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Maria Conchita Alonso, Jami Gertz, Jenny O'hara, Harriet
MARIA CONCHITA ALONSO, JAMI GERTZ, JENNY O’HARA, HARRIET SANSOM HARRIS AND CHRISTINE LAHTI JOIN CAST OF LOVE, LOSS AND WHAT I WORE Fifth Cast will Perform Nora Ephron and Delia Ephron’s Fashion-Focused Hit Through September 26 LOS ANGELES, August 25, 2010 — Nora Ephron and Delia Ephron’s Love, Loss, and What I Wore attracts a whole new cast of actresses as it continues its Los Angeles run in the Audrey Skirball Kenis Theater at the Geffen Playhouse through the month of September. The new cast includes Jenny O’Hara, who is known for her Broadway roles in The Odd Couple and Promises, Promises and was most recently seen on the big screen in M. Night Shyamalan’s Devil, as the narrator Gingy; Oscar and Emmy Award winner Christine Lahti, best known in the theater world for her collaboration with Wendy Wasserstein in The Heidi Chronicles; Broadway vet Harriet Sansom Harris, who won a Tony Award for her role in Thoroughly Modern Millie; Jami Gertz, who is well-recognized for her film work in Twister and The Lost Boys as well as a recent stint on HBO’s Entourage; and Maria Conchita Alonso best known for television work on Desperate Housewives. Love, Loss and What I Wore, an intimate collection of stories covering some of life’s most poignant moments and their corresponding wardrobe, is directed by Jenny Sullivan. The evening of vignettes, which is based on the best-selling book of the same name by Ilene Beckerman as well as personal reminiscences from the Ephrons and their friends, features a rotating cast of five actresses who share tales to which every woman can relate. -
Narrative Epic and New Media: the Totalizing Spaces of Postmodernity in the Wire, Batman, and the Legend of Zelda
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-17-2015 12:00 AM Narrative Epic and New Media: The Totalizing Spaces of Postmodernity in The Wire, Batman, and The Legend of Zelda Luke Arnott The University of Western Ontario Supervisor Nick Dyer-Witheford The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Luke Arnott 2015 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Film and Media Studies Commons Recommended Citation Arnott, Luke, "Narrative Epic and New Media: The Totalizing Spaces of Postmodernity in The Wire, Batman, and The Legend of Zelda" (2015). Electronic Thesis and Dissertation Repository. 3000. https://ir.lib.uwo.ca/etd/3000 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. NARRATIVE EPIC AND NEW MEDIA: THE TOTALIZING SPACES OF POSTMODERNITY IN THE WIRE, BATMAN, AND THE LEGEND OF ZELDA (Thesis format: Monograph) by Luke Arnott Graduate Program in Media Studies A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Luke Arnott 2015 Abstract Narrative Epic and New Media investigates why epic narratives have a renewed significance in contemporary culture, showing that new media epics model the postmodern world in the same way that ancient epics once modelled theirs. -
October 10, 2020 at 11:15Am 8221 S
Goshen Seventh-day Adventist Church October 10, 2020 at 11:15am 8221 S. State Street, Chicago, IL 60619 Telephone: (773) 488-8788 | Email: [email protected] Announcements........................................Sis. Rita Wilson Senior Pastor...........................................Gordon Fraser Email: [email protected] Phone: (269) 759-9060 Invocation.......................................Minister Lorian Willis Executive Pastor.................................Dr. Casey Adams Email: [email protected] Phone: (256) 652-0681 Associate Pastor...............................Dr. Barbara Bellar Welcome...................................................Sis. Dana Willis Phone: (630) 917-3200 Minister of Operational Ministries...............................James Ferguson Email: [email protected] Phone: (708) 841-1004 Call to Worship....................................Sis. Lauren Burton Minister of Health Ministries.........................Dr. Tonnie Young-Hayes Email: [email protected] Phone: (708) 774-2454 Praise & Worship............................................Praise Team Minister of Nurture & Discipling Ministries……....Carolyn Williams Email: [email protected] Phone: (773) 720-7487 Intercessory Prayer............Minister Tonnie Young-Hayes Minister of Music & Arts Ministries.................................Lorian Willis Email: [email protected] Phone: (708) 790-9725 Minister of Outreach Ministries....................................Derick Winston Musical Meditation....................................Music Ministry -
Kamron Klitgaard Big Dog Publishing
Kamron Klitgaard Big Dog Publishing Santa and the Naughty Ninjas 2 Copyright © 2009, Kamron Klitgaard ALL RIGHTS RESERVED Santa and the Naughty Ninjas is fully protected under the copyright laws of the United States of America, and all of the countries covered by the Universal Copyright Convention and countries with which the United States has bilateral copyright relations including Canada, Mexico, Australia, and all nations of the United Kingdom. Copying or reproducing all or any part of this book in any manner is strictly forbidden by law. No part of this book may be stored in a retrieval system or transmitted in any form by any means including mechanical, electronic, photocopying, recording, or videotaping without written permission from the publisher. A royalty is due for every performance of this play whether admission is charged or not. A “performance” is any presentation in which an audience of any size is admitted. The name of the author must appear on all programs, printing, and advertising for the play. The program must also contain the following notice: “Produced by special arrangement with Big Dog Publishing Company, Sarasota, FL.” All rights including professional, amateur, radio broadcasting, television, motion picture, recitation, lecturing, public reading, and the rights of translation into foreign languages are strictly reserved by Big Dog Publishing Company, www.BigDogPlays.com, to whom all inquiries should be addressed. Big Dog Publishing P.O. Box 1400 Tallevast, FL 34270 Santa and the Naughty Ninjas 3 Santa and the Naughty Ninjas INTERACTIVE HOLIDAY COMEDY. The leader of a band of naughty ninjas is determined to seek revenge against Santa for having received a lump of coal for Christmas instead of a Red Radio Flyer Wagon (and Numchuck Ninja is in desperate need of an Easy-Bake Oven). -
Voy-O-Ween *Spooky Music* JARRAH
Women at Warp Episode 18: Voy-o-ween *spooky music* JARRAH: Hi and welcome to Women At Warp. Join us as our crew of four women Star Trek fans boldly go on our biweekly mission to explore our favorite franchise. My name's Jarrah and thanks for tuning in. Today we have crew members Grace. GRACE: Hi. JARRAH: And Sue SUE: Hey there. JARRAH: And before we get started we have a little bit of housekeeping. I'm gonna start off by getting Grace to talk a little bit about Geek Girl Con and. GRACE: Yes Geek Girl Con. JARRAH: Yes, and about some other news. So go ahead Grace. GRACE: Well first off, we had a great turnout at Geek Girl con this weekend this past weekend. It was amazing, and I want to thank so many people for coming out and supporting the event, and supporting all of these great guests we had, and some of the wonderful topics that we got to explore together this weekend. Now in sadder news Star Trek original series actor Bruce Hyde has recently passed from throat cancer. For those of you who don't remember him he was and he was, I want to say Ensign, Kevin Riley. And I wanted to bring him up because I love the fact that he's just an incidental feminist in one of the few drunken throwaway lines he gets. He walks into a room sees all the girls at the control panels and goes “Yeah, this is what I like to see! Women getting to work too!” *Sue laughs* And then he gets drunk and hijacks the com system and starts singing Take Me Home Again Kathleen. -
68, the first Suck of 2018, John Wayne Gacy!
Cold Open: On the afternoon of December 21st, 1978, a half-dozen Chicago investigators, armed with a fresh search warrant, made their way down into the crawlspace beneath the home of John Wayne Gacy, at 8213 West Summerdale Avenue, in the Norwood Park neighborhood of Chicago. Officer Daniel Genty made his way, crawling along his stomach, to a spot underneath Gacy’s kitchen where he saw what looked like human hair sticking out of the ground. Shining a floodlight on the area, he saw a long depression that looked like a dry lake bed with cracks in the yellow gray covering of a layer of lime that Gacy had put over the entire surface of the dirt beneath the home. Genty popped an entrenching tool into the ground and after two shovelfuls of dirt, he hit some whitish bits of soap-like material. It was adipocere (“Add-i-pah-sear”) flesh - body tissue that has chemically changed to a lard like substance due to rot and moisture. The crawlspace smelled like a sewer. Genty dug further and hit bone. An arm bone. Definitely human. There were more hair strands on his little shovel. Genty turned towards some other officers poking their heads through the crawlspace access door. “Charge him,” he said. “I’ve found one.” Within minutes, Gacy was in police custody, charged on suspicion of murder. The body Genty had began to uncover was the first of what would be 28 corpses that would be removed from underneath his home. We tend to like it dark here in the Suck, and it’s hard to get darker than this week’s Gacy. -
That Thing You Do That Thing You Do
That Thing You Do 1. The scene in the movie when they first hear their song on the radio demonstrates beautifully the importance of radio airplay in making artists popular during that era. What sort of role does radio play in music today? How do non-radio musical outlets of today compare to those of yesteryear (P2P networks, Internet radio, podcasts, etc.). Are they better or worse? 2. By the early 1960s music was being mass produced for the widest ranging audience possible by ”hit factory” song writers or “cubicle” artists whose full time job, 9-5, was to make hit songs. The Beatles helped to change this and establish the trend of rock acts writing and performing their own music. As an artist of this new era, Jimmy, the lead singer/songwriter of the Oneders, is hesitant to sign a contract or involve money as it relates to his music. Why do you think he hesitates? What do you think the effect of money is on the music and the artist? What about on the artists themselves? Can money and musical success ever be separated? 3. How important is “image” in the commercialization of rock? Consider how Mr. White (Tom Hanks) crafts theirs. What is he trying to convey to the general public? Does the artist make the image or does the image make the artist? 4. Think about some examples of commercialism in music today. Has it changed since the 50s and 60s? Do you think artists are keeping more or less of their money? Has “the man” figured out new and/or better ways of making money off of musicians? 5. -
Rita Wilson & Kristian Bush Embark on Joint U.S. Tour
RITA WILSON & KRISTIAN BUSH EMBARK ON JOINT U.S. TOUR KICKING OFF JUNE 5 RITA WILSON’S NEW ALBUM, HALFWAY TO HOME, OUT NOW Download hires images here Rita Wilson and Kristian Bush will embark on a joint concert tour kicking off June 5 in Atlanta (see complete itinerary below). Musical collaborators and good friends, Wilson and Bush will share both of their intimate and authentic songs with audiences, making for a memorable evening of live music. Wilson singer/songwriter, actress and producer just released her forth and acclaimed studio album, Halfway To Home (Sing it Loud/The Orchard), and was also recently honored by The Hollywood Chamber of Commerce with a star on the Hollywood Walk of Fame. Oprah.com called the new album, “deeply personal,” and said it “highlights Wilson's songwriting skills,” while CMT raved, “it’s genuine, and she’s poured her heart into every song.” “Throw Me A Party,” the first single, was premiered by Rolling Stonewho called it “evocative,” and Taste of Country noted the song has “touched everyone who has heard it.” The “moving” (People) music video was directed by AwardwinningPatrick Tracy; watch it HERE. Halfway to Home was largely recorded in Nashville, and coproduced by Rita and Nathan Chapman (Taylor Swift, Keith Urban), with Ron Aniello (Bruce Springsteen) and John Shanks (Bon Jovi, Sheryl Crow) also contributing as producers. Many of the songs were cowritten with an AList group including Kristian Bush, Grammy winner Liz Rose, Mozella (Kelly Clarkson, Miley Cyrus), Mitch Allan (Demi Lovato), Kara DioGuardi (Pink, Kelly Clarkson) and Emily Schackleton. -