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Fourteenth Rehearsal and Concert

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SYMPHONY HALL, BOSTON HUNTINGTON (S- MASSACHUSETTS AVENUES _ , . Ticket Office, 1492 Telephones I I ^"*^^d ^i ^^^o { Administration Offices, 3200 } TWENTY-SEVENTH SEASON, 1907-1908 DR. KARL MUCK, Conductor Fourteenth Rehearsal and Concert WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE FRIDAY AFTERNOON, FEBRUARY 7 f^i AT 2.30 O'CLOCK SATURDAY EVENING, FEBRUARY 8 AT 8.00 O'CLOCK PUBLISHED BY C. A. ELLIS, MANAGER 1045 : piAi^a Used and Indorsed by Reisenauer, Neitzel, Burmeister, Gabrilowitsch, Nordica, Campanari, Bispham, and many other noted artists, will be used by TERESA CARRENO during her tour of the United States this season. The Everett piano has been played recently under the baton of the following famous conductors Theodore Thomas Franz Kneisel Dr. Karl Muck Fritz Scheel "Walter Damrosch Frank Damrosch Frederick Stock F. Van Der Stucken Wassily Safonoff Emil Oberhoffer Wilhelm Gericke Emil Paur Felix Weingartner REPRESENTED BY a L SCHIRMER & COMPANY, 38 Huntington Avenue, Boston, Mass. 1046 Boston Symphony Orchestra PERSONNEL orijtcik^rtng iStatu Bears a name which has become known to purchasers as representing the highest possible value produced in the piano industry. It has been associated with all that is highest and best in piano making since 1823. Its name is the hall mark of piano worth and is a guarantee to the purchaser that in the instrument bearing it, is incorporated the highest artistic value possible. CHICKERING & SONS PIANOFORTE MAKERS Established 1823 791 TREMONT STREET Cor. NORTHAMPTON ST. Near Mass. Ave. BOSTON TWENTY-SEVENTH SEASON, NINETEEN HUNDRED SEVEN anrf EIGHT e Fourteenth Rehearsal and Concert* FRIDAY AFTERNOON, FEBRUARY 7, at 2.30. SATURDAY EVENING, FEBRUARY 8, at 8 o'clock. PROGRAMME. Chadwick .... Symphonic Sketches: Suite for Orchestra I. Jubilee. First time at these concerts II. Noel. III. Hobgoblin. IV. A Vagrom Ballad. Gluck , Recitative, "Wretched one, what have I done?" and Aria, "I " have lost my Eurydice," from " Orpheus and Eurydice Saint-Saens .... " My Heart at thy Dear Voice," from " Samson and Delilah " " Goldmark . Overture, In the Spring," Op. 36 SOLOIST, Miss JEANNE GERVILLE-REACHE, Qf the Manhattan Opera Company, New York. There will be an intermission of ten minutes after the Gluck selection. The doors of the hall will he closed during the performance «/ each number on the programme. Those who wish to leave before the end of the concert are requested to do so in an interval be- tween the numbers. Oty of BostoD, Revised Regulation of Autiust d. 1898.— Chapter 3. relatiarf to til* coverinii of the head in places of public amusement. Every licensee shall not, in his place of amusement, allow any person to wear upon the h*ad > covarlng which obstructs the view of tiie exhibitioo or performance in such place of aay person seated ia any teat tktrelm piovided for spectators, it being understood that a low head covering without projeetien, wbi«k da«a act «totni€t toch view, may be worn. Attest: J. M. GALVIN, Chy Cl«tk. 1049 L. P. Hollander & Co. Annual Clearance Sale in all Departments EXTRAORDINARY BARGAINS IN Silks^ Dress Goods Ladies^ Gowns and Waists Ladies^ SuitS; G)ats^ and Underwear 202 to 2 1 6 Boylston Street and Park Square, Boston WEDDING GIFTS. Sterling Silver, Cut Glass, ^"%^^ Bric=a=brac, Bronzes. Diamonds, Watches, Clocks, r^ Reliable Goods, Moderate Prices. Q:::^ SMITH PATTERSON ^^"^^^, j;. rdtetf. COMPANY ^ ^m^^M '^^ ^^ Summer St, — ! ! Symphonic Sketches: Suite for Orchestra. George Whitfield Chadwick: (Born at Lowell, Mass., on Noveiijber 13, 1854; "ow living in Boston.) This suite contains four movements, which are intended to be played consecutively, but may be performed separately if it is thought more expedient. The movements are entitled "Jubilee," "Noel," "Hob- goblin," "A Vagrom Ballad." "Jubilee" and "Noel" were composed in December, 1895; "A Vagrom Ballad" bears the date February, 1896; "Hobgoblin" was composed in the summer of 1904. "Jubilee," "Noel," and "A Vagrom Ballad" were played in various cities during the spring trip of the Boston Festival Orchestra, led by Mr. Mollenhauer. "Noel" was also played at the Forty-sixth Annual Festival of the Worcester County Musical Association, at a concert in Worcester^ October 2, 1903. "Jubilee" and "A Vagrom Ballad" were played for the first time in Boston at a Chickering Production Concert, March 23, 1904. Mr. Chadwick conducted his pieces. "Hobgoblin" was performed for the first time at Mr. Chadwick's concert in Jordan Hall, Boston, November 21, 1904. The "Symphonic Sketches," dedicated to Frederick S. Converse, were published in 1907. They are scored for piccolo, two flutes, two oboes (one interchangeable wdth English horn), two clarinets, bass clarinet, two bassoons, four horns, two trumpets, three trombones, a set of three kettledrums, military drum, bass drum, cymbals, triangle, tambourine, xylophone, harp, strings. I. Jubilee: Allegro molto vivace, A major, 6-4. The movement has this motto: Jubilee. No cool gray tones for me Give me the warmest red and green, A comet and a tambourine, To paint my jubilee NEW SONGS for CONCERT and RECITAL USE ^ We have this season a very large number of interesting compositions by such leading Composers as A. WOODFORDE-FINDEN, LIZA LEHMANN. LAURA LEMON, GRAHAM PEEL, ROGER QUILTER, HAMILTON HARTY, E. ELGAR, E. GERMAN, NOEL JOHNSON, R. BARTHELEMY, F. P. TOSTI, LANDON RONALD, G. H. CLUTSAM, STEPHEN ADAMS, etc. ^ Ask your dealer for a selection of these, or write direct to the Publishers, BOOSEY & COMPANY, 9 East Seventeenth St, New York City 1051 G^^BAltARD8(^SoN3 MAKERS OF Street Tailor Gowns and Coats Riding Habits and Breeches Dinner and Evening Dresses Shirt Waists and Tub Suits We are nom) receiving most attradi'be New Spring Cloths and Linens Silks, Dress Goods, and Wash Fabrics 256 Boylston Street, BOSTON Shreve, Crump & Low Company. Diamonds. Gems, Pearls. Second Floor. A choice display of Classical and Modern Bronzes, French Pottery, English Crystal Glass, Ivories, Enamels. Artistic Jewelry. Old Silver. Art Rooms . An astonishing showing of Fine Antiques. Leather Goods. Bric=a»brac. Tiffany Room. ELECTRIC DEPARTME/NT. J 47 Tremont Street^ Boston^ 1052 — ; ! ; For, when pale flutes and oboes play, To sadness I become a prey Give me the violets and the May, But no Ejray skies^forjme D. R. The movement opens with a jubilant theme for full orchestra. After the full exposition a still more characteristic and strongly-rhythmed motive appears (4-4, bass clarinet, bassoons, violas, and 'cellos). A "patting Juba" horn-call introduces a contrasting, suavely melodic motive (C major), which is developed. There is a return of the first jubilant expression, A major, 6-4, which is followed by the cantabile theme (now in F major). After a crescendo, built on the first and chief theme, a few measures for wind instruments (piano) lead to a section (assai tranquillo, 2-2) of an expressive and lyrical nature, which is followed by a final presto in the mood of the opening. II. Noel: Andante con tenerezza, D-flat major, 3-4. There is this motto: Through the soft, calm moonlight comes a sound: A mother lulls her babe, and all around The gentle snow lies glistening On such a night the \'irgin Mother mild In dreamless slumber wrapped the Holy Child, While angel hosts werellistening. —Translation. When "Noel" was performed at the Worcester .Festival, the pro- gramme book said: " 'It is reasonably described,' to use the composer's words, 'by the title, i.e., a little Christmas song.' The curious might discover, perhaps, a coincidence in the fact that Mr. Chadwick's younger son is named Noel." "Noel" (derived from the Latin natalis*), a word shouted or sung as an expression of joy, originally to commemorate the birth of Christ, appeared in English in the thirteenth century as "nowel." For an interesting ^study of the Noel see " Dictionnaire de Plain-Chant et de Musique d'E)glise," by Joseph d'Ortigue, in the Abbe Migne's "Nouvelle Encyclopedic Theologique " (Paris, 1853). * Yet some writers, as Nicod, pretend that the French took the word from Emmanuel: " Noel ou Nouel, " per aphaeresim canunt Galli pro Emmanuel, id est nobiscum Deus. FROM THE JUST ISSUED Recital Programs OF MASSENET Mme. QADSKI Thais Mme. SEMBRICH French and English Words Mme. SCHUMANN=HEINK Vocal Score Mme. EAMES Price, $6 June .... Mrs. H.H. A. Beach My Sweetheart and I Mrs. H. H. A. Beach DEBUSSY The Year's at the Spring, Mrs. H. H A. Beach A Maid sings light . Edward MacDowel! Pelleas and Melisande The Danza . George W. Chadwick Vocal Score Oh, let Night speak of me George W. Chadwick French' and English Words Price, $6 PUBLISHED BY Arthur P. Schmidt CHARLES W. HOMEYER & CO. 120 BOYLSTON STREET 165 TREMONT STREET (Walker BuUdlng) BOSTON. MASS. 1 Boston, Mass. 1053 , This. movement is a nocturne, built on a theme first sung by the English horn. III. "Hobgoblin": Scherzo capriccioso, Allegro vivace, F major, 3-4. The motto is Shakespeare's "that shrewd and knavish sprite called Robin Goodfellow." The composer did not have in mind any expression of fairyism. He had in mind the rascally imp that frights maidens of the villager/ skims milk, mocks the breathless housewife at the churn, misleads night wanderers, disconcerts sorely the wisest aunt telling the saddest tale. Those that Hobgoblin call you, and sweet Puck, You do their work, and they shall have good luck. Richard Grant White says in a note to "A Midsummer Night's Dream": "Until after Shakespeare wrote this play 'puck' was the generic name for a minor order of evil spirits. The name exists in all the Teutonic and Scandinavian— dialects; and in New York the Dutch have left it in a form 'spook,' meaning a ghost or spirit —known to all who are Knickerbockers by blood or birth.
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    Numéro 16 SAMEDI AVRIL 1882 20 Année c UN NUMÉRO TOUS LES SAMEDIS paris et departements Un an, 30 fr. — Six mois, 16 fr. — Trois mois, 8 fr. 50 Pour l'étranger, le port en «us LES ABONNEMENTS PARTENT DU 1" DE CHAQUB MOIS Paris, Départements et Gares de chemins de ier : GO centimes Les numéros des années 1863 à 1881, VS centimes. Vente au numéro, chez Lacazk, 8, rue du Croissant LOIVDRES, agent spécial: A.. MAURICjB 13, Taristock Row, Covent-Garden. ÂMAZOHËB, COSTUMES aeYQYAGEp^DAMES 1 CHOIX CONSIDÉRABLES Cessation de Commerce d'Étoffes Ang.laises pour Hommes, Dames et Enfants VÊTEMENTS TRÈS BIEN FAITS Maison du PALAIS DE CRISTAL liquidation 25, rue vivienne (place de la. bouksk) HABILLEMENTS DE CEREMONIE."' des Grands en drap noir tin Magasins de la 28 Qualité supérieure m 32r 45f 65f 84' m» t-—r ~"ti sans mercure ni arsenic, ville de paris est le CRSSSCNIWIAITEE gué: it Dartres, Boutons, Eczéma, Ùlcires, Virus, purifie et fortifie 170, Rue Montmartre, 170 le Sang. — Le Flacon : 3 fr 50. 105 rue de Rennes, PARIS 611. (prune cure), franco : 20 fr. D'énormes Quantités de Marchandises (12 millions) GOUÏH El RhLMÏISMES « carnents internes par le soullre du l)r "Werlhoff. Dépôt: Pharmacie georges weber, 8, rue n"-des- Capucines, Paris. Envoi f°. 5 fr. la boîte. Brochure. a Moitié et ô-OuarLs d. Perle TOUS LES JOURS, OUVERTURE DE LA VENTE A HEURES excepté le Dimanche, 9 ANTISEPTIQUE, HYGIÉNIQUE (Rapport favorable de l'Académie de Médecine) Préserve des Maladies contagieuses et épidémiques. Purifie l'air chargé de miasmes.
  • El Polifacético Don Carlos Por Luis Gutiérrez Ruvalcaba

    El Polifacético Don Carlos Por Luis Gutiérrez Ruvalcaba

    ENSAYO El polifacético Don Carlos por Luis Gutiérrez Ruvalcaba Giuseppe Verdi (1813-1901) Foto: Gaspard-Félix Tournachon uy pocas óperas tienen tantas mencionados, existen grabaciones de todas las versiones y, con excepción de las óperas versiones como Don Carlos de que cambiaron de nombre, normalmente se presentan las versiones finales, aunque no M Giuseppe Verdi; es más, esta obra se han olvidado las originales y, como en el caso de Don Giovanni, Macbeth se presenta es la que más versiones tiene en la historia normalmente con una versión mixta. de la forma artística. Algunos antecedentes Esta ópera no fue la primera que tuvo varias El director de la Opéra de Paris trató de convencer a Verdi para que presentara una ópera versiones; por ejemplo, Christoph Willibald en este teatro. Para ello, hizo que Royer y Vaez, libretistas de Jérusalem, sugirieran al Oso Gluck realizó dos de Orfeo. La primera, de Busseto que compusiera una ópera basada en un drama de Schiller, habiendo ya usado estrenada en Viena, fue Orfeo ed Euridice, Die Räuber en I masnadieri y Kabale und Liebe en Luisa Miller. Los libretistas ofrecieron en tanto que unos años después la estrenó en escribir un bosquejo de Fiesco o Don Carlos, obra por la que se decantaban dado su París como Orphée et Eurydice, ópera cuyo componente romántico. Verdi rechazó la propuesta y Don Carlos reposaría unos quince libreto no sólo se tradujo al francés, sino que años hasta convertirse en la ópera más ambiciosa y vasta de Verdi. incluyó cambios motivados por la asignación del principal de castrato alto a haute-contre En 1863, Verdi fue a Madrid al estreno español de La forza del destino.