The Programme New Publications Sheet Music 2/2010
Bärenreiter
VorschauTitel 2_10.indd 3 25.05.2010 12:00:09 Uhr The programme at a glance
New Bach Edition – Revised Chamber Music New Edition of the Complete Works. Revised Edition Johannes Brahms (NBArev)...... 3 Sextet in B-flat major op. 18 for 2 Violins, 2 Violas and Johann Sebastian Bach, Mass in B minor BWV 232 Violoncelli. BA 9419, TP 419...... 20 BA 5935, BA 5935-90, TP 1232...... 4–5 Sextet in G major op. 36 for 2 Violins, 2 Violas and Violoncelli. BA 9420, TP 420...... 21 Gabriel Fauré Choral Music / Stage Work Quatuor à cordes op. 121. BA 7901, TP 412...... 22 George Frideric Handel, Jephtha HWV 70 Trio pour violon, violoncelle et piano op. 120 BA 4014-90...... 6 BA 7902...... 23 George Frideric Handel, Ottone HWV 15 Edward Elgar, Serenade for Strings op. 20 BA 4077-90...... 7 BA 9041...... 24 Carl Loewe, Das Sühnopfer des neuen Bundes BA 7678, BA 7678-90...... 8 Bedøich Smetana, The Bartered Bride MGG – Die Musik in Geschichte und Gegenwart BA 9534-90...... 9 ISBN 978-3-7618-1100-9...... 25
Solo Voice Organ George Frideric Handel Organ Plus One Opera Arias for Mezzo-Soprano and Contralto. BA 8501...... 26–27 BA 10253...... 10–11 Antonio de Cabezón, Selected Organ Works Opera Arias for Tenor. BA 10254...... 10–11 for Keyboard, Volumes 1–4 Opera Arias for Bass. BA 10255...... 10–11 BA 9261–BA 9264...... 28 Franz Schubert, Die schöne Müllerin op. 25 Louis Vierne, Complete Organ Works, Volumes I and II BA 9117 high voice...... 12–13 BA 9221, BA 9222...... 29 BA 9137 medium voice...... 12–13 BA 9157 low voice...... 12–13 Piano Louis Vierne, Complete Piano Works, Volume I Facsimiles BA 9611...... 30 Ludwig van Beethoven, Ode to Joy Alexander Skrjabin, Complete Piano Sonatas, Volume I ISBN 978-3-7618-2169-5...... 14–15 BA 9616...... 31 Johann Sebastian Bach, Cantata “Allein zu dir, Wolfgang Amadeus Mozart, Fantasia in G minor and Fuga Herr Jesu Christ“ BWV 33 in G major K. Anh. 32 and 45 / Sonata Movement in ISBN 978-3-7618-2201-2...... 16 B-flat major K. 42. BA 9638...... 32 Leoš Janáèek, Capriccio for Piano (Left Hand) and Wind Ensemble. BA 9535...... 33 Book on Music Bettina Buchmann, The Techniques of Accordion Playing ISBN 978-3-7618-1930-2...... 17 Popular Choral Music Katrin Ehmer, Max Frey, Stefan Kalmer, Kurt Suttner Chor aktuell Female Voices. BE 2498...... 34 Strings The Series “Bärenreiter‘s Easy Concertos“ Oskar Rieding, Concertino in Hungarian Style Contemporary Music / Complete Editions BA 8973...... 18 New Publications up to May 2010...... 35 Vittorio Monti, Czardas. BA 8975...... 19 Jean Baptiste Accolay, Concerto No. 1 in A minor BA 8976...... 19 Your Contacts...... 36
NBA
New Bach Edition – Revised: Setting a New Standard for Scholars and Musicians
What distinguishes the New Bach Edition – Revised?
l Edited by the Bach Archive Leipzig, the internationally recognised centre for Bach research
l The general editors Christoph Wolff, Uwe Wolf and Peter Wollny guarantee the highest levels of scholarship
l The latest research and scientific source examination form the basis for editorial decisions
l A critical report (Ger) at the end of each volume facilitates quick reference
l Approximately 15 volumes in revised editions
Please order the brochure “Johann Sebastian Bach, New Edition of the Complete Works. Revised Edition (NBArev)“, SPA 186
Johann Sebastian Bach New Edition of the Complete Works. The Publication Schedule Revised Edition (NBArev) Beginning with the Mass in B minor, which will be published in 2010, approximately 1 to 2 volumes will appear per year. n The New Bach Edition (NBA), almost completed and available in BA 5935 (2010) 104 music volumes and 101 critical commentaries, is regarded as Mass in B minor Retail price: approx. E 249.00 a work of musical scholarship of the first rank. The publication of Subscription price: approx. E 199.00 this immense project stretched over 56 years. However, since the publication of some of the earlier volumes, new sources have been BA 5936 Weimar Cantatas discovered and others newly evaluated, new knowledge has been BWV 31, 132, 143, 161, 172 acquired and further editorial experience amassed. In the interest of a continued practical and musicological usability of the historical BA 5937 Chamber Music with Violin scholarly-critical complete edition, it is essential to update selected volumes. BA 5938 St. John Passion »O Mensch bewein« (1725) The Bach Archive Leipzig and Bärenreiter have therefore decided to publish approx. 15 volumes or works in revised editions. The New BA 5939 Organ Chorales I Bach Edition – Revised (NBArev) resembles the NBA in its outward appearance, but each volume now contains a more detailed BA 5940 Pre Weimar Cantatas foreword in German and English, discussing the genesis of the BWV 21, 106, 131, 150 works and how the sources have come down to us as well as a concise critical report in German. BA 5941 St. John Passion »Herr, unser Herrscher« (1749) The Bach Archive Leipzig is the internationally recognised centre Klavierübung I for Bach research. This guarantees that the New Bach Edition – Revised will be prepared by first-class editors. Volume by volume, Chamber Music with Flute rev editionsJohann of the Sebastian highest standard Bach will be created for the NBA . Orgelwerke Motets The volumes of the NBArev can be purchased individually or completeBärenreiter at specially Urtext reduced subscription prices. Organ Chorales II EachBA volume 5279 includes aE preface 249,– /(Ger CHF and448.00 Eng) and a critical report (Ger). Format 25.5 x 32.5 cm, cloth-bound. Six Suites for Violoncello Solo Bereits erschienen Bärenreiter will be publishing performance material Pictorial Documents of J. S. Bach's life based on these editions. Texts to the Vocal Works · 2 Volumes
NBA
New Insights – New Musicological Findings
bach B ä r e n r e i t e r U r t e x t
Messe in h-Moll Mass in B minor
BWV 232
Klavierauszug / Vocal Score
Bärenreiter
Johann Sebastian Bach Mass in B minor
n The New Bach Edition (NBA) volume of J. S. Bach’s Mass “It is tremendously important, this New Bach Edition – Revised in B minor BWV 232 has been the definitive edition for of the Mass in B minor by J. S. Bach! One of the major works by generations of singers and musicians. J. S. Bach is now finally available in a scholarly edition, as it should be. Congratulations!” However the Bach Archive Leipzig in conjunction with Bärenreiter (Ton Koopman) are constantly striving to bring new discoveries of editorial research to the fore. It is precisely for this reason that a new revised edition of the Mass in B Minor will now appear. The “Uwe Wolf has undertaken a thorough and careful examination Urtext performing edition is based on the first volume of the of all surviving materials by J. S. Bach – manuscripts, paper, ink, new 15 volume series New Bach Edition-Revised (NBArev). etc. From this we will be able to gain new confidence for the individual elements of our performances.” Edited by Uwe Wolf, one of the Directors of Research at the Bach Archive Leipzig, this new edition of the Mass will present (Masaaki Suzuki, Bach Collegium Japan) new findings and new insights. For the first time the Dresden parts of 1733, which were largely written by Bach, are included as valuable additional source material to the autograph score. At the same time state-of-the-art scientific methods (x-ray spectograph) into Bach’s manuscript score shed light on additions made by C.P.E. Bach and others. The methods also enable in-depth analysis of areas which have been eroded to a large The performance material to the NBA volume (BA 5102-90) will continue to be published. extent by ink gall erosion.
Johann Sebastian Bach BA 5935-0 (format 25.5 x 32.5 cm) Mass in B minor BWV 232 *New Issue Full score, cloth bound approx. E 249.00 Title (Missa, Symbolum Nicenum, Sanctus, Osanna, BA 5935-90 Benedictus, Agnus Dei et Dona nobis pacem) Piano reduction by Andreas Köhs E Bärenreiter Urtext Vocal score (Latin)* approx. 12.95 Edited by Uwe Wolf TP 1232 Study score* approx. E 18.50 BA 5935-00 Full score, paperback approx. E 76.00 Full performance material available on sale To appear in September 2010
SCORE File: B33-035.MUS Project: A&O 6k 20.10.09 File Date:08-24-*9 Time:09:49 Print data: 1.08 2.1 2.4 300 3
35 4a. (4.)* Gloria Vivace NBA Tromba I in D SCORE File: B33-174.MUS Project: A&O 6k 20.10.09 File Date:08-24-*9 Time:10:39 Print data: 1.08 2.1 2.4 300 3
Tromba II in D Bach‘s Mass in B minor in a Revised New Edition Tromba III in D 174
55 Timpani d, A SCORE File: B33-035.MUS Project: A&O 6k 20.10.09 File Date:08-24-*9 Time:09:49 Print data: 1.08 2.1 2.4 300 3
3 3 3 35 4a. (4.)* Gloria Flauto traverso I Vivace Tromba I in D 3 Tromba II3 in D 3
Flauto traverso II Tromba III in D
Timpani d, A
Flauto traverso I Oboe I → Flauto traverso II Oboe I Oboe II Oboe II
3 3 Fagotto I, II 3 Fagotto I, II Violino I
Violino II 3 3 3 Viola Violino I
Soprano I
The “Dresden Parts“ →
Valuable information to the readings of the autograph Soprano II score ofViolino the Missa II can be drawn from the “Dresden → Alto parts” of 1733, largely written by Bach himself. The different readings of the parts are clearly Tenore 8
differentiatedViola from the readings of the autograph Basso
5 SCOREscore File: B33-174.MUS by the use ofProject: passagesA&O 6k 20.10.09 Fileprinted Date:08-24-*9 Time:in10:39 grey. Print data: 1.08 2.1 2.4 300 3 5 4 2 2 6 6 Continuo (bez.) Violoncello
* In Klammern geben wir die Satznummerierung nach NBA II/1 und II/1a. 1743 Soprano I 55
3 3 3 From: J. S. Bach, Mass in B minor: Gloria · BA 5935 Score
3 Soprano II 3 3
Alto
3 3 3 3 In search of the original state 3of the autograph 3 3 Tenore 3 manuscript using scientific methods 8 For the first time annotations by J. S. Bach and C. P. E. Bach De i Pa tris, can be differentiated usinga scen ink analysis (x-raydit, a scenspectrographydit in 3 Basso of over 500 places in the score). All corrections, additions and alterations by Bach’s son and places which remain doubtful 5 3 5 (because4 of iron gall ink erosion) appear in the edition in De i Pa tris, 2 2 a scen dit, a scen dit [in square brackets. 6 6
Continuo (bez.) → Violoncello 3 3 De i Pa tris, a scen dit in De i Pa tris, * In Klammern geben wira diescen Satznummerierungdit, a scen dit in nach NBA II/1 und II/1a.
3
De i Pa tris, a scen dit, a scen dit [in 8 De De i iPa Patris, tris, a scen dit in → a scen dit in coe lum, a scen dit in
8 De i Pa tris, a scen dit in coe lum, a scen dit in
tram De i Pa tris, a scen dit in tram De i Pa tris, a scen dit in
From: J. S. Bach, Mass in B minor: Symbolum Nicenum, Et resurrexit
Choral Music
händel B ä r e n r e i t e r U r t e x t
Jephtha
HWV 70
Vocal Score Klavierauszug
Bärenreiter
George Frideric Handel Jephtha Oratorio in Three Acts HWV 70
n Jephtha is Handel’s last oratorio. Handel had to break off from composing several times because of his increasing blindness in 1751. The first performance at the Covent Garden Theatre in February 1752 was the last performance he conducted before he went completely blind.
In Jephtha, Handel succeeded in achieving the perfect fusion between a biblical plot and the spirit of classical tragedy. l Handel’s last oratorio based on the Urtext With great intensity and dramatic expression he highlighted of the Halle Handel Edition
in particular the fates of Jephtha and Iphis, thereby l First critical edition of this work portraying convincing and complex characters. l Detailed foreword (Ger/Eng)
The chorus “How Dark, O Lord, are Thy Decrees” at the end of l Clear straightforward piano reduction part two is of crucial importance in the work and is regarded as the dramatic high point of the oratorio.
The vocal score is based on volume I/30 of the Halle Handel Edition (BA 4014) published in 2010, which contains the complete critical version of the music of the oratorio for the first time.
George Frideric Handel Vocal score (Eng) New Issue Jephtha Title Piano reduction by Martin Focke Oratorio in Three Acts HWV 70 BA 4014-90 approx. € 22.95 Bärenreiter Urtext Performance material available on hire Edited by Kenneth Nott Text by Thomas Morell after the Book of Judges from To appear in November 2010 the Old Testament
Choral Music
händel B ä r e n r e i t e r U r t e x t
Ottone
HWV 15
Klavierauszug Vocal Score
Bärenreiter
George Frideric Handel Ottone Opera in three acts HWV 15 n Handel completed his opera Ottone in August 1722, but the first performance did not take place until January 1723 in the Haymarket Theatre, London; the composer had waited so long for the famous soprano Francesca Cuzzoni who he had in mind for the role of Teofane. Ottone was an immediate success from the beginning, not only for its top-class cast but also because of its formal and musical structure. It received numerous revivals until 1733. l First critical edition based on the Urtext of the Halle Handel Edition Stylistically, Ottone follows in the Neapolitan opera tradition l Additional numbers from later performances with emotionally charged arias as the principal vehicles of included in the appendix expression, whilst the plot is carried forward in the secco recitatives. The dramatic action is interpreted and intensified l Foreword (Ger/Eng) through the choice of arias and keys.
The vocal score is based on volume II/12 of the Halle Handel Edition (BA 4077), which contains the complete critical musical text of the opera for the first time.
George Frideric Handel Performance material available on hire New Issue Ottone Title Opera in three acts HWV 15 To appear in October 2010 Bärenreiter Urtext Edited by Fiona Mclauchlan Vocal score (Eng/Ger) Piano reduction by Andreas Köhs BA 4077-90 approx. E 47.95
Choral Music
29
29
26 dim. 29
26 dim. 8 ge von Trä nen, mei nen Fuß vom Glei ten.
dim. Loewe 8 ge von Trä nen, mei nen Fuß vom Glei ten. 26 dim. B ä r e n r e i t e r U r t e x t dim. 8 vom Glei ten. 8 ge von dim. Trä nen, mei nen Fuß vom Glei ten. 8 vom Glei ten. dim. Das Sühnopfer des neuen Bundes dim. ten, mei nen Fuß vom Glei ten.
8 vom Glei ten. ten, mei nen Fuß vom Glei ten. dim.
dim. ten, mei nen Fuß vom Glei ten.
dim.
C dim. Soprano 32 Klavierauszug C Vocal Score Soprano 32 Lo bet den Herrn al le Hei den, prei set ihn al le Völ ker, AltoC Soprano 32 Lo bet den Herrn al le Hei den, prei set ihn al le Völ ker, Alto Bärenreiter Lo bet den Herrn al le Hei den, prei set ihn al le Völ ker, Tenore Lo bet den Herrn al le Hei den, prei set ihn al le Völ ker, Lo bet den Herrn al le Hei den, prei set ihn al le Völ ker, Alto Tenore 8 Lo bet den Herrn al le Hei den, prei set ihn al le Völ ker, BassoLo bet den Herrn al le Hei den, prei set ihn al le Völ ker, 8 TenoreLo bet den Herrn al le Hei den, prei set ihn al le Völ ker, Carl Loewe Basso Lo bet den Herrn al le Hei den, prei set ihn al le Völ ker, Das Sühnopfer des neuen Bundes 8 Lo bet den Herrn al le Hei den, prei set ihn al le Völ ker, Passion Oratorio in three parts BassoLo bet den Herrn al le Hei den, prei set ihn al le Völ ker,
Lo bet den Herrn al le Hei den, prei set ihn al le Völ ker, n Loewe’s Passion Oratorio Das Sühnopfer des neuen Bundes was probably composed in 1847. The work is divided into three parts, each subdivided into three sections. Each of the resulting nine scenes corresponds with one of the traditional stations of the Passion story. BA 7678a BA 7678a Loewe used the usual forms of recitative, arioso, aria, chorus and chorale in this work. He nevertheless succeeded in giving l Urtext edition reflectingBA 7678a the latest research findings the music an absolutely personal character, yet at the same time l Clearly presented performance material a diversity of expression. Precisely this diversity of expression has ensured that the oratorio genre has become an important part l Duration: approx. 120 minutes of the sacred music repertoire in recent years.
This edition takes all available sources into consideration and offers the complete material for the first time in a practical performing edition.
Carl Loewe BA 7678 *New Issue E Das Sühnopfer des neuen Bundes Title Score* approx. 44,95 Passion Oratorio in three parts Strings each approx. E 5.00 Organ approx. E 7.00 Bärenreiter Urtext Piano reduction by the composer Edited by Claudia Mücke Vocal score (Ger) Libretto after Words of the Holy Scripture by BA 7678-90* approx. E 6.95 Wilhelm Telschow To appear in October 2010
Stage Work
51 j j bb œ. œ œ. œ œ. œ œ. œ œ. œ œ. œ ˙ œ œ œ & nœ. œ œ. œ œ. œ œ. œ œ. œ œ. œ ˙ œ œ œ - p smetana œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ? bb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ B ä r e n r e i t e r U r t e x t œ p Prodaná nevěsta bb ∑ ∑ ∑ œ.. œ œ. œ œ. œ œ.. œ & R R Die Verkaufte Braut ! "
bb œ œ œ œ œ. œ œ œ œ ˙ œ. œ œ. œ œ. œ œ. œ œ. œ œ. œ & œ œ œ œ œ œ. œ œ œ œ ˙ œ. œ œ. œ œ. œ œ. œ œ. œ œ. œ pp œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ? b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ b œ œ œ œ œ œ p Klavírní výtah bb j j j j ∑ j j j j Klavierauszug & œ œ œ œ œ œ œ œ œ œ Vocal Score ! " ! # b . œ œ r & b œ ‰ œ J J œ œ œ œ œ œ. œ. œ J J J J J J J œ ! # " " $ Bärenreiter j > bb ˙ œ œ œ œ œ œ œ œ œ. œ œ œ œ & ˙ œ œ œ œ œ œ œ œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ? b œ œ œ œ œ œ œ œ œ œ œ œ b œ œ œ œ
Bedøich Smetana bb r r r r j j ‰ ∑ Prodaná nevìsta & œ œ œ œ œ œ ˙ œ. " " $ The Bartered Bride b ˙ œ œ œ œ œ œ & b œ.. œ. œ. œ œ R R J R R Comic opera in three acts %
bb ˙ œ. œ. œ œ. œ œ. œ œ. œ œ œ œ n Bedøich Smetana (1824–1884) only began to devote himself & ˙ œ œ œ. œ œ. œ œ. œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ intensively to the project of an original opera in Czech at the ? bb œ œ œ œ œ œ œ œ œ œ œ œ œ age of 38. The libretto of The Bartered Bride, the second of œ œ œ Smetana’s nine operas, was written for Smetana by the poet BA 9534 a and journalist Karel Sabina. The subject chosen for the comic opera was the story of a pair of lovers in the countryside whose relationship is disapproved of by their parents. It is set during l Urtext based on the critical edition of Smetana’s the festival at a village church anniversary. own vocal score l A key work of modern Czech opera The final form of the work, which soon came to be regarded as a national opera, was preceded by a relatively difficult genesis. l New foreword by Marta Ottlová (Cz/Eng/Ger) The opera was written between 1863 and 1865 and was l Includes singing translation by Kurt Honolka (Ger) premiered on 30 May 1866 at the Provisional Theatre in Prague, where the composer’s last version of the work was also performed in 1870. The newly-set and revised performance material for the entire opera, based on the critical edition by František Bartoš, This vocal score contains the musical text of the critical edition is available on hire. of Smetana’s own vocal score. The newly-set edition contains both Czech and German vocal texts; the German singing The vocal score replaces the old edition AE 112. translation is by Kurt Honolka.
Bedøich Smetana Performance material available on hire New Issue Prodaná nevìsta Title The Bartered Bride To appear in November 2010 Comic opera in three acts Bärenreiter Urtext Edited by František Bartoš Vocal score (Cz/Ger) BA 9534-90 approx. E 34.95
Solo Voice SCORE File: B13-30.MUS Project: A&O 1k 22.03.10 File Date:03-20-*0 Time:12:11 Print data: 1.00 2.3 3.2 300 3
30 Aria “Priva son d’ogni conforto” Giulio Cesare in Egitto HWV 17 Atto I, Scena IV Largo Händel CORNELIA B ä r e n r e i t e r U r t e x t Pri va son d’o gni con for to, e pur spe me di mo
Opernarien
für Mezzosopran und Alt
Opera Arias
for Mezzo-Soprano and Contralto
8
ri re per me mi se ra non v’è , no , non
15 Bärenreiter
v’è, pri va son d’o gni con for to, e pur spe me
George Frideric Handel Opera Arias for Mezzo-Soprano and Contralto 22
n Based on the Bärenreiter vocal scores, these three volumes di mo rir per me mi se ra non v’è, per me mi se contain some of Handel’s best-known arias for mezzo-soprano/ contralto, tenor and bass, together with some less well-known numbers of equally high musical quality. The arias in these volumes contain works from Handel’s thirty-year period as an opera composer in London and give an impression of the variety BA 10253 of this extensive repertoire. The arias display various distinctive technical features and are mostly presented with the preceding recitative or, in a few cases, in the context of an entire scene. Recitatives and arias (for mezzo-soprano/contralto, female roles and breeches roles) from: Amadigi, Ariodante, The arias appear in the chronological order of the operas. Ezio, Flavio, Giulio Cesare in Egitto, Lotario, Orlando, Radamisto, The forewords by Donald Burrows contain detailed notes on Rinaldo, Rodelinda, Serse (Xerxes), Tamerlano Handel’s singers and on the context of the arias of the operas.
George Frideric Handel New Issue Opera Arias for Mezzo-Soprano and Contralto Title Bärenreiter Urtext Selected and with a foreword by Donald Burrows BA 10253 approx. E 24.95
To appear in October 2010
10 Solo Voice SCORE File: B16-01.MUS Project: A&O 1k 07.04.10 File Date:04-07-*0 Time:14:18 Print data: 1.00 2.3 3.2 300 3
Aria “Dell’Iberia al soglio invitto” Rodrigo HWV 5 Atto I, Scena V Händel Allegro B ä r e n r e i t e r U r t e x t
Opernarien
für Tenor 5
Opera Arias
for Tenor
9 GIULIANO
8 Del l’I be ria al so glio in vit to , del l’I Händel B ä r e n r e i t e r U r t e x t
Bärenreiter 14 Opernarien
für Bass 8 be ria al so glio in vit to , re ca pal me e spar ge al lo ri fe steg Opera Arias
for Bass
18
8 gian
Bärenreiter
BA 10254 © 2010 by Bärenreiter-Verlag, Kassel
George Frideric Handel Opera Arias for Tenor l Based on the Urtext vocal scores of the Halle Handel Edition Recitatives and arias (for tenor) from: Alcina, Ariodante, l Detailed forewords (Eng/Ger) by leading Handel Ezio, Lotario, Rodelinda, Rodrigo, Tamerlano expert Donald Burrows l Text translations of the Italian arias (Eng/Ger) George Frideric Handel Opera Arias for Bass
Recitatives and arias (for bass) from: Ariodante, Deidamia, You can find the complete contents of these volumes Ezio, Giulio Cesare in Egitto, Imeneo, Lotario, Orlando, at www.baerenreiter.com Radamisto, Riccardo Primo, Rodelinda, Serse (Xerxes), Tolomeo
George Frideric Handel George Frideric Handel New Issue New Issue Opera Arias for Tenor Title Opera Arias for Bass Title Bärenreiter Urtext Bärenreiter Urtext Selected and with a foreword Selected and with a foreword by Donald Burrows by Donald Burrows BA 10254 approx. E 24.95 BA 10255 approx. E 24.95
To appear in November 2010 To appear in November 2010
11 Solo Voice
schubert B ä r e n r e i t e r U r t e x t
Die schöne Müllerin Op. 25
Hohe Stimme / High Voice
schubert B ä r e n r e i t e r U r t e x t
BärenreiterDie schöne Müllerin Op. 25
Mittlere Stimme / Medium Voice
Franz Schubert Die schöne Müllerin op. 25
n The cycle of poems Die schöne Müllerin was originally written by several authors including Wilhelm Müller, Achim von Arnim, Luise and Wilhelm Hensel and Ludwig Rellstab. It was
schBärenreiter ubert published in its final form in 1820 by Wilhelm Müller in the B ä r e n r e i t e r U r t e x t collection Sieben und siebzig Gedichte aus den hinterlassenen Papieren eines reisenden Waldhornisten. At that time the cycle Die schöne Müllerin included 23 poems. Schubert omitted three poems as well as Op. 25 a prologue and epilogue in his setting, thereby overriding the Tiefe Stimme / Low Voice irony and pessimistic ending intended by the poet. Schubert’s composition was published in five books between February and August 1824.
The first lieder in the cycle are happy and composed with a forward momentum, characteristics which are also reflected in the virtuoso piano accompaniment. The second part of the song cycle turns into resignation, melancholy and impotent rage and
Bärenreiter is similar to Schubert’s Winterreise in its longing for death.
Franz Schubert To appear in July 2010 New Issue Die schöne Müllerin op. 25 Title Bärenreiter Urtext Edited by Walther Dürr BA 9117 high voice BA 9137 medium voice BA 9157 low voice Price per volume approx. E 11.95 BA 9117 BA 9137 BA 9157
12 Solo Voice
Die schöne Müllerin 147 op. 25 1. Das Wandern Wilhelm Müller D 795 Oktober 1823 bis März 1824 (?) *) Mäßig geschwind Die schöne Müllerin Das Wan dern ist des 147 Vom Was ser ha ben op. 25 Das sehn wir auch den 1. Das Wandern Wilhelm Müller Mäßig geschwind Oktober 1823 bis März 1824D 795 (?)
Das Wan dern ist des Vom Was ser ha ben 6 Das sehn wir auch den
Mül lers Lust, das Wan dern, das Wan dern ist des Mül lers Lust, das wir’s ge lernt, vom Was ser, vom Was ser ha ben wir’s ge lernt, vom Rä dern ab, den Rä dern, das sehn wir auch den Rä dern ab, den
6
Mül lers Lust, das Wan wir’s ge lernt, dern, vom Was das Rä dern ab, ser, Wan dern den Rä ist des Mül dern, vom Was ser lers Lust, das ha ben wir’s 11 das sehn wir ge lernt, vom auch den Rä dern ab, den
Wan dern! Das muss ein schlech ter Mül ler sein, dem nie mals fiel das Was ser! Das hat nicht Rast bei Tag und Nacht, ist stets auf Wan der Rä dern! Die gar nicht ger ne stil le stehn, die sich mein Tag nicht 11
Wan dern! Was ser! Das muss ein schlech ter Rä dern! Das Mül ler hat nicht Rast sein, dem nie Die bei Tag und mals fiel das gar nicht ger Nacht, ist stets ne stil le auf Wan der stehn, die sich 16 mein Tag nicht
Wan dern ein, das Wan dern, das Wan dern, das Wan dern, das Wan dern. schaft be dacht, das Was ser, das Was ser, das Was ser, das Was ser. mü de gehn, die Rä der, die Rä der, die Rä der, die Rä der. 16
Wan dern ein, das Wan schaft be dacht, das dern, das Wan mü Was ser, dern, das Wan de gehn, die das Was dern, das Rä der, ser, das Was Wan dern. die Rä ser, das der, die Rä Was ser. *) Original in B-Dur. / Originally written in B major. der, die Rä BA 9121 der. BA 9137 © 1975 by Bärenreiter-Verlag, Kassel
BA 9117 BA 9101 © 1975 by Bärenreiter-Verlag, Kassel
Contents l Famous song cycle available for the first time in a separate edition. 1. Das Wandern 2. Wohin? l Based on the definitiveNew Schubert Edition 3. Halt! 4. Danksagung an den Bach l Foreword by Walther Dürr discussing the history 5. Am Feierabend of the work’s composition and sources (Ger/Eng) 6. Der Neugierige 7. ungeduld l With an English translation of the song texts by 8. Morgengruß Richard Wigmore 9. Des Müllers Blumen 10. Tränenregen 11. Mein! 12. Pause Already published: 13. Mit dem grünen Lautenbande 14. Der Jäger Franz Schubert 15. Eifersucht und Stolz Die schöne Müllerin in a collected volume 16. Die liebe Farbe (Erlkönig, op. 1 – Schlaflied, op.2 4,2) 17. Die böse Farbe Schubert Lieder, Volume 1 18. Trockne Blumen BA 9101 high voice E 35.95 19. Der Müller und der Bach BA 9121 medium voice E 35.95 20. Des Baches Wiegenlied BA 9141 low voice E 35.95
13 Ode to Joy Ludwig van Beethoven · Symphony No. 9 op. 125
With his ninth symphony, Beethoven The history of the autograph manuscript ventured into new musical dimensions. reflects an episode in German history: In the final movement, soloists and chorus after storage in various places because join forces with the orchestra and of the war, the major parts were returned Schiller’s “Ode to Joy” becomes a global to Berlin but were initially divided by aspiration, a declaration: “Alle Menschen the Berlin Wall and only reunited in 1990. werden Brüder! / All mankind becomes Martina Rebmann who is the Director brothers.” of the Music Department at the Staats- bibliothek zu Berlin traces this story. In his commentary the great Beethoven scholar Lewis Lockwood describes the In 1972 the main theme of the last plea which Beethoven wanted to deliver movement was chosen by the Council at that time with this work and how views of Europe as the European anthem and of this have changed over the centuries. in 1985 it was adopted by the European Jonathan Del Mar, a renowned editor Community as its official anthem. In 2001 of Beethoven’s works, comments on the manuscript was listed in UNESCO’s noteworthy passages in the autograph Memory of the World Register. manuscript and allows the reader to share in the composer’s working process. For the first time the facsimile presents Already the large-format paper which all the parts of the manuscript including Beethoven used for some passages makes pages preserved in Bonn and Paris as the large forces clear. Cuts, sometimes well as the trombone and contrabassoon reversed later, show how he wrestled with parts. the final version of the musical text and refined it right down to the last detail.
14
Beethoven_Doppel_engl..indd 1 18.06.2010 8:36:49 Uhr BÄRENREITER FACSIMILE Synonymous with the highest authenticity
The BÄRENREITER FACSIMILE seal is used exclusively for facsimile editions published by Bärenreiter which meet the highest demands in both scholarly and technical terms. The distinguishing features include: › a facsimile in high quality colour printing › attractive cover design › scholarly commentary
Ludwig van Beethoven Symphony No. 9 op. 125
Facsimile of the autograph score in the Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, the Beethoven-Haus Bonn and the Bibliothèque nationale de France With articles by Lewis Lockwood, Jonathan Del Mar and Martina Rebmann
Documenta musicologica II, 42 422+11 pages of facsimile and approx. 15 pages introduction in each of the three languages (English/German/ Japanese) format: 37 x 40 cm half-linen, hardback
ISBN 978-3-7618-2169-5 ISBN 978-3-7618-2169-5 approx. % 698.00
To appear in October 2010 9 783761 821695 15
Beethoven_Doppel_engl..indd 2 18.06.2010 8:37:31 Uhr Facsimile
Johann Sebastian Bach “Allein zu dir, Herr Jesu Christ“ BWV 33 Cantata for the 13th Sunday after Trinity
n BWV 33 belongs to the unique annual cycle of chorale cantatas composed by Bach in 1724/25, the second year of his Leipzig tenure. The cantata is one of the very few works where all the relevant source materials for the first performance have been preserved but are kept in various libraries throughout the world:
The composing score is kept at the Scheide Library in Princeton, l Published to commorate the 325th anniversary the vocal-instrumental performing parts at the Bach Archive of Bach’s birth on 21 March 2010 Leipzig and the original libretto at the Russian National Library l Limited edition of 100 copies in St. Petersburg. l Net proceeds go to the Bach Archive, Leipzig The facsimile offers invaluable insights into the composer's workings and the changing conditions for performances under his direction.
Johann Sebastian Bach Boxed set of 24 pages (score), 54 pages (parts), 16 pages (text) “Allein zu dir, Herr Jesu Christ“ BWV 33 and 16 pages (commentary) Cantata for the 13th Sunday after Trinity ISBN 978-3-7618-2201-2 Introductory price valid until 30.6.2010: E 254.00 Edited by Christoph Wolff and Peter Wollny Sales price from 1.7.2010 onwards: E 298.00 Autograph score, original parts, text from 1724 Facsimile series Bachscher Werke und Schriftstücke, Already published New Series, Volume V
16 Book on Music
“This book by Bettina Buchmann is a real boon; it gives not only a representative overview of the latest instrumental techniques and forms of expression on the accordion today, but paves the way for composers and accordionists to compose and perform idiomatically on the instrument. The author and publisher deserve the highest recognition for this.” (Teodoro Anzellotti)
“The accordion has enjoyed a revival in popularity in recent times – numerous composers have discovered it as a solo instrument, in chamber music and also for its orchestral sound. I’m really happy to have this exceptionally clearly laid out book by Bettina Buchmann by my side as a guide and incentive for my further explorations into the instrument.” (Beat Furrer)
l Comprehensive description of all relevant playing techniques on the button accordion l Practical notation suggestions for composers Bettina Buchmann l Music examples from important contemporary works The Techniques of Accordion Playing l CD containing examples of all registration and n In view of the enormous upswing in popularity that the playing techniques and excerpts from the repertoire accordion has experienced as an avantgarde instrument in the l Full size, fold-out chart giving the arrangement of last decades of the twentieth century, a systematic elaboration the buttons on the instrument of the latest instrumental techniques and forms of expression, as well as detailed instructions on how to employ the accordion l Text in two languages (Ger/Eng) have been sorely lacking.
This book explains all the playing techniques, registers as well as Already published: tonal potentials and expressive possibilities of the accordion. It demonstrates the distinctive elements of these techniques and Pascal Gallois in addition, gives composers valuable information concerning The Techniques of Bassoon Playing notation. ISBN 978-3-7618-1860-2 E 49.95
A CD with examples of sound techniques and excerpts from Carin Levine, Christina Mitropoulos-Bott the repertoire is included. An extra fold-out chart presents a The Techniques of Flute Playing full-sized layout of the treble and bass sides, helping composers Volume 1: Flute E to check fingering possibilities. ISBN 978-3-7618-1595-3 44.95 Volume 2: Piccolo, Alto, Bass This long-awaited book will be an essential tool for composers, ISBN 978-3-7618-1788-9 E 44.95 performers and teachers. Peter Veale, Claus-Steffen Mahkopf The Techniques of Oboe Playing ISBN 978-3-7618-1210-5 E 54.00
Bettina Buchmann The Techniques of Accordion Playing 121 pages with CD and fold-out chart; paperback ISBN 978-3-7618-1930-2 approx. E 59.00
Already published
17 Strings
The series Bärenreiter’s Easy Concertos continues ConcertinoConcertino inim ungarischer ungarischen Weise Stil in a-Moll ConcertinoConcertino inin HungarianHungarian Style in AA minor with three further works from the violin repertoire. Solo Violin Oskar Rieding, Op. 21 The editions contain a solo violin part and a piano reduction Andante sostenuto 1 for the accompanist. mf f
2 2 4 6 0 0 The series is edited by Kurt Sassmannshaus, 3 4 the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition. His forewords 9 0 4 introduce these little gems and include tips for successful first concerts. The editions form an ideal continuation of p f 12 the Sassmannshaus violin school tradition; they can be used 4 1 in parallel from the third volume onwards or alongside any mf
15 4 4 0 0 violin method. 3 1 4 4 f 2 The series will be continued and will introduce the student 18 to more demanding repertoire with an increasing level of ff difficulty. 20 1 0 1 1 st rd Oskar Rieding’s Concertino op. 21 uses 1 and 3 position rit. molto rit. 0 22 4 exclusively. Hungarian echoes in the Andante sostenuto on 4 0 0 0 4 the high and low strings of the violin and extensive 2 2 semiquaver (sixteenth-note) passages in the Allegro BA 8973 © 2010 by Bärenreiter-Verlag, Kassel moderato require basic dexterity in the left hand combined with frequent use of accented bowing in the right hand.
Czardas by Vittorio Monti is a popular as well as a fiery concert and encore piece. Tonal finesse and the lively interplay of tempo, dynamic and character changes Oskar Rieding constitute its special attraction and offer young violinists, (1840–1918) who are already comfortable in 1st and 5th position, Concertino a wealth of possibilities for experimenting. in Hungarian Style op. 21 Jean Baptiste Accolay’s Concerto in A minor is also a standard work for violin classes. Its fascination lies in its expressiveness which is created by the simplest technical means.
Already published:
Oskar Rieding Concerto in B minor op. 35 BA 8971 E 8.00 Oskar Rieding Friedrich Seitz New Issue Concertino in Hungarian Style Title Student Concerto No. 2 in G major op. 13 op. 21 BA 8972 E 8.50 Bärenreiter‘s Easy Concertos Violin part and enclosed Antonio Vivaldi piano accompaniment € Concerto in A minor op. 3 No. 6 BA 8973 approx. 8.00 E BA 8974 10.00 To appear in November 2010
18 Strings
Czardas Concerto Nr. 1 in a-Moll Solo Violin Solo Violin Concerto Nº 1 in A minor Vittorio Monti Largo Largo Jean Baptiste Accolay Allegro moderato Solo 3 1 3 cresc. p 3 p 3 8 3 0 4 1 1 2 22 1 1 2 1 3 3 molto rall. 3 3 2 12 1 26 f mf f
a piacere 16 3 3 30 3 G 1 2 3 1 1 3 4
a tempo rall. molto 35 4 G 19 3 1 3 3 1 3 2 4 2 2 3 Allegro vivace f
39 22 saltellato alla metˆ 3 2 3 1 1 2 4 1 p cre scen
28 42 1 3 1 4 f p do p
4 4 4 33 45 cresc. molto f f f p f p mf p
BA 8975 © 2010 by Bärenreiter-Verlag, Kassel BA 8976 © 2010 by Bärenreiter-Verlag, Kassel
Vittorio Monti Jean Baptiste (1868–1922) Accolay Czardas (1833–1900) Concerto No. 1 in A minor
Vittorio Monti Jean Baptiste Accolay New Issue New Issue Czardas Title Concerto No. 1 in A minor Title Bärenreiter‘s Easy Concertos Bärenreiter‘s Easy Concertos Violin part and enclosed Violin part and enclosed piano accompaniment piano accompaniment BA 8975 approx. € 7.00 BA 8976 approx. € 8.50
To appear in November 2010 To appear in November 2010
19 Chamber Music
Sextett für 2 Violinen, 2 Violen und 2 Violoncelli Opus 18 Johannes Brahms Allegro ma non troppo Violino I ° Brahms 43 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ B ä r e n r e i t e r U r t e x t Violino II 3 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 4 4 4 4 Viola I 3 4 Sextett { poco f für 2 Violinen, 2 Bratschen und 2 Violoncelli Viola II 43 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
Sextet Violoncello I 43 for 2 Violins, 2 Violas and 2 Violoncelli { poco f espressivo Violoncello II 3 4 ¢ op. 18 { poco f 9 ° ∑ poco f espressivo ∑
poco f { espressivo ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Bärenreiter { {¢ 17 ° Johannes Brahms cresc. Sextet in B-flat major op. 18 cresc.
for 2 Violins, 2 Violas and 2 Violoncelli { cresc. ∑ ∑ ∑ ∑ ∑ ∑ n The two string sextets by Johannes Brahms are amongst poco f cresc. the high points of the Romantic string repertoire and some of { cresc. the most popular chamber music works of all. ¢ cresc. The new Bärenreiter Urtext editions, edited by Christopher { TP 419 © 2010 by Bärenreiter-Verlag, Kassel Hogwood, are the first scholarly-critical editions of these much-performed works. The editor has taken all known sources into consideration including the versions for piano two and four hands which the composer wrote as well as a set of contemporary performing parts which offer variant readings and insights into performance practice during Brahms’ lifetime.
Johannes Brahms New Issue Sextet in B-flat major op. 18 Title for 2 Violins, 2 Violas and 2 Violoncelli Bärenreiter Urtext Edited by Christopher Hogwood BA 9419 Parts in slipcover approx. € 32.95 TP 419 Study score approx. € 14.95 To appear in October 2010 BA 9419 TP 419
20 Chamber Music
Sextett für 2 Violinen, 2 Violen und 2 Violoncelli Opus 36 Johannes Brahms Allegro non troppo Violino I Brahms ° 3 ∑ ∑ 4 p mezza voce p B ä r e n r e i t e r U r t e x t Violino II 43 ∑ ∑ pp 0 0 0 0 0 0 Viola I 3 Sextett 4 { pp für 2 Violinen, 2 Bratschen und 2 Violoncelli Viola II 43 ∑ ∑ Sextet pp Violoncello I for 2 Violins, 2 Violas and 2 Violoncelli 43 ∑ ∑ ∑ ∑ ∑ ∑ { pizz. pp
Violoncello II 3 op. 36 4 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ¢ p
9 { ° ∑ ∑ p { p Bärenreiter { ∑ ∑ ∑ ∑ ∑ ∑ arco ∑ ∑ ∑ ∑ ¢
{ 17 ° Johannes Brahms pp Sextet in G major op. 36 pp for 2 Violins, 2 Violas and 2 Violoncelli { pp arco pizz. { ∑ ∑ ∑ pizz. ∑ ∑ ∑ ∑ ¢ { TP 420 © 2010 by Bärenreiter-Verlag, Kassel l First Urtext editions of these popular chamber music works l Include variant readings from contemporary parts l With facsimile pages
The study scores to each of these works include facsimile pages, a foreword (Ger/Eng) and a critical commentary (Eng) on the work and history of the composition.
Johannes Brahms New Issue Sextet in G major op. 36 Title for 2 Violins, 2 Violas and 2 Violoncelli Bärenreiter Urtext Edited by Christopher Hogwood BA 9420 Parts in slipcover approx. € 32.95 TP 420 Study score approx. € 14.95 To appear in October 2010 BA 9420 TP 420
21 Chamber Music
À Camille Bellaigue QUATUOR À CORDES Op. 121 I fauré Allegro moderato (h = 76) B ä r e n r e i t e r U r t e x t Violon I mf Quatuor à cordes Violon II mf op. 121 Alto f mf Violoncelle f mf 7 mf mf mf f f mf 14 Bärenreiter
mf [mf ] f Gabriel Fauré Quatuor à cordes op. 121 mf 21 1 [ mf ] cresc. f n Gabriel Fauré’s only string quartet which was composed in 1923-24 is the composer’s final work and was written at the cresc. f suggestion of his publisher Jacques Durand. Until then, Fauré cresc. f had always put off writing a string quartet, evidently because of Beethoven’s imposing shadow. cresc. f BA 9464 © 2010 by Bärenreiter-Verlag, Kassel When Fauré composed the quartet he was already extremely ill. He added dynamics and slurs only in some parts of the exposition of the first movement and then asked his former pupil Jean Roger- Ducasse to complete the work. Roger-Ducasse’s additions were l First scholarly-critical edition of this work however very extensive; he even altered and supplemented l High-quality Urtext edition based on some of Fauré’s own markings in the exposition. the Complete Works of Gabriel Fauré Bärenreiter’s first ever scholarly critical edition of the quartet l Standard repertoire work for every string quartet utilises all sources including the composer’s letters which l Foreword (Eng/Fr/Ger) provide valuable insights into the origins of the composition. In particular, Fauré’s penultimate work, the Piano Trio op. 120, was used to guide the editor with his emendations. No distribution rights for USA
Gabriel Fauré To appear in August 2010 New Issue Quatuor à cordes op. 121 Title Bärenreiter Urtext Edited by James W. Sobaskie BA 7901 Parts in slipcover approx. E 34.95 TP 412 Study score approx. E 14.95 BA 7901 TP 412
22 Chamber Music
16 II
Andantino q = 60 mezzo p fauré B ä r e n r e i t e r U r t e x t Andantino q = 60 mezzo p Trio mezzo p pour violon, violoncelle et piano op. 120 5 f cresc. f f cresc. 9 dim. Bärenreiter dim. dim. Gabriel Fauré Trio pour violon, violoncelle et piano op. 120 13 mezzo p n Gabriel Fauré’s Piano Trio, his penultimate work, was mezzo p composed in 1922-23 and published in June 1923. The three- 1 cantando movement work clearly shows Fauré’s ability to combine a mezzo transparent texture with charming and elegant themes. p m.d. m.g. Until now the composition has always presented musicians with considerable problems as the score offers conflicting readings when compared with the separate string parts. Without reliable information on the different readings, important basic information for an appropriate interpretation of the work has l First scholarly-critical edition of this work been lacking. l High-quality Urtext edition based on the Complete Works of Gabriel Fauré Bärenreiter’s first ever critical edition of this masterpiece finally unites the parts with the score. All variants appear in the critical l Foreword (Eng/Fr/Ger) commentary to the corresponding complete edition volume of the Complete Works of Gabriel Fauré.
No distribution rights for USA
Gabriel Fauré New Issue Trio pour violon, violoncelle et piano op. 120 Title Bärenreiter Urtext Edited by James W. Sobaskie BA 7902 Score with parts approx. E 18.95
To appear in August 2010
23 Chamber Music
elgar B ä r e n r e i t e r U r t e x t
Serenade für Streicher / for Strings
op. 20
Bärenreiter
Edward Elgar Serenade for Strings op. 20
n With Christopher Hogwood’s new edition of Elgar’s much loved Serenade, a scholarly-critical edition of the work is now available for the first time. As with other Elgar works, modern editions of the Serenade have always suffered from an enormous number of inconsistancies between the score and parts and unclear divisi and unison passages. The editor has clarified these discrepancies, drawing on Elgar’s version of the work for piano four hands (the original version) and the recently discovered autograph manuscript of the first movement. l The first scholarly-critical Urtext edition of this popular work for string orchestra The edition also contains a facsimile showing the original l Foreword (Ger/Eng) and critical commentary (Eng) ending of the third movement as well as an informative foreword (Ger/Eng) and a critical commentary (Eng). l With facsimile pages
No distribution rights for France, Italy and Spain
Edward Elgar To appear in September 2010 *New Issue Serenade for Strings op. 20 Title Bärenreiter Urtext Edited by Christopher Hogwood BA 9041 Score* approx. 13.95 Strings, each approx. 3.50 Score
24 THE WORLD’S GREATEST MUSIC ENCYCLOPEDIA
A LIFETIME ACQUISITION
Now available at a special reduced price of € 1,990*
• Well-founded and international: Entries by 3,500 scholars from 55 countries across the globe • Comprehensive and precise: More than 20,000 articles encompassing all aspects of music • Superbly illustrated and well laid out: More than 4,000 illustrations (of which 500 are in colour) including portraits, music examples, instruments and diagrams Stocks are limited: Order immediately to ensure that you receive these 29 volumes at this special reduced price* Bärenreiter ISBN 978-3-7618-1100-9
* Price valid from 1 September 2010 onwards. Off er is valid until 30 June 2011 Price until 31 August 2010: € 5,645.50
“An encyclopedia of concentrated knowledge. Unparalleled worldwide.” Westdeutsche Allgemeine Zeitung
Please order the flyer MGG at a special reduced price (21 x 10 cm · SPA 81) Save more than € 3,500 25 U Please browse www.mgg-online.com for further information.
AnzNotenvorschau2010eng_A4_4c_RZ.indd 1 17.06.10 11:54 Organ Plus One
The contents of the editions in this series correspond to the seasons of the church year which plays an important role for full-time as well as part-time church musicians.
l Advent / Christmas
l Passiontide / Easter
l Epiphany / Whitsun/Pentecost
l Praise and Thanks
l Services (beginning / end / morning / liturgy)
l Communion
l Special services (baptisms / weddings)
Organ Plus One Advent / Christmas
n Bärenreiter is publishing a new series ORGAN PLUS ONE and hereby presents a new concept: pieces of easy to moderate technical difficulty for organ plus any choice of solo instrument.
Each edition contains pieces which are freely-composed or based on hymn tunes. These pieces are original works or arrangements. The editions include solo parts for instruments in C, Bb, Eb and F, which can be played by string, wind and brass instruments. Attention has been paid that the range for the solo instruments is in the middle register, making the music particularly appealing to non-professional church musicians and instrumentalists.
This concept for flexible instrumentation combined with easy playability will ensure that all pieces can be easily tackled and fun to play, be it during church services, musical evening and small concerts. The wide variety of pieces in attractive idiomatic arrangements guarantees instant success for both instrumentalists and organists.
ORGAN PLUS ONE New Issue Advent / Christmas Title Edited by Carsten Klomp Score with parts BA 8501 approx. € 15.95
To appear in September 2010
26 A new concept
2 PraeludiumȱAȬDur l A new concept for organ and any choice BWVȱ888 of solo instrument JohannȱSebastianȱBachȱ(1685–1750) Bearbeitetȱvonȱ/ȱarrangedȱbyȱCarstenȱKlomp l Solo parts in C, Bb, Eb and F; ideal for string, wind and N NN A M , A A A M , A A A A A A A A A A A V A A A A A A A A A brass instruments
N l Pieces of easy to moderate technical difficulty NN , V J A A A A M , A A A A A A 3 , A A A l Suitable for amateur as well as professional organists N A + + A A A A A A A A A A NN A A A A + A + A A A A and instrumentalists X X A A A A A X X A A
4 N , A A A A A , NN A A X A A A X A A A A A A A A A A , A , A A A A A V A X
N N + + N A A A A , A A A A , A A A A , A A A A A A A , A + V StimmeȱinȱC A A A A A A A A A A A + PraeludiumȱAANAȬDur N N X A H H A H A H + ANA A A A A , A N X A A A BWVȱ888 A JohannȱSebastianȱBachȱ(1685–1750) Bearbeitetȱvonȱ/ȱarrangedȱbyȱCarstenȱKlomp N A A A A NN A M , A A A M , A A A A A A A A A A A A , A X A A A V A A A A A StimmeA ȱAinAȱBb A
7 PraeludiumȱAȬDur N N A A A + A A BWVȱ888 N A , A A A A , A X A 5 A NA A A A A A A -A JohannȱSebastianȱBachȱ(1685–1750) V X A A A A A A A A A N N A A , A A A Bearbeitetȱvonȱ/ȱarrangedȱbyȱCarstenȱKlomp N X A A A A A A A A A A A , A , A A A A A , A A A A , A X A ANA A A A V X X A A A A A N N , A M , A A A A A A A A A , A A A A A A N + V N NN A A A A A MStimmeA ȱAinAȱEAb A A A A A X NN A A , A A A A A + + A H@, V A NA -A A A A A A , A A A A , A A A A PraeludiumȱAȬDur 9 X X NA A BWVȱ888 A N A -A , A JohannȱSebastianȱBachȱ(1685–1750) A A A , A A NN + A A A A AA5A-A A + A A A M , A A A A A M , A A A A A A V A ANA A A A A A A NA A X A A A Bearbeitetȱvonȱ/ȱarrangedȱbyȱCarstenȱKlomp N N A A A X N AA A A , A A , A , X A A A N NN N X A A A A A A A AX A A A , A A A A A A , A A A A , A X A ANA A A A V N N X X A A A A NN N N , A A A A A , A A A A A A A BAȱ8501 ©ȱ2010ȱbyȱBärenreiterȬVerlag,ȱKassel V N A AStimmeM , AȱinA ȱFA A A M A A A A A A A A X 13 A A A A A N N A , A A , A A A A A A A A A A A , A N A A A , AN9A A NANA NA A A A A A A , PraeludiumȱAȬDur V A , A X A X A , X N N A A 5A -A A M , A A BWVȱ888 N N A A-A A A A A ANA A A A A M , A A A A A JohannȱSebastianȱBachȱ(1685–1750) V N A A A A A X X Bearbeitetȱvonȱ/ȱarrangedȱbyȱCarstenȱKlomp X N NN N AX A , + A A A + V N N X A A A A A A A A A A A , A , A A A A A , A A A A , A X A ANA A A A A A 17 N N A A N N A A A A A , A A A A A A A N N A 13 + 4+ V A A A M , A A A A A M , A A A A A A A A X N A A , A A A A , A A A A , A A A A A HJ, A A A A A A A A A A A A A V A A A , A A A ,A A A A AX A A N NN A A A , 9A A A , ANADA A DA A A A A A A A , A A A A , V N N A , A X A X DA X N N N A 5 -A A + N NN + A A A A-A A + , A A A M , A A A A A M , A A 21 V A A A A A A DA A ,X A A A A N NN A + A + A A N A A A A A A A A A , A A A A A , A A A , A X A A ANA A A N N -A , A +A 17 A 3 , A A A-A ,VA A A AX, A A A , A A A A A A V N A A A A -A @, A-A A A A M , A ANA A A A A A , A + N N A A , A ,13 4 A A V N NN A A A A A A A A A , A A A A A A A , A HJ, A A A A A A A A N N X+ A A , A XA A + N N N A A , 9 A A , ANADA A A A DA A A A A A A , A A A A , 26 V N A , A A DA A A A X A N N A + N N + A A A -A +-A , A A M , A A A A , N N A A A A , A A A 21A A A A , A A ANA A , A-A A A A A A A , VA A A A A A ANA A A M A A A A A V N A A A A X A A X A AA A A A A X X X N N A A -A , A A X A X A A-A , A A A A , N NN A A A A 17-A @, A-A A A A M , A ANA A A A 3 , A V X A A , A N NN N 13 + + + V N N A A , A A A A , A A A , A 4A HJ, A A A A A A A 30 A A N N A A+ A A A A , A A A A A A A A , M ,N N + A , A NA A , A A A A A NA A A A A A +A , A A A , N N 26 A A A A V , A A A , ADA A NA A A A N A A A A A , @, A , A A A A A A A A A V A A A ANA-AAA A A, A A A A A -A , A , A A A NN N A A A A A A A21 A A A A A A A A A ANA A A-A A A A A A , A A A V N X X X X X A X ©ȱ2010ȱbyȱBärenreiterȬVerlag,ȱKassel N N N A A -A A 17 BAȱ8501 -A A N NN , +A @, A M , A A A 3 , A A A , A A A , V A A A A A-A NA , A-A A A ADA A NN N A + + + V A A , A A A , A 4A HJ, A A A A A 30 A A A A A A , A A A A A A , A A A A A A A N N A A A A A A , M , N NN A A A A A A , @, 26 A -A A A A A-A A A A A V A A A A A , A A A A A AN NN N A 21 A A A + + V N N A A A , A A A A A A A A A A A , A A ANA A , A-A A A A A A , A A A X X N X BAȱ8501 X A ©ȱ2010ȱbyȱBärenreiterȬVerlag,ȱKassel NN N A A -A , A + , A-A , A A A , V A A A A A @ A A A A M , A ANA A A A 3 , A A A A -A A , A -A 30 N N 26 A A , M , N NNN @, A A A A A A A V A A A A A A A , AN AN A -A A A , A A+ + A A A A-A A AN NAA A A A , A A A AA A A A A , A A ANA A , A-A A A A A A A A + + V A A A A X A A X , A A ©ȱ2010ȱbyȱBärenreiterȬVerlag,ȱKassel BAȱ8501 A
30 N N N N @, A A A A A A A A , M , V A A A A A A , A -A A A , A A A A A-A A A A A A A A A A A ©ȱ2010ȱbyȱBärenreiterȬVerlag,ȱKassel BAȱ8501
BA 8501: Score and solo parts in C, B-flat, E-flat and F
27 Organ
cabezÓn B ä r e n r e i t e r U r t e x t
Ausgewählte Werke für Tasteninstrumente
Selected Works for Keyboard
I
Bärenreiter
Antonio de Cabezón l First scholarly-critical edition of selected works by Selected Works for Keyboard the leading Spanish organist l Reflects the latest research findings n The court organist Antonio de Cabezón, who was l Each volume with a foreword (Ger/Eng) with tips on appointed to Queen Isabella’s court chapel in Toledo at the editorial technique, critical commentary (Ger/Eng) young age of 16, was rightly regarded by his contemporaries and index of sources as the leading Spanish organist and keyboard player of the 16th century. His hymns and versets are based on short, decorated harmonisations of the psalm tones. In the tientos, the transformation from vocal motet style to a style of writing suitable for keyboard instruments is perfectly executed.
This Urtext edition contains a selection of Cabezon’s best known works and will consist of four volumes. It has been prepared by two editors working at Portuguese and Spanish universities who are both leading scholars of the works of Cabezón and reflects the latest research findings.
Antonio de Cabezón Volume 3: Glosas Selected Works for Keyboard New Issue BA 9263 approx. € 26.95 Title Bärenreiter Urtext Volume 4: Glosas and Diferencias Edited by Gerhard Doderer and BA 9264 approx. € 26.95 Miguel Bernal Ripoll Volume 1: Hymns, Tientos and Versets All 4 volumes BA 9261 approx. € 26.95 to appear in August 2010 Volume 2: Hymns, Versets and Tientos BA 9262 approx. € 26.95
28 Organ
l Evaluation of all available autographs, first printed editions and previously unpublished letters l Editorial clarification superseding the long-standing Vierne international correction lists B ä r e n r e i t e r U r t e x t l Critical commentary (Fr/Eng/Ger) and foreword L‘Œuvre d‘Orgue (Fr/Eng/Ger) with detailed performance practice tips Complete Organ Works Sämtliche Orgelwerke l Numerous illustrations and facsimile pages
I Already published:
Louis Vierne Organ Works Symphony no. 3 op. 28 Volume III
Bärenreiter BA 9223 € 22.95
Pièces en style libre pour orgue ou harmonium Volume VIII.1: (Livre I, 1–12) op. 31 € Louis Vierne BA 9235 22.95 Complete Organ Works, Volumes I and II Volume VIII.2: (Livre II, 13–24) op. 31 BA 9236 € 24.95 n Louis Vierne (1870–1937) studied privately with César Franck and was appointed titulaire organist at Notre-Dame (Paris) in Pièces de Fantaisie en quatre suites 1900. Numerous concert tours throughout Europe and the USA Volume VII.1: (Livre I, 1–6) op. 51 made him famous worldwide. His students included Marcel BA 9227 € 19.95 Dupré, whose pupil Thierry Escaich has worked on this edition. Volume VII.2: (Livre II, 7–12) op. 53 Vierne’s organ works are masterpieces of organ music and BA 9228 € 22.95 occupy a central position in the virtuoso organ repertoire. In particular, Vierne took the form of the organ symphony to Volume VII.3: (Livre III, 13–18) op. 54 new stylistic heights and influenced the development of organ BA 9229 € 22.95 technique worldwide. His six symphonies are masterworks of the French organ symphony. Volume VII.4: (Livre IV, 19–24) op. 55 BA 9230 € 22.95
Masses and individual liturgical works Volume IX BA 9237 € 29.95 To appear in August 2010
No distribution rights for France, Italy and Spain
Louis Vierne Volume I: Symphony no. 1 op. 14 Complete Organ Works, Volumes I and II New Issue € Title BA 9221 approx. 24.95 Bärenreiter Urtext To appear in December 2010 Edited by Helga Schauerte-Maubouet, Volume II: Symphony no. 2 op. 20 with Thierry Escaich, Jean-Pierre Mazeirat BA 9222 approx. € 24.95 and Rollin Smith To appear in November 2010
29 Piano
À Mademoiselle Juliette Toutain SUITE BOURGUIGNONNE Sept pièces pour piano Vierne op. 17 B ä r e n r e i t e r U r t e x t 1. Aubade Allegro (h = 96) L‘ Œuvre de Piano Complete Piano Works f Sämtliche Klavierwerke
I 4
8 p Bärenreiter f
12 Louis Vierne poco cresc. Complete Piano Works, Volume I
n Louis Vierne was a celebrated organist but throughout his 16 life he was also a keen pianist and composer of piano music. He had a particular feeling for the tonal finesse and riches the cresc. molto ff instrument offered. The pieces in this volume, which include some works published for the first time, date from Vierne’s early years and are in the tradition of the Romantic character piece. In both their harmonic language and their elegant feeling for sonority, they reveal Vierne’s individual musical language. These pieces are mainly of medium technical difficulty and l Comprehensive critical commentary (Fr/Ger/Eng) are therefore suitable for a broader spectrum of pianists. including numerous facsimile pages l Detailed foreword (Fr/Ger/Eng) on the genesis The editor, Brigitte de Leersnyder, is a pianist and piano teacher. of the works and on performance practice She has researched Louis Vierne’s piano music for many years and has published a comprehensive and highly-regarded monograph on the composer. Already published: Louis Vierne l Scholarly-critical Urtext edition based on all available Complete Piano Works sources Volume III: The Last Works (1916–1922) l First publication of previously unknown BA 9613 € 28.95 compositions No distribution rights for France, Italy and Spain
Louis Vierne New Issue Complete Piano Works, Volume I Title Bärenreiter Urtext Edited by Brigitte de Leersnyder BA 9611 approx. € 28.95
To appear in November 2010
30 Piano
Sonate Nr. 1 op. 6 I Allegro con fuoco q. = 104 Skrjabin B ä r e n r e i t e r U r t e x t f Sämtliche Klaviersonaten I sf Complete Piano Sonatas I 3 sf 6 Bärenreiter 9 Alexander Skrjabin p Complete Piano Sonatas, Volume I n The piano sonatas are regarded as the central works of 12 Alexander Skrjabin’s compositional output. No other composer after Beethoven reshaped this genre so radically, thereby reinvigorating the tradition of the sonata. Skrjabin’s desire not simply to continue the existing tradition, but to surpass it, is evident as early as his first sonatas. These are exciting works from the pianist’s perspective and in their abundance of expression and wealth of imagination. Up to the third sonata Skrjabin developed a distinctive feeling for structural coherence For the first time the recordings of Sonatas nos. 2 and 3 which and cyclical unity which at the same time revealed poetic qualities. Skrjabin made in 1908 on paper rolls for the Hupfeld company, Leipzig are also taken into account. This volume contains the earlier works; sonatas officially published during the composer’s lifetime as No. 1 op. 6, No. 2 l Urtext edition reflecting the latest scholarship and (Sonate-Fantaisie) op. 19 and No. 3 op. 23 as well as the taking previously unknown sources into account sonatas written during his youth, in G-sharp minor (1886) and E-flat minor 1( 887-89). The edition also includes the virtually l Includes all fragmentary works, some published for unknown fragment of a sonata in C-sharp minor (1887) and the first time the reconstructed parts of a sonata in G-sharp minor (1892) l Detailed foreword (Ger/Eng) and critical commentary never previously published. (Eng) The editor Christoph Flamm draws on autograph manuscripts, first printed editions and on Russian editions of the 1920s to No distribution rights for France, Italy and Spain which he had access via personal contacts.
Alexander Skrjabin New Issue Complete Piano Sonatas, Volume I Title Bärenreiter Urtext Edited by Christoph Flamm BA 9616 approx. € 32.95
To appear in December 2010
31 Piano
l Urtext of the New Mozart Edition l Reconstructions of Mozart fragments in a practical mozart performing edition B ä r e n r e i t e r U r t e x t l Foreword (Ger/Eng) and numerous facsimiles l Valuable addition to Mozart’s repertoire Fantasie g-Moll und Fuge G-Dur Fantasia in G minor and Fuga in G major for two pianos
Sonatensatz B-Dur Sonata Movement in B-flat major Already published: KV Anh. 32 und 45, 42
Bärenreiter
Wolfgang Amadeus Mozart Fantasia in G minor and Fuga in G major K. Anh. 32 and 45 / Wolfgang Amadeus Mozart Sonata movement (Grave and Presto) Complete works for two pianos in B-flat major K. 42 for two pianos Sonata K. 448 / Fugue K. 426 Urtext with fingerings n Of Mozart’s many fragmentary works, it is the Requiem Appendix I, Fragments: which stands out, but there are many other fragments in his Larghetto and Allegro K. deest = Fr 1781f large compositional output which can ideally be used as a basis Grave and Presto K. Anh. 42 = Fr 1782b / for a reconstruction. In the case of these two reconstructions Sonata movement K. Anh. 43 = Fr 1782c for two pianos, the editor has drawn on thematically suitable Allegro K. Anh. 44 = Fr 1785d / fragments from Mozart’s piano sole repertoire and has arranged Fugue K. Anh. 45 = Fr 1785a them for two pianos. In this way reconstructions are achieved Appendix II: Adagio K. 546, arrangement for two pianos which are based solely on authentic material. The result of this by Michael Töpel creative exercise is two new, highly effective concert works for BA 9161 € 22.95 two pianos, offering a valuable addition to Mozart’s two existing works for this combination.
The editor took Abbé Maximilian Stadler's sensitive reconstruction of Mozart’s fragmentary Larghetto and Allegro in E-flat major for two pianos (K. deest) as a model for his reconstructions.
Wolfgang Amadeus Mozart Fantasia in G minor and Fuga in G major New Issue Title K. Anh. 32 and 45 / Sonata movement (Grave and Presto) in B-flat major K. 42 for two pianos Bärenreiter Urtext Edited and completed by Michael Töpel BA 9638 approx. € 16.95 To appear in October 2010
32 Piano › Janácek B ä r e n r e i t e r U r t e x t
Capriccio
pro klavír (levou rukou) a soubor dechových nástrojů
for Piano (Left Hand) and Wind Ensemble
für Klavier (linke Hand) und Bläserensemble
Partitura a hlasy Score and Parts Partitur mit Stimmen
Bärenreiter
Leoš Janáèek Capriccio pro klavír (levou rukou) a soubor dechových nástrojù Capriccio for Piano (Left Hand) and Wind Ensemble n One of Leoš Janáèek’s last chamber music works was written in the autumn of 1926 at the suggestion of the pianist Otakar Hollmann (1894–1967), an invalid from the First World War. Like his contemporary Paul Wittgenstein, Hollmann urged composers to write something for piano left hand; he succeeded in winning over Bohuslav Martinú, Erwin Schulhoff and Janáèek to do this. l Urtext based on the Critical Complete Edition of the Janáèek did not want, as he put it, to compose a “dance for one Works of Leoš Janáèek leg”, but finally wrote a four-movement work with associations l New foreword (Cz/Eng/Ger) by the editor Jarmila to military music, scored for piano, flute (piccolo), two trumpets, Procházková three trombones (preferably valve trombones because of the fast passages) and a tenor tuba. The French horn was allowed l Includes additional part for French horn by the composer to substitute the tuba. The Capriccio was premiered by Otakar Hollmann and members of the Czech Philharmonic in Prague on 2 March 1928 in the presence of the enthusiastic composer.
The new edition is based on volume E/5 of the Critical Complete Edition of the Works of Leoš Janáèek.
Leoš Janáèek Score and parts New Issue € Capriccio pro klavír (levou rukou) Title BA 9535 approx. 44.95 a soubor dechových nástrojù Capriccio for Piano (Left Hand) To appear in November 2010 and Wind Ensemble Bärenreiter Urtext Edited by Leoš Faltus and Jarmila Procházková
33 Popular Choral Music
Solveigs Lied M.: Edvard Grieg (1843–1907) norweg. T.: Henrik Ibsen (1828–1906) dt. T.: Christian Morgenstern (1871–1914) Arr.: Carl-Bertil Agnestig Andante V = 72 f S 1 S 2 × A A A M V ( A A M A @ M A A A @ < < ohM A A oh A
pp M 1 M 2 V ( < < < < M @ < ohA pp A 1 A 2 ( < < < < < @ Ø V M ohA
1. Der Win - ter mag schei-den, der 7 2. Gott hel - fe dir, wenn du die × A A V < < J@ A A A A X X 1. KanA - ske vilX derX gå bå - de 2. Gud styr - ke dig, hvor du i pp p unis. M A V M A@@ M A A M M A NA M A A M A m bom bom bom bom bom bom bom p V M A @ Ø M A M M M M M MM m bom bom bom bom bom bom
Früh - ling ver - gehn, der Früh - ling ver - gehn... der pp Soli Katrin Ehmer, Max Frey, 11 Son - ne noch siehst, die Son - ne noch siehst... Gott × A A A A + A A + A M A Stefan Kalmer, Kurt Suttner V X A A A A NA A A Vin - ter ogX Vår, bå - deX Vin - terX og Vår...A ogA oh Ver- den går, i Ver- den går... Gud Chor aktuell Female Voices $ + + + + @ V M A A A A NA A M M A bom bom bå -de Vin - ter og Vår... i Ver- den går... n Chor aktuell has been an extremely successful series in " + + + + German speaking territories. This series offers a large selection V A A A A A A M M A @ Ø M A A A A A A M M A of popular pieces in many different musical styles, specifically bom bom der Früh - ling ver - gehn die Son - ne noch siehst from: Peer Gynt " for amateur choirs and schools. Now for the first time, we are © 1993 by Musikk-Husets Forlag A/S, Oslo. Printed with permission. able to introduce Chor aktuell to Europe with an edition of > TÜ BE 2498 songs for a choral setting which is much in demand; female voices (SSAA and SMA). l 72 songs in many musical styles for female voices Chor aktuell Female Voices contains more than 70 choral (SSAA and SMA) arrangements of sacred as well as secular songs from all over l International repertoire including songs from the world which cover musical styles such as pop, gospel, countries such as Sweden, Finland, Colombia, avant-garde and folk. Most pieces are of medium technical Hungary difficulty and include a clear straightforward piano accompaniment as well as guitar chords. An appendix includes l Medium technical difficulty text translations in German and English and a helpful thematic l Gospel, pop, folklore, avantgarde listing of the contents, for example songs to be sung during the Christmas period or songs which deal with love. l Ideal for amateur choirs and schools
The editors are well-known and experienced choral directors who have distinguished themselves with the series Chor aktuell Distribution rights only for Europe which includes many of their own frequently-sung arrangements.
Katrin Ehmer, Max Frey, New Issue Stefan Kalmer, Kurt Suttner Title Chor aktuell Female Voices BE 2498 approx. € 19.95
To appear in August 2010
34 Contemporary Music / Complete Editions New Publications up to May 2010
Contemporary Music Complete Editions
Beat Furrer Johann Sebastian Bach XENOS III New Edition to the Complete Works for percussion and strings “New Bach Edition“ BA 9774, Performance material available on hire Series IX, Vol. 4: Complete Index Edited by Frauke Heinze and Uwe Wolf BA 5297 Beat Furrer WÜSTENBUCH Das deutsche Kirchenlied Series III Music theatre after texts by Händl Klaus, Concluding Commentary Volume to Series III, Ingeborg Bachmann, Antonio Machado, Lucretius and from the Papyrus Berlin 3024 Vols. 3 and 4 BA 9746, Performance material available on hire General Editor: Joachim Stalmann, edited by Hans-Otto Korth BA 8366 Philipp Maintz Christoph Willibald Gluck MALDOROR Complete Works Opera in seven scenes after the “chants Series IV, Vol. 11: L’Arbre enchanté (2nd version) de maldoror“ Edited by Bruce Alan Brown BA 5806 Libretto by Thomas Fiedler BA 9745, Performance material available on hire George Frideric Handel Halle Handel Edition, Series I, Vol. 23 Matthias Pintscher Occasional Oratorio songs from Solomon’s garden Edited by Merlin Channon for baritone and chamber orchestra BA 4089 BA 9772, Performance material available on hire Monumenta Monodica Medii Aevi Subsidia Vol. VI occultation Ordinariums-Gesänge in Mitteleuropa/ for solo trumpet, solo horn and ensemble, Chants from the Ordinary of the Mass in Central Europe part three from “sonic eclipse“ Repertoire overview and catalogue of melodies BA 9777, Performance material available on hire Edited by Gábor Kiss BA 5276 Charlotte Seither Works of ∙ Opere di Gioachino Rossini Beschriftung der Tiefe von innen Petite Messe solennelle for 18 players Edited by Patricia B. Brauner and Philip Gossett BA 9769, Performance material available on hire BA 10501-01 Score BA 10501-40 Critical Commentary
Manfred Trojahn Franz Schubert Moderato. Sinfonischer Satz für Orchester New Edition of the Complete Works, Series II, Vol. 8, part c: Fierabras, Third Act Überschreibung II. Zustand Edited by Christine Martin BA 9776, Performance material available on hire BA 5557 Series IV, Vol. 8: Lieder Zwei Orchesterstücke Edited by Walther Dürr BA 9770, Performance material available on hire BA 5564 Georg Philipp Telemann La tomba di Paganini Musical Works, Vol. 47: Essercizii musici for orchestra (five-movement version) Edited by Klaus Hofmann BA 9715, Performance material available on hire BA 5857
35 Bärenreiter-Verlag www.baerenreiter.com
Your Contacts
Sales and Marketing International UK · British Commonwealth Director of Sales and Marketing Bärenreiter Ltd. Corinne Votteler Christopher J. Jackson Tel. ++49 (0) 561 3105-175 Patrick J. Abrams [email protected] Burnt Mill, Elizabeth Way Harlow, Essex CM20 2HX, GB Tel. ++44 (0) 1279 828930 Fax ++44 (0) 1279 828931 Switzerland · France · Belgium · Luxembourg · [email protected] Italy Sales and Marketing Dr. Christiane Loskant Central and Eastern Europe Tel. ++49 (0) 561 3105-112 Editio Bärenreiter Praha, spol. s.r.o. [email protected] Bechovická 26 Customer Services CZ-100 00 Praha 10 Martin Wagner Tel. ++49 (0) 561 3105-325 Sales and Marketing Fax ++49 (0) 561 31806-56 Maxim Belchikov [email protected] Tel. ++420 274 001 932 Fax ++420 274 001 920 Customer Services [email protected] Ursula Münich Tel. ++49 (0) 561 3105-326 Fax ++49 (0) 561 31806-64 Customer Services [email protected] Jaroslav Kostecký Tel. ++420 274 001 933 Fax ++420 274 001 927 Scandinavia · Netherlands · Spain · Portugal [email protected] Latin America · Middle East Sales and Marketing Catriona Glatthaar Sales and Marketing Germany · Austria Tel. ++49 (0) 561 3105-179 Director of Sales and Marketing [email protected] Ivan Maric Customer Services Tel. ++49 (0) 561 3105-162 Margot Schmidl [email protected] Tel. ++49 (0) 561 3105-322 Sales and Marketing Fax ++49 (0) 561 31806-61 Gerlinde Neurath [email protected] Tel. ++49 (0) 561 3105-188 [email protected] USA · Canada · Greece Franziska Watzl Tel. ++49 (0) 561 3105-170 Sales and Marketing [email protected] Petra Woodfull-Harris Tel. ++49 (0) 561 3105-173 [email protected] Public Relations Customer Services Britta Hoppe Johannes Mundry Tel. ++49 (0) 561 3105-327 Tel. ++49 (0) 561 3105-154 Fax ++49 (0) 561 31806-52 Fax ++49 (0) 561 3105-310 [email protected] [email protected]
Asia Sales and Marketing Corinne Votteler Imprint Errors excepted; price changes Tel. ++49 (0) 561 3105-175 Bärenreiter-Verlag and delivery terms subject to [email protected] Karl Vötterle GmbH & Co. KG change without notice. Heinrich-Schütz-Allee 35-37 Content valid as of Customer Services D-34131 Kassel · Germany June 2010 Britta Hoppe Tel. ++49 (0) 561 3105-327 www.baerenreiter.com Printed in Germany Fax ++49 (0) 561 31806-52 [email protected] 1/1006/3,8 · SPA 042 [email protected]
36