|--Abigail Washburn You Tube | |--Abigail Washburn & Bela Fleck

Total Page:16

File Type:pdf, Size:1020Kb

|--Abigail Washburn You Tube | |--Abigail Washburn & Bela Fleck |--Abigail Washburn You Tube | |--Abigail Washburn & Bela Fleck.mp4 | |--Abigale Washburn.mp4 | |--Chains.mp4 | |--City of Refuge.mp4 | |--Nobody's Fault But Mine.mp4 | |--Shotgun Blues.mp4 | `--Train.mp4 |--Adam Hurt You Tube | |--Brushy Fork of John's Creek.mp4 | `--John Riley the Shepherd.mp4 |--Alela Diane You Tube | |--Alder Trees.mp4 | |--Dry Grass & Shadows.mp4 | |--Every Path.mp4 | |--My Brambles.mp4 | |--To Be Still.mp4 | `--White as Diamonds.mp4 |--Annie & Mac You Tube | |--Alabama Jubilee.mp4 | |--Alabama Waltz.mp4 | |--Anchored in Love Divine.mp4 | |--Angeline the Baker.mp4 | |--Arkansas Traveler.mp4 | |--As Long As I Live.mp4 | |--Bake That Chicken Pie.mp4 | |--Barlow Knife.mp4 | |--Before I Met You.mp4 | |--Betsy Likens.mp4 | |--Blue Ridge Cabin Home.mp4 | |--Boatman.mp4 | |--Cabin on the Hill.mp4 | |--Chilly Winds.mp4 | |--Cindy.mp4 | |--Clinch Mountain Backstep.mp4 | |--Cluck Old Hen.mp4 | |--Colored Aristocracy.mp4 | |--Crazy Blues.mp4 | |--Cumberland Gap.mp4 | |--Cumberland Gap2.mp4 | |--Dark as a Dungeon.mp4 | |--Dear Old Dixie.mp4 | |--Dooley.mp4 | |--Down Yonder.mp4 | |--Duchess of Rileyville.mp4 | |--Eight More Miles to Louisville.mp4 | |--Eighth of January.mp4 | |--Elzic's Farewell.mp4 | |--Faded Coat of Blue.mp4 | |--Falls of Richmond.mp4 | |--Fly Around.mp4 | |--Frosty Morning.mp4 | |--Go On and Git.mp4 | |--Goin' Across the Mountain.mp4 | |--Grandfather's Clock.mp4 | |--Half Past Four.mp4 | |--Heaven's Gates.mp4 | |--Hog Tied Over You.mp4 | |--Hole in the Ground.mp4 | |--Honeysuckle Winds.mp4 | |--Hot Corn, Cold Corn.mp4 | |--How Many Biscuits.mp4 | |--I Don't Love Nobody.mp4 | |--Jesse James.mp4 | |--John Hardy.mp4 | |--John Henry.mp4 | |--John Ryan's Polka.mp4 | |--Johnson Boys.mp4 | |--June Apple.mp4 | |--Keep My Skillet Good & Greasy.mp4 | |--Kitchen Girl.mp4 | |--Liberty.mp4 | |--Long Journey Home.mp4 | |--Martha Campbell.mp4 | |--Midnight on the Water.mp4 | |--Mississippi Sawyer.mp4 | |--Mockin' Bird Hill.mp4 | |--Mountain Dew.mp4 | |--My Home's Across the Blue Ridge Mountains.mp4 | |--Nancy.mp4 | |--New River Train.mp4 | |--Off to California.mp4 | |--Oh Those Tombs.mp4 | |--Ojos Verdes (Green Eyes).mp4 | |--Old Jake Gillie.mp4 | |--Old Joe Clark.mp4 | |--Old Molly Hare.mp4 | |--Old Spinning Wheel.mp4 | |--Ole Slew-Foot.mp4 | |--One by One.mp4 | |--One More River.mp4 | |--One of These Days.mp4 | |--Peg an' Awl.mp4 | |--Pretty Little Dog.mp4 | |--Rabbit in a Log.mp4 | |--Red Haired Boy.mp4 | |--Red Wing.mp4 | |--Rights of Man.mp4 | |--Rock the Cradle Joe.mp4 | |--Sally Goodin.mp4 | |--Sally in the Garden.mp4 | |--Sandy Boys.mp4 | |--Sandy River Belle.mp4 | |--Shout Little Lulie.mp4 | |--Slewfoot' (Banjo Tutorial).mp4 | |--Snowdrop.mp4 | |--So You Think You've Got Trouble.mp4 | |--Soldier's Joy.mp4 | |--Spanish Fandango.mp4 | |--Sparkling Brown Eyes.mp4 | |--Sweetheart You Done Me Wrong.mp4 | |--Til I'm Too Old to Die Young.mp4 | |--Virginia, My State of Mind.mp4 | |--Waltz Across Texas.mp4 | |--Waterbound.mp4 | |--We Believe in Happy Endings.mp4 | |--Wednesday Night Waltz.mp4 | |--West Virginia, My Home.mp4 | |--Whiskey Before Breakfast.mp4 | |--Whoop 'Em Up Cindy.mp4 | |--Wolf is at the Door.mp4 | `--You're the Only Star in My Blue Heaven.mp4 |--Barr Brothers | `--Beggar in the Morning .mp4 |--Berea College | |--Allice Gerrard and Matokie Slaughter | | |--Buffalo Gals.mp4 | | |--Cousin Sally Brown.mp4 | | |--Crinkled Old Hen.mp4 | | |--Cripple Creek.mp4 | | |--Down to the Stillhouse.mp4 | | |--Fly Around My Pretty Little Miss.mp4 | | |--Sally Ann.mp4 | | |--Shortenin Bread.mp4 | | |--Train on the Island.mp4 | | `--Tumblin Gap [Cumberland Gap].mp4 | |--Boss Sewell | | |--Cripple Creek.mp4 | | |--Old Joe Clark.mp4 | | |--Old Rattler.mp4 | | |--Shortenin Bread.mp4 | | `--Sugarfoot Rag.mp4 | |--Bottom of the Barrel Bunch | | |--Aunt Betsy.mov | | |--Backstep Cindy.mov | | |--I’m Getting Ready to Go.mov | | |--Kiss Me Quick.mov | | |--Martha Campbell.mov | | |--Miss Liza.mov | | `--Roses at the Door.mov | |--Brand New Old Time String Band | | |--Black is the Color.mov | | |--Cindy.mov | | |--Cotton Eye Joe.mov | | |--Dirty Old Dish Rag.mov | | |--Jesse James.mov | | |--John Brown’s Dream.mov | | |--Mama Blues.mov | | |--Mississippi Sawyer.mov | | |--Old Blind Drunk John.mov | | |--Pig Town Fling.mov | | |--Pretty Fair Miss.mov | | |--Pretty Saro.mov | | |--Ragtime Annie.mov | | |--Stanten Island Hornpipe:Soldier’s Joy.mov | | |--Teetotaler’s Reel:Red Wing:Rickett’s Hornpipe:Mississippi Sawyer.mov | | |--Traveling Down The Road.mov | | |--We’ll Camp a Little While in the Wilderness.mov | | |--Whiskey Before Breakfast.mov | | `--Whoa Back Buck.mov | |--Buell Kazee | | |--Description of Folk Music.mov | | |--In the Pines.mp4 | | |--I’m A Goin’ Home.mov | | |--Lady Gay.mov | | |--Madam, I Have Come a Courting.mov | | |--Orphan Girl.mov | | |--Sporting Bachelors.mov | | |--Wagoner’s Lad.mov | | `--When Mother Wields the Shingle.mov | |--Clyde Davenport | | |--Bison Cane.mp4 | | |--Black Eyed Susie.mp4 | | |--Done Gone.mov | | |--Soldiers Joy.mp4 | | |--Unidentified.mp4 | | |--Unidentified1.mp4 | | |--Unidentified2.mp4 | | |--Unidentified3.mp4 | | `--Wild Goose Chase.mov | |--Dutch Cove Old Time String Band | | |--Chinkapin.mov | | |--Ragtime Annie.mov | | |--Slidin’ Tune.mov | | `--Waltz.mov | |--Eric and Ethan Eversole | | |--Roll On Buddy.mp4 | | |--Shout Little Lula.mp4 | | `--Wild Bill JonesSpecial Collections and Archives.mp4 | |--Ernie Carpenter and Gerald Milnes | | |--Camp Run.mov | | |--Cripple Creek.mov | | |--Granddad’s Favorite.mov | | `--Sourwood Mountain.mov | |--Frank Proffitt Jr | | |--Four Nights of a Drunk.mov | | |--Groundhog.mov | | |--I Wish I Was Single Again.mov | | |--Naomi Wise.mov | | |--Sourwood Mountain.mov | | |--Tom Dooley.mov | | |--Wild and Stormy Deep.mov | | `--Will the Circle Be Unbroken.mov | |--Grandpa Jones | | |--Come All You Fair and Tender Ladies.mov | | |--Mountain Dew.mov | | |--Uncle Eef’s Got the Coon and Gone.mov | | `--Wake Up Susan.mov | |--Joe Logan Robinson | | |--Black Eyed Susie.mp4 | | `--Cripple Creek.mp4 | |--Junior McKeehan | | |--Cripple Creek.mp4 | | |--Foggy Mountain Breakdown.mp4 | | |--Home Sweet Home.mp4 | | |--John Hardy.mp4 | | |--John Henry.mp4 | | |--Little Birdie.mp4 | | |--Old Joe Clark.mp4 | | |--Sandy.mp4 | | `--Set Your Fields on Fire.mp4 | |--Karen Collins and Bruce Green | | |--Feather Bed.mov | | |--Goin’ Downtown.mov | | |--Jenny Get Around.mov | | |--Merriweather.mov | | `--Solider’s Joy.mov | |--Lilly May Pennington (Ledford) | | |--Cripple Creek:Ida Red.mov | | |--John Henry.mov | | `--Sowin’ on the Mountain.mov | |--Melanie Sovine and Lou Therrel | | `--Little Betty Anne.mov | |--Melvin Wine Gerald Milnes | | |--All Young.mov | | |--Boatman.mov | | |--Cold Frosty Morning.mov | | |--Hannah at the Springhouse.mov | | |--Jimmy Johnson.mov | | |--Peg 'n Awl.mov | | |--Rainy Day.mov | | `--Sourwood Mountain.mov | |--Phil Kazee | | |--Black Jack Davey.mp4 | | |--Blind Man.mp4 | | |--Butcher’s Boy.mov | | |--Darling Corey.mp4 | | |--East Virginia.mp4 | | |--Fly Around My Pretty Little Miss.mp4 | | |--Girl I Left Behind.mp4 | | |--Kentucky Moonshiner.mov | | |--Lady Grey.mp4 | | |--Little Bessie.mov | | |--Lonesome Road.mp4 | | |--Once I Had an Old Gray Mare.mp4 | | |--Orphan Girl.mp4 | | |--Poor Boy Long Way From Home.mp4 | | |--Railroad Boy.mov | | |--Rocky Island.mp4 | | |--Roll on John.mp4 | | |--Wild Bill Jones.mp4 | | |--Wild Bill Jones2.mp4 | | `--Wild Rover.mp4 | |--Razor Wolfinbarger, Earl Thomas, and Billy Stamper | | |--Black Eyed Susie.mp4 | | |--Buckcreek Girls.mp4 | | |--Cripple Creek.mov | | |--Granny Will Your Dog Bite.mp4 | | |--Hook and Line.mp4 | | |--Hump Backed Mule.mp4 | | |--Little Boy Working on the Road.mp4 | | |--Liza Jane.mp4 | | |--Nigger Inch Along.mp4 | | |--Old Joe Clark.mp4 | | |--Soldier’s Joy.mov | | |--Sourwood Mountain.mp4 | | `--Unidentified.mp4 | |--Ron Mullenex | | |--Buffalo Skinners.mp4 | | |--Granddaddys Favorite.mp4 | | |--Greasy Coat.mp4 | | |--Sandy Boys.mp4 | | |--Texas.mp4 | | |--Yew Piney Mountain.mp4 | | `--Young Man Who Wouldnt Hoe Corn.mp4 | |--Roscoe Holcomb | | |--Black Eyed Susie.mov | | |--Down South Blues.mov | | |--Dream Of The Miner’s Child.mov | | |--Little Birdie.mov | | |--Lost Indian.mov | | |--Omie Wise.mov | | `--True Love.mov | |--Travis Wells John Harrod Earl Thomas Jr Vernon and Zora Judd | | |--Everybodys Favorite.mp4 | | |--Granny Went to Meeting.mp4 | | |--Ida Red.mp4 | | |--Leather.mp4 | | |--Letters Tune.mp4 | | |--Martha Campbell.mp4 | | |--Mississippi Sawyer.mp4 | | |--Rocky Mountain Goat.mp4 | | |--Unidentified.mp4 | | `--Walking in the Parlor.mp4 | `--Walter McNew with Ethan and Eric Eversole | |--Billy in the Lowground.mp4 | |--Charleston #1.mp4 | |--Chicken Reel.mp4 | |--Cripple Creek.mp4 | |--Cumberland Gap.mp4 | |--Leather Britches.mp4 | |--Sourwood Mountain.mp4 | |--Tennessee Wagoner.mp4 | `--Uncle Joe.mp4 |--Bertram Levy And Kirk Sutphin You Tube | |--28th Of January:Billy In The Low Lands.mp4 | |--Bull at the Wagon.mp4 | |--Devil On A Straw Stack.mp4 | |--Ebenezer:Magpie.mp4 | |--Flowers of Edinburgh.mp4 | |--Flowers of Edinburgh2.mp4 | |--Folding Down The Sheets:Flying Cloud Cotillion.mp4 | |--George Booker.mp4 | |--George Booker2.mp4 | |--Jawbones-Jump Jim Crow.mp4 | |--Kirk Sutphin, Bertram Levy and Anna Roberts-Gevalt at Clifftop 2012.mp4 | |--Lady In The Lake:Bill Cheatum:Old Molly Hare.mp4 | |--Mamalilaculla Waltz.mp4 | |--Palestine Old Time Music and Dulcimer Festival 2009.mp4 | |--Rockingham Cindy.mp4
Recommended publications
  • Save of the Season?
    THE MAGAZINE FOR THE GOALKEEPING PROFESSION £4.50 TM AUTUMN 2011 Craig GORDON SAVE OF THE SEASON? The greatest saves of all time GK1 looks at the top 5 saves in the history of the game Coaching Corner The art of saving penalties Equipment Exclusive interviews with: Precision, Uhlsport & Sells Goalkeeper Products Gordon Banks OBE Gary Bailey Kid Gloves Kasper Schmeichel The stars of the future On the Move Also featuring: Summary of the latest GK transfers Alex McCarthy, Reading FC John Ruddy, Norwich City Business Pages Alex Smithies, Huddersfield Town Key developments affecting the professional ‘keeper Bob Wilson OBE Welcome to The magazine exclusively for the professional goalkeeping community. Welcome to the Autumn edition of suppliers, coaches and managers alike we are Editor’s note GK1 – the magazine exclusively for the proud to deliver the third issue of a magazine professional goalkeeping community. dedicated entirely to the art of goalkeeping. Andy Evans / Editor-in-Chief of GK1 and Chairman of World In Motion ltd After a frenetic summer of goalkeeper GK1 covers the key elements required of transfer activity – with Manchester a professional goalkeeper, with coaching United, Liverpool, Chelsea and features, equipment updates, a summary Tottenham amongst those bolstering of key transfers and features covering the their goalkeeping ranks – our latest uniqueness of the goalkeeper to a football edition of GK1 brings you a full and team. The magazine also includes regular comprehensive round-up of all the features ‘On-the-Move’, summarising all the ‘keepers who made moves in the Summer latest transfers involving the UK’s professional 2011 transfer window.
    [Show full text]
  • Uncle Earl's Homecoming
    EVENTS NIGHTSPOTS RESTAURANTS Ann Arbor Weather: Mostly cloudy & 70°F SEND A TIP >> AnnArborObserver.com >> Articles >> Culture Uncle Earl's homecoming A2 to Colorado, and back by Whitley Hill From the March, 2007 issue Uncle Earl got himself born right here in Ann Arbor. He sprang fully formed and thoroughly functional from the fertile minds, nimble fingers, and soulful voices of singer-songwriters K. C. Groves and Jo Serrapere and fiddle player Tahmineh Gueramy. He tripped giddily about local venues, perplexed, at times, at his role as avatar and masthead of such plaintive, delicate music. He shuffled uncomfortably on the sidelines after gigs as fans asked, "So, which one of you has an uncle Earl?" In fact, Uncle Earl is an old-time string band that features neither uncles nor anyone remotely named Earl. Today, Groves, now based in Colorado, is the only original member of the group. She's joined now by three fine, seasoned women - Kristin Andreassen (guitar, clogging, ukulele, and vocals), Rayna Gellert (fiddle and vocals), and Abigail Washburn (banjo and vocals) - who love this music deeply and play it with passion. In this quartet's capable hands, everything old is scrubbed fresh. With rainwater. Heaven knows how they managed it, amid their increasingly international touring schedule, but a black crow on a clothesline tells me that Uncle Earl's newest album, Waterloo, Tennessee (Rounder Records), was made in about two weeks last fall at a luxurious live-in studio in the rolling hills outside of Nashville. Aside from the joy of unfettered, fully supported creativity (beautifully manifested in the four tracks I heard), the G'Earls got their first taste of actual obsequiousness: a crew of bowing, scraping interns who insisted on washing their white fluffy robes every day.
    [Show full text]
  • Bulletin of the Center for Children's Books
    I LL I NOI S UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scale Digitization Project, 2007. Graduate School of Library and Information Science University of Illinois Press at ;i .I~i ;;-i·i· , 01-' -y n a r,i "A handsome puzzle book that also enhances appreciation for our quirky mother tongue."* JUD ITH VIORST The Alphabet from Z to A (With Much Confusion on the Way) Illustrated in full color by Richard Hull * "Refreshingly, Viorst offers anything but a basic introduc- tion to phonetics....Rather, her verse is a pleasing blend of play- fulness and sophistication.... [Hull's] detailed, often fantastical pictures cleverly incorporate the items mentioned in Viorst's rhymes - as well as a devilish number of other objects that begin with the spotlighted letter. It all makes for good (and vocabulary- building) phun." -Starred, Publishers Weekly "Intriguing." -School Library Journal 'qThe well-known humorist uses a reverse alphabet to explore, and rail about, the idiosyncra- ces of English ('Y' is for YEW and for YOUJ But it isn't for USING), touching on the vagaries of homonyms and spelling, slip- ping in rhymes...and engaging in other wordplay." -*Kirkus Reviews "Kids will be charmed to see someone acknowledge the appar- ent idiocy of the language they're grappling with." -Booklist $14.95 SBE/0-689-31768-9 Ages 7-10 SBE indicates a reinforced hardcover edition. Atheneum An imprint of the Simon & Schuster Children's Publishing Division A Paramount Communications Company -- THE BUvL LE T IN OF THE CENTER FOR CHILDREN'S BOOKS June 1994 Vol.
    [Show full text]
  • Béla Fleck & Abigail Washburn
    BÉLA FLECK & ABIGAIL WASHBURN ADELAIDE TOWN HALL 12 AUGUST 8PM USA ADELAIDE PREMIERE 16 - time Grammy winner Béla Fleck and his critically lauded partner Abigail Washburn bring together, in a seemingly mystical union, Fleck’s revered modern compositions for banjo with Washburn’s equally respected old-school take on the instrument. Their 2014 debut duo album revealed new musical possibilities found in their combined styles, heralded by Washburn’s angelic voice. The triumph of their collaboration was recognised when the record won the 2016 Grammy Award for Best Folk Album. “A stunning collection of eloquent duets” – THE NEW YORKER “the couple has mined various intimate intricacies of the banjo duet, using an aesthetic of front-porch minimalism to play an eclectic mix of country blues, Appalachian mountain songs and expansive chamber folk…. The duo's eponymous debut is filled with understated force” – WASHINGTON POST “two monsters of the banjo” – NPR All Things Considered BÉLA FLECK & ABIGAIL WASHBURN Sure, in the abstract, a banjo duo might seem like a musical concept beset by limitations. But when the banjo players cast in those roles are Abigail Washburn and Béla Fleck—she with the earthy sophistication of a postmodern, old-time singer-songwriter, he with the virtuosic, jazz-to-classical ingenuity of an iconic instrumentalist and composer with bluegrass roots— it’s a different matter entirely. There’s no denying that theirs is a one-of-a-kind pairing, with one-of- a-kind possibilities. Fleck and Washburn have collaborated in the past, most visibly in their Sparrow Quartet with Casey Driessen and Ben Sollee.
    [Show full text]
  • 1 a Conversation with Abigail Washburn by Frank
    A Conversation with Abigail Washburn by Frank Goodman (9/2005, Puremusic.com) It’s curious in the arts, especially music, that success or notoriety can sometimes come more easily to those who started late, or never even planned to be an artist in the first place. But perhaps, by the time that music seriously enters their life, people they’ve met or other things that they’ve done or been interact with that late-breaking musical urge and catalytically convert it into something that works, takes shape or even wings. And so many who may have played the same instrument or sung or composed the same style of music all their lives may never have been rewarded, or at least noticed, for a life’s work. Timing, including the totality of what one brings to the table at that particular time, seems to be what matters. Or destiny, perhaps, if one believes in such a thing. By the time that musical destiny came knocking at Abigail Washburn’s door, her young life was already paved with diverse experiences. She’d gone abroad to China in her freshman year at college, and it changed her fundamentally. She became so interested in that culture and that tradition that it blossomed into a similar interest in her own culture when she returned, and she went deeply into the music of Doc Watson and other mountain music figures, into old time and clawhammer banjo music in particular. She’d sung extensively in choral groups already, so that came naturally. She was working as a lobbyist and living in Vermont, and had close friends who were a string band.
    [Show full text]
  • 2018 Fall Issue of the Scenic
    the scenic Blue Ridge Parkway Foundation - Fall 2018 Painting “Moses H. Cone Memorial Park” by John Mac Kah John Cone Memorial Park” by “Moses H. Painting The benefit art show Of Valley & Ridge: A Scenic Journey Through the Blue Ridge Parkway will feature works created outdoors by more than 20 fine artists of Western North Carolina on October 26-28 in Asheville. Nature’s Palette Open air painters find inspiration on the Parkway for benefit art show s we travel the Blue Ridge Parkway, most of us capture the Aawe-inspiring scenes with a camera. But if you’ve been exploring the park recently, you just might have encountered one of the many artists working en plein air, a French expression meaning “in the open air,” to capture the wonders of the mountains on canvas. Painter John Mac Kah at work on the Parkway Continued on page 2 Continued from page 1 Sitting in front of small easels with brushes and paint-smeared palettes in hand, these artists leave the walls of the studio behind to experience painting amid the landscape and fresh air. The Saints of Paint and Blue Ridge Parkway Foundation are inviting guests on a visual adventure with the benefit art show, Of Valley & Ridge: A Scenic Journey Through the Blue Ridge Parkway, showcasing the works of Western North Carolina fine artists from October 26 to 28 at Zealandia castle in Asheville, North Carolina. The show opens with a ticketed gala from 5 to 8 p.m., Friday, October 26, at the historical Tudor mansion, Zealandia, atop Beaucatcher Mountain.
    [Show full text]
  • 01 Prelude | | |--02 City of Refuge | | |--03 Bring Me My Queen
    |--Abigail Washburn | |--City of Refuge | | |--01 Prelude | | |--02 City of Refuge | | |--03 Bring Me My Queen | | |--04 Chains | | |--05 Ballad of Treason | | |--06 Last Train | | |--07 Burn Thru | | |--08 Corner Girl | | |--09 Dreams Of Nectar | | |--10 Divine Bell | | |--11 Bright Morning Stars | | |--cover | | `--folder | |--Daytrotter Studio | | |--01 City of Refuge | | |--02 Taiyang Chulai | | |--03 Bring Me My Queen | | |--04 Chains | | |--06 What Are They Doing | | `--07 Keys to the Kingdom | |--Live at Ancramdale | | |--01 Main Stageam Set | | |--02 Intro | | |--03 Fall On My Knees | | |--04 Coffee’s Cold | | |--05 Eve Stole The Apple | | |--06 Red & Blazey | | |--07 Journey Home | | |--08 Key To The Kingdom | | |--09 Sometime | | |--10 Abigail talks about the trip to Tibet | | |--11 Song Of The Traveling Daughter | | |--12 Crowd _ Band Intros | | |--13 The Sparrow Watches Over Me | | |--14 Outro | | |--15 Master's Workshop Stage pm Set | | |--16 Tuning, Intro | | |--17 Track 17 of 24 | | |--18 Story about Learning Chinese | | |--19 The Lost Lamb | | |--20 Story About Chinese Reality TV Show | | |--21 Deep In The Night | | |--22 Q & A | | |--23 We’re Happy Working Under The Sun | | |--24 Story About Trip To China | | |--index | | `--washburn2006-07-15 | |--Live at Ballard | | |--01 Introduction | | |--02 Red And Blazing | | |--03 Eve Stole The Apple | | |--04 Free Internet | | |--05 Backstep Cindy_Purple Bamboo | | |--06 Intro. To The Lost Lamb | | |--07 The Lost Lamb | | |--08 Fall On My Knees | | |--Aw2005-10-09 | | `--Index
    [Show full text]
  • Old Time Banjo
    |--Compilations | |--Banjer Days | | |--01 Rippling Waters | | |--02 Johnny Don't Get Drunk | | |--03 Hand Me down My Old Suitcase | | |--04 Moonshiner | | |--05 Pass Around the Bottle | | |--06 Florida Blues | | |--07 Cuckoo | | |--08 Dixie Darling | | |--09 I Need a Prayer of Those I Love | | |--10 Waiting for the Robert E Lee | | |--11 Dead March | | |--12 Shady Grove | | |--13 Stay Out of Town | | |--14 I've Been Here a Long Long Time | | |--15 Rolling in My Sweet Baby's Arms | | |--16 Walking in the Parlour | | |--17 Rye Whiskey | | |--18 Little Stream of Whiskey (the dying Hobo) | | |--19 Old Joe Clark | | |--20 Sourwood Mountain | | |--21 Bonnie Blue Eyes | | |--22 Bonnie Prince Charlie | | |--23 Snake Chapman's Tune | | |--24 Rock Andy | | |--25 I'll go Home to My Honey | | `--banjer days | |--Banjo Babes | | |--Banjo Babes 1 | | | |--01 Little Orchid | | | |--02 When I Go To West Virginia | | | |--03 Precious Days | | | |--04 Georgia Buck | | | |--05 Boatman | | | |--06 Rappin Shady Grove | | | |--07 See That My Grave Is Kept Clean | | | |--08 Willie Moore | | | |--09 Greasy Coat | | | |--10 I Love My Honey | | | |--11 High On A Mountain | | | |--12 Maggie May | | | `--13 Banjo Jokes Over Pickin Chicken | | |--Banjo Babes 2 | | | |--01 Hammer Down Girlfriend | | | |--02 Goin' 'Round This World | | | |--03 Down to the Door:Lost Girl | | | |--04 Time to Swim | | | |--05 Chilly Winds | | | |--06 My Drug | | | |--07 Ill Get It Myself | | | |--08 Birdie on the Wire | | | |--09 Trouble on My Mind | | | |--10 Memories of Rain | | | |--12
    [Show full text]
  • Bossypants? One, Because the Name Two and a Half Men Was Already Taken
    Acknowledgments I would like to gratefully thank: Kay Cannon, Richard Dean, Eric Gurian, John Riggi, and Tracy Wigfield for their eyes and ears. Dave Miner for making me do this. Reagan Arthur for teaching me how to do this. Katie Miervaldis for her dedicated service and Latvian demeanor. Tom Ceraulo for his mad computer skills. Michael Donaghy for two years of Sundays. Jeff and Alice Richmond for their constant loving encouragement and their constant loving interruption, respectively. Thank you to Lorne Michaels, Marc Graboff, and NBC for allowing us to reprint material. Contents Front Cover Image Welcome Dedication Introduction Origin Story Growing Up and Liking It All Girls Must Be Everything Delaware County Summer Showtime! That’s Don Fey Climbing Old Rag Mountain Young Men’s Christian Association The Windy City, Full of Meat My Honeymoon, or A Supposedly Fun Thing I’ll Never Do Again Either The Secrets of Mommy’s Beauty Remembrances of Being Very Very Skinny Remembrances of Being a Little Bit Fat A Childhood Dream, Realized Peeing in Jars with Boys I Don’t Care If You Like It Amazing, Gorgeous, Not Like That Dear Internet 30 Rock: An Experiment to Confuse Your Grandparents Sarah, Oprah, and Captain Hook, or How to Succeed by Sort of Looking Like Someone There’s a Drunk Midget in My House A Celebrity’s Guide to Celebrating the Birth of Jesus Juggle This The Mother’s Prayer for Its Daughter What Turning Forty Means to Me What Should I Do with My Last Five Minutes? Acknowledgments Copyright * Or it would be the biggest understatement since Warren Buffett said, “I can pay for dinner tonight.” Or it would be the biggest understatement since Charlie Sheen said, “I’m gonna have fun this weekend.” So, you have options.
    [Show full text]
  • Updated 2019 Completemedia
    April 15, 2019 Dear Members of the Media, On behalf of the Boston Athletic Association, principal sponsor John Hancock, and all of our sponsors and supporters, we welcome you to the City of Boston and the 123rd running of the Boston Marathon. As the oldest annually contested marathon in the world, the Boston Marathon represents more than a 26.2-mile footrace. The roads from Hopkinton to Boston have served as a beacon for well over a century, bringing those from all backgrounds together to celebrate the pursuit of athletic excellence. From our early beginnings in 1897 through this year’s 123rd running, the Boston Marathon has been an annual tradition that is on full display every April near and far. We hope that all will be able to savor the spirit of the Boston Marathon, regardless whether you are an athlete or volunteer, spectator or member of the media. Race week will surely not disappoint. The race towards Boylston Street will continue to showcase some of the world’s best athletes. Fronting the charge on Marathon Monday will be a quartet of defending champions who persevered through some of the harshest weather conditions in race history twelve months ago. Desiree Linden, the determined and resilient American who snapped a 33-year USA winless streak in the women’s open division, returns with hopes of keeping her crown. Linden has said that last year’s race was the culmination of more than a decade of trying to tame the beast of Boston – a race course that rewards those who are both patient and daring.
    [Show full text]
  • The Fantasy of Whiteness: Blackness and Aboriginality in American and Australian Culture
    The Fantasy of Whiteness: Blackness and Aboriginality in American and Australian Culture Benjamin Miller A thesis submitted to the School of English, Media and Performing Arts at the University of New South Wales in fulfilment of the requirements for the award of Doctor of Philosophy 2009 THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname: MILLER First name: BENJAMIN Other name/s: IAN Degree: PhD School: ENGLISH, MEDIA AND PERFORMING ARTS Faculty: ARTS AND SOCIAL SCIENCES Title: MR ABSTRACT This dissertation argues that a fantasy of white authority was articulated and disseminated through the representations of blackness and Aboriginality in nineteenth-century American and Australian theatre, and that this fantasy influenced the representation of Aboriginality in twentieth- century Australian culture. The fantasy of whiteness refers to the habitually enacted and environmentally entrenched assumption that white people can and should superintend the cultural representation of Otherness. This argument is presented in three parts. Part One examines the complex ways in which white anxieties and concerns were expressed through discourses of blackness in nineteenth-century American blackface entertainment. Part Two examines the various transnational discursive connections enabled by American and Australian blackface entertainments in Australia during the nineteenth century. Part Three examines the legacy of nineteenth-century blackface entertainment in twentieth-century Australian culture. Overall, this dissertation investigates some of the fragmentary histories and stories about Otherness that coalesce within Australian culture. This examination suggests that representations of Aboriginality in Australian culture are influenced and manipulated by whiteness in ways that seek to entrench and protect white cultural authority. Even today, a phantasmal whiteness is often present within cultural representations of Aboriginality.
    [Show full text]
  • Colleen Anderson 2 a Book Has to Have Bones, Meat
    Graduate Humanities students and faculty collaboratively exploring the arts, history, culture, and literature in an open experimental multidisciplinary environment Volume 35 Issue 2 Fall 2012 Living in Music By Trish Haield (’08), Program Assistant INSIDE THIS ISSUE In the Spring 2012 Graduate Humanies, Angelica Sele (’08) said in an interview, "I wanted to 'see' a book––not just the words, but why the book was done the way it was. Colleen Anderson 2 A book has to have bones, meat. By that I mean content, interpretaon, and meaning." Dr. Luke Eric Lassiter, Director of the Graduate Humanies Program, piggybacks on this Farewell to Fran 2 by applying it to songs and singing of the Oklahoma Kiowa Indians. He proposed in The Power of Kiowa Song (1998), “Knowledge is what makes sound meaningful; to know a Spring 2013 song is to know its meaning. To know a song’s meaning, in turn, is to know its power–– Seminars 3 that which inspires, uplis, and edifies”(Lassiter, 141). What’s Happening Would this noon of meaning and power in books and songs resonate with singer/ Elsewhere? 4 songwriters, Pete Kosky (’04) and Colleen Anderson (’03) and also Michael Tierney (a self- proclaimed Humanies Program groupie)? In this issue and the Spring 2013 issue of Recent Graduate 5 Graduate Humanies (GH), we decided to interview Pete, Colleen, Michael and Dr. Lassiter to find out how they think about the music they either study or make as singers WV Book Festival 6 and songwriters. A summary of the first two interviews follows. You can listen online to longer excerpts and songs menoned in the interviews at www.marshall.edu/humn starng in January, 2013.
    [Show full text]