- 9. Al-Noor Foundation. 17.4.2002, VSWA 10/1,Islamabad.051-4443227 Ordinance 1961 VSWA/ICT/90, Date 10. Al-Noor Islamic Center Rawal Town Islamabad 2.12.1990 VSWA Ordinance 1961 VSWA/ICT/89, Date 11. Al-Noor Islamic Center Sharifabad Tarlai Islamabad 2.12.1990 VSWA Ordinance 1961 VSWA/ICT/271, Date PEC Building, Ataturk Avenue, G-5/2, 12. -
KARACHI BIENNALE CATALOGUE OCT 22 – NOV 5, 2017 KB17 Karachi Biennale Catalogue First Published in Pakistan in 2019 by KBT in Association with Markings Publishing
KB17 KARACHI BIENNALE CATALOGUE OCT 22 – NOV 5, 2017 KB17 Karachi Biennale Catalogue First published in Pakistan in 2019 by KBT in association with Markings Publishing KB17 Catalogue Committee Niilofur Farrukh, Chair John McCarry Amin Gulgee Aquila Ismail Catalogue Team Umme Hani Imani, Editor Rabia Saeed Akhtar, Assistant Editor Mahwish Rizvi, Design and Layouts Tuba Arshad, Cover Design Raisa Vayani, Coordination with Publishers Keith Pinto, Photo Editor Halima Sadia, KB17 Campaign Design and Guidelines (Eye-Element on Cover) Photography Credits Humayun Memon, Artists’ Works, Performances, and Venues Ali Khurshid, Artists’ Works and Performances Danish Khan, Artists’ Works and Events Jamal Ashiqain, Artists’ Works and Events Qamar Bana, Workshops and Venues Samra Zamir, Venues and Events ©All rights reserved. No part of this publication may be reproduced or used in any form or by any means graphic, electronic or mechanical including photocopying, recording, taping or information storage and retrieval system - without written permission of Karachi Biennale Trust ISBN Printed by Le Topical [email protected] [email protected] www.markings.com.pk Claremont House FOREWORD Sitaron say agay jehan aur bhi hain Abhi Ishaq kay imtehan aur bhi hain Many new worlds lie beyond the stars And many more challenges for the passionate and the spirited Allama Iqbal Artists with insight and passion have always re- by the state, have begun to shrink and many imagined the world to inspire fresh beginnings with turning points in Pakistan’s art remain uncelebrated hope. Sadequain communicated through public as they are absent from the national cultural murals, Bashir Mirza furthered the discourse with discourse. -
Sadequain in Paris
SADEQUAIN IN PARIS PRESS RELEASE: During this year’s Asian Art in London, Grosvenor Gallery will be exhibiting works by the Pakistani painter Syed Sadequain (1930-1987). Sadequain in Paris will run from the 5 - 14 November 2015, with a late night opening at the gallery on Sunday 8 November. Sadequain is regarded as one of the most important South Asian artists of the 20th century, and received widespread critical acclaim during his lifetime. The works on display were produced during the artist’s years in Paris (1961-1967), widely considered to be the peak of his career as an artist. Before he came to Europe Sadequain was a successful artist in Pakistan, and had already completed a number of municipal murals in Karachi and Lahore. Sadequain travelled to Paris in 1960 at the invitation of the International Association of Plastic arts. In 1961 he was the laureate winner at the 2nd Paris Biennale and was awarded a scholarship which allowed him to stay in Paris. The following years were some of the most important for Sadequain in terms of his artistic development, and he exhibited extensively in France, as well as in the USA and UK. He was well received by Parisian artistic society and in 1964 was directly compared to Picasso by the French media. One of the most significant events of his career in Paris was the awarding of the commission to illustrate a new edition of Albert Camus’ novel L’Étranger (The Stranger/The Outsider), one of the most important French novels of the 20th century. -
SADEQUAIN in PARIS 1961–1967 Grosvenor Gallery
GrosvenorGrosvenor Gallery Gallery SADEQUAINSADEQUAIN ININ PARIS PARIS 1961–19671961–1967 Grosvenor Gallery SADEQUAIN IN PARIS 1961–1967 Grosvenor Gallery SADEQUAIN IN PARIS 1961–1967 Cover Sadequain’s illustration for Albert Camus’ L’Étranger (detail) Lithograph on vélin de Rives paper 32.5 x 50.5 cm. (12 3/4 x 19 7/8 in.) Inside cover The Webbed XIX Pen and ink on paper Signed and dated ‘5.5.66’ lower left 50 x 71 cm. (19 11/16 x 27 15/16 in.) Grosvenor Gallery SADEQUAIN IN PARIS 1961–1967 5 November–14 November 2015 Syed Ahmed Sadequain Naqqash was arguably one of the most important South Asian artists of the 20th century. Sadequain was born in Amroha, today’s India, in 1930 to an educated North Indian Shia family, to which calligraphy was a highly valued skill. Following his education between Amroha and Agra and after a number of years working at various radio stations in Delhi and Karachi as a calligrapher- copyist, he began to dedicate more time to his artistic practices. In 1955 he exhibited a number of paintings at the residence of Prime Minister Huseyn Shaheed Suhrawardy, a liberal patron of the arts. Soon after this, he received a number of important governmental commissions for municipal murals, which led to a number of solo exhibitions in Pakistan. In 1960 Sadequain won the Pakistan National prize for painting, and was invited by the French Committee of the International Association of Plastic Arts to visit Paris. The following few years were to be some of the most important for the young artist in terms of his artistic development, and it was whilst in Paris that he began to achieve international critical acclaim. -
IQBAL REVIEW Journal of the Iqbal Academy, Pakistan
QBAL EVIEW I R Journal of the Iqbal Academy, Pakistan October 2004 Editor Muhammad Suheyl Umar IQBAL ACADEMY PAKISTAN Title : Iqbal Review (October 2004) Editor : Muhammad Suheyl Umar Publisher : Iqbal Academy Pakistan City : Lahore Year : 2004 Classification (DDC) : 105 Classification (IAP) : 8U1.66V12 Pages : 165 Size : 14.5 x 24.5 cm ISSN : 0021-0773 Subjects : Iqbal Studies : Philosophy : Research IQBAL CYBER LIBRARY (www.iqbalcyberlibrary.net) Iqbal Academy Pakistan (www.iap.gov.pk) 6th Floor Aiwan-e-Iqbal Complex, Egerton Road, Lahore. Table of Contents Volume: 45 Iqbal Review: October 2004 Number: 4 1. TIME, SPACE, AND THE OBJECTIVITY OF ETHICAL NORMS: THE TEACHINGS OF IBN AL-‘ARABI ........................................................................................ 6 2. THE IDEA OF CREATION IN IQBAL’S PHLOSOPHY OF RELIGION .............. 24 3. FREEDOM AND LAW ........................................................................................................... 34 4. THE UNIVERSAL APPEAL OF IQBAL’S VERSE ......................................................... 49 5. ISLAMIC MODERNITY AND THE DESIRING SELF: MUHAMMAD IQBAL AND THE POETICS OF NARCISSISM* ........................................................................... 66 6. …ÁIKMAT I MARA BA MADRASAH KEH BURD?: THE INFLUENCE OF SHIRAZ SCHOOL ON THE INDIAN SCHOLARS ....................................................... 98 7. IQBAL STUDIES IN BENGALI LITERATURE ........................................................... 115 8. THE BUYID DOMINATION AS THE HISTORICAL -
Flight to Pakistan
Flight to Pakistan Azam Gill BeWrite Books, UK www.bewrite.net Published internationally by BeWrite Books, UK. 32 Bryn Road South, Wigan, Lancashire, WN4 8QR. © Azam Gill 2003 The right of Azam Gill to be identified as the author has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. The right of Azam Gill to be recognized as the sole author is further asserted in accordance with international copyright agreements, laws and statutes. British Library Cataloguing in Publication Data. A catalogue record for this book is available from the British Library ISBN 1-904492-24-X Also available in print format from www.bewrite.net Digitally produced by BeWrite Books This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out or otherwise circulated without the publisher’s or author’s consent in any form other than this current form and without a similar condition being imposed upon a subsequent purchaser. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any means electronic, mechanical, photocopying, recording or otherwise without the permission of the publisher or author. This book is a work of fiction. Any similarity between the characters and situations within its pages and places or persons, living or dead, is unintentional and co-incidental. The author and publishers recognize and respect any trademarks included in this work by introducing such registered titles either in italics or with a capital letter. -
Proceedings of the 2Nd International Ismaili Studies Conference “Mapping a Pluralist Space in Ismaili Studies”
PROCEEDINGS OF THE 2ND INTERNATIONAL ISMAILI STUDIES CONFERENCE “MAPPING A PLURALIST SPACE IN ISMAILI STUDIES” March 9 – 10, 2017 Carleton Centre for the Study of Islam Carleton University Ottawa, Canada Edited by Karim H. Karim September 9, 2017 ISC2017 TABLE OF CONTENTS Critical Inquiry, Courage, and the Pursuit of Truth: Notes on the Second International Ismaili Studies Conference by Karim H. Karim 2 Message from Saiyedna Haatim Zakiyuddin Saheb 10 Statement by Wissam Tai Boudargham, Sami Makarem Foundation 11 Conference Program Overview 14 Detailed Conference Program 16 Excerpts from Professor Homi Bhabha’s Keynote Address 21 Music Workshop 25 Exhibits 27 The Ugandan Asian Archive Exhibit 27 Ismaili Manuscripts 27 Conference Papers 28 Historical Presences 29 . The Fatimids: Texts and Contexts 29 . The Ismaili State in Iran 33 . Ikhwan al-Safa 40 . Nasir-i Khusraw 45 . 19th & 20th Century Ismaili History in Africa 58 Rethinking Heritage 64 . Sacred and Secular Spaces 64 . Digitizing Resources 72 . Reimagining Ismaili Ta’wil 83 . Ginans 91 . Art and Music 100 . Religious Education 106 Communities, Borders, Identities 114 . Khoja and Other Shia Studies 114 . Ugandan Asian Expulsion 117 . Ismailis and Others 121 . Migration, Borders, Politics 135 . Identity, Practice and Participation in Canada 136 . Ismailis of Badakhshan 146 . The Aga Khan: Ideas and Institutions 149 Announcement: The Karim and Rosemin Karim Prize 152 Sources of Voluntary and Financial Support for the Conference 153 Conference Staff 155 Links to Other Conference Materials 156 1 ISC2017 CRITICAL INQUIRY, COURAGE, AND THE PURSUIT OF TRUTH: NOTES ON THE 2ND INTERNATIONAL ISMAILI STUDIES CONFERENCE Karim H. Karim Director, Carleton Centre for the Study of Islam Organizer, The 2nd International Ismaili Studies Conference His Highness the Aga Khan embedded, in all our conversations, the importance of questioning our assumptions and pushing them towards a greater, more generous, more shared, and more diverse view of what he often called the good society. -
DAM Collection 20180912.Xlsx
PM & CJP FUND FOR DIAMER BHASHA AND MOHMAND DAM ACCOUNT LIST OF DONOR FOR 12 SEP-18 RECEIPT Bank Depositor Name Amount AL BARAKA BANK (PAKISTAN) LTD YUSUF 0117 132,013.20 AL BARAKA BANK (PAKISTAN) LTD NASREEN SADIQ 0117 50,000.00 AL BARAKA BANK (PAKISTAN) LTD FARHAN KHAN 0117 31,600.00 AL BARAKA BANK (PAKISTAN) LTD NAZIR 0117 30,000.00 AL BARAKA BANK (PAKISTAN) LTD JAHANZEB 0117 10,000.00 AL BARAKA BANK (PAKISTAN) LTD ADC 0117 6,059.56 AL BARAKA BANK (PAKISTAN) LTD EJAZ UL HASAN 0117 5,000.00 AL BARAKA BANK (PAKISTAN) LTD SARWAT SALMAN 0117 5,000.00 AL BARAKA BANK (PAKISTAN) LTD NOMAN IFTIKHAR 0117 5,000.00 AL BARAKA BANK (PAKISTAN) LTD MUHAMMAD MAZHAR 0117 5,000.00 AL BARAKA BANK (PAKISTAN) LTD M AZMA RASHEED 0117 5,000.00 AL BARAKA BANK (PAKISTAN) LTD YUSUF HUSSAIN 0117 4,500.00 AL BARAKA BANK (PAKISTAN) LTD FAIROZA FAIZA 0117 3,100.00 AL BARAKA BANK (PAKISTAN) LTD HAKIM 0117 3,000.00 AL BARAKA BANK (PAKISTAN) LTD ALI SHER 0117 1,510.00 AL BARAKA BANK (PAKISTAN) LTD ASIF MALIK 0117 1,500.00 AL BARAKA BANK (PAKISTAN) LTD ADC 0117 1,000.00 AL BARAKA BANK (PAKISTAN) LTD OSAMA SHAH 0117 1,000.00 AL BARAKA BANK (PAKISTAN) LTD GHULAM HUSSAIN 0117 1,000.00 AL BARAKA BANK (PAKISTAN) LTD JAFAR 0117 1,000.00 AL BARAKA BANK (PAKISTAN) LTD MUZAFFAR AHMED 0117 1,000.00 AL BARAKA BANK (PAKISTAN) LTD M ASHFAQ 0117 1,000.00 AL BARAKA BANK (PAKISTAN) LTD UMER TARIQ 0117 1,000.00 AL BARAKA BANK (PAKISTAN) LTD ADNAN 0117 1,000.00 AL BARAKA BANK (PAKISTAN) LTD KAMRAN SHAH 0117 1,000.00 AL BARAKA BANK (PAKISTAN) LTD GULZAR 0117 1,000.00 AL BARAKA BANK (PAKISTAN) -
Sadequain | Exaltations Featuring Works from the Lost Exhibition
Sadequain | Exaltations Featuring works from The Lost Exhibition June 17th, 2014– July 18th, 2015 Press Preview & Opening Reception: Wednesday, June 17th 6:00pm – 8:00pm 35 Great Jones St., New York NY 10012 Aicon Gallery is proud to present the second major exhibition held in New York of the work of Sadequain, Pakistan’s most renowned and celebrated modernist painter. The exhibition includes rare works painted and left behind by the artist in Paris during the late 1960s. This body of work, now known as The Lost Exhibition, evinces Sadequain’s radically innovative calligraphic style of the period, while the individual works stand as some of the most formally commanding and revolutionary paintings of the artist’s long and prolific career. Though Sadequain’s oeuvre is by no means limited to Sadequain, Sun on the City, Oil on canvas 35 x 49 in. his calligraphic works, these paintings represent the pinnacle of his uniquely innovative approach, which allowed for calligraphy to be adapted into South Asian Modern art practices. Kufic, the oldest-known script in Arabic is characterized by angular strokes punctuated by dots and accents. The letters and words that sweep across Sadequain’s calligraphic canvases embody a richness of form and color that swirl together in majestic embrace. Sadequain explained how each letter in his calligraphic style exemplifies its own personality, mood, and character. Some are playful and radiant while others are thoughtful and dark. There is an intimate relationship between artist and artwork. Sadequain took the role of both painter and poet, fusing the two arts into a single, harmonious masterpiece.