A Rough Guider's Take on Early Flight

Total Page:16

File Type:pdf, Size:1020Kb

A Rough Guider's Take on Early Flight How the Ascension Scanner appeal: got its What do you name - remember Back page of life on the island? - Page 6 March 2010 Number 2 A rough guider’s take on early flight Page 3 With highlights from Ariel Nigel’s last stand over that Good Friday... Centre pages News The honorary islander Life for former BBC press officer Chris Bates (left) took an unexpected turn after he retired. He went to work for the Royal Norwegian Embassy in London, where he discovered that there are strong ties between Norway and the island of Tristan da Cunha. As a result he became friends with islanders and, ultimately, an unpaid representative of the government of Tristan. Such representatives are vital for a community for whom travel to other parts of the world can take months. Thus, after similar conferences on Reunion Island and in the Cayman Islands, he found himself on neighbouring Ascension Island to discuss the threat facing the Tristan Albatross and other species. ‘So I've had to learn rapidly about the issues with the help of organisations such as the RSPB, the Joint Nature Conservation Council and other bodies, and the conservation departments on Ascension, St. Helena, Falklands, South Georgia, Gibraltar, Turks and Caicos etc’ Chris, pictured with Ascension Heritage Society volunteer Roy Haley, adds: ‘My old Stanley Gibbons stamp catalogues come in PROSPERO very handy!’ March 2010 • See 1966 and all that – centre pages Prospero is provided free to Alert over errors in retired BBC employees. It can also be sent to spouses or dependants who want to keep pensioner tax codes in touch with the BBC. It Pensioners have been warned to look out for includes news about former mistakes in the millions of tax code notices being sent to them by HM Revenue & Review of working age limit colleagues, pension issues, Customs (HMRC). People should be allowed to work beyond the age of 65 and with more flexible and developments at the The Low Incomes Tax Reform Group hours, the Equality and Human Rights Commission has said. The commission wants (LITRG) says at least seven different errors ministers to scrap the retirement age, saying it is out of date and discriminates BBC. Prospero includes have already come to light with pensioners’ against people who want to carry on working. new coding notices. The commission's deputy chairman Lady Prosser said it made good business classified advertisements. To As a result, HMRC is advising people who sense in a recession to recruit and retain older talent. advertise in Prospero or the think they may be affected to check with The government has promised a review of the law. their tax office if a code seems to be wrong, BBC Staff magazine, Ariel, or ring 0845 3000 627, so it can be correct - codes are right,’ said an HMRC spokesman. claimants of incapacity benefit, and the ed before April 6. According to the LITRG, among the mis - newer employment and support allowance, see page 11. The codes determine how much of a pen - takes that are affecting some pensioners' tax have been added to codes issued for sources sioner’s income is taxed each year. codes are: of income which have now stopped The mistakes could lead, at worst, to peo - • coding notices for pensioners who still • the blind person’s allowance has been Subscription information for ple paying £108 extra tax per month, while have some employment, or income from omitted. some may not pay enough tax. non-state pensions, may not have included People who rely exclusively on the state Ariel is on page 12 HMRC has already explained that mistakes their state pension – which could lead to a pension for their income are in the self- are emerging because a new computer sys - big underpayment of tax. assessment system and are not sent coding tem, introduced last year, is bringing people’s • the married couple’s allowance, where notices at all, so they are not affected. tax and national insurance records together one pensioner is aged 76 or over, has not The Revenue has already advised people to for the first time. been included check with their tax office to let them know In the process it is trying to reconcile dif - • personal allowances have been incorrect if a code seems to be wrong, or ring 0845 ferent sets of data about past and present or left out altogether 3000 627, so it can be corrected before 6 employment, which may not match each • the figure on the notice for ‘other income’ April 2010. other. has been incorrect • Pensioners worried about their tax can ‘We accept and very much regret that • An ‘0T’ code has been given incorrectly, consult the LITRG via their website errors have occurred in some of the notices indicating no allowance should be given (http://www.litrg.org.uk/) or call 0845 601 that have been issued but the majority of • codes issued for the first time to 3321. Editorial contributions CROSPERO 146 1 Devised and compiled by Jim Palm • 2 3 Write to Robin Reynolds Complete the square using the clues; these apply only to words The Editor, Prospero running across. Then take these words in numerical order and • • 4 BBC Pension & Benefits Centre extract the letters indicated by a dot. If your answers are correct, 5 these letters will spell out the name of a BBC programme of • • Broadcasting House yesteryear. 6 7 Cardiff, CF5 2YQ Please send your answers in an envelope marked Crospero to The • • Tel: 020 7765 1414 Editor, Prospero, BBC Pension and Benefits Centre, Broadcasting [email protected] House, Cardiff CF5 2YQ by March 19. 8 9 Clues: 1. Act of conveying away (9); 2. Song of triumph (5); 3. • Please make sure that any digital Actress Oberon (5); 4. Skidded (4); 5. Blindfold (4); 6. Shouts (5); 7. • pictures you send are scanned Unhearing (4); 8. Nose-related (5); 9. Love of fine arts (5); 10. Hacks at 250 dpi (4); 11. Fidelity (5); 12. Journey (4); 13. Northern river (4); 14. Headpiece (5); 15. Words man (5); 16. Star-shaped (9); Note: You 10 11 Design & production editor: Ann Ramsbottom may also care to fill in the two incomplete down words; the first is a • 1983 Barbara Streisand film, and the second a Gounod opera. • Solution to Crospero No. 145 : ham; donated; low; pal; root; 12 13 beds; meter; asset; air; minim; onion; pun; crawl; eager; alee; twal; • • Mixed Sources far; lob; streets; led. Product group from well-managed 14 15 forests, controlled sources and The actor was Howard Marion Crawford recycled wood or fiber • • WWW.fsc.org Cert no. SA-COC-1468 c 1996 Forest Stewardship Council The winner of Crospero 145 is Miss K D Tugwell of Southsea. 16 • 2 • • March • 2010 News Presenter sues over ageism Miriam O’Reilly, the former Countryfile definition exposes every imperfection, and the oldest women still on screen at the BBC. presenter pursuing compensation over that was how my ageing female face would It was said in a way that implied I should alleged age and sex discrimination, says she be perceived by the BBC – as imperfect, not feel grateful that I was still allowed to be a was told: ‘You’ll have to be careful about young, glossy and flawless.’ presenter... those wrinkles when high definition comes She added: ‘Remarks like this were made ‘And yet, how very different it is for men. in.’ to women of my age all the time, and I Male presenters are never questioned... they On another occasion a cameraman believe they tell you everything you need to are seen as having dignity and gravitas.’ produced a can of black dye to spray her know about the culture at the BBC, where The BBC said it would be ‘vigorously hair. ageism and sexism are endemic.’ defending’ the case. A spokeswoman said: Miriam, aged 52, was one of four women She cited the experience of a fellow ‘Any suggestion that the presenters of in their 40s and 50s told in 2008 that they presenter, also in her 50s, told to have a Countryfile were replaced on the grounds of were being dropped from the rural affairs makeover and lose weight, and remarks age is absolute nonsense. programme. Former Watchdog host Julia made about her own hair. ‘Matt Baker and Julia Bradbury were Bradbury, 36, and Matt Baker, 32, were ‘The way my hair falls means that when chosen based on their proven successful among the new presenters on the revamped the wind blows it looks as if I have white track record as presenters and their extensive programme. roots, as my scalp shows through.’ rural knowledge and keen interest in In an interview in the Daily Mail , Miriam When the cameraman offered her the hair countryside issues.’ acknowledges that the comment about high dye she was ‘mortified’. She added: ‘Kirsty Wark, Maxine definition was ‘a light remark’. ‘Another time, a director laughingly said I Mawhinney and Martha Kearney regularly ‘But we both knew what he meant. High was a rare breed and that I must be one of feature on BBC television.’ Don takes RELCs meet off on a Sir Michael Sir Michael Lyons, chairman of the BBC Trust, will be taking part in a recorded inter - new view and discussion on all topics of the BBC as seen through the eyes and ears of the RELC’s vice president Paul Gouldstone at adventure the next ‘lunch’ on Wednesday April 21 at the seaside Miramar Hotel in Bournemouth. Retired cameraman Don Groom It starts at midday. is back in the groove after being The last lunch date, in January, was post - invited to document an poned because of the travelling conditions ambitious aviation project in on icy roads.
Recommended publications
  • Service Review
    Editorial Standards Findings Appeals to the Trust and other editorial issues considered by the Editorial Standards Committee December 2012 issued February 2013 Getting the best out of the BBC for licence fee payers Editorial Standards Findings/Appeals to the Trust and other editorial issues considered Contentsby the Editorial Standards Committee Remit of the Editorial Standards Committee 2 Summaries of findings 4 Appeal Findings 6 Silent Witness, BBC One, 22 April 2012, 9pm 6 Application of Expedited Procedure at Stage 1 14 News Bulletins, BBC Radio Shropshire, 26 & 27 March 2012 19 Watson & Oliver, BBC Two, 7 March 2012, 7.30pm 26 Rejected Appeals 38 5 live Investigates: Cyber Stalking, BBC Radio 5 live and Podcast, 1 May 2011; and Cyber- stalking laws: police review urged, BBC Online, 1 May 2011 38 Olympics 2012, BBC One, 29 July 2012 2 Today, BBC Radio 4, 29 May 2012 5 Bang Goes the Theory, BBC One, 16 April 2012 9 Have I Got News For You, BBC Two, 27 May 2011and Have I Got A Bit More News For You, 2 May 2012 16 Application of expedited complaint handling procedure at Stage 1 21 Look East, BBC One 24 December 2012 issued February 2013 Editorial Standards Findings/Appeals to the Trust and other editorial issues considered by the Editorial Standards Committee Remit of the Editorial Standards Committee The Editorial Standards Committee (ESC) is responsible for assisting the Trust in securing editorial standards. It has a number of responsibilities, set out in its Terms of Reference at http://www.bbc.co.uk/bbctrust/assets/files/pdf/about/how_we_operate/committees/2011/esc_t or.pdf.
    [Show full text]
  • Discographic Workshop Part 3A – Doctor Who Theme (RESL 11)
    http://bbcrecords.co.uk/blog/?p=717 Discographic Workshop Part 3A – Doctor Who Theme (RESL 11) Doctor Who We (ahem) materialise into the third part (and half-way point) of a thorough review of all the BBC Records (& Tapes) releases featuring the Radiophonic Workshop. Previous parts have taken an in-depth look at the compilation albums and the solo LPs. This part is all about the Workshop’s many dealings with The Doctor and this post is dedicated the first such release. Doctor Who (hereafter, DW) began on BBC TV in 1963, and with a little help from the Daleks, was a ratings smash hit, reaching viewing figures of 12 million. The show continued to be hugely popular right through to the eighties, when it finally lost its footing and was cancelled after series number 26, in 1989. Of course, it was resurrected in 2005 and continues to this day, as exciting and popular as ever, but here we’re going to look back to the golden age of the original series. The BBC Radiophonic Workshop were part of DW production from the very start and did much to contribute to the success of the show in its early days. Initially, theme music and sound effects, then later the incidental music was augmented at the Workshop and finally, for a period, all the show’s music was coming from their Maida Vale studios. Any Radiophonic music was extremely time consuming to produce in 1963 however, and until the advent of relatively cheap and playable keyboard synthesizers, along with high quality multi- track recorders, it simply wasn’t practical from the Workshop to soundtrack hours and hours of television every year.
    [Show full text]
  • Discographic Workshop Part 2C – More Solo Albums
    http://bbcrecords.co.uk/blog/?p=387 Discographic Workshop Part 2C – More Solo Albums Welcome to the third and final post in Part 2 of Discographic Workshop, which is dedicated to the solo albums of the Radiophonic Workshop. And, for want of a better place to put it, there’s also our first single. Through A Glass Darkly Through A Glass Darkly – REC 307 – 1978 “When you’re working from scratch there’s nothing’s worse than having the whole universe to choose from.” Peter Howell Peter Howell may have some misgivings about the blank canvas* offered by electronic music, but when he needed engage in a spot of self-promotion at the Workshop this was the challenge he took upon himself. In contrast to all the other Radiophonic releases reviewed here so far and to all of the other Radiophonic Workshop material released by BBC Records, this record was the composer’s own idea. *Or, rather, tape. Although that wasn’t always the case and as we’ll see in a later part, re-using tape sometimes brought its own serendipitous opportunities. How Well Do You Know Peter? Peter Howell was born in 1948 grew up around Brighton. As a fan of The Shadows he came to love the guitar and as the sixties started to swing he took that forward into an interest in the folky picking of Bert Jansch and Pentangle. He was supposed to follow his father into a career in law, but as we know that was not his true calling. By the late sixties Howell was playing and recording music with local bands.
    [Show full text]
  • 25 Years of Eastenders – but Who Is the Best Loved Character? Submitted By: 10 Yetis PR and Marketing Wednesday, 17 February 2010
    25 years of Eastenders – but who is the best loved character? Submitted by: 10 Yetis PR and Marketing Wednesday, 17 February 2010 More than 2,300 members of the public were asked to vote for the Eastenders character they’d most like to share a takeaway with – with Alfie Moon, played by actor Shane Ritchie, topping the list of most loved characters. Janine Butcher is the most hated character from the last 25 years, with three quarters of the public admitting they disliked her. Friday marks the 25th anniversary of popular British soap Eastenders, with a half hour live special episode. To commemorate the occasion, the UK’s leading takeaway website www.Just-Eat.co.uk (http://www.just-eat.co.uk) asked 2,310 members of the public to list the character they’d most like to ‘have a takeaway with’, in the style of the age old ‘who would you invite to a dinner party’ question. When asked the multi-answer question, “Which Eastenders characters from the last 25 years would you most like to share a takeaway meal with?’, Shane Richie’s Alfie Moon, who first appeared in 2002 topped the poll with 42% of votes. The study was entirely hypothetical, and as such included characters which may no longer be alive. Wellard, primarily owned by Robbie Jackson and Gus Smith was introduced to the show in 1994, and ranked as the 5th most popular character to share a takeaway with. 1.Alfie Moon – 42% 2.Kat Slater – 36% 3.Nigel Bates – 34% 4.Grant Mitchell – 33% 5.Wellard the Dog – 30% 6.Peggy Mitchell – 29% 7.Arthur Fowler – 26% 8.Dot Cotton – 25% 9.Ethyl Skinner – 22% 10.Pat Butcher – 20% The poll also asked respondents to list the characters they loved to hate, with Janine Butcher, who has been portrayed by Rebecca Michael, Alexia Demetriou and most recently Charlie Brooks topping the list of the soaps most hated, with nearly three quarters of the public saying listing her as their least favourite character.
    [Show full text]
  • BBC News: Defining Britishness in the Early Wenty-Firstt Century
    Old Dominion University ODU Digital Commons English Theses & Dissertations English Summer 2017 BBC News: Defining Britishness in the Early wenty-FirstT Century Christine Gilroy-Reynolds Old Dominion University, [email protected] Follow this and additional works at: https://digitalcommons.odu.edu/english_etds Part of the Mass Communication Commons, and the Rhetoric Commons Recommended Citation Gilroy-Reynolds, Christine. "BBC News: Defining Britishness in the Early wenty-FirstT Century" (2017). Doctor of Philosophy (PhD), Dissertation, English, Old Dominion University, DOI: 10.25777/x8ea-s841 https://digitalcommons.odu.edu/english_etds/33 This Dissertation is brought to you for free and open access by the English at ODU Digital Commons. It has been accepted for inclusion in English Theses & Dissertations by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. BBC NEWS: DEFINING BRITISHNESS IN THE EARLY TWENTY-FIRST CENTURY by Christine Gilroy-Reynolds B.A. May 2003, King’s College M.A. May 2008, West Chester University M.Ed. December 2008, West Chester University A Dissertation Submitted to the Faculty of Old Dominion University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY ENGLISH OLD DOMINION UNIVERSITY August 2017 Approved by: Kevin Moberly (Director) Kevin DePew (Member) Louise Wetherbee Phelps (Member) Avi Santo (Member) ABSTRACT BBC NEWS: DEFINING BRITISHNESS IN THE EARLY TWENTY-FIRST CENTURY Christine Gilroy-Reynolds Old Dominion University, 2017 Director: Kevin Moberly According to the BBC’s 2006 Royal Charter, the BBC situations itself rhetorically within the notions of ‘public value’ and its commitment to, among other things, "d) representing the UK, its nations, regions and communities; e) bringing the UK to the world and the world to the UK [...]"(2-3).
    [Show full text]
  • Eastenders 30 Anniversary Is Going Live
    Friday October 3, 2014 EASTENDERS 30th ANNIVERSARY IS GOING LIVE In February 2015, EastEnders will be celebrating its 30th anniversary and to mark the special occasion it will be pushing the boundaries by going live. Not only will there be a 30 minute live episode but there will also be a series of live elements in all the episodes that week. This special week, which will broadcast on UKTV in Australia approximately two weeks after transmission in the UK, will give a nod to the past and welcome the future. With storylines culminating, big momentous events happening, the EastEnders 30th anniversary will take its place in television history. Speaking of the plans for the anniversary, Dominic Treadwell-Collins, Executive Producer said: “This is a fantastic opportunity for EastEnders to create a massive national event and one that will enable us to celebrate 30 years of EastEnders in spectacular style. With live elements to each episode as well as a half hour live episode, it allows us to have a huge amount of surprises for the audience. It is ambitious and exciting and something I know everyone at EastEnders will excel at as they always do.” Charlotte Moore, Controller of BBC One adds: "We will bring the nation together to celebrate 30 years of EastEnders by going live across the anniversary week. Next February will mark a massive event on the channel by creating the ultimate ‘doof doof’ and finally reveal who killed Lucy Beale.” Ben Stephenson, Controller of Drama Commissioning adds: "After a captivating year of drama in 2014, EastEnders will top this in February 2015 with the most ambitious anniversary any soap has attempted.
    [Show full text]
  • Flight Lieutenant Cy Grant
    PEOPLE PROFILE BATTLE OF THE RUHR Flight Lieutenant Cy Grant The Battle of the Ruhr was a five month long campaign of strategic bombing of a major industrial Cy Grant moved from and his fellow prisoners area of Germany called the Ruhr. The targets British Guiana to the were forced to march in included armament factories, synthetic oil plants, coke plants, steelworks and dams. UK to join the RAF, as deep snow, with little rations, sleeping in barns and then the year before the being transported in cattle Operation Chastise was part of this battle and the RAF had removed its trucks to Lukenwalde, just official name for attacks on Germans dams on 16-17 bar and allowed blacks south of Berlin. By the end May 1943. The RAF Squadron that carried out the of the war, they were freed attacks were known as the ‘Dambusters’ and they Cy Grant published his from the colonies to by the Russians who ripped used specially developed ‘bouncing bombs.’ memoirs under the title join its ranks. down the fences with their ‘A Member of the RAF of tanks. Indeterminate Race*’. He got Operation Chastise: Fact File By 1943 Grant had received the attack on the Moehne, the title from a caption below D.O.B 8 November 1919 a commission and was one After the war he studied law Eder and Sorpe Dams by a picture of him in a German P.O.B British Guiana and qualified as a barrister No. 617 Squadron RAF of the few black officers in on the night of 16/17 May Newspaper in July 1943 “Ein Years of Service the RAF.
    [Show full text]
  • WRAP THESIS Johnson1 2001.Pdf
    University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/3070 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. David Johnson Total Number of Pages = 420 The History, Theatrical Performance Work and Achievements of Talawa Theatre Company 1986-2001 Volume I of 11 By David Vivian Johnson A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in British and Comparative Cultural Studies University of Warwick, Centre for British and Comparative Cultural Studies May 2001 Table of Contents VOLUMEI 1. Chapter One Introduction 1-24 ..................................................... 2. Chapter Two Theatrical Roots 25-59 ................................................ 3. ChapterThree History Talawa, 60-93 of ............................................. 4. ChapterFour CaribbeanPlays 94-192 ............................................... VOLUME 11 5. ChapterFive AmericanPlaYs 193-268 ................................................ 6. ChapterSix English Plays 269-337 ................................................... 7. ChapterSeven Conclusion 338-350 ..................................................... Appendix I David Johnsontalks to.Yv6nne Brewster Louise
    [Show full text]
  • Inside out Soap Operas
    Inside Out Soap operas WORKSHEET A It happens over and over again in the fictional district of Walford in east London. One of the residents of Albert Square says something dramatic or discovers something unexpected, there is a brief moment of silence, then a drumbeat, then a familiar theme tune – the final moments of any episode of Eastenders , one of Britain’s most popular TV soap operas, are always like that. First broadcast in 1985, Eastenders is still going strong; there are four half-hour episodes every week and they all regularly attract around eight million viewers (out of a total British population of sixty million). On Christmas Day in 1986, when the storyline was particularly exciting, a record thirty million people tuned in. However, Eastenders is neither the longest-running nor the most popular British soap; both those honours go to Coronation Street , which follows the lives of fictional characters in the northern English city of Manchester. It has been on air since 1960 and its recent audiences have been very slightly higher than those for Eastenders . What both shows have in common is that that they are set in working-class areas and feature social and economic problems in many of their storylines – they tend to be gritty rather than glamorous. The soap opera was born in the United States in the 1930s with the first radio broadcasts of fictional dramas that were set in one place and consisted of a series of episodes that each featured the same characters. The word ‘soap’ comes from the fact that most of the advertising slots in these radio dramas were bought by companies selling soap and other domestic products, the reason being that the shows went out in the daytime and many of the listeners were housewives.
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • The BBC's Move to Salford
    The BBC’s move to Salford Report by the Comptroller and Auditor General presented to the BBC Trust Finance Committee, 10 April 2013 BRITISH BROADCASTING CORPORATION The BBC’s move to Salford Report by the Comptroller and Auditor General presented to the BBC Trust Finance Committee, 10 April 2013 Presented to Parliament by the Secretary of State for Culture, Media and Sport by Command of Her Majesty May 2013 © BBC 2013 The text of this document may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. BBC Trust response to the National Audit Office value for money study: The BBC’s move to Salford Introduction The approved budgeted lifetime cost of the move, plus the operating costs for the As the BBC’s governing body, the BBC Trust Salford site up to 2030, was £942 million receives value for money investigations (£573 million after discounting future into specific areas of BBC activity. These costs to their present values). As the NAO investigations, whether carried out notes, this cost does not take into account by the NAO or by other organisations reduced spend on the BBC’s estate in commissioned by the Trust, help us ensure London and Manchester as a result of licence fee payers are getting the best the move. possible return from their licence fee. The objectives for the relocation to Salford We examine the findings from each were better to serve audiences in the north report carefully, and ask BBC management of England, improve quality of content to provide us with a full response and for all audiences, improve efficiency and action plan that explain the actions provide economic and other benefits to the the BBC will take in response to the region.
    [Show full text]
  • Black British Plays Post World War II -1970S by Professor Colin
    Black British Plays Post World War II -1970s By Professor Colin Chambers Britain’s postwar decline as an imperial power was accompanied by an invited but unprecedented influx of peoples from the colonized countries who found the ‘Mother Country’ less than welcoming and far from the image which had featured in their upbringing and expectation. For those who joined the small but growing black theatre community in Britain, the struggle to create space for, and to voice, their own aspirations and views of themselves and the world was symptomatic of a wider struggle for national independence and dignified personal survival. While radio provided a haven, exploiting the fact that the black body was hidden from view, and amateur or semi-professional club theatres, such as Unity or Bolton’s, offered a few openings, access to the professional stage was severely restricted, as it was to television and film. The African-American presence in successful West End productions such as Anna Lucasta provided inspiration, but also caused frustration when jobs went to Americans. Inexperience was a major issue - opportunities were scarce and roles often demeaning. Following the demise of Robert Adams’s wartime Negro Repertory Theatre, several attempts were made over the next three decades to rectify the situation in a desire to learn and practice the craft. The first postwar steps were taken during the 1948 run of Anna Lucasta when the existence of a group of black British understudies allowed them time to work together. Heeding a call from the multi-talented Trinidadian Edric Connor, they formed the Negro Theatre Company to mount their own productions and try-outs, such as the programme of variety and dramatic items called Something Different directed by Pauline Henriques.
    [Show full text]