Whammer Jamming
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The J. Geils Band You're Gettin' Even While I'm Gettin' Odd Mp3, Flac, Wma
The J. Geils Band You're Gettin' Even While I'm Gettin' Odd mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: You're Gettin' Even While I'm Gettin' Odd Country: US Released: 1984 Style: Blues Rock, Pop Rock MP3 version RAR size: 1621 mb FLAC version RAR size: 1978 mb WMA version RAR size: 1334 mb Rating: 4.8 Votes: 879 Other Formats: TTA VQF AC3 AIFF AHX MPC AU Tracklist A1 Concealed Weapons 3:30 A2 Heavy Petting 4:16 A3 Wasted Youth 4:30 A4 Eenie Meenie Minie Moe 3:54 A5 Tell 'Em, Jonesy 4:46 B1 You're Gettin' Even While I'm Gettin' Odd 6:56 B2 The Bite From Inside 5:50 B3 Californicatin' 4:07 B4 I Will Carry You Home 6:09 Companies, etc. Recorded At – Long View Farm Studios Mixed At – Record Plant, N.Y.C. Mastered At – Master Cutting Room Pressed By – Capitol Records Pressing Plant, Winchester Manufactured By – Capitol Records, Inc. Published By – Center City Music Published By – Last Licks Music Phonographic Copyright (p) – EMI America Records Copyright (c) – EMI America Records Credits Alto Saxophone, Baritone Saxophone – Crispin Cioe Backing Vocals – Cookie Watkins (tracks: A2, A4, B1, B4), Fonda Rae (tracks: A2, A4, B1, B4), Judith Spears (tracks: A2, A4, B1, B4) Bass – Daniel Klein Choir – The Institutional Radio Choir (tracks: B4) Cover [Coordinator] – Henry Marquez Design [Front Cover] – Seth Justman, Stephen Jo Bladd* Directed By [Choir] – Carl Williams, Jr.* Drums, Lead Vocals, Backing Vocals – Stephen Jo Bladd* Engineer – Steve Marcantonio Engineer [Additional Assistance] – Carol Cafiero Engineer [Additional] – John Mathias* Engineer [Assistant] – Jesse Henderson Guitar – J. -
The Blues Scale
Blues Ukulele Workshop Four part workshop with songbook 1. Structure and feel of blues songs 2. Turnarounds and dominant 7ths 3. The blues scale 4. Putting it all together A web-based listening guide is also provided Accompanying songs for parts: 1. How Long Blues, Baby What You Want Me to Do 2. Red River Blues in G & E, 3. You Got to Move, Sitting On Top Of The World 4. See See Rider Trouble in Mind Review quizzes for, Big parts Boss 1 -3Man, Backwater Blues Recommended from ukeeducation.org Fingerpicking for uke Scales and Chords Fretboard learning tool Material compiled and arranged by Spencer Gay 2018 The Copyrighted songs provided free herein are for education and thus fall under FAIR USE This book is not for sale Blues The blues is a feelin’… a good man feelin’ bad – a woman waitin’ for her man – losin’ your lover. Singing the blues is a good way to lose them Also, it is the name of a common song format – whether 12 or 8 bar blues Lyrics often are in an AAB format; the first line is then repeated - the third explains or ties the thought together. Try creating some new lyrics of your own to see how this works. A If I feel tomorrow the way I feel to day From St. Louis Blues - W.C. Handy A If I feel tomorrow the way I feel today B ‘Gonna pack my grip and make my getaway Relative Chord Naming - Roman Numerals Chords can be identified relative to the root (the key in which the song is composed.) This is the one chord, shown in roman numerals, I. -
Updates & Amendments to the Great R&B Files
Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the -
Vintage Guitar
extra EXTRA RYAN BINGHAM THE BLUES MAGOOS Fear And Saturday Night Psychedelic Resurrection Bingham’s latest features During the innocent but in- great songwriting walking novative mid ’60s, when garage a fine line between country ROBBEN FORD CARL VERHEYEN bands with funny names turned and rock, stylish picking, and Into The Sun Alone psychedelic, the Blues Magoos lyrical and vocal personal- Ford’s highly evolved Electric studio master scored big with “(We Ain’t Got) ity that’s over-the-top good. songcraft seduces as he Verheyen dons an acous- Nothin’ Yet.” Lead guitarist Mike On guitars, Bingham, Daniel manipulates space, time, and tic axe here for a second Ciliberto re-creates Mike Es- Sproul, and Jedd Hughes feel, expressing volumes on all-guitar project, covering posito’s ascending, echoing solo are downright perfect. And the guitar. Luscious blues, ground from standards to on a nice remake, while VG’s “Nobody Knows My Trouble” rock, and R&B concepts bob the blues and more. While “(Way) Back Beat” columnist is easily one of the best songs and weave amidst lyrics that all 14 cuts have something Peter Stuart Kohman’s bass bol- of the past five years. – JH conjure images of pain and to offer, his trilogy of Beatle sters the original lineup’s drums/ regret. Sonny Landreth, Warren tunes showcases his chops organ/rhythm/vocals nucleus. A Haynes, Robert Randolph, and and his sensitivity to a lyric most welcome comeback. – DF Keb’ Mo’ join in for a satisfying that’s only in your head. – JH set of contemporary blues. -
Of Music. •,..,....SPECIAUSTS • RECORDED MUSIC • PAGE 10 the PENNY PITCH
BULK ,RATE U.S. POSTAGE PAID Permit N•. 24l9 K.C.,M •• and hoI loodl ,hoI fun! hoI mU9;cl PAGE 3 ,set. Warren tells us he's "letting it blow over, absorbing a lot" and trying to ma triculate. Warren also told PITCH sources that he is overwhelmed by the life of William Allan White, a journalist who never graduated from KU' and hobnobbed with Presidents. THE PENNY PITCH ENCOURAGES READERS TO CON Dear Charles, TR IBUTE--LETTERSJ ARTICLES J POETRY AND ART, . I must congratulate you on your intelli 4128 BROADWAY YOUR ENTR I ES MAY BE PR I NTED. OR I G I NALS gence and foresight in adding OUB' s Old KANSAS CITY, MISSDURI64111 WI LL NOT BE RETURNED. SEND TO: Fashioned Jazz. Corner to PENNY PITCH. (816) 561·1580 CHARLES CHANCL SR. Since I'm neither dead or in the ad busi ness (not 'too sure about the looney' bin) EDITOR .•...•. Charles Chance, Sr. PENNY PITCH BROADWAY and he is my real Ole Unkel Bob I would ASSISTING •.• Rev. Dwight Frizzell 4128 appreciate being placed on your mailing K.C. J MO 64111 ••. Jay Mandeville I ist in order to keep tabs on the old reprobate. CONTRIBUTORS: Dear Mr. Chance, Thank you, --his real niece all the way Chris Kim A, LeRoi, Joanie Harrell, Donna from New Jersey, Trussell, Ole Uncle Bob Mossman, Rosie Well, TIME sure flies, LIFE is strange, and NEWSWEEK just keeps on getting strang Beryl Sortino Scrivo, Youseff Yancey, Rev. Dwight Pluc1cemin, NJ Frizzell, Claude Santiago, Gerard and er. And speaking of getting stranger, l've Armell Bonnett, Michael Grier, Scott been closely following the rapid develop ~ Dear Beryl: . -
Biography -- Printable Version
Biography -- Printable Version Peter Wolf's Historical Biography Written & Researched by Bryan Wiser, and Sheila Warren with Mimi Fox. Born in New York City, Peter grew up in the Bronx during the mid-1950's in a small, three-room apartment where he lived with his parents, older sister, two cats, dog and parakeet. For some time, Peter lived with his grandmother, an actress in New York City's Yiddish Theater. She and Peter had a strong bond, and she affectionately named him "Little Wolf" for his energetic and rambunctious ways. His father was a musician, vaudevillian and singer of light opera. Like Peter did years later, his father left home at age fourteen to join the Schubert Theater Touring Company with which he traveled the country performing light operas such as The Student Prince and Merry Widow. He had his own radio show called The Boy Baritone, which featured new songs from Tin Pan Alley, and was a member of the Robert Shaw Chorale. As a result of such artistic pursuits, Peter's father underwent long periods of unemployment that created a struggle to make financial ends meet. Peter's mother was an elegant and attractive woman who taught inner-city children in the South Bronx for 27 years. A political activist, union organizer and staunch civil rights advocate, she supported racial equality by attending many of the southern "freedom rides" and marches. Peter's older sister was also a teacher as well as a photographer who now works as an advocate for persons with disabilities. She continues her mother's tradition, often marching on Washington to support the rights of the disabled. -
LES INCONTOURNABLES DU BLUES (Youtube Et Autres)
LES INCONTOURNABLES DU BLUES (YouTube et autres) LES DÉBUTS ROBERT JOHNSON CHARLIE PATTON SON HOUSE MA RAINEY BESSIE SMITH BLIND WILLIE JOHNSON BLIND WILLIE McTELL BLIND LEMON JEFFERSON BIG BILL BROONZY TOMMY JOHNSON SKIP JAMES TAMPA RED LE BLUES ÉLECTRIQUE MUDDY WATERS HOWLING WOLF SONNY BOY WILLIAMSON I ET II WILLIE DIXON LITTLE WALTER OTIS SPANN BUDDY GUY et JUNIOR WELLS JIMMY REED ELMORE JAMES JOHNNY SHINES et BIG WALTER HORTON ALBERT KING FREDDIE KING LES GRANDES VOIX DU BLUES BIG MAMA THORNTON B.B.KING SISTER ROSETTA THARPE ETTA JAMES RAY CHARLES KATIE WEBSTER KOKO TAYLOR MAVIS STAPLES MEMPHIS MINNIE BILLIE HOLIDAY JOHN LEE HOOKER MAGIC SAM BIG JOE TURNER GUITARISTES ROBERT JOHNSON LONNIE JOHNSON ALBERT KING FREDDIE KING JIMI HENDRIX B.B. KING STEVIE RAY VAUGHAN ALBERT COLLINS GARY MOORE TROMBONISTES JACK TEAGARDEN JAY JAY JOHNSON FRANK ROSOLINO CURTIS FULLER FRED WESLEY TOM MALONE TROMBONE SHORTY TROMPETTISTES : MILES DAVIS WYNTON MARSALIS LOUIS ARMSTRONG CLIFFORD BROWN BLUE MITCHELL SAXOPHONISTES EDDIE LOCKJAW DAVIS KING CURTIS HANK CRAWFORD MACEO PARKER CANNONBALL ADDERLEY LESTER YOUNG SIDNEY BECHET PIANISTES PINETOP PERKINS OTIS SPANN LAFAYETTE LEAKE LITTLE BROTHER MONTGOMERY RAY CHARLES ALBERT AMMONS JOHNNIE JOHNSON MEMPHIS SLIM HARMONICISTES JIMMY REED HOWLING WOLF SONNY TERRY LITTLE WALTER JAMES COTTON PAUL BUTTERFIELD ALAN WILSON BASSISTES WILLIE DIXON JAMIE JAMERSON ERNEST CRAWFORD RANSOM KNOWLING JACK MYERS LARRY TAYLOR DUCK DUNN BATTEURS SAM LAY FRED BELOW JABO STARKS AL JACKSON SP LEARY …et tous les autres que vous découvrirez par la suite. Yeah ! Vincent Beaulne, directeur artistique du camp de Blues du FIJM . -
Faculty Cutbacks Could Lower Tenure Standards Students Seek Exams In
Faculty cutbacks could lower tenure standards By TOM SHRODER strc~sed he ~.ouI~i maintain his gandards or granting tenure Alligator Staff Writer I ~.ill leave ii to he adm mist ration to give mc a lair number of positions, Brown Dr. Robert Bryan. (IF vice president for academic affairs. said expressed concern about the threat of continued faculty Graduate School Dean Harry Sisler warned pressures to reductions in state universities over the next few years which grant tenure indiscriminately could drag UF into a pit of may result in deterioration of the quality of tenured UF mediocrity.' faculty. SISLER SUGGESTED each college be given projections of Next year UFis planningon a five per cent faculty cutback. the number of positions they could expect regardless of whether they granted or denied tenure. Bryan said. Bryan said it would be a natural reaction for deans to try to If colleges knew a position would rot automatically protect their faculty positions by creating as many tenured disappear once left open, the integrity of the tenure process could be preserved, Sisler said. positions as possible. Bryan noted problems might occur because the very un- IF A FACULTY MEMBER is denied tenure he must leave certain nature of projections that must be made to predict his position after one year. When the total number of faculty positions must be faculty positions colleges will earn. "We have not always been able to keep commitments we've reduced, a position left open by a tenure denial would be made to colleges in the past,'' he said. -
The Tony Brook Friday, May 9, 1980 Vol
The tony Brook Friday, May 9, 1980 Vol. 1, No. 14 RESS mmý NRC Report on Shoreham Challenged by Scott Higham construction, Long Island energy needs have decreased. According While the NRC (Nuclear The safety-related reactor recirculation system plays an to LILCO spokeswoman June Regulatory Commission) has Bruce, peak demands fell from dismissed 30 construction defects important role in pumping coolant through the reactor's 3,107 megawatts in 1977 to 2,919 in at the Shoreham Nuclear Power 1979. In addition, Newsday Plant active core, where fission occurs. as unfounded, a former reported that sales of electricity plant employee has revealed The system is similar to 23 others which were ordered shut down by dropped by 1.1 percent in 1978. documentary evidence which Claiming that Shoreham will shows that poor welding was the Atomic Energy Commission (forerunner of the NRC) in 1974 provide about 30 percent of Long performed on a safety-related Island's energy needs in the system. because of leaks found at plants in other states. 1980's, LILCO officials have said The employee also claims that that blackouts will be the inadequate welds were The deviation in the system is commonplace if the nuclear accepted for economic and in the 28 inch recirculation pipes reactor is not completed and political considerations. which are connected directly to operational. Shoreham is According to a former the reactor vessel. In the original scheduled to begin operation in employee at the facility, who design, there was a plan to have 1983, although a LILCO official in requested anonymity, two one-inch pressure instrument 1979 said there could be blackouts construction delays, higher connections. -
Interview Feb, 2007
The Murali Coryell Interview Feb, 2007 Acclaimed by CNN, Rolling Stone, & The New York Times soul singer/guitarist Murali Coryell has been blazing a trail that he was destined for before he was born thanks to the legacy of his famous father jazz guitar legend Larry Coryell. Murali has played and toured with B.B. King and Buddy Guy. Over the course of five CD's, Murali has recorded the songs of Sam Cooke, Al Green, and Marvin Gaye as well as the Chess blues classics on "2120". Having toured 40 states over his ten year plus recording career, Murali Coryell is a fully realized artist in complete control of a voice with soul to burn and the tastiest of guitar chops. December 2006: Big Al B calls me to tell me to come down to Scullers to see The Coryell Brothers All Star Band. This particular group consisted of Murali and Julian Coryell, (sons of the famous jazz guitarist Larry), Tony Levin on bass and Berklee stick man Kenwood Dennard. I showed up to the show half way through because I had mistakenly gone to the wrong club (blonde!) As I was outside of the door I could hear an amazingly soulful and deep blues vocal I had not heard live in y ears. I was really surprised when I saw this fairly young man on guitar who sounded as if he had already lived 70 years of gut wrenching soul like the blues masters of old. The professionalism, variety and sheer talent of this group was amazing, so when I was informed that NewEARS was going to host a show with Murali and guest musicians, I couldn’t wait to talk with Murali and see what was behind this soul man. -
“Covering” the Bluesman from a Distance
Introduction In many ways, my journey towards this thesis topic began with my brother’s music collection. Throughout my teens he would introduce me to a wide range of local and international acts, many of which were influenced by African-American blues artists. This influence is evident in both their construction of sound and the old songs that they rerecorded. From there I began tracing musical influences from song credits and interview excerpts—a path often travelled by musicians and fans alike—that would eventually lead me to an appreciation of blues music. The penultimate step towards this topic came in the form of my honours thesis—a creative project that involved rerecording several tracks from the catalogue of an early Australian country music artist, one of which was titled “Blue Mountain Blues”.1 From there I turned to blues music in Australia. Initially conceived as a history of “Australian blues”, it became apparent that this proposed sub-genre struggled to unify and explain the disparate musical styles contained therein. Although each artist was clearly addressing the musical characteristics and influences I had come to recognise as “blues music”, it all sounded different. In the meantime, I developed a keen interest in a fellow colleague’s thesis topic that addressed the role of “covers” within the Australian music industry (Giuffre, 2005). My epiphany—and catalyst for the current thesis topic—eventually presented itself while viewing a live performance from Peter Green Splinter Group. The concert was split into two courses: an acoustic entrée featuring several Robert Johnson “covers”; and, an electric main with side dishes of early Fleetwood Mac material—the band Green had help found many years ago. -
An Interview with George Thorogood
An Interview with George Thorogood Okee dokee folks… Most folks know George Thorogood because of his song, “Bad To The Bone”, but after a conversation I had with him the other day I realized that he should really be singing “Bad On The Phone”! The interview was interesting and entertaining; punctuated by laughs, coughs, and sarcasm. I am not really sure what is accurate and what is true but here is the the conversation that I had with Thorogood. I didn’t note the laughter as I usually do, there was just way too much of it. Read on… George Thorogood: John? John Fuzek: Hello? GT: John? JF: Yes, this is John GT: John…? JF: George? GT: This is George…where’s Ringo and Paul? It’s a joke, John, Don’t you have a sense of humor in New England? JF: I was having a hard time hearing you! Sorry. GT: Oh, man, I’ve been singing at the top of my lungs for forty years and you can’t hear me, John, what’s the matter with you? JF: I’m a musician, too, so GT: ughhhhhhh… JF: So, where are you? GT: I swore an oath to the government not to give the whereabouts of my location, John JF: OK… so are you on tour right now? GT: I am a fugitive from injustice JF: OK so how is that working out for you? GT: You know, I’m keeping moving JF: So, I want to talk to you about your show coming up at the Zeiterion in New Bedford on June 6th GT: New Bedford, Connecticut? JF: Ha, no, Massachusetts! GT: So you follow the Red Sox over there, right? JF: Well, I don’t, my father does GT: I met Bill Lee, Ferguson Jenkins and Bernie Carbo (not sure about spellings) JF: Actually I went