A Companion to Nietzsche
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This Won't Hurt
24 PHILOSOPHY tongue was bound with a leather gag – all of the What lies ahead philosophers whom Bradatan considers to have “performed” exemplary deaths exercise complete control and mastery in their last moments: they die walking, talking, laughing he story is as old as philosophy itself. WILL REES Giordano Bruno and Jan Patocka: “martyr- and mocking the authorities that execute them. Socrates, found guilty of impiety and philosophers” who did not simply have ideas They remain themselves right to the end, dying Tof corrupting the youth, is sentenced to Costica Bradatan about death, but who died for ideas. “Once the deaths that are uniquely theirs. Doesn’t the death by an Athenian court. Given the chance body has come into play . everything appeal of this belie a certain anxiety, a fear of DYING FOR IDEAS to save himself, he refuses. In his Phaedo, The dangerous lives of the philosophers changes. Now death can no longer be a ‘topic’, the loss of control and self that more com- Plato explains how, just a few hours before 272pp. Bloomsbury. £19.99 (US $34.95). there cannot be anything abstract about it.” monly awaits us at the end of life? drinking the hemlock that kills him, Socrates 978 1 4725 2551 2 Regardless of their philosophical colours, After all, most of us do not face deaths such proffers a novel redefinition of the philoso- these thinkers are the ultimate empiricists, as these; indeed, for most of us death will not pher: those who practise philosophy do so using their bodies as laboratories in which to be a “performance” at all. -
Nietzsche and Psychedelics – Peter Sjöstedt-H –
Antichrist Psychonaut: Nietzsche and Psychedelics – Peter Sjöstedt-H – ‘… And close your eyes with holy dread, For he on honey-dew hath fed, And drunk the milk of Paradise.’ So ends the famous fragment of Kubla Khan by the Romantic poet, Samuel Taylor Coleridge. He tells us that the poem was an immediate transcription of an opium-induced dream he experienced in 1797. As is known, the Romantic poets and their kin were inspired by the use of psychoactive substances such as opium, the old world’s common pain reliever. Pain elimination is its negative advantage, but its positive attribute lies in the psychedelic (‘mind- revealing’)1 state it can engender – a state described no better than by the original English opium eater himself, Thomas De Quincey: O just and righteous opium! … thou bildest upon the bosom of darkness, out of the fantastic imagery of the brain, cities and temples, beyond the art of Phidias and Praxiteles – beyond the splendours of Babylon and Hekatómpylos; and, “from the anarchy of dreaming sleep,” callest into sunny light the faces of long-buried beauties … thou hast the keys of Paradise, O just, subtle, and mighty opium!2 Two decades following the publication of these words the First Opium War commences (1839) in which China is martially punished for trying to hinder the British trade of opium to the Chinese people. Though opium, derived from the innocent garden poppy Papavar somniferum, may cradle the keys to Paradise it also clutches the keys to Perdition: its addictive thus potentially ruinous nature is commonly known. Today, partly for these reasons, opiates are mostly illegal without license – stringently so in their most potent forms of morphine and heroin. -
The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W
DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 8-2012 The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno Joseph Weiss DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Weiss, Joseph, "The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno" (2012). College of Liberal Arts & Social Sciences Theses and Dissertations. 125. https://via.library.depaul.edu/etd/125 This Dissertation is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W. Adorno A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy October, 2011 By Joseph Weiss Department of Philosophy College of Liberal Arts and Sciences DePaul University Chicago, Illinois 2 ABSTRACT Joseph Weiss Title: The Idea of Mimesis: Semblance, Play and Critique in the Works of Walter Benjamin and Theodor W. Adorno Critical Theory demands that its forms of critique express resistance to the socially necessary illusions of a given historical period. Yet theorists have seldom discussed just how much it is the case that, for Walter Benjamin and Theodor W. -
Downloaded on 2019-04-30T23:22:44Z
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Cork Open Research Archive UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Towards a comparative process thought: from Nietzsche to ancient Chinese philosophy Author(s) Burke, Ruud Thomas Publication date 2019 Original citation Burke, R. T. 2019. Towards a comparative process thought: from Nietzsche to ancient Chinese philosophy. PhD Thesis, University College Cork. Type of publication Doctoral thesis Rights © 2019, Ruud Thomas Burke. http://creativecommons.org/licenses/by-nc-nd/3.0/ Embargo information Not applicable Item downloaded http://hdl.handle.net/10468/7783 from Downloaded on 2019-04-30T23:22:44Z Towards a Comparative Process Thought: From Nietzsche to Ancient Chinese Philosophy Thesis presented by Ruud Thomas Burke, BA, MA For the degree of Doctor of Philosophy Supervisors: Dr. Jason Dockstader, Dr. Gerald Cipriani Head of Department of Philosophy: Prof. Don Ross Department of Philosophy Faculty of Arts National University of Ireland, Cork February 2019 1 Abstract The objective of this research project is to develop a preliminary examination of an heuristic process ontology derived from an east-west comparative methodology. It attempts to trace the similarities and discontinuities of an ontological perspective in Friedrich Nietzsche‘s philosophy and several different strands of thought in Warring States era Chinese philosophical thought, focusing on Daoism in particular. The project traces the conclusions of these comparisons from a basic theoretical ontology to a socio-practical consideration. It concludes that in theorizing process both perspectives do not rely on traditional dichotomies that are seen in Western philosophical thought, they see the world as non-deterministic and utilize correlative thinking. -
The Road to Freedom? | by Tim Parks | the New York Review of Books
3/6/2017 The Road to Freedom? | by Tim Parks | The New York Review of Books The Road to Freedom? Tim Parks JANUARY 14, 2016 ISSUE Memory Theater by Simon Critchley Other Press, 101 pp., $15.95 Suicide by Simon Critchley Thought Catalog, 88 pp., $2.99 (ebook) In Samuel Beckett’s novel Malone Dies the eponymous hero becomes obsessed with the idea of reciting a complete inventory of his worldly goods in the few moments preceding his death: a unique occasion, he feels, for producing “something suspiciously like a true statement at last.” Needless to say, despite Malone’s enjoying very few possessions, the reader understands at once that this last desperate bid for control will be beyond him. The world will not stay still, his memory is failing, and the moment of death, or rather the last moments of lucidity in which an inventory might be recited, are impossible to predict. In Memory Theater, Simon Critchley’s hero, who would Simon Critchley, Tilburg, the Netherlands, 2012 appear to be a fictional Simon Critchley, in that he shares the same curriculum vitae and publications as Critchley, has a more extravagant but related ambition: in the hours immediately preceding his demise he will embark on a virtuoso recall not only of his own life but of all the philosophy and history he has ever known. At the instant of my death, I would have recalled the totality of my knowledge. At the moment of termination, I would become Godlike, transfigured, radiant, perfectly selfsufficient, alpha and omega. Critchley’s delirious alter ego has more energy than Malone and with the aid of a “memory theater,” an elaborate prompting mechanism, appears to have achieved his end, at least so far as the recall is concerned, only to discover that he is not going to die when expected. -
Nietzsche and Eternal Recurrence: Methods, Archives, History, and Genesis
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School April 2021 Nietzsche and Eternal Recurrence: Methods, Archives, History, and Genesis William A. B. Parkhurst University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Philosophy Commons Scholar Commons Citation Parkhurst, William A. B., "Nietzsche and Eternal Recurrence: Methods, Archives, History, and Genesis" (2021). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/8839 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Nietzsche and Eternal Recurrence: Methods, Archives, History, and Genesis by William A. B. Parkhurst A dissertation submitted in partial fulfillment of the requirement for the Doctor of Philosophy in Philosophy Department of Philosophy College of Arts and Sciences University of South Florida Major Professor: Joshua Rayman, Ph.D. Lee Braver, Ph.D. Vanessa Lemm, Ph.D. Alex Levine, Ph.D. Date of Approval: February 16th, 2021 Keywords: Fredrich Nietzsche, Eternal Recurrence, History of Philosophy, Continental Philosophy Copyright © 2021, William A. B. Parkhurst Dedication I dedicate this dissertation to my mother, Carol Hyatt Parkhurst (RIP), who always believed in my education even when I did not. I am also deeply grateful for the support of my father, Peter Parkhurst, whose support in varying avenues of life was unwavering. I am also deeply grateful to April Dawn Smith. It was only with her help wandering around library basements that I first found genetic forms of diplomatic transcription. -
Nietzsche's “Gay” Science
Fordham University Masthead Logo DigitalResearch@Fordham Articles and Chapters in Academic Book Philosophy Collections 2006 Nietzsche’s “Gay” Science Babette Babich Fordham University, [email protected] Follow this and additional works at: https://fordham.bepress.com/phil_babich Part of the Classical Literature and Philology Commons, Continental Philosophy Commons, Esthetics Commons, German Language and Literature Commons, Medieval History Commons, Musicology Commons, Other French and Francophone Language and Literature Commons, Philosophy of Science Commons, and the Rhetoric and Composition Commons Recommended Citation Babich, Babette, "Nietzsche’s “Gay” Science" (2006). Articles and Chapters in Academic Book Collections. 18. https://fordham.bepress.com/phil_babich/18 This Article is brought to you for free and open access by the Philosophy at DigitalResearch@Fordham. It has been accepted for inclusion in Articles and Chapters in Academic Book Collections by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. A Companion to Nietzsche Edited by Keith Ansell Pearson Copyright © 2006nietzsche by Blackwell’s “gay Publishing” science Ltd 6 Nietzsche’s “Gay” Science BABETTE E. BABICH Nietzsche’s conception of a gay science is alluringly seductive, comic, and light – and accordingly many readers have celebrated it as the art of laughter. And, to be sure, the first edition of The Gay Science began with a teasing series of light, joking rhymes.1 Taking this teasing further, the 1887 title page replaces the 1882 epigraph from Emerson with a gently unserious rhyme, adding a fifth book and finishing it off with an additional cycle of songs – Songs of Prince Vogelfrei2 – invoking at once the knightly as well as the chastely3 erotic character of the troubadour (and recurring in the arch allusions of Nietzsche’s Ecce Homo). -
Impossible Objects: Interviews by Simon Critchley, Carl Cederström and Todd Kesselman Cambridge: Polity, 2012 (ISBN: 978-0745653211)
Impossible Objects: Interviews by Simon Critchley, Carl Cederström and Todd Kesselman Cambridge: Polity, 2012 (ISBN: 978-0745653211). 180pp. Richard Mailey (University of Glasgow) English philosopher Simon Critchley made his name as an expert on the so-called deconstructive tradition; his new book – the aptly-titled, Impossible Objects – shows how deep these roots run. The book is a collection of interviews spanning Critchley’s career, and it is therefore fitting that Carl Cederström and Todd Kesselman should use their editorial introduction to reflect on the powerlessness of the philosopher as interviewee – a powerlessness which lays all of his best plans to waste before the brute immediacy of live communication. By a very Freudian turn, Cederström and Kesselman take this as a major plus point; the interview is not a theoretical supplement they claim, but an unparalleled chance to catch the philosopher in his natural environment, to see him squirm and stress and stutter under the weight of his contemplative obligation. I could hardly agree more: if the text of Impossible Objects teaches us anything at all, it is surely that the good, thoughtful philosopher will and should always feel the pressure of the interview format. This is how Derrida, who Critchley admiringly and crucially refers to as ‘the philosopher’ (p.59), would perhaps have seen it: there is never enough time or knowledge to justify the philosopher’s speech; and yet, he is always being asked, by the very definition of his position, to stand up and speak. Impossible Objects can surely be well-read as a demonstration of this paradox. -
What Is a Philosopher? Excerpt
What Is a Philosopher? By SIMON CRITCHLEY Socrates tells the story of Thales, who was by some accounts the first philosopher. He was looking so intently at the stars that he fell into a well. Some witty Thracian servant girl is said to have made a joke at Thales’ expense — that in his eagerness to know what went on in the sky he was unaware of the things in front of him and at his feet. Socrates adds “The same jest suffices for all those who engage in philosophy.” What is a philosopher, then? The answer is clear: a laughing stock. But as always with Plato, things are not necessarily as they first appear, and Socrates is the greatest of ironists. First, we should recall that Thales believed that water was the universal substance out of which all things were composed. Water was Thales’ philosophers’ stone, as it were. Therefore, by falling into a well, he inadvertently presses his basic philosophical claim. But there is a deeper and more troubling layer of irony here that I would like to peel off more slowly. Socrates introduces the “digression” by making a distinction between the philosopher and the lawyer.” The lawyer is compelled to present a case in court and time is of the essence. By contrast, we might say, the philosopher is the person who has time or who takes time. Theodorus, Socrates’ interlocutor, introduces the “digression” with the words, “Aren’t we at leisure, Socrates?” The latter’s response is interesting. He says, “It appears we are.” As we know, in philosophy appearances can be deceptive. -
9781469658254 WEB.Pdf
Literary Paternity, Literary Friendship From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. Literary Paternity, Literary Friendship Essays in Honor of Stanley Corngold edited by gerhard richter UNC Studies in the Germanic Languages and Literatures Number 125 Copyright © 2002 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Richter, Gerhard. Literary Paternity, Liter- ary Friendship: Essays in Honor of Stanley Corngold. Chapel Hill: University of North Carolina Press, 2002. doi: https://doi.org/ 10.5149/9780807861417_Richter Library of Congress Cataloging-in-Publication Data Names: Richter, Gerhard, editor. Title: Literary paternity, literary friendship : essays in honor of Stanley Corngold / edited by Gerhard Richter. Other titles: University of North Carolina studies in the Germanic languages and literatures ; no. 125. Description: Chapel Hill : University of North Carolina Press, [2002] Series: University of North Carolina studies in the Germanic languages and literatures | Includes bibliographical references. Identifiers: lccn 2001057825 | isbn 978-1-4696-5824-7 (pbk: alk. paper) | isbn 978-1-4696-5825-4 (ebook) Subjects: German literature — History and criticism. -
Kant, Nietzsche and the Idealization of Friendship Into Nihilism 1
KANT, NIETZSCHE AND THE IDEALIZATION OF FRIENDSHIP INTO NIHILISM 1 Paul van Tongeren* [email protected] RESUMO A amizade ainda é possível em condições niilistas? Kant e Nietzsche são fases importantes na história da idealização de amizade, o que inevitavelmente conduz ao problema do niilismo. O próprio Nietzsche afirma que, por um lado, apenas algo como a amizade pode nos salvar em nossa condição niilista mas que, por outro, precisamente a amizade foi desmascarada e se tornou impossível baseada nas mesmas condições. Parece que estamos presos no paradoxo niilista de não nos ser permitido acreditar na possibilidade do que não podemos prescindir. A imaginação literária, desde o século XIX, parece nos tornar ainda mais céticos. Talvez Beckett forneça uma ilustração de uma maneira que se adapta bem à afirmação de Nietzsche de que apenas “os mais moderados, aqueles que não necessitam de quaisquer artigos extremos de fé”, serão capazes de lidar com o niilismo. Palavras-chave Amizade, niilismo, Kant, Nietzsche. ABSTRACT Is friendship still possible under nihilistic conditions? Kant and Nietzsche are important stages in the history of the idealization of friendship, which leads inevitably to the problem of nihilism. Nietzsche himself claims on the one hand that only something like friendship can save * Professor at the Radboud Universiteit Nijmegen (NL) and at the KU Leuven (B). Artigo recebido em 12/07/2013 e aprovado em 10/11/2013. 1 Slightly different versions of this text have been published in Dutch as ‘Vriendschap en nihilisme’ in: Tijdschrift voor Filosofie 75(2013), 5-23 as well as in English, as “Friendship and Nihilism”. -
Nietzsche: from Nazi Icon to Leftist Idol Ted Sadler
Nietzsche: From Nazi Icon to Leftist Idol Ted Sadler In October 1888, a few months before his mental collapse, Friedrich Nietzsche wrote in his autobiography the famous line ‘I am not a man – I am dynamite’. He had been talking in this vein for some time, especially in letters, but in the last months of his sanity he became possessed by the idea that he was a ‘man of destiny’ who with his message of the Death of God would soon ‘break history into two halves’ and ‘change the calendar’. Between 1883 and 1885 he had put out his proclamation to the world, Thus Spake Zarathustra, telling of a new utterly transformative anti-theistic religion. Nietzsche was convinced that he himself, meaning not just his teaching but his person, held the key to any positive prospects for the human race: thus he entitled his autobiography ‘Ecce Homo’, these being the words with which, in the Latin version of the Gospel of John, Pontius Pilate presents Jesus to the crowd: ‘Behold the Man!’ Already by the mid-1890’s there was a Nietzsche-cult in Germany, by the time of his death in 1900 he was world-famous, during the First World War the German military authorities issued a special army printing of Thus Spake Zarathustra for atheistic soldiers, while during and after the war many people in France, England, and the United States blamed Nietzsche for it. From the beginning Nietzsche was embraced from all positions on the ideological-political spectrum: anarchists, Social Darwinists, Protestant clergymen, theosophists, mystics, feminists, anti-feminists, nationalists, internationalists, anti-Semites and anti-anti-Semites.