The Committee to Great Insight Scoring 185

Total Page:16

File Type:pdf, Size:1020Kb

The Committee to Great Insight Scoring 185 V . » Mm«i r^MNi ^^pr^y 1 * 1 1 ) II mfmtimtmittmtmmmm • I- ^li Ti , I, iii •|T itil T T»i 1 i I Vol. se. No. 9 VILLANOVA UNIVERSITY. VILLANOVA, PA. FOOTBALL September 23. 1963 Villanova Wins Minority Grant^ By DIANA[ANA ILSUGG "Honefullv.Hopefully, whenwhm thesefh«u. stu-«#... ^j. " IT cide to go to Villanova staf^d The Assodatron of American dents high school transcript, they with a follow-up letter graduate, some mi«hf de- Director must to the high Colleges has of Social A^ionPr^ awarded Villanova complete a brief written exercise school principals, elicited a good grams, Edward Collymore. University a $4,200 grant to help I in English and math. number of students. r Collymore submitted minority high school students de- the win- "Basically, we're kx>king for ac- The 20 students Flashbacks I ning proposal to the Association of who are se- velop their writing and ademically comput- talented students, lected 1 American Colleges in will begin the two and one ing skills. February with at least two years of college I 1983. After surviving half hour, five rounds preparatory once-a-week course on Twenty academically talented math and good verbal of competition, it Oct. 8. The was selected as skills," majority of the class 1 1th grade students from thearea commented Collymore. deserving of a grant under the Mi- will be similar to a workshop, will be Collymore initially received selected for the program, nority in- with Achievement Program. formation emphasis on class discus- Seasoas which will also give them expe- about the program in sion. Awards in this • July 1982. rience with computers. It will con- program rdnge He became interested sist of 24 classes held on campus up to $10,000. although the aver- and formed a four-person commit- If the program is viewed as a success, the to be taught by Thomas Martinez- age one is $5,000. The total cost of tee to study the possibilities and school may continue it. However, and Dr. William Fleischman, both Villanova's program is $6,700, develop a proposal. Villanova will have to find other faculty members at Villanova. leaving a sum of $2,500 not co- After being notified of the financial sources, be- cause vered by thegrant. Collymore said award in eariy May, 1983, Colly- the $4,200 is a one-time Besides addressing his offkre more's grant. 13 weaknesses was seeking outside office sent out letters con- • in the areas ii4evaUH<^A»* of writing, math and sources for these funds. If they are cerning the program to all public, 1«^ . The Office for Social Action Pro- 15, computers, the program hopes to not successful, he will go to the private and parochial high schools grams, which is administering attract more in the minority students to University and request the the Philadelphia area. Since it course, will share its results with the. University. Currently, fewer money. was late in the school year, the other campuses. It will also be than 3 percent of the school's response was not good. Collymore Interested shared with the entire 6,300 undergraduates students will be then American are minori- Director oi decided to advertise the pro- liigh Social Action Pro screened tomorrow in Tolentine education community ties. gram through commercial spots gram, Edward Collymore Hall. In addition through the publications of ^ toX. submittingo»-^„„i„.,,5 atf the m — -~ oniocairadiostations.This,on local radio stations. This, along ^-^^ Association of American Colleges. RfsTopener Leahy Confronts Student By LEOxNARD J. said that ti LaBARTH he experienced a feeling number one priority of the student Striving to The alumni have felt left Since piDmote a familial of "total pride anB joy. It government out and community. was a is to be a 12-man de- But there is a vocal Win sense of community it is warranted — to a within the goal I had since degree. The September, t was lega^ to the University S«iate. element within that wants to be University, Patrick Uahy as- very droppmg of football had height- J. optimistic from the start be- "We can be a more effective disenfranchised from the Univer- sumed the duties of student body cause I ened their anxieties. thought I was the best can- delegation if we receive students' sity. We want what's best for the president for 4983-34. didate. "The alumni are part of the jMlb I'm very pksased that I suggwtions." claimed Leahy. interest of the school." »>>j Leahy, elected tost April, re- received the vote of confidence Through us, the suggestions can Sr*!i'j Leahy also said that the Board ceived 45 pertent% the uit^: thtfldid;"^^ be brought to the attention df the of Trustees gfiaUate vote todefeat shouldn't have to be n.nm«l«" three other Leahy has reiterated his elec- Senate^ who can then while act upon put in the position of bowing "•I'r'.Jt.rpbolop.P*-"-. :S;» candidates, including two tion night to the ^^' top in women promise to maintain a them. It's the only means o^ <^ out on vying of com- alumni's monetary leverage. Wright WJU^^'-V^^, in 57 ''f^ for the presidential seal. visible, The ^•l^°?*^^ti.tic. tun- A receptive student govern- munication that exists for offend that. Green /^ J'^^ .^ h» o«n total of 422 ballots were cast in ment. "The Board of "The past student govern- The Senate, from what I've seen, Trustees are the on ^^^•^-M^-'*'' the «i«« ^''. CyBrien ha election. ment did guardians of the % a good job. I want to is effective. But there's always school and will Recalling act his victory, JLeahy. a improve on that." room for in the best interests of VUUiKj. V> improvement. the t^^^-^ senior from Marblehead, school. ""''ti•oun<*«*' and t»*" hi. Bo^^"«^ or 2M Mass., According to Leahy, Leahy also We're all part of the Villan- .J* . 35.28 win ^^, 37 f the addressed the grow- «nce 21 » ^e ova •^•** victory completed ^ ^ ing schism family." openini""^nl d.V<>•> ^t between Villanova first The vi«»f•J^^.rchini to ^d.. alumni and the Concernmg football, 18^^ tecondwy earty <»| ^^nd student govern- Leahy said V Wildcat tJ control ^^^ ment. According to the president, that the sport is "deeply missed, back in • P**^*"; the fin^^ the student government especially by the ^^, P»»^'*l touchdown, is in accord alumni. It'sagap hit on four ipW -n^ ^ ?J7Io with that one«24yrd«tra«°J»"; ^^„ the alumni in supporting needs to be filled. Restora- football restoration at the lAA tion, in my eyes, is a means of « •" ^**h^evJr.theF.ko». level "but will reuniting the whole minuu l^U^ISU-m f««»W« take a different community." ^oatOcapUinf^gi^Uer avenue. "I can't emphasize enough how m.de the cornerb*:!^ off o« • the W .^.j^ ^^^f^^ ""^^ ^"^' ^j^ took ^^ turnover.. "We admire and applaud ^.ivint help ^^ Bem»e Mur a '--••^ ^'JJ!; the important* student suggestions alumni Committee to p«a\ P«chuU r^.^ «»••** ••ch Restore and input is," said Leahy. "We're Falcon. l<»» .^.-^^ptlon for "^^i^Bowli"* with ^il^>l^ir.VfouldnH .^^ ^TT^lgtike. Football and their ultimate goal, student Body PresidentT ireoCoppo.-««^-t*^,««ble receptive to everything we re- ''^ ^tth«irclf«-»":^^ two ^^^^S^^^^^^'ii but we disagree with its Patrick Leahy fi«^ «* fittt methods. ceive." :;Sth th. «-^ ^^^Thot^l^^*^ « *^ Green re- P**^*!i ia«wlin« and Un.fmi.htoi»-»«^^^°™th. ^^.^S^^*- third .^•tt»- Senate Sets '83-'84Aaenda r. i» on By MARY CLAIRE LEAHY o. ^ moet •«*"2.. ended P-^^^qS^bS-**" •^ th. Aft«' Strack encouraged all senators tor ^^ "«^**?"lSJtobeth.P-nt. •f*4^ The first University John Blatt and the other Senate to .trff -^^y Borejkiewicx. submit agenda items to the Ex- Alumni *.?joe Suchdown <»^%ft .idelinj. ^T^^£J!!«^ meeting for the 1983-84 academic Senator, Henry Clem, 5' ^ff^^^. --^ "i"^ ecutive to be _ Committee of the Senate who was unable to W.d.tth.-«J^^,Sown.5r ^'"f "'L.mld .are year last Friday provided a brief attend this par- so that when an agenda is set "'"^ «•« summary of important upcoming for ticular meeting. 'ttohS'. «>"»W« „li »*«^ *^^ I^ cut to ^*|iM« the meeting with the Executive meetings and the expectation of Because this was the first meet- Committee of the Board, the views future Senate meetings. ing of this school year, no new bus- and interests of the Senate are Senate Chairman Eleanor iness was presented. Reports are BowUnfO^^"" considered. "I would .-' like to see the Strack opened expected from the various sub- the meeting look- agenda more representive of . the . ing forward to committes to act upon at future a productive year entire Senate," commented with the Senate," meetings, but since there was no before review- Strack. AlumnL . ing the items on the agenda. new business, the meeting was ad- Special reoognitbn was ex- journed Strack noted a after approximately 4 I • foar page suppleinent message from tended to ^ vvP"J»«n* on Villanova returning Alumni Sena- minutes. University Presklent the Rev. 1% John Driscoll, O.S.A., which v«« anounced that he will be attend- .W' Absence. ing the Nov. 11 Senate meeting to • •I Paid For By address the Senate with his an- ... of an oflenaive punch is plaguing the men's •oo^ team mud message. Last year, Dris- thus far this season. For details, see coH's address pertained to his ac- knowledgement of the Senate's progress and the University's fine * ' recognition in the community due The . An. in Committee To part to the Senate's achieve- . iMocent Bfan^ Bttiy Joel's ments.
Recommended publications
  • 1 the Association for Diplomatic Studies and Training Foreign Affairs
    The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project AMBASSADOR THOMAS N. HULL III Interviewed by: Daniel F. Whitman Initial Interview Date: January 8, 2010 Copyri ht 2012 ADST TABLE OF CONTENTS Background Born in New York, raised in Massachusetts Educated at Dickinson College and Columbia University Sierra Leone: Peace Corps Volunteer; Primary school teacher 19681c1.22 ,illage environment Living conditions Ambassador Robert Miner Fellow Peace Corps volunteers Fianc5e Columbia (niversity: Student, Education and International Affairs 1.2211.23 Degrees: International Education and International Affairs African studies ew York City, NY- Institute of International Education 8IIE9 1.2311.26 Fulbright Program Senator Fulbright :oined the Foreign Service: (SIA 1.26 Kinshasa, Democratic Republic of Congo: Public Affairs Trainee 1.2611.22 Mobutu and Mama Mobutu Program officers (SIA staff and operations (SAID Security Belgians Environment Closeing Consulate Kisangani 8former Stanleyville9 Brazzaville, Republic of the Congo- TDY Public Affairs Officer 1.22 Communist government 1 Concerts Kinshasa, 8Continued9 1.2211.20 Environment Mobuto’s Zairian art collection Feccan Fair Personnel issues Pretoria, South Africa: Assistant Cultural Affairs Officer 1.2011.00 Effects of Soweto riots Apartheid Afrikaners on1Afrikaner whites Cleveland International Program Crossroads Africa (S policy International ,isitors Program Ambassador Edmonson Ambassador Bowdler Personnel Black entrepreneurs Official entertainment Foreign
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Lobster Leaps in Press Quotes
    Excerpts from what the press has said about: THE MICROSCOPIC SEPTET LOBSTER LEAPS IN CD 2008 CUNEIFORM “…there is a move to make jazz fun again… The Micros might have done it first, and it's not too late to do it again. … Highlights include the cartoon stylings of "Twilight Time Zone" and the incessantly crazed "Money Money Money," fat with a tortured saxophone solo by baritone Dave Sewelsson. It morphs into the sweetest of songs… Those with a taste for R&B, swing, avant and bop, who don't mind mixing a tango with a polka at times, will gladly welcome back the Microscopic Septet.” – Mark Corroto, All About Jazz, December 27, 2008, www.allaboutjazz.com “"New York's Most Famous Unknown Band" is back after years of inactivity, with a new album every bit as rollicking and ebullient as those made in its prime. … With a back catalog of 180 unrecorded tunes and renewed interest in their oeuvre, co-band leader and soprano saxophonist Phillip Johnston decided it was time for the Micros to record some of these undocumented gems, which rank up there with the band's classic material. Drawing inspiration from the Swing Era, they also incorporate myriad styles and genres into their mercurial structures, including calypso, free jazz, polka, R&B, rumba, tango, and countless others. The reunited septet is remarkably tight… they have lost none of their enthusiasm or wily sense of humor. …all maintained active careers as leaders and sidemen, which lends this session a carefree sensibility. The tunes unfold like a retrospective of sorts, with a zany blend of styles and genres, all rolled up in a bustling undercurrent of good humor.
    [Show full text]
  • Ben Monder Dust Transcription
    Ben Monder Dust Transcription Brashiest Lane internationalises tectonically while Wilmer always grutches his cablegrams generate identically, andhe enwreathe abortive Geraldo so mosaically. never inwinds Whereby pyramidically unbattered, when Kalle Lance pinfold classicising beeves and his take-offs beach. chemisorption. Disunited Transcriptions made from either original recordings Kahn and Basile. Monder on guitar rather than Iverson on piano was heralded by critics for his. Ben Monder Compositions By Ben Monder Book Sheet. Recalling Blakey's famous theme music washes away the pill of everyday life. He has also show through enhanced axillary meristems of ben monder on a comma. Brandon Ross Today manifest The Question Ted Panken on Music. SLAVE PIANOS. Transcription of fractionated calf thymus chromatin by RNA polymerase of calf. Clemenza di Tito's Parto parto ma tu ben mio and Non pi di fiori. But Ries is for fellow and watch cause the tour is done and two dust settles. Physician-Patient Race Concordance from any Physician. I actually transcribed her incredible version of tape Like conduct in spill on. The transcription in bird, ben monder has developed ethnic communities comprising different types of noir got to? Biochemistry 1966 5 1 12-19 httpsdoiorg101021bi0065a024 Carl Monder. And you've reminded me I reduce to dust was my copy of The Way Up easily has. Where her mother job transcribing scores for publisher Second Floor which led shell to. QRD interview with guitarist Rich Bennett Silber Records. ABSTRACT ARBONA DIANA VICTORIA A Comparative. Free concert nyc november New York Music Daily. In Memoriam by Ben Monder Transcription tune them solo.
    [Show full text]
  • The Slow Death of Everett True: a Metacriticism
    The slow death of Everett True: A metacriticism Jeremy Thackray A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology 2016 1 Abstract This thesis problematises and investigates the role of the popular music critic in Web 2.0 environments. It does so through an act of metacriticism grounded in my experience as an internationally successful popular music critic for major print publications including NME, Rolling Stone, and Melody Maker. The reflective aspect of the metacriticism is triangulated through interviews with other notable music critics, through a dialectical approach to role definition grounded in the literature, and through the ongoing experiment of Collapse Board, a music blogging site I set up to experience the new environment from the “inside”. Popular music critics have customarily been seen as gatekeepers of ‘cool’ and arbiters of taste. The industrial structure of print allowed critics to earn a living from their craft. The print environment was defined by limited outlets and large readerships with limited access to information. In that environment popular music criticism helped mould the ways popular music was received, consumed, and contextualised. This project asks whether the same holds true in Web 2.0 environments in which audiences have access to the same sources of information through which critics formerly derived their knowledge, authority, and influence. The thesis concludes that there are four major roles of relevance to the critic in the new media environments: bespoke criticism, music critic as fan, music criticism as entertainment, and the music critic as ‘firestarter’.
    [Show full text]
  • Downloads, the Bandleader Composed the Entire Every Musician Was a Multimedia Artist,” He Said
    AUGUST 2019 VOLUME 86 / NUMBER 8 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • Lorentz, Korinna
    MASTERARBEIT im Studiengang Crossmedia Publishing & Management Erfolgversprechende Melodien – Analyse der Hooklines erfolgreicher Popsongs zur Erkennung von Mustern hinsichtlich der Aufeinanderfolge von Tönen und Tonlängen Vorgelegt von Korinna Gabriele Lorentz an der Hochschule der Medien Stuttgart am 08. Mai 2021 zur Erlangung des akademischen Grades eines „Master of Arts“ Erster Betreuer und Gutachter: Prof. Dr. Oliver Wiesener Zweiter Betreuer und Gutachter: Prof. Oliver Curdt E-Mail: [email protected] Matrikelnummer: 39708 Fachsemester: 4 Geburtsdatum, -ort: 15.04.1995 in Kiel Danksagung Mein größter Dank gilt Professor Dr. Oliver Wiesener für das Überlassen des Themas und die umfangreiche Unterstützung bei methodischen und stochastischen Überlegungen. Ich danke ihm insbesondere dafür, dass er trotz einiger anderer Betreuungsprojekte meine Masterarbeit angenommen hat und somit meinen Wunsch, im Musikbereich zu forschen, ermöglicht hat. Des Weiteren möchte ich meinem Freund und meiner Familie dafür danken, dass sie sich meine Problemstellungen bis zum Ende hin angehört haben und mir immer wieder Inspi- rationen für neue Lösungswege geben konnten. Besonderer Dank gilt meiner Mutter, Gabriele Lorentz, mit der ich interessante Gespräche zu musikalischen Themen führen konnte und mei- nem Vater, Dr. Thomas Lorentz, mit dem ich nächtliche Diskussionen über Markov-Ketten und Neuronale Netzwerke hatte. Ich danke meinen Eltern und meinem Freund, Michael Feuerlein, für die kritische Durchsicht der Arbeit. Kurzfassung In der vorliegenden Masterarbeit wurden die Melodie-Hooklines von Popsongs, die in Deutsch- land zwischen 1978 und 2019 sehr erfolgreich waren, explorativ analysiert. Ziel war, zu unter- suchen, ob gewisse Muster in den Reihenfolgen der Töne und Tonlängen vorkommen, und diese zu finden. Für die Mustersuche wurden Markov-Ketten erster, zweiter und dritter Ord- nung sowie Chi-Quadrat-Anpassungstests berechnet.
    [Show full text]
  • The Power of Openness
    Research Publication No. 1999-01 The Power of Openness David Bollier This paper can be downloaded without charge from the Berkman Center for Internet & Society at Harvard Law School Research Publication Series at: http://cyber.law.harvard.edu/publications OPENCODE Home FAQ Feedback THE POWER OF OPENNESS Contribute Legal Why Citizens, Education, Government and Business Governance Should Care About the Coming Revolution Copyright’s in Open Source Code Software Commons [cc] House of A Critique and a Proposal Licenses for the H20 Project House of Resources BY DAVID BOLLIER Brainstorm Register http://www.opencode.org The Power Of Openness Introduction As software and networking technologies rapidly insinuate themselves into the deepest reaches of American commerce, culture and governance, the architecture of our democratic society is being transformed. One lesson that is becoming clearer is that the design of hardware and software and the governance of the Internet matters. These issues can profoundly affect competition and innovation in markets, the ability of univer- sities, libraries and nonprofits to pursue their missions, and the control that individuals can exercise over their lives. Within the past year, a number of forces have converged to suggest the socially constructive potential of software whose design code can be freely accessed and modified by computer users. It is a complex story that is still unfolding and known chiefly in computing/Internet circles. As we will explain in Section I, a growing grass- roots movement on a global scale is challenging proprietary models of software development by generating superior, more reliable software that is far cheaper and even free.
    [Show full text]
  • Recorded Jazz in the Early 21St Century
    Recorded Jazz in the Early 21st Century: A Consumer Guide by Tom Hull Copyright © 2016 Tom Hull. Table of Contents Introduction................................................................................................................................................1 The Consumer Guide: People....................................................................................................................7 The Consumer Guide: Groups................................................................................................................119 Reissues and Vault Music.......................................................................................................................139 Introduction: 1 Introduction This book exists because Robert Christgau asked me to write a Jazz Consumer Guide column for the Village Voice. As Music Editor for the Voice, he had come up with the Consumer Guide format back in 1969. His original format was twenty records, each accorded a single-paragraph review ending with a letter grade. His domain was rock and roll, but his taste and interests ranged widely, so his CGs regularly featured country, blues, folk, reggae, jazz, and later world (especially African), hip-hop, and electronica. Aside from two years off working for Newsday (when his Consumer Guide was published monthly in Creem), the Voice published his columns more-or-less monthly up to 2006, when new owners purged most of the Senior Editors. Since then he's continued writing in the format for a series of Webzines -- MSN Music, Medium,
    [Show full text]
  • Validated Products List, 1993 No. 1
    A 1 1 1 0 3 5113 7 3 NISTIR 5103 Validated Products List 1993 No. 1 Programming Languages Database Language SQL Graphics GOSIP POSIX Judy B. Kailey Computer Security Editor U.S. DEPARTMENT OF COMMERCE Technology Administration National Institute of Standards and Technology Computer Systems Laboratory Software Standards Validation Group Gaithersburg, MD 20899 January 1993 QC 100 . U56 5103 NIST 1993 NiSTIR 5103 (Supersedes NISTIR 4951) Validated Products List 1993 No. 1 Programming Languages Database Language SQL Graphics GOSIP POSIX Judy B. Kailey Computer Security Editor U.S. DEPARTMENT OF COMMERCE Technology Administration National Institute of Standards and Technology Computer Systems Laboratory Software Standards Validation Group Gaithersburg, MD 20899 January 1993 (Supersedes October 1992 issue) U.S. DEPARTMENT OF COMMERCE Barbara Hackman Franklin, Secretary TECHNOLOGY ADMINISTRATION Robert M. White, Under Secretary for Technology NATIONAL INSTITUTE OF STANDARDS AND TECHNOLOGY John W. Lyons, Director FOREWORD The Validated Products List is a collection of registers describing implementations of Federal Information Processing Standards (FTPS) that have been validated for conformance to FTPS. The Validated Products List also contains information about the organizations, test methods and procedures that support the validation programs for the FIPS identified in this document. The Validated Products List is updated quarterly. iii TABLE OF CONTENTS 1. INTRODUCTION 1 1.1 Purpose 1 1.2 Document Organization 2 1.2.1 Programming Languages 2 1.2.2 Database Language SQL 2 1.2.3 Graphics 2 1.2.4 GOSIP 2 1.2.5 POSIX 2 1.2.6 Computer Security 2 1.2.7 FTPS Conformance Testing Products 2 2.
    [Show full text]
  • We Are Proud to Present the Results of the 67Th Annual Downbeat
    We are proud to present the results of the 67th Annual DownBeat International Critics Poll, which includes Jazz Album of the Year (page 40) and Historical Album of the Year (page 44). Nina Simone ........................... 122 Anthony Braxton ...................... 88 Pharoah Sanders ..................... 71 Charles Lloyd ........................... 69 Kenny Barron ........................... 64 Tomasz Stanko......................... 58 Paul Bley .................................. 57 Jack DeJohnette ...................... 56 Jimmy Giuffre ........................... 54 Jimmy Heath ............................ 50 John McLaughlin ..................... 47 Shirley Horn ............................. 46 Jaki Byard ................................ 41 Oliver Nelson ............................38 Yusef Lateef ............................. 37 Bobby Hutcherson ...................36 Hank Mobley ............................ 34 Grant Green.............................. 32 Carmen McRae ........................ 32 Gunther Schuller ...................... 31 Kenny Burrell ............................30 Miguel Zenón, winner of the Alto Saxophone category Kenny Barron ........................... 30 Fred Hersch Trio, Sullivan Fortner, Scott LaFaro ..........................67% JD Allen .................................... 28 Live In Europe (Palmetto) ......... 44 Moments Preserved (Impulse!) .. 22 Joe Williams ...........................67% Julian Lage ............................... 28 Charles Lloyd & The Marvels + Lionel Loueke, (Note: Artists must receive
    [Show full text]
  • The Black Range, 05-09-1884
    University of New Mexico UNM Digital Repository Black Range, 1882-1897 (Socorro County) New Mexico Historical Newspapers 5-9-1884 The lB ack Range, 05-09-1884 Black Range Print Co. Follow this and additional works at: https://digitalrepository.unm.edu/black_range_news Recommended Citation Black Range Print Co.. "The lB ack Range, 05-09-1884." (1884). https://digitalrepository.unm.edu/black_range_news/270 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Black Range, 1882-1897 (Socorro County) by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. f t f I s-- " . mJLmmmAJL. 3,- - .A , JL. IXAIN Gr Devoted Exclusively to '.he Mining and Stock Interests of the Black Range Country. t COUNTY, K. M., L.1II. CHLORIDE, SCOIIRO FRIDAY, MAY 9, 1884. NO. 5 HIK TO riTIOKUE. "He Cctnstock. 1 1 annul ur there " -- Hut, cant stood it for eeveral JUntf Black Range DruStor c fwt wek. Om Steam "Launches For the A think of something else?" persisted d.ty HHimthg, wl.eit the slrl went to tr V. S. W, m. Tim Xa'hOa. mho Nedd ; --I tic Regions. 4. J. ruprintesnt II Patton. la should so much like to help him up, thedug rouldnt I found. Al . Th Hnahiftf th At-to- l. T"Tk and th flint iiirtmi f having mined out frntT "You ran hand met hat part of soon a the washing was cut of the nt S r.Mt vilpit m .til Apr.
    [Show full text]