Writing for Film & TV
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Producer/ Director Obin Olson Talks About Operator PAGE 12
APRIL VOLUME 15 2015 ISSUE 2 Where everyone goes for scripts and writers ™ Producer/ Director Obin Olson Talks About Operator PAGE 12 Q&A with Operator Screenwriter, Dwain Worrell PAGE 16 FIND YOUR NEXT SCRIPT HERE! Where everyone goes for writers and scripts™ IT’S FAST AND EASY TO FIND THE SCRIPT OR WRITER YOU NEED. WWW.INKTIP.COM A FREE SERVICE FOR ENTERTAINMENT PROFESSIONALS. Peruse this magazine, find the scripts/books you like, and go to www.InkTip.com to search by title or author for access to synopses, resumes and scripts! l For more information, go to: www.InkTip.com. l To register for access, go to: www.InkTip.com and click Joining InkTip for Entertainment Pros l Subscribe to our free newsletter at http://www.inktip.com/ep_newsletters.php Note: For your protection, writers are required to sign a comprehensive release form before they can place their scripts on our site. Table of Contents Recent Successes 3, 9, 11 Feature Scripts – Grouped by Genre 7 Industry Endorsements 3 Feature Article: Operator 12 Contest/Festival Winners 4 Q&A: Operator Screenwriter Dwain Worrell 16 Writers Represented by Agents/Managers 4 Get Your Movie on the Cover of InkTip Magazine 18 Teleplays 5 3 Welcome to InkTip! The InkTip Magazine is owned and distributed by InkTip. Recent Successes In this magazine, we provide you with an extensive selection of loglines from all genres for scripts available now on InkTip. Entertainment professionals from Hollywood and all over the Bethany Joy Lenz Options “One of These Days” world come to InkTip because it is a fast and easy way to find Bethany Joy Lenz found “One of These Days” on InkTip, great scripts and talented writers. -
How to Format Your Script
How to format your Script Many screenwriting books specify formats that may not still be in general use today, or which contain directions that may be unnecessary. The following format tips are accurate and will result in your screenplay being formatted in the correct manner. These tips apply only to a spec script. A production script contains editing and camera directions (and scene numbers) all of which are only added after a script goes into production, and should not be included in a spec script, the purpose of which is only to present the basic story. How the story is interpreted on the screen is up to the director, not the writer. LENGTH: Ideally, a screenplay for a regular feature film for theatrical release or for television should be between 100 and 120 pages. DO NOT list a cast of characters before the first page of the script. And, DO NOT number the scenes. THERE ARE ONLY THREE ELEMENTS NECESSARY IN A SPEC SCRIPT: · THE SCENE HEADING (INTERIOR OR EXTERIOR, LOCATION, TIME) · THE VISUAL EXPOSITION (Only what you would see if you were watching the screen) · THE DIALOGUE (1) The Scene Heading sets the stage for the action and dialogue to follow. It tells us where the story is taking place, and the time of day. There are only two locations where this can happen, inside (INT) or outside (EXT). The specific location and geographic placement should be included as well. The scene heading is positioned on your first indent, one-and-a-half inches in from the left hand side of the page. -
Introduction Screenwriting Off the Page
Introduction Screenwriting off the Page The product of the dream factory is not one of the same nature as are the material objects turned out on most assembly lines. For them, uniformity is essential; for the motion picture, originality is important. The conflict between the two qualities is a major problem in Hollywood. hortense powdermaker1 A screenplay writer, screenwriter for short, or scriptwriter or scenarist is a writer who practices the craft of screenwriting, writing screenplays on which mass media such as films, television programs, comics or video games are based. Wikipedia In the documentary Dreams on Spec (2007), filmmaker Daniel J. Snyder tests studio executive Jack Warner’s famous line: “Writers are just sch- mucks with Underwoods.” Snyder seeks to explain, for example, why a writer would take the time to craft an original “spec” script without a mon- etary advance and with only the dimmest of possibilities that it will be bought by a studio or producer. Extending anthropologist Hortense Powdermaker’s 1950s framing of Hollywood in the era of Jack Warner and other classic Hollywood moguls as a “dream factory,” Dreams on Spec pro- files the creative and economic nightmares experienced by contemporary screenwriters hoping to clock in on Hollywood’s assembly line of creative uniformity. There is something to learn about the craft and profession of screenwrit- ing from all the characters in this documentary. One of the interviewees, Dennis Palumbo (My Favorite Year, 1982), addresses the downside of the struggling screenwriter’s life with a healthy dose of pragmatism: “A writ- er’s life and a writer’s struggle can be really hard on relationships, very hard for your mate to understand. -
Summer 2019 Vol.21, No.3 Screenwriter Film | Television | Radio | Digital Media
CANADIAN CANADA $7 SUMMER 2019 VOL.21, NO.3 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA A Rock Star in the Writers’ Room: Bringing Jann Arden to the small screen Crafting Canadian Horror Stories — and why we’re so good at it Celebrating the 23rd annual WGC Screenwriting Awards Emily Andras How she turned PM40011669 Wynonna Earp into a fan phenomenon Congratulations to Emily Andras of SPACE’s Wynonna Earp, Sarah Dodd of CTV’s Cardinal, and all of the other 2019 WGC Screenwriting Award winners. Proud to support Canada’s creative community. CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 21 No. 3 Summer 2019 ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Publisher Maureen Parker Editor Tom Villemaire [email protected] Contents Director of Communications Lana Castleman Cover Editorial Advisory Board There’s #NoChill When it Comes Michael Amo to Emily Andras’s Wynonna Earp 6 Michael MacLennan How 2019’s WGC Showrunner Award winner Emily Susin Nielsen Andras and her room built a fan and social media Simon Racioppa phenomenon — and why they’re itching to get back in Rachel Langer the saddle for Wynonna’s fourth season. President Dennis Heaton (Pacific) By Li Robbins Councillors Michael Amo (Atlantic) Features Mark Ellis (Central) What Would Jann Do? 12 Marsha Greene (Central) That’s exactly the question co-creators Leah Gauthier Alex Levine (Central) and Jennica Harper asked when it came time to craft a Anne-Marie Perrotta (Quebec) heightened (and hilarious) fictional version of Canadian Andrew Wreggitt (Western) icon Jann Arden’s life for the small screen. -
CBC IDEAS Sales Catalog (AZ Listing by Episode Title. Prices Include
CBC IDEAS Sales Catalog (A-Z listing by episode title. Prices include taxes and shipping within Canada) Catalog is updated at the end of each month. For current month’s listings, please visit: http://www.cbc.ca/ideas/schedule/ Transcript = readable, printed transcript CD = titles are available on CD, with some exceptions due to copyright = book 104 Pall Mall (2011) CD $18 foremost public intellectuals, Jean The Academic-Industrial Ever since it was founded in 1836, Bethke Elshtain is the Laura Complex London's exclusive Reform Club Spelman Rockefeller Professor of (1982) Transcript $14.00, 2 has been a place where Social and Political Ethics, Divinity hours progressive people meet to School, The University of Chicago. Industries fund academic research discuss radical politics. There's In addition to her many award- and professors develop sideline also a considerable Canadian winning books, Professor Elshtain businesses. This blurring of the connection. IDEAS host Paul writes and lectures widely on dividing line between universities Kennedy takes a guided tour. themes of democracy, ethical and the real world has important dilemmas, religion and politics and implications. Jill Eisen, producer. 1893 and the Idea of Frontier international relations. The 2013 (1993) $14.00, 2 hours Milton K. Wong Lecture is Acadian Women One hundred years ago, the presented by the Laurier (1988) Transcript $14.00, 2 historian Frederick Jackson Turner Institution, UBC Continuing hours declared that the closing of the Studies and the Iona Pacific Inter- Acadians are among the least- frontier meant the end of an era for religious Centre in partnership with known of Canadians. -
Dino Dana the Movie
Running time: 75 Mins Genre: Family Year: 2019 Language: English Country of Origin: Canada Format: 4K Dino Dana The Movie Dino Dana The Movie finds 10-year-old Dana, who sees dinosaurs in the real world, completing an experiment that asks where all the kid dinosaurs are. To find the answer, Dana, her older sister Saara, and their new neighbors Mateo and Jadiel go on a dinosaur journey bigger than anything Dana has ever faced before. SYNOPSIS From multi-Emmy award-winning Sinking Ship Entertainment comes Dino Dana The Movie, an action-packed dinosaur adventure that follows 10-year-old Dana as she tries to solve dino experiment 901—where are all the kid dinos? But before she can complete her experiment, Dana’s new upstairs neighbour Mateo finds her magical Dino Field Guide, which allows him to see dinosaurs in real life too. This discovery kicks off a prehistoric journey bigger than anything Dana has ever faced before. When Mateo is dino-napped by a T-Rex, who thinks he’s one of her babies, it’s up to Dana, her sister Saara, and Mateo’s older stepbrother Jadiel to get him back. Along the way, Dana and her friends will race through a stampede of Triceratops, take on a Spinosaurus, get beak to nose with a Quetzalcoatlus, and come to realize that family, whether human or Jurassic, is the most important quest of all. CAST Michela Luci Michela Luci is a 13-year-old Canadian actress and singer. She is the winner of the 2019 Daytime Emmy Award for Outstanding Performer in a Children’s, Family Viewing or Special Class Program for her starring role as Dana in Dino Dana on Amazon Prime Video and TVO Kids. -
New Histories of Hollywood Roundtable Moderated by Luci Marzola
Chris Cagle, Emily Carman, Mark Garrett Cooper, Kate Fortmueller, Eric Hoyt, Denise McKenna, Ross Melnick, Shelley Stamp New Histories of Hollywood Roundtable Moderated by Luci Marzola As part of this issue on “The System Beyond the Studios,” I sought not only to give scholars an opportunity to publish work that looks at specific cases reassessing the history of Hollywood, but I also wanted to look more broadly at the state of the field of American film history. As such, I assembled a roundtable of scholars who have been studying Hollywood through myriad lenses for most of their careers. I wanted to know, from their perspective, what were the current and future threads to be taken up in the study of this central topic in cinema and media studies. The roundtable discussion focuses on innovative methods, sources, and approaches that give us new insights into the study of Hollywood. Chris Cagle, Emily Carman, Mark Garrett Cooper, Kate Fortmueller, Eric Hoyt, Denise McKenna, Ross Melnick, and Shelley Stamp all participated while I moderated the conversation. It was conducted via email and Google docs in the fall of 2017. Each participant began by writing a brief response to a broad question on one topic – research, methodology, pedagogy, or the meaning of ‘Hollywood.’ These responses were then culled together and given follow up questions which were all placed in a Google drive folder. Over the course of two months, the participants added responses, provocations, and questions on each of the threads, while I added follow up questions to guide the discussion. When seen as a whole, this roundtable creates a snapshot of where the field of Hollywood history is at this moment. -
2015/2016 WGSA Council V
2015/2016 WGSA Council v Chairperson - Theoline Maphutha THEOLINE MAPHUTHA CHAIRPERSON Theoline Maphutha is a self-employed writer with over five years’ experience in the film and television industry. Before pursuing a career as a writer, she studied and worked in the information and communications technology (ICT) industry for almost 10 years as a support administrator, systems implementer, and project manager. Although skilled in lifestyle/magazine program writing, she’s a published poet, lyricist, and blogger, passionate about kaizen, constant self-improvement. Contribution is one of her highest values (ever since she was a Brownie in the girl scouts). Her life’s goal is to empower people to follow their purpose using the knowledge, experience, and resources available to her. Theoline is an independent soul with nimble flexibility, and a deliberate, succinct style of communication, who delivers autonomously creative ideas and solutions. Vice Chair - Peter Goldsmid PETER GOLDSMID LEGAL SERVICES Writer-director-producer Peter Goldsmid has a background in legal philosophy and politics and a keen interest in the interface between morality, justice, crime, social issues – and drama. This would his final year on Council where, if elected, he would continue to giving advice to writers in their dealings with producers. This includes advising on legal issues (such as contracts), helping writers access professional legal help if necessary, and mediating in disputes. Having worked both as producer and writer for hire, he has a balanced perspective on the issues that affect writers and brings this to bear in his contributions to Council. He is currently nominated for a 2015 writing SAFTA (as part of the “Traffic” writing team) and a Muse Award for documentary writing on Dance up from the street. -
TV News, Reporting and Production MCM 516 Table of Contents Page No
TV News Reporting and Production – MCM 516 VU TV News, reporting and Production MCM 516 Table of Contents Page No. Lesson 1 Creativity and idea generation for television 3 Lesson 2 Pre-requisites of a Creative Producer/Director 7 Lesson 3 Refining an idea for Production 10 Lesson 4 Concept Development 14 Lesson 5 Research and reviews 16 Lesson 6 Script Writing 18 Lesson 7 Pre-production phase 21 Lesson 8 Selection of required Content and talent 25 Lesson 9 Programme planning 29 Lesson 10 Production phase 35 Lesson 11 Camera Work 38 Lesson 12 Light and Audio 43 Lesson 13 Day of Recording/Production 52 Lesson 14 Linear editing and NLE 61 Lesson 15 Mixing and Uses of effects 64 Lesson 16 Selection of the News 69 Lesson 17 Writing of the News 72 Lesson 18 Editing of the News 75 Lesson 19 Compilation of News Bulletin 77 Lesson 20 Presentation of News Bulletin 80 Lesson 21 Making Special Bulletins 82 Lesson 22 Technical Codes, Terminology, and Production Grammar 84 Lesson 23 Types of TV Production 89 Lesson 24 Drama and Documentary 91 Lesson 25 Sources of TV News 93 Lesson 26 Functions of a Reporter 97 Lesson 27 Beats of Reporting 98 Lesson 28 Structure of News Department 99 Lesson 29 Electronic Field Production 101 Lesson 30 Live Transmissions 103 Lesson 31 Qualities of a news producer 108 Lesson 32 Duties of a news producer 111 Lesson 33 Assignment/News Editor 112 Lesson 34 Shooting a News film 114 Lesson 35 Preparation of special reports 117 Lesson 36 Interviews, vox pops and public opinions 121 Lesson 37 Back Ground voice and voice over -
Adler, Mccarthy Engulfed in WWII 'Fog' - Variety.Com 1/4/10 12:03 PM
Adler, McCarthy engulfed in WWII 'Fog' - Variety.com 1/4/10 12:03 PM http://www.variety.com/index.asp?layout=print_story&articleid=VR1118013143&categoryid=13 To print this page, select "PRINT" from the File Menu of your browser. Posted: Mon., Dec. 28, 2009, 8:00pm PT Adler, McCarthy engulfed in WWII 'Fog' Producers option sci-fi horror comicbook 'Night and Fog' By TATIANA SIEGEL Producers Gil Adler and Shane McCarthy have optioned the sci-fi horror comicbook "Night and Fog" from publisher Studio 407. No stranger to comicbook-based material, Adler has produced such graphic-based fare as "Constantine," "Superman Returns" and the upcoming Brandon Routh starrer "Dead of Night," which is based on the popular Italian title "Dylan Dog." This material is definitely in my strike zone in more ways than one," Adler said, noting his prior role as a producer of such horror projects as the "Tales From the Crypt" series. "But what really appealed to me wasn't so much the genre trappings but rather the characters that really drive this story." Set during WWII, story revolves around an infectious mist unleashed on a military base that transforms its victims into preternatural creatures of the night. But when the survivors try to kill them, they adapt and change into something even more horrific and unstoppable. Studio 407's Alex Leung will also serve as a producer on "Night and Fog." Adler and McCarthy are also teaming to produce an adaptation of "Havana Nocturne" along with Eric Eisner. They also recently optioned Ken Bruen's crime thriller "Tower." "Night and Fog" is available in comic shops in the single-issue format and digitally on iPhone through Comixology. -
Jeremy Dyson Writer
Jeremy Dyson Writer Jeremy Dyson was born, raised and educated in Leeds, studying Art, Philosophy and Screenwriting at Leeds University and the Northern School of Film and TV. Agents Nicki Stoddart [email protected] +44 (0) 20 3214 0869 Credits Film Production Company Notes GHOST STORIES Warp Films Co-written with Andy Nyman 2017 THE LEAGUE OF GENTLEMEN'S Tiger Aspect Co-writer of feature film APOCALYPSE 2005 THE CICERONES Short film; 2002 As Writer / Director; Starring Mark Gatiss; From the short story by Robert Aickman; Selected for Edinburgh Film Festival 2002 Radio Production Company Notes United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] THE UNSETTLED DUST: THE STRANGE STORIES BBC Radio 4 OF ROBERT AICKMAN 2011 RINGING THE CHANGES BBC Radio 4 Co-written with Mark 2000 Gatiss Adapted from the short story by Robert Aickman ON THE TOWN WITH THE LEAGUE OF BBC Radio 4 Co-writer GENTLEMEN Sony Silver Award 1997 Television Production Company Notes THE LEAGUE OF GENTLEMEN'S BBC2 ANNIVERSARY SPECIALS 2017 TRACEY ULLMAN'S SHOW BBC1 2016 - 2017 PSYCHOBITCHES (SERIES 1 & 2) Tiger Aspect/Sky Arts Director/Co-writer 2012 - 2015 Nominated for two British Comedy Awards 2013; Winner of the Rose d'Or for Best TV Comedy THE ARMSTRONG & MILLER Hat Trick / BBC1 Series 1, 2 & 3 SHOW Script Editor/ Writer 2007 - 2010 BAFTA Award Best Comedy 2010 BILLY GOAT Hat Trick / BBC 1 x 60' 2008 Northern Ireland /BBC1 FUNLAND BBC2 Co-creator, co-writer and Associate 2006 -
RTS TV Jobs Guide 2018
TV JOBS GUIDE HOWHOW TOTO TELETELE VVGETGET INTO INTO II SS II ON ON HOW TO SURVIVE AS A FREELANCER LOUIS THEROUX’S INTERVIEW TIPS WRITE THE NEXT LINE OF DUTY HOW TO GET THE PERFECT SHOT 5 Smart moves 6 A running start A foot in the door is the It’s the ultimate entry- first step, says Holly Close. level job and a hard Now you need to graft, but it can open keep it up all kinds of futures there 8 Cast your net wide Without you, the show would have no exclusives, no guests and no archive footage 12 Headline snapper Covering the news is all about hitting deadlines in the Story first face of unforseen 10 events Good storytelling is central to editing – and editing is central to all TV shows 14 Hear this! It’s all about knowing what’s possible, says Strictly’s Tony Revell It’s all in the light 13 The pros shed light on shooting Centre of big-budget 16 attention dramas Keep it raw, rather than falsely polished – you can be yourself and still stand out, says Chris Stark 2 20 Write now Line of Duty creator Jed Mercurio Making headlines took time out of filming 18 series 5 to share his advice for writers Follow your curiosity, says who want to see their work on screen Louis Theroux – but don’t forget your audience 22 Freelance survival guide Job hunting How to make a success 24 What employers of self-employment – are looking for in and who to turn to for your CV, letter advice and support and interview 26 Get in training 28 Love TV? So do we Find out about a wide variety The RTS is committed to of training schemes from helping young people make broadcasters, producers and their way in television professional organisations Television is not an industry for the faint hearted, but the results can be hugely rewarding.