The Printed French Revolution Collections in the British Library 31 by Des Mcternan
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IFLA National Libraries Section Newsletter, June 2010
IFLA National Libraries Section Newsletter, June 2010 Contents Editorial 2 IFLA WLIC Gothenburg 2010: Standing Committee Meeting 2 IFLA WLIC Gothenburg 2010: Joint session with Copyright and Other legal Matters 3 CDNL meeting 3 News from some Section members 4 Aruba .................................................................................................................................................. 4 Estonia .................................................................................................................................................. 6 France .................................................................................................................................................. 6 Germany .................................................................................................................................................. 7 Indonesia ................................................................................................................................................. 9 Mauritius ................................................................................................................................................ 10 New Zealand.......................................................................................................................................... 11 Russia ................................................................................................................................................ 12 Scotland ............................................................................................................................................... -
Theatre of the Absurd : Its Themes and Form
THE THEATRE OF THE ABSURD: ITS THEMES AND FORM by LETITIA SKINNER DACE A. B., Sweet Briar College, 1963 A MASTER'S THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF ARTS Department of Speech KANSAS STATE UNIVERSITY Manhattan, Kansas 1967 Approved by: c40teA***u7fQU(( rfi" Major Professor il PREFACE Contemporary dramatic literature is often discussed with the aid of descriptive terms ending in "ism." Anthologies frequently arrange plays under such categories as expressionism, surrealism, realism, and naturalism. Critics use these designations to praise and to condemn, to denote style and to suggest content, to describe a consistent tone in an author's entire ouvre and to dissect diverse tendencies within a single play. Such labels should never be pasted to a play or cemented even to a single scene, since they may thus stifle the creative imagi- nation of the director, actor, or designer, discourage thorough analysis by the thoughtful viewer or reader, and distort the complex impact of the work by suppressing whatever subtleties may seem in conflict with the label. At their worst, these terms confine further investigation of a work of art, or even tempt the critic into a ludicrous attempt to squeeze and squash a rounded play into a square pigeon-hole. But, at their best, such terms help to elucidate theme and illuminate style. Recently the theatre public's attention has been called to a group of avant - garde plays whose philosophical propensities and dramatic conventions have been subsumed under the title "theatre of the absurd." This label describes the profoundly pessimistic world view of play- wrights whose work is frequently hilarious theatre, but who appear to despair at the futility and irrationality of life and the inevitability of death. -
Swiss National Library. 102Nd Annual Report 2015
Swiss National Library 102nd Annual Report 2015 Interactive artists‘ books: three-dimensional projections that visitors can manipulate using gestures, e.g. Dario Robbiani’s Design your cake and eat it too (1996). Architectural guided tour of the NL. The Gugelmann Galaxy: Mathias Bernhard drew on the Gugelmann Collection to create a heavenly galaxy that visitors can move around using a smartphone. Table of Contents Key Figures 2 Libraries are helping to shape the digital future 3 Main Events – a Selection 6 Notable Acquisitions 9 Monographs 9 Prints and Drawings Department 10 Swiss Literary Archives 11 Collection 13 “Viva” project 13 Acquisitions 13 Catalogues 13 Preservation and conservation 14 Digital Collection 14 User Services 15 Circulation 15 Information Retrieval 15 Outreach 15 Prints and Drawings Department 17 Artists’ books 17 Collection 17 User Services 17 Swiss Literary Archives 18 Collection 18 User Services 18 Centre Dürrenmatt Neuchâtel 19 Finances 20 Budget and Expenditures 2014/2015 20 Funding Requirement by Product 2013-2015 20 Commission and Management Board 21 Swiss National Library Commission 21 Management Board 21 Organization chart Swiss National Library 22 Thanks 24 Further tables with additional figures and information regarding this annual report can be found at http://www.nb.admin.ch/annual_report. 1 Key Figures 2014 2015 +/-% Swiss literary output Books published in Switzerland 12 711 12 208 -4.0% Non-commercial publications 6 034 5 550 -8.0% Collection Collections holdings: publications (in million units) 4.44 -
Succubations & Incubations
SUCCUBATIONS & INCUBATIONS SELECTED LETTERS O F ANTONIN ARTAUD (1945-1947) by ANTONIN ARTAUD 1 2 3 SUCCUBATIONS & INCUBATIONS SELECTED LETTERS O F ANTONIN ARTAUD (1945-1947) INFINITY LAND PRESS 4 SUCCUBATIONS & INCUBATIONS SELECTED LETTERS O F ANTONIN ARTAUD (1945-1947) Translated by Peter Valente & Cole Heinowitz with an introduction by Jay Murphy Artworks by INFINITY LAND PRESS 2020 Martin Bladh & Karolina Urbaniak www.infinitylandpress.com 978-1-9160091-4-1 All rights reserved. No part of this publication may be reproduced without the prior permission of Infinity Land Press Ltd. Book design by Karolina Urbaniak INFINITY LAND PRESS Antonin Artaud Photograph by Denise Colomb, 1947 CONTENTS Introduction Artaud’s Will by Jay Murphy Transtators’ Note Letters Translated by Peter Valente & Cole Heinowitz Biographies INTRODUCTION by Jay Murphy Artaud writes he “was never born,” and “will never die.“ But in this exact period of missives, collected and translated by Peter Valente and Cole Heinowitz, Artaud is also overwhelmingly aware that, at least in this form of life, that he has put in question from his earliest writings, he is about to die. So this is the penumbra cast over these ‘late letters.’ Often refused opiates in the asylum for intestinal pains Artaud complained of, the doctors thinking Artaud was merely gaming for drugs, these were likely the first symptoms of the rectal cancer Artaud developed. Not told of this eventual medical diagnosis, nevertheless Artaud realized an end was near. One of Artaud’s very closest confidants, one of his filles du coeur, naître, Paule Thévenin, claimed Artaud died when and likely how he wanted. -
Librarianship OCLC Research Serve and Advocate…Librarianship OCLC Research- VIAF
The Value Proposition – OCLC Global The Public Purpose Council Endeavors of OCLC April 20, 2010 Cathy De Rosa OCLC Global Vice President of Marketing Advocacy Awards Our Discussion • An overview a few of the current OCLC public purpose activities • A view of how these activities fit and support OCLC’s public purpose • A dialogue on the future direction and shape of your cooperative’s public purpose activities • Impact Services and Service ―When you combine advocacy, programs and services, you gain more traction against the problems you are trying to solve.‖ – Leslie Crutchfield, co-author Forces for Good: The Six Practices of High-Impact Nonprofits. OCLC’s Public Purpose promote the evolution of library OCLC is a worldwide library cooperative, owned, governed and sustained by membersuse, since 1967. of Ourlibraries public purpose themselves is a statement of commitment and to each other—that we will work together to improve access to the informationof heldlibrarianship… in libraries around the globe, and find ways to reduce costs for libraries through collaboration. Our public purpose is to establish, maintain and operate a computerized library…all network for andthe to promotefundamentalthe evolution ofpublic library use, purpose of libraries themselves and of librarianship, and to provide processes and products for theof benefit furthering of library users ease and libraries, of access including such to objectives and use as of increasingthe ever availability-expanding of library resources body to individual of worldwide library patrons and reducing the rate-of-rise of library per-unit costs, all for the fundamental publicscientific, purpose of furthering literary ease andof access educational to and use of the ever - expanding body of worldwide scientific, literary and educational knowledgeknowledge and information. -
35Th Annual General Conference 2006
!""# $ $% && 'M)* &!""# + ,, M- . M+ M- /- - + % 0 Contents Welcome from the President of LIBER 5 Welcome from Uppsala University Library 7 LIBER Executive Board 8 Conference Programme 9 Speakers’ profiles and abstracts 14 4 July 14 5 July 18 6 July 25 7 July 35 Library visits 36 Excursion 37 List of Participants by countries and institutions 38 List of Participants in alphabetical order 42 The list was compiled from the Participants’ information to the Conference registration system List of Sponsors 54 LIBER Conference – Uppsala 2006 3 Photographs by David Carr, BnF 15 Martin Cejie Front cover, 10, 36 Marcus Marcetic 36 Raf Turander 37 Tommy Westberg 11, 36 Pereric Öberg Back cover Production: Electronic Publishing Centre, Uppsala University Print: Universitetstryckeriet, Uppsala 2006 4 LIBER Conference – Uppsala 2006 Welcome from the President of LIBER As president of LIBER I am pleased to welcome colleagues from all over Europe to the 35th Annual General Conference in Uppsala. LIBER has, judging from the records, never met in Sweden, although a former vice president back in the 1980s, Thomas Tottie, was the director of Uppsala University Library. Thomas Tottie is now retired, but he is participating in our con- ference in this, his old library. I am particularly pleased to be able to welcome not only many familiar colleagues, but also many new members and partic- ipants from all over Europe. I also warmly welcome guests from other organisations, partners, and sponsors, who all support the work of LIBER in many different ways. The meeting place of this year is the oldest university in the Nordic countries, founded in 1477, just two years ahead of my own in Copenhagen. -
Documents (Pdf)
Documents_ 18.7 7/18/01 11:40 AM Page 212 Documents 1915 1918 Exhibition of Paintings by Cézanne, Van Gogh, Picasso, Tristan Tzara, 25 poèmes; H Arp, 10 gravures sur bois, Picabia, Braque, Desseignes, Rivera, New York, Zurich, 1918 ca. 1915/16 Flyer advertising an edition of 25 poems by Tristan Tzara Flyer with exhibition catalogue list with 10 wood engravings by Jean (Hans) Arp 1 p. (folded), 15.3x12 Illustrated, 1 p., 24x16 1916 Tristan Tzara lira de ses oeuvres et le Manifeste Dada, Autoren-Abend, Zurich, 14 July 1916 Zurich, 23 July 1918 Program for a Dada event in the Zunfthaus zur Waag Flyer announcing a soirée at Kouni & Co. Includes the 1 p., 23x29 above advertisement Illustrated, 2 pp., 24x16 Cangiullo futurista; Cafeconcerto; Alfabeto a sorpresa, Milan, August 1916 Program published by Edizioni futuriste di “Poesia,” Milan, for an event at Grand Eden – Teatro di Varietà in Naples Illustrated, 48 pp., 25.2x17.5 Pantomime futuriste di Francesco Cangiullo, Rome, 1916 Flyer advertising an event at the Club al Cantastorie 1 p., 35x50 Galerie Dada envelope, Zurich, 1916 1 p., 12x15 Stationary headed ”Mouvement Dada, Zurich,“ Zurich, ca. 1916 1 p., 14x22 Stationary headed ”Mouvement Dada, Zeltweg 83,“ Zurich, ca. 1916 Club Dada, Prospekt des Verlags Freie Strasse, Berlin, 1918 1 p., 12x15 Booklet with texts by Richard Huelsenbeck, Franz Jung, and Raoul Hausmann Mouvement Dada – Abonnement Liste, Zurich, ca. 1916 Illustrated, 16 pp., 27.1x20 Subscription form for Dada publications 1 p., 28x20.5 Centralamt der Dadaistischen Bewegung, Berlin, ca. 1918–19 1917 Stationary of Richard Huelsenbeck with heading of the Sturm Ausstellung, II Serie, Zurich, 14 April 1917 Dada Movement Central Office Catalogue of an exhibition at the Galerie Dada. -
The Healing Practices of Language: How Life Matters in Antonin Artaud’S Later Writings
The Healing Practices Of Language: How Life Matters In Antonin Artaud’s Later Writings Les Pratiques Guérisseuses Du Langage: Comment La Vie Se Manifeste Dans Les Derniers Écrits d’Antonin Artaud (avec un résumé en français) De Helende Werking Van Taal: Hoe Het Leven Zich Manifesteert In Het Latere Werk Van Antonin Artaud (met een samenvatting in het Nederlands) Proefschrift ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magnificus, prof.dr. H.R.B.M. Kummeling, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op woensdag 15 mei 2019 des middags te 12.45 uur door Joeri Visser geboren op 7 oktober 1986 te Rotterdam Promotor: Prof. dr. R. Braidotti Copromotor: Dr. R. Dolphijn [T]here is life to live / that is all / […] I want to live / I will never / again, under / any pretext / whatsoever / pretend / to live / I do not want to / simulate a feeling / I want to live it.i Antonin Artaud – Notebook 287, CI, p. 794 Life is not a stationary state – it is only worthy to the extent that it changes ii Antonin Artaud – Notebook 326, CI, p. 1433 “When I use a word,” Humpty Dumpty said in rather a scornful tone, “it means just what I choose it to mean – neither more nor less.” “The question is,” said Alice, “whether you can make words mean different things.” “The question is,” said Humpty Dumpty, “which is to be master – that’s all.” Lewis Carroll – Through the looking glass, p. 223 Acknowledgments On a sultry summer day, Alice was sitting with her sister on a riverbank while she got tired and bored of the book her sister was reading, for it had no pictures or conversations in it. -
A Webarchiválás Válogatott Bibliográfiája Összefoglalókkal
A webarchiválás válogatott bibliográfiája összefoglalókkal Szerkeszti: Németh Márton <[email protected]> Frissítés dátuma: 2018.09.11. Beinert, T. (2017). Webarchivierung an der Bayerischen Staatsbibliothek. (German). Web Archiving at the Bayerische Staatsbibliothek. (English) , 51 (6), 490. Retrieved from http://search.ebscohost.com/login.aspx?authtype=ip,cookie,cpid&custid=s6213251&gro upid=main&profile=eds The Bayerische Staatsbibliothek has been collecting and archiving websites dealing with regional studies and science since the year 2010. The article provides a survey of the collection and archiving profiles of the Bayerische Staatsbibliothek concerning websites, the legal basis, the workflow which has been developed as well as the registration and making available of websites in the archives. Finally, further perspectives for the future are presented. (English) [ABSTRACT FROM AUTHOR] Boruna, A. E., & Rahme, N. (2011). Arhivarea paginilor Web – ini ţiative relevante de păstrare a patrimoniului digital european. Biblioteca Nationala a Romaniei. Informare si Documentare , 4, 39–52,. Retrieved from https://search.proquest.com/docview/1443688144?accountid=27464 Brakker, N. V., & Kujbyshev, L. A. (2013). The Experience of the National Libraries Abroad of the Collection and Longterm Preservation of Internet Resources. Bibliotekovedenie [Library and Information Science (Russia)] , (2), 88–96. https://doi.org/10.25281/0869- 608X-2013-0-2-88-96 A review of National Libraries experience of WEB harvesting, archiving technologies and legal issues. The paper suggests an overlook of experience and experiments of National Libraries of Austria, Germany, China, Lithuania, the Netherlands, New Zeeland, Northway, Portugal, United Kingdom, USA, Finland, France, Czech Republic and Sweden. Buel, J. W. (2018). Assembling the Living Archive: A Media-Archaeological Excavation of Occupy Wall Street. -
WEB PRESENCE and STRUCTURE EVALUATION of the EUROPEAN NATIONAL LIBRARIES’ WEBSITES: a STUDY Monika Gupta Maharaja Agarsen P
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Library Philosophy and Practice (e-journal) Libraries at University of Nebraska-Lincoln 2017 WEB PRESENCE AND STRUCTURE EVALUATION OF THE EUROPEAN NATIONAL LIBRARIES’ WEBSITES: A STUDY Monika Gupta Maharaja Agarsen P. G. College for Women, Jhajjar, Haryana, [email protected] Paramjeet K. Walia Department of Library and Information Science, University of Delhi, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/libphilprac Part of the Library and Information Science Commons Gupta, Monika and Walia, Paramjeet K., "WEB PRESENCE AND STRUCTURE EVALUATION OF THE EUROPEAN NATIONAL LIBRARIES’ WEBSITES: A STUDY" (2017). Library Philosophy and Practice (e-journal). 1809. http://digitalcommons.unl.edu/libphilprac/1809 WEB PRESENCE AND STRUCTURE EVALUATION OF THE EUROPEAN NATIONAL LIBRARIES’ WEBSITES: A STUDY Dr. Monika Gupta Librarian Maharaja Agarsen Post-Graduate College for Women, Jhajjar Jhajjar- 124103 Haryana, India E-mail: [email protected] Mobile No: 8684031775 Prof. Paramjeet K. Walia Professor Department of Library and Information Science, University of Delhi. Delhi-110007 E-mail: [email protected] Mobile No: 9810767709 Abstract The purpose of this study is to evaluate European national libraries’ websites on the basis of webometrics. It also analyze the structure of the selected European national libraries’ websites on the basis of number of checkpoints. On the basis of number of web indicators such as number of webpages, in-links, rich content files, publications in Google Scholar and WISER, web presence of the selected European national libraries’ websites were examined. For collection of webometrics data Google search engine and Check PageRank tool were used. -
LIBER 36Th Annual General Conference 2007
LIGUE DES BIBLIOTHÈQUES EUROPÉENNES DE RECHERCHE LIBER 36th Annual General Conference 2007 European Integration: Conditions and Challenges for Libraries National Library Warsaw University Library Warsaw 3-7 July 2007 Programme Speakers Participants Warsaw 2007 LIGUE DES BIBLIOTHÈQUES EUROPÉENNES DE RECHERCHE LIBER Main Sponsors LIBER Sponsors LIBER Conference Partners III_korekta 6/21/07 9:18 AM Page 1 Contents Welcome from the President of LIBER ................................................................................. 3 Welcome from the Directors of the National Library and the Warsaw University Library .. 5 LIBER Executive Board......................................................................................................... 6 Conference Programe.............................................................................................................9 Library visits .......................................................................................................................... 16 Excursions .............................................................................................................................. 20 Speakers’ profiles and abstracts 3 July................................................................................................................................. 22 4 July................................................................................................................................. 27 5 July................................................................................................................................ -
The Theatre of the Absurd Author(S): Martin Esslin Source: the Tulane Drama Review, Vol
The Theatre of the Absurd Author(s): Martin Esslin Source: The Tulane Drama Review, Vol. 4, No. 4 (May, 1960), pp. 3-15 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/1124873 . Accessed: 20/11/2013 01:44 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The MIT Press is collaborating with JSTOR to digitize, preserve and extend access to The Tulane Drama Review. http://www.jstor.org This content downloaded from 180.149.52.49 on Wed, 20 Nov 2013 01:44:56 AM All use subject to JSTOR Terms and Conditions The Theatre of the Absurd By MARTIN ESSLIN The plays of Samuel Beckett,Arthur Adamov, and Eugene Ionesco have been performedwith astonishingsuccess in France,Germany, Scan- dinavia, and the English-speakingcountries. This reception is all the more puzzling when one considersthat the audiences concerned were amused by and applauded these plays fullyaware that they could not understandwhat theymeant or what theirauthors were drivingat. At firstsight these plays do, indeed, confronttheir public with a be- wilderingexperience, a veritablebarrage of wildlyirrational, often non- sensical goings-onthat seem to go counter to all accepted standardsof stage convention.In these plays,some of which are labeled "anti-plays," neitherthe timenor the place of the action are everclearly stated.