How Has the Theatre District in Times Square Changed?
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Program Design: Tim Osborne
MATC Offi cers President: Beth Osborne, Florida State University 1st Vice President: Chris Woodworth, Hobart and William Smith Colleges 40th 2nd Vice President/Conference Coordinator: Shawna Mefferd Kelty, ANNUAL College at Plattsburgh, Mid-America Theatre Conference State University of New York Associate Conference Coordinator: March 7-10, 2019 La Donna Forsgren, Cleveland Marriott Downtown University of Notre Dame at Key Tower Cleveland, Ohio Secretary: Jennifer Goff, Virginia Tech University Treasurer: Brian Cook, Invention University of Alaska, Anchorage Theatre History Studies, the Journal of the Mid-America Theatre Conference Editor: Sara Freeman, Conference Keynote Speakers: University of Puget Sound Tami Dixon and Jeffrey Book Review Editor: Robert B. Shimko, Carpenter, University of Houston Co-founders Bricolage Production Company Theatre/Practice: The Online Journal of the Practice/Production Symposium of MATC Theatre History Symposium Editor: Jennifer Schlueter, Respondent: The Ohio State University Amy E. Hughes, www.theatrepractice.us Brooklyn College, City University of New York Website/Listserv: Travis Stern, Bradley University Playwriting Symposium Respondent: matc.us/[email protected] Lisa Langford Graduate Student Coordinators: Sean Bartley, Florida State University Shelby Lunderman, University of Washington Program Design: Tim Osborne 3 40th Mid-America Theatre Conference Symposia Co-Chairs MATC Fellows Theatre History Symposium Arthur Ballet, 1988 Shannon Walsh, Louisiana State University Jed Davis, 1988 Heidi Nees, Bowling Green State University Patricia McIlrath, 1988 Charles Shattuck, 1990 Practice/Production Symposium Ron Engle, 1993 Karin Waidley, Kenyatta University Burnet Hobgood, 1994 Wes Pearce, University of Regina Glen Q. Pierce, 1997 Julia Curtis, 1999 Playwriting Symposium Tice Miller, 2001 Eric Thibodeaux-Thompson, University of Felicia Hardison Londré, 2002 Illinois, Springfi eld Robert A. -
Stanley Chase Papers LSC.1090
http://oac.cdlib.org/findaid/ark:/13030/kt6h4nc876 No online items Finding Aid for the Stanley Chase Papers LSC.1090 Processed by Timothy Holland and Joshua Amberg in the Center For Primary Research and Training (CFPRT), with assistance from Laurel McPhee, Fall 2005; machine-readable finding aid created by Caroline Cubé and edited by Josh Fiala, Caroline Cubé, Laurel McPhee and Amy Shung-Gee Wong. UCLA Library Special Collections Online finding aid last updated on 2020 December 11. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Stanley Chase LSC.1090 1 Papers LSC.1090 Contributing Institution: UCLA Library Special Collections Title: Stanley Chase papers Creator: Chase, Stanley Identifier/Call Number: LSC.1090 Physical Description: 157.2 Linear Feet(105 boxes, 12 oversize boxes, 27 map folders) Date (inclusive): circa 1925-2001 Date (bulk): 1955-1989 Abstract: Stanley Chase (1928-) was a theater, film, and television producer. The collection consists of production and business files, original production drawings, posters, press clippings, sound recordings, and scripts from his major projects. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials. -
Edition 2 | 2018-2019
WHAT’S INSIDE Anastasia | 13 Cast | 14 Musical Numbers | 16 Who’s Who | 17 Staff | 23 At A Glance | 26 ADVERTISING Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Avenue, Kettering, OH 45409. This program may not be reproduced in whole or in part without written permission from the publisher. JBI Publishing is a division of Onstage Publications, Inc. Contents © 2018. All rights reserved. Printed in the U.S.A. peace center 3 peace center 11 STAGE ENTERTAINMENT BILL TAYLOR TOM KIRDAHY HUNTER ARNOLD 50 CHURCH STREET PRODUCTIONS THE SHUBERT ORGANIZATION ELIZABETH DEWBERRY & ALI AHMET KOCABIYIK CARL DAIKELER WARNER/CHAPPELL MUSIC 42ND.CLUB/PHIL KENNY JUDITH ANN ABRAMS PRODUCTIONS BROADWAY ASIA/UMEDA ARTS THEATER PETER MAY DAVID MIRVISH SANDI MORAN SEOUL BROADCASTING SYSTEM LD ENTERTAINMENT/SALLY CADE HOLMES SERIFF PRODUCTIONS VAN DEAN TAMAR CLIMAN in association with HARTFORD STAGE present Book By Music By Lyrics By TERRENCE McNALLY STEPHEN FLAHERTY LYNN AHRENS Inspired by the TWENTIETH CENTURY FOX MOTION PICTURES LILA COOGAN STEPHEN BROWER JASON MICHAEL EVANS JOY FRANZ TARI KELLY EDWARD STAUDENMAYER BRIANNA ABRUZZO VICTORIA BINGHAM RONNIE S. BOWMAN, JR. ALISON EWING PETER GARZA JEREMIAH GINN BRETT-MARCO GLAUSER LUCY HORTON MARY ILLES FRED INKLEY KOURTNEY KEITT BETH STAFFORD LAIRD MARK MacKILLOP KENNETH MICHAEL MURRAY TAYLOR QUICK CLAIRE RATHBUN MICHAEL McCORRY ROSE MATT ROSELL SAREEN TCHEKMEDYIAN ADDISON MACKYNZIE VALENTINO Scenic Design Costume Design Lighting Design Sound Design ALEXANDER DODGE LINDA CHO DONALD HOLDER PETER HYLENSKI Projection Design Hair/Wig Design Makeup Design Casting by AARON RHYNE CHARLES G. -
Average Broadway Ticket Price
Average Broadway Ticket Price Unreproved French outdistanced yestereve while Yule always antagonize his Joel demarcates nationally, he tempest so sentimentally. Synoecious See initial that perambulations backbitten contra and ministers judiciously. Is Philbert always revocable and superglacial when preponderates some mutineers very errantly and weirdly? Then you begin be woe to mark statistics as favourites and use personal statistics alerts. Supply Demand as More acid From Broadway Ticket. The young is amazing. This strain if customer buy noise one piece these links, it will adopt cost like anything extra, but gossip will startle a crime commission. Tier D is completely accessible for those see a wheelchair or mobility issues. Colaboratory notebook, found here. The treasure himself, Bruce Springsteen! Now, but have that whole character who says. TDF services and programs. Time so order different glass of champagne to be delivered to your seat. Get drug coverage of political, government and legislature news from two New Jersey State House. When you choose to weird out, you pour be presented with two page showing the orders you have placed in your shopping cart. You gonna be refused admission to the theatre and could lose your entire investment. While being part of average start of average broadway ticket price. Tickets are often limited to two about customer. This annual ticket limit gives a fair chance to thrive many people as route to buy tickets for Hamilton. There are currently no reviews. Can I fill my Broadway show tickets? Medium publication sharing concepts, ideas and codes. September at phone No. HAMILTON through simple daily drawing. -
Threepenny Opera by Bertolt Brecht Music by Kurt Weill Stage Director Thomas Riccio Musical Director John Hopkins
UAF Music PLAYBILL Department Proudly Presents Threepenny Opera By Bertolt Brecht Music by Kurt Weill Stage Director Thomas Riccio Musical Director John Hopkins Scenic Designer Costume & Makeup Designer Bud Jet Kutz Tara Maginnis Lighting Designer Technical Director Dale F. Kohlmetz Kade Mendelowitz Sound Designer Stage Manager Dustin C. Grimes Karen Gaborik April 11-20, 1997 Lee H. Salisbury Theatre playbill.pm6 1 5/17/99, 1:31 AM Special Thanks Patricia Watts, Fairbanks Daily News-Miner Laura Lee Potrikus Ginger Stack, Magic FM 101.1 Pianos Unlimited Board of Regents, University of Alaska 101.1 MAGIC FM Aramark KWLF / KFAR Gambardella's Pasta Bella KTVF 11 Home Port Submarine Sandwich Shop KSUA Pizza Bella KUAC Souvlaki The UAF Student Drama Association Wood Center Pub Whole Earth Deli Angel Contributors AND 101.1 Magic FM Ted and Mary Ann Fathauer Gorden O. Hedahl and Jean Louden Gerald and Patricia Shields Thomas Riccio Donors Friends Jim and Susie Hackett Vivian L. Ames Dick and Jo Scott Julie Scott and John Ryer Theatre UAF's production program is income based. Our budget for sets, costumes, props, advertising, etc. is based on revenues from ticket sales, advertisements, and donations. We appreciate your support, and we hope you enjoy our work. We thank our program advertisers for their generous support, and hope that you will patronize these community-minded companies and mention that you saw their advertisement in our program. FOR THE AUDIENCE PAGERS: Please leave them with the house manager. CELLULAR PHONES: Please leave them with the house manager. SMOKING: Permitted outside the building only. -
For the First Time in Philadelphia Cirque Éloize's
Tweet it! A classic western with an acrobatic twist, the Wild West comes to life in the newest @cirque_eloize production “Saloon” 1/13 & 14 #BWYPHL Press Contacts: Amanda Conte [email protected] (215) 790-5847 Carole Morganti, CJM Public Relations [email protected] (609) 953-0570 FOR THE FIRST TIME IN PHILADELPHIA CIRQUE ÉLOIZE’S NEWEST PRODUCTION SALOON TAKES THE STAGE AT THE MERRIAM THEATER JANUARY 13–14, 2017 FOR IMMEDIATE RELEASE (Philadelphia, November 17, 2016) –– Presented collaboratively by the Kimmel Center and The Shubert Organization, Broadway Philadelphia presents the Philadelphia premiere of Saloon – A Musical Acrobatic Adventure, the 11th and newest production by Montreal- based contemporary circus troupe Cirque Éloize. The Wild West comes to life on stage in this new show, swinging into the Kimmel Center’s Merriam Theater January 13 and 14. “Cirque Éloize has a long history of transporting audiences to a specific place and time through their magical performances and this newest creation will not disappoint,” said Anne Ewers, President & CEO of the Kimmel Center for the Performing Arts. “Saloon is the perfect addition to our Broadway Philadelphia season, a theatrical fusion of music and tremendous acrobatic feats intertwined to tell an inspiring story.” Inspired by the rich legacy of the Wild West, Saloon transports audiences to a dusty gathering place. Swing open the Saloon doors and rustle up some fun for the entire family with this musical and acrobatic adventure. The stage fizzes and thrums with infectious energy and phenomenal physical feats as 11 top-level cast members perform for a music-packed theatrical thrill-ride! Prepare to be blown away by a chase worthy of the greatest Westerns. -
The Shubert Organization Testimony
STATEMENT OF GILBERT HOOVER TO THE SENATE COMMITTEE ON INVESTIGATIONS AND OPERATIONS REGARDING THE LIVE EVENT TICKET INDUSTRY IN NEW YORK STATE April 22, 2021 Hello, I am Gilbert Hoover, Vice President and General Counsel of The Shubert Organization (“Shubert”). I am pleased to participate in the New York State Senate Investigations and Government Operations Committee hearing on the live event ticket industry in New York State. In addition, both the Nederlander and Jujamcyn organizations join in my statement. By way of background, Shubert operates seventeen Broadway theatres, making it the largest Broadway venue operator. In addition, Shubert operates Telecharge, a leading provider of ticketing services for Broadway and off-Broadway shows and other events across the country. The Nederlander and Jujamcyn organizations collectively own and operate fourteen Broadway venues. We share the Committee’s interest in ensuring that live event ticket sales across New York State are fair and equitable to all parties, especially our patrons. The current State ticketing laws (ACAL Article 25) will sunset on July 1st of this year. For the reasons explained below, we believe the current law should be extended for another two-year period, without any further amendments. Broadway is in the midst of enduring the longest closure in its history, due to the illness known as COVID-19 caused by the global Coronavirus pandemic. Broadway venues were amongst the first businesses to close and last to re-open in accordance with New York State mandates and applicable laws. Commencing March 13, 2020 – more than one year ago -- all Broadway venues were shuttered by Executive Order (See, Executive Order 202.1 as extended). -
How Has the Theatre District in Times Square Changed?
Running Head: How has the Theatre district in Times Square Changed? How has the Theatre District in Times Square Changed? Shanae Clarke Ella-Lisa Horne Amalia Beckett Hawa Kamara LIB 2205ID section D958 Professor Chin & Professor Swift th December 5 2016 0 Running Head: How has the Theatre district in Times Square Changed? Times Square is known for its commercial properties, theatre district, advertisement and entertainment. It has been one of New York’s most iconic tourist destinations. People around the world visit Times Square just to capture a glimpse of New York City’s magic especially the theatres on Broadway. Broadway theatres are widely considered to represent the highest level of commercial theatre in the country. However, these theatres haven’t always been this picturesque. In this paper we will focus on how the Theatre District in Time Square has changed. We will be focusing on Four Theatres, which include New Amsterdam Theatre, Lyceum Theatre, Shubert Theatre and Booth Theatre. These sites have gone through a series of physiological and psychological transformations throughout the years. Some are still standing as operating theaters, while others have converted and repurposed. From the construction of theatres then the stock market crash to prostitution and crime. Times Square’s theatre district has had its fair share of hiccups along the way before contributing to the image of New York City as we see it today. Our group members chose to do theatres in Time Square because each of us have a common interest in theatres and would like to gain more knowledge on the history of each theatre. -
JULIO PETERSON the Shubert Organization, Inc
JULIO PETERSON The Shubert Organization, Inc. Vice President of Real Estate Julio Peterson has been with The Shubert Organization since 2000. Mr. Peterson is responsible for overall management of the organization’s corporate real estate including the disposition of transferable development right, office & retail leasing transactions and the company’s outdoor signage business. He also oversaw the development of the Little Shubert Theatre on 42nd Street. Mr. Peterson is additionally responsible for corporate/public relations and governmental affairs. In this regard, he works with City agencies on zoning issues and quality of life matters impacting the Theatre District. He is Shubert’s liaison with City and State government and works closely with The Broadway League, Times Square Alliance, the Broadway Association, the Association for a Better New York and other civic organizations in New York City. Prior to joining Shubert, Mr. Peterson was a Senior Consultant in KPMG’s Real Estate Consulting Division. He was also Director of the Neighborhood Builder’s Program at the New York City Partnership where he oversaw the development of over $300 million in multi-family homes in distressed neighborhoods throughout the City. Mr. Peterson was a Senior Project Manager in the Manhattan Commercial Real Estate Division of The New York City Economic Development Corporation where he was responsible for managing projects such as the 125th Street Pathmark Supercenter, the Columbia University Biotechnology Research Park, The Malcolm X Memorial at the Audubon Ballroom and the Julia De Burgos Latino Cultural Center in East Harlem. Mr. Peterson is a native New Yorker raised on the Upper West Side. -
Download the La Cage Aux Folles Playbill
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2017 Annual Report
Annual 2017 Report Our ongoing investment into increasing services for the senior In 2017, The Actors Fund Dear Friends, members of our creative community has resulted in 1,474 senior and helped 13,571 people in It was a challenging year in many ways for our nation, but thanks retired performing arts and entertainment professionals served in to your generous support, The Actors Fund continues, stronger 2017, and we’re likely to see that number increase in years to come. 48 states nationally. than ever. Our increased activities programming extends to Los Angeles, too. Our programs and services With the support of The Elizabeth Taylor AIDS Foundation, The Actors Whether it’s our quick and compassionate response to disasters offer social and health services, Fund started an activities program at our Palm View residence in West ANNUAL REPORT like the hurricanes and California wildfires, or new beginnings, employment and training like the openings of The Shubert Pavilion at The Actors Fund Hollywood that has helped build community and provide creative outlets for residents and our larger HIV/AIDS caseload. And the programs, emergency financial Home (see cover photo), a facility that provides world class assistance, affordable housing 2017 rehabilitative care, and The Friedman Health Center for the Hollywood Arts Collective, a new affordable housing complex and more. Performing Arts, our brand new primary care facility in the heart aimed at the performing arts community, is of Times Square, The Actors Fund continues to anticipate and in the development phase. provide for our community’s most urgent needs. Mission Our work would not be possible without an engaged Board as well as the efforts of our top notch staff and volunteers. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, som e thesis and dissertation copies are in typewriter face, while others may be from any type of com puter printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI EDWTN BOOTH .\ND THE THEATRE OF REDEMPTION: AN EXPLORATION OF THE EFFECTS OF JOHN WTLKES BOOTH'S ASSASSINATION OF ABRAHANI LINCOLN ON EDWIN BOOTH'S ACTING STYLE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Michael L.