DOCSLIB.ORG

Uttarakhand Subordinate Service Selection Commission

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Uttarakhand Subordinate Service Selection Commission UTTARAKHAND SUBORDINATE SERVICE SELECTION COMMISSION General Merit List of Candidates having qualified marks in written exam held on Dec 21,2020 to Dec 23,2020 in dksM& 646@343-1@23@2020 in uke& i'kq/ku izlkj vf/kdkjh ¼85 izfr'kr lh/kh HkrhZ gsrq½ S.No.Roll No Name / Father's Name Gender Cate. Sub Normalized Cate. Marks 1 151203013320 MANISHA JAYADA D/O Mr. SATYE SINGH JAYADA FEMALE GEN NA 76.83848 2 152803030547 ANIL NAUTIYAL S/O Mr. KANHEYA PRASAD NAUTIYAL MALE OBC NA 75.97314 3 170403051252 DEEPAK SINGH MER S/O Mr. MOHAN SINGH MER MALE GEN NA 74.82464 4 161203021123 VISHAKHA CHOUDHARY D/O Mr. RISHIPAL SINGH FEMALE OBC NA 72.81044 5 161203060224 MOHD IRFAN S/O Mr. JUMMA MALE OBC NA 70.24970 6 151503040359 ARCHANA NEGI D/O Mr. RAGHUVIR SINGH NEGI FEMALE GEN NA 70.23807 7 152603040793 SHIVANSHI NAITHANI D/O Mr. RAKESH NAITHANI FEMALE GEN NA 70.23807 8 170303061528 KISHOR CHANDRA BHATT S/O Mr. DHARMANAND BHATT MALE GEN NA 70.01697 9 152703023177 KM MANISHA D/O Mr. KUSHLA NAND KOTHIYAL FEMALE GEN NA 69.97586 10 170403041444 ANUBHAVIYA BISHT D/O Mr. GOPAL SINGH BISHT FEMALE GEN NA 69.92386 11 150803041030 VINAY KUMAR SINGH S/O Mr. PUSHKAR SINGH RANA MALE GEN NA 68.66702 12 130103061930 PRATIBHA PANWAR D/O Mr. SOHAN SINGH PANWAR FEMALE GEN NA 68.62063 13 152603050820 SHOBHIT BHARTI S/O Mr. SUDHIR KUMAR BHARTI MALE SC NA 68.37409 14 170503041556 VARSHA ROUTHAN D/O Mr. BIKRAM SINGH ROUTHAN FEMALE GEN NA 67.72438 15 170403041348 NEHA Palariya D/O Mr. HARISH PALARIYA FEMALE GEN NA 67.72438 16 150603022820 DEEPSHIKHA BHATT D/O Mr. DEVENDRA BHATT FEMALE GEN NA 67.61370 17 170303023657 AMIT PANDEY S/O Mr. PURAN CHANDRA PANDEY MALE GEN NA 67.61370 18 152703043227 Akansha Panwar D/O Mr. JODH SINGH FEMALE OBC NA 67.41017 19 160503012669 VINIT SHARMA S/O Mr. SATYA PRAKASH MALE GEN NA 67.27138 20 161203031124 KAJAL CHAUHAN D/O Mr. PRADEEP KUMAR FEMALE GEN NA 67.21343 21 151203033237 PRACHI PUROHIT D/O Mr. GIRISH CHANDRA PUROHIT FEMALE GEN NA 67.21343 22 151703050025 PRACHI UNIYAL D/O Mr. VISHNU PRASAD UNIYAL FEMALE GEN EWS 67.20127 23 170203043775 TRIBHUWAN SINGH S/O Mr. JAGAT SINGH MALE OBC NA 67.09596 24 170403041297 NEHA YADAV D/O Mr. MAHENDRA SINGH YADAV FEMALE OBC NA 66.78175 25 161303042094 SANDEEP KUMAR GAUR S/O Mr. JANARDHAN PRASAD GAUR MALE GEN NA 66.78175 26 153003040984 RAJBEER SINGH S/O Mr. RANBEER SINGH NEGI MALE GEN NA 66.78175 27 151703040001 JYOTI CHAMOLI D/O Mr. AJAY CHAMOLI FEMALE OBC NA 66.78175 28 170203043697 SIMRAN SISODIYA D/O Mr. NARESH SINGH SISODIYA FEMALE GEN NA 66.46754 29 170403011344 MANISHA KAPRI D/O Mr. JAGDISH CHANDRA KAPRI FEMALE GEN NA 66.04483 30 152603050699 MANOJ SINGH S/O Mr. PRATAP SINGH MALE GEN NA 66.02844 UTTARAKHAND SUBORDINATE SERVICE SELECTION COMMISSION General Merit List of Candidates having qualified marks in written exam held on Dec 21,2020 to Dec 23,2020 in dksM& 646@343-1@23@2020 in uke& i'kq/ku izlkj vf/kdkjh ¼85 izfr'kr lh/kh HkrhZ gsrq½ S.No.Roll No Name / Father's Name Gender Cate. Sub Normalized Cate. Marks 31 150603042807 SANA NABEEL D/O Mr. NABEEL AHMED FEMALE GEN NA 65.83912 32 152703043021 RAHUL NEGI S/O Mr. DEERGH PAL SINGH NEGI MALE OBC NA 65.83912 33 161403054023 KAMAL KISHOR JOSHI S/O Mr. TRIBHUWAN PRASAD JOSHI MALE GEN NA 65.73523 34 160603042411 PRASHANT MAHARA S/O Mr. RATAN SINGH MAHARA MALE GEN NA 65.52491 35 152703043055 AYODHYA PRASAD S/O Mr. BRIJMOHAN MALE GEN NA 65.21070 36 151203043271 MONIKA KHARKWAL D/O Mr. KS KHARKWAL FEMALE GEN NA 65.21070 37 152603050829 AADITYA THAPLIYAL S/O Mr. B K THAPLIYAL MALE GEN NA 65.14882 38 170403031282 HINA KAUSAR D/O Mr. BARKAT ALI FEMALE OBC NA 65.02350 39 151603041857 KRITI SEMWAL D/O Mr. VIPIN SEMWAL FEMALE GEN NA 64.89649 40 170303053523 VARSHA JOSHI D/O Mr. MADAN MOHAN JOSHI FEMALE GEN NA 64.85561 41 151203043261 SONAM TRIVEDI D/O Mr. RAMA NAND TRIVEDI FEMALE GEN NA 64.58227 42 160503052605 ROHIT SINGH BOHRA S/O Mr. RAMESH SINGH BOHRA MALE GEN NA 64.26920 43 170303053511 SONI KARKI D/O Mr. DEVENDRA SINGH FEMALE GEN NA 64.26920 44 152603030742 JAYVEER SINGH RAWAT S/O Mr. MER SINGH RAWAT MALE GEN NA 64.05020 45 152803040389 NARESH KUMAR S/O Mr. JAGDISH CHAND MALE GEN NA 63.63964 46 160503042730 NEERAJ SINGH MEWARI S/O Mr. BHAWAN SINGH MEWARI MALE GEN NA 63.63964 47 161403023986 PRATAP SINGH TAKULI S/O Mr. PRAVEEN SINGH TAKULI MALE GEN NA 63.59804 48 160303043802 VIBHA SAINI D/O Mr. RAJ KUMAR SAINI FEMALE OBC NA 63.32543 49 161203060273 ABHISHEK PARMAR S/O Mr. SATENDRA PARMAR MALE OBC NA 63.03526 50 160603022404 KAMLESH KUMAR JOSHI S/O Mr. SHAMBHU DATT JOSHI MALE GEN NA 62.88939 51 152703033165 SHASHANK HATWAL S/O Mr. PRAKASH CHANDRA HATWAL MALE OBC NA 62.83357 52 152903052073 SUNITA D/O Mr. KUNWAR SINGH FEMALE GEN EWS 62.80317 53 152603040596 DEEPAK NAUTIYAL S/O Mr. ANIL KUMAR MALE GEN NA 62.69701 54 150603032829 JYOTI GHILDIYAL D/O Mr. GIRISH CHAND GHILDIYAL FEMALE GEN NA 62.59025 55 151803032911 BALKRISHNA S/O Mr. RAJENDRA PRASAD MALE OBC NA 62.34692 56 170303053508 GUNJAN SHARMA D/O Mr. GIRISH CHANDRA SHARMA FEMALE GEN NA 62.21676 57 170303033488 DARSHAN BORA S/O Mr. BALWANT SINGH BORA MALE GEN NA 62.10360 58 130103044186 KM ANITA S/O Mr. DARSHAN SINGH FEMALE GEN NA 62.06859 59 161203041188 ROHIT S/O Mr. SURENDER SINGH MALE GEN NA 62.06859 60 170403041508 SWAPNIL BISHT S/O Mr. GIRISH CHANDRA SINGH BISHT FEMALE GEN NA 62.06859 UTTARAKHAND SUBORDINATE SERVICE SELECTION COMMISSION General Merit List of Candidates having qualified marks in written exam held on Dec 21,2020 to Dec 23,2020 in dksM& 646@343-1@23@2020 in uke& i'kq/ku izlkj vf/kdkjh ¼85 izfr'kr lh/kh HkrhZ gsrq½ S.No.Roll No Name / Father's Name Gender Cate. Sub Normalized Cate. Marks 61 151503040259 MAHENDRA SINGH NEGI S/O Mr. LAYVEER SINGH NEGI MALE OBC NA 62.06859 62 170203023784 VIDHI MEHRA S/O Mr. PUSHKAR SINGH MEHRA FEMALE GEN NA 61.94453 63 152603050834 SUSHIL PRASAD RATURI S/O Mr. SHIV PRASAD RATURI MALE OBC NA 61.92355 64 170403011333 BABITA KARKI S/O Mr. VIRENDRA SINGH KARKI FEMALE GEN NA 61.87455 65 152903031933 APARNA TOMAR S/O Mr. GOVIND SINGH TOMAR FEMALE GEN NA 61.86027 66 160603042375 ANKIT KUMAR S/O Mr. KARAN PAL MALE OBC NA 61.75438 67 170403021529 KIRAN BHATT D/O Mr. PURNANAND BHATT FEMALE OBC NA 61.70832 68 161403054073 MAMTA TIWARI S/O Mr. KESHAV DUTT TIWARI FEMALE GEN NA 61.63034 69 161303042091 PAYAL SAINI D/O Mr. PAPPU SAINI FEMALE OBC NA 61.44017 70 170403041286 SACHIN SINGH PANWAR S/O Mr. SOBAN SINGH PANWAR MALE GEN NA 61.12595 71 152603020680 LAXMAN SINGH RAWAT S/O Mr. BALBIR SINGH MALE OBC NA 60.99967 72 151503030261 PRERNA SUNDRIYAL S/O Mr. D P SUNDRIYAL FEMALE GEN NA 60.64365 73 151203023308 PRIYANKA S/O Mr. VIRENDRA DUTT GAIROLA FEMALE GEN NA 60.52724 74 161303042260 LALIT MOHAN S/O Mr. PURAN CHANDRA MALE GEN NA 60.49753 75 151203043368 SANJAY KOTHARI S/O Mr. KIRTI RAM KOTHARI MALE GEN NA 60.49753 76 170303061632 SUSHMITA RAWAT S/O Mr. KUNDAN SINGH RAWAT FEMALE GEN NA 60.47530 77 160503052679 RAVI PATWAL S/O Mr. DHIRENDRA SINGH PATWAL MALE GEN NA 60.16431 78 152903012082 DIGVIJAY SINGH NEGI S/O Mr. DEVENDRA SINGH NEGI MALE OBC NA 60.15738 79 170503060669 HIMANI DHOUNDIYAL S/O Mr. YASHWANT SINGH DHOUNDIYAL FEMALE GEN NA 60.00985 80 151803033009 RICHA DHYANI D/O Mr. SHRIDHAR PRASAD DHYANI FEMALE GEN EWS 59.91367 81 160503052606 PRAKASH CHANDRA S/O Mr. BHUWAN CHANDRA MALE GEN NA 59.87110 82 152603030555 KUSUM LINGWAL D/O Mr. BHARAT SINGH LINGWAL FEMALE OBC NA 59.67034 83 160503032723 PRADEEP YADAV S/O Mr. SUDARSHAN YADAV MALE OBC NA 59.67034 84 170203043800 KIRAN DHAMI D/O Mr. KEDAR SINGH FEMALE OBC NA 59.55490 85 130103044144 BHAVNA D/O Mr. RAJENDRA LAL SHAH FEMALE GEN EWS 59.55490 86 152703033200 PRIYANKA TRIVEDI S/O Mr. RAMANAND TRIVEDI FEMALE GEN NA 59.42702 87 151703030047 RAJAN SINGH GUSAIN S/O Mr. LOKENDRA SINGH GUSAIN MALE GEN EWS 59.42702 88 170303033490 RAKESH SINGH BHANDARI S/O Mr. DEEWAN SINGH MALE GEN NA 59.42702 89 170403011319 SNEHA JOSHI S/O Mr. GAURI DUTT JOSHI FEMALE GEN NA 59.42145 90 152603010780 ANKIT PRASAD S/O Mr. BAMDEV PRASAD THAPLIYAL MALE GEN EWS 59.42145 UTTARAKHAND SUBORDINATE SERVICE SELECTION COMMISSION General Merit List of Candidates having qualified marks in written exam held on Dec 21,2020 to Dec 23,2020 in dksM& 646@343-1@23@2020 in uke& i'kq/ku izlkj vf/kdkjh ¼85 izfr'kr lh/kh HkrhZ gsrq½ S.No.Roll No Name / Father's Name Gender Cate. Sub Normalized Cate. Marks 91 151203023363 NEELAM KURMANCHALAI S/O Mr. VISHANUKANT KURMANCHALI FEMALE GEN NA 59.34616 92 160203022438 ANKIT KUMAR S/O Mr. RAJ KUMAR MALE OBC NA 59.34616 93 130103054162 RASHMI BISHT S/O Mr.
Load more

Recommended publications
  • Khamoshiyan Now on Home Video by : INVC Team Published on : 9 Apr, 2015 12:00 AM IST
    Khamoshiyan now on Home Video By : INVC Team Published On : 9 Apr, 2015 12:00 AM IST INVC NEWS Mumbai, Horror, drama, melodies, beauty, “Khamoshiyan” has it all. Recently released, the movie features Sapna Pabbi, Gurmeet Chaudhary and Ali Fazal. Shemaroo Entertainment now releases “Khamoshiyan” on Home Video. The film is directed by Karan Darra and produced by Mahesh Bhatt and Mukesh Bhatt in association with Vishesh Films. A young novelist KABIR (Ali Fazal) is a one-book wonder. He is on an inspirational journey to find himself and to write his book. He meets a young and beautiful lady MEERA (Sapna Pabbi) who runs the isolated guest-house which he finds eerie. Meera is married to the owner of this guest-house JAIDEV (Gurmeet Choudhary) who was once a rich paper mill owner, he had disguised himself as a charming man but is a controlling demon within. Kabir begins to encounter unusual things and discover secrets about the house and Meera. But Meera is evasive about these suspicious incidents that are taking place, which if Kabir finds out, would threaten to destroy her. The more Kabir interacts with Meera about these strange incidents the more he gets drawn towards her. What are the secrets that are hidden in her silences? Khamoshiyan is a horror movie with melodious music tracks and serves as perfect bollywood weekend dose!! URL : https://www.internationalnewsandviews.com/khamoshiyan-now-on-home-video/ 12th year of news and views excellency Committed to truth and impartiality Copyright © 2009 - 2019 International News and Views Corporation. All rights reserved.
    [Show full text]
  • Kasoor Hindi Full Movie 2001 Hd 1080P
    Kasoor Hindi Full Movie 2001 Hd 1080p Kasoor Hindi Full Movie 2001 Hd 1080p 1 / 3 2 / 3 Kasoor 1080p Full HD Hindi Movie | New Hindi Movie 2020 | Latest Movie | New Bollywood Movie 2020. Hindi Movie. Hindi Movie.. Kitna Bechain Hoke Kasoor 2001 HD 1080p BluRay Music Video ... Kasoor (2001) Hindi Watch Full Movie Online HD Download Free, Watch .... Movie :- KASOOR 2001 PRODUCER :- Mukesh Bhatt DIRECTOR ... SUBSCRIBE for the best Bollywood videos, movies and scenes, all in ONE channel ... Salman Khan Latest Hindi Full Movie | Kareena Kapoor, Nawazuddin Siddiqui, Kabir Khan ... In Time 2011 Film Hd Justin Timberlake, Amanda Seyfried.. 2012/01/04 · Kitna Bechain Hoke Kasoor 2001 HD 1080p BluRay Music Video ... Download Kasoor 2001 Full Hindi Movie Hd Song Mp3. We don't upload .... Kasoor 2001 hindi 720p dvdrip 1.1gb world4ufree.ws , hindi movie kasoor 2001 . ... Laste Dil Ka Kya Kasoor HDTV 1080p/720p/480p. ... Dil Ka Kya Kasoor 1992 | Full Hd Hindi Movie | Prithvi, Divya Sanam B R C HD MOVIES ... ... hd 1080p kasoor movie hindi kasoor movie song kasoor mp3 kasoor movie actress images kasoor kitni bechain hoke kasoor full movie .... Kasoor is a 2001 Hindi-language Drama Mystery motion picture written by Mahesh Bhatt and Girish Dhamija. ... Full movie is streaming online in HD on iTunes.. Dil Mera Tod Diya Usne HD 720p (Remaster Audio) - Kasoor 2001 Hindi Movie ... Murder 3 1080p Full HD Hindi Movie New Hindi Movie Randeep Hooda .... Kasoor 2001 Full Movie HD(With Eng Subtitles) 7.6. By Ursula Onions. Dil Ka Kya Kasoor (1992) Hindi Full Length Movie | Prithvi, Divya Bharti, Sanam | Hindi Movies ..
    [Show full text]
  • Girl Rising India
    GIRL RISING INDIA Building a Movement for Girls Through Powerful Storytelling Girl Rising uses the power of storytelling to inspire, shift attitudes and change behavior. In India, Girl Rising’s powerful media tools have made meaningful strides towards increasing the agency of girls and women, and inspiring community members to support the movement for gender equality. Girl Rising Film Comes To India After a close consultation with Prime Minister Narendra Modi and a partnership with the Ministry of Women and Child Development, the Girl Rising film was launched in India in August 2015 as Woh Padhegi, Woh Udegi (She Learns, She Rises) on Star television, which has a network of 450 million viewers across the country and a reach of 100+ countries. The film harnessed the talents of India’s biggest Bollywood stars including Priyanka Chopra, Freida Pinto, Parineeti Chopra, Kareena Kapoor Khan, Madhuri Dixit, Sushmita Sen, Amitabh Bachchan, Nandita Das, Farhan Akhtar, and Alia Bhatt, all of whom lent their voices to the film. Celebrities promoted the launch through their social media networks, and #IAMGirlRising trended No. 1 on Twitter India. Film Screenings To stir important conversations about girls’ education among corporations, communities, universities and neighborhoods, a screenings program was launched soon after the television broadcast of the film. Under this program, Woh Padhegi, Woh Udegi was re-purposed for NGO and corporate audiences. Each version consisted of 3 stories from Woh Padhegi, Woh Udegi and was complemented by a screenings toolkit that contained resources including discussion guides, Director’s Q&A, and promotional materials to help steer conversations around barriers to education.
    [Show full text]
  • Navigation, Search My Name Is Khan Theatrical Poster Directed By
    My Name Is Khan From Wikipedia, the free encyclopedia Jump to: navigation, search My Name Is Khan Theatrical Poster Directed by Karan Johar Produced by Hiroo Yash Johar Gauri Khan Written by Story and Screenplay: Shibani Bathija Dialogues: Shibani Bathija Niranjan Iyengar Starring Shahrukh Khan Kajol Music by ShankarEhsaanLoy Cinematography Ravi K. Chandran Editing by Deepa Bhatia Distributed by Fox Searchlight Pictures Release date(s) 12 February 2010 (global)[1] Running time 161 minutes [1] Country India Language Hindi/Urdu English Budget Rs. 380 million[2] US$ 8.18 million Buyover: Rs. 1 billion US$ 21.53 million My Name Is Khan (Hindi: ??? ??? ??? ????) is a 2010 Bollywood film directed by K aran Johar, with a screenplay by Shibani Bathija, produced by Hiroo Yash Johar a nd Gauri Khan, and starring Shahrukh Khan and Kajol.[3][4] It is overseen by bot h Dharma Productions and Red Chillies Entertainment and will be distributed by F OX Star Entertainment, which bought the rights for the film for the sum of Rs. 1 00 crores, thus becoming the second most expensive Bollywood film, behind Blue.[ 5] Cinematography is by Ravi K. Chandran, ShankarEhsaanLoy composed the film's score, choreography is by Farah Khan, and lyrics were written by Niranjan Iyeng ar.[6] Visual Effects are by Red Chillies VFX. My Name is Khan debuted in Abu Dhabi, UAE on 10 February 2010.[7] It released gl obally in theaters on 12 February 2010.[1] It will also be screened as part of t he 60th Berlin International Film Festival's Official Selection that same month.
    [Show full text]
  • Recently the Victory of Eunuch Team in the Pakistan and Media Has Given It a Wide Coverage What Is Most Intriguing Or for That M
    International Journal of Humanities and Social Science Invention ISSN (Online): 2319 – 7722, ISSN (Print): 2319 – 7714 www.ijhssi.org Volume 2 Issue 7 ǁ July. 2013ǁ PP.34-42 Tryst With Destiny: Sexual Discourse and Third Gender in Select Indian Bollywood Films Dr. Md. Habib Subhan Department of English, Aligarh Muslim University, India ABSTRACT: The postmodern era has observed a shift from what has so long been considered as fixed and static to nothing is constant or fixed like concepts. Taking such notion as the parameter postcolonial theorists, feminists, poststructuralists have tried to see and analyze various issues from different angles. Issues like identity, subjectivity, representation, authentic voices have got new perspectives. Like culture, body or sex is a site of conflict where individual’s identity is being contested endlessly. The ‘third gender’, which has long been marginalized or deprived of their identity, representation, true and authentic voice in the main stream of social and cultural milieu deserves the critical attention. ‘Third gender’ or the ‘People of In-between’ are considered not belonging to the general binary division of gender - male and female. Since long their plight is more like the ‘subaltern’. The Bollywood cinema has long been portraying the character of ‘third gender’ in various films. These films clearly reveal that their representation is biased, sensitive and stereotyping. The violation and violence, centered on issues of sex and body, is not only sexual violence in nature but it is a kind of denial of identity and voice in the society. They are judged and studied in terms of sexual behavior.
    [Show full text]
  • The Variation in the Depiction of Queer Sexuality in India and the Question of Social Change
    www.ijird.com April, 2016 Vol 5 Issue 5 ISSN 2278 – 0 211 (Online) The Variation in the Depiction of Queer Sexuality in India and the Question of Social Change Anee Bhattacharyya Research Scholar, Department of International Relations, Sikkim Central University, Sikkim, India Abstract: The sexual minorities dwelling in India are fettered by the discrimination, stigmatization and continuous subjugation of the hetronormative social structure. The role of section 377 of the IPC also acted a very important role in shaping the homophobic environment in the present Indian society. The politics of creative resistance that is developed by the Indian cinema not only brings to light the plight of queer lives and experiences, but it also constructs an alternative culture against the dominant hetronormative culture that redefines the present Indian society. Indian Queer movement, like many other new social movements, is based upon the idea of bringing a social change; a change in our understanding of sexuality not from the conventional stage but from a peripheral one. It strives to demolish the manicured walls of predominant paradigms that define the sexual universe of any common man. The main argument is that with the increasing popularity of queer themes in Indian cinema a positive change can be expected to occur within subjective self of Indian society. Keywords: Alternative sexuality, Indian cinema, social change, hetronormativity. 1. Introduction Sexuality as a subject of discussion is cautiously wrapped under the satin of heterosexual social structure since an extensive period now. The dominant understanding of sex and sexuality has, over the years, naturalized and universalized a set of ideas about sex.
    [Show full text]
  • Ajay Devgan, the Dark Horse of Bollywood
    BOLLYWOOD AJAY DEVGAN The dark horse of Bollywood mitabh Bachchan once called Ajay ences. He has the unique distinction of hav- director Mahesh Bhatt: “His very place Devgan the “Dark Horse” of ing bagged two ‘best actor’ National Awards. among the top stars was questioned because A Bollywood. But he is also proving to The low-key actor, who shuns publicity, is the he was the son of a stunt director and was be a winning tortoise with his slow and first choice of veteran directors like Rajkumar supposed to be good only in stunt roles. Ajay steady growth. He is on a roll. After a forget- Santoshi as well as Ram Gopal Varma. Son of was patient and proved them wrong.” table 2007, he has started off this year with a famous stunt director, Veeru Devgan, he dab- ‘Ishq’ came as a turning point. For the first bang. The intense actor, who is known for bled in direction and editing in a junior time, he was accepted in a non-action hero breaking the rules now and then, first capacity before being lured before the camera role. Then came ‘Pyaar To Hona Hi Tha’, and charmed critics with his power-packed per- for Kuku Kohli’s action flick ‘Phool Aur the big hit, ‘Hum Dil De Chuke Sanam’, formance in Rajkumar Santoshi’s ‘Halla Bol’. Kaante’, which was a box office hit. ‘Jigar’, where his portrayal of the low-key, under- Now, he is trying to tickle the funny bone in ‘Vijaypath’ and ‘Divya Shakti’ were all action standing husband, received critical acclaim.
    [Show full text]
  • Dil Ki Purani Sadak Guitar Chords Sadak 2 - 08-25-2020 by Guitarchords.In - Guitarchords
    Dil Ki Purani Sadak Guitar Chords Sadak 2 - 08-25-2020 by Guitarchords.in - Guitarchords - https://guitarchords.in Dil Ki Purani Sadak Guitar Chords Sadak 2 by Guitarchords.in - Tuesday, August 25, 2020 https://guitarchords.in/dil-ki-purani-sadak-guitar-chords-sadak-2/ Dil Ki Purani Sadak Guitar Chords Sadak 2 | KK Dil Ki Purani Sadak Lyrics from Sadak 2 is Latest Hindi song sung by KK and this song is featuring Pooja Bhatt, Sanjay Dutt while music of this new song is given by Samidh Mukherjee, Urvi and its lyrics penned by Vijay Vijawatt while video is directed by Mahesh Bhatt. Dil Ki Purani Sadak Guitar Chords Sadak 2 with Lyrics. Dil Ki Purani Sadak Guitar Chords KK Chords Soon Sadak 2 Song Dil Ki Purani Sadak Dil Ki Purani Sadak Par Badla Toh Kuch Bhi Nahi Mujhe Thaam Kar Chal Raha Hai Tu Hi Bas Tu Hi Har Kahin Naye Phool Dil Ki Zameen Pe Khilenge Hai Milna Humein Fir Se Mil Ke Rahenge Sitaare Wahi Hai Wahi Aasman Hai Meri Dhadkano Mein Teri Daastan Hai Main Aawara Lamha Tu Mera Makaam Kaise Juda Hote Hum Tum Bichde Hi Jab Hum Nahi Mujhe Thaam Kar Chal Raha Hai Tu Hi Bas Tu Hi Har Kahin 1 / 2 Dil Ki Purani Sadak Guitar Chords Sadak 2 - 08-25-2020 by Guitarchords.in - Guitarchords - https://guitarchords.in Na Saanson Se Shikwa Na Mitne Ka Dar Hai Tujhi Se Tujhi Tak Yeh Mera Safar Hai Tujhe Sochta Hu Toh Khushbu Si Barse Andheron Se Mere Ujale Yun Chalke Ke Dariya Bahe Jaise Ek Noor Ka Tu Rooh Ka Hamnawa Hai Yeh Jismo Ka Rista Nahi Mujhe Thaam Kar Chal Raha Hai Tu Hi Bas Tu Hi Har Kahin Dil Ki Purani Sadak Par Badla Toh Kuch Bhi Nahi Mujhe Thaam Kar Chal Raha Hai Tu Hi Bas Tu Hi Har Kahin Dil Ki Purani Sadak – Sadak 2 | KK | Samidh-Urvi | Sanjay | Alia | Aditya | Pooja | Mahesh Bhatt Song Credit: Song: Dil Ki Purani Sadak Movie: Sadak 2 Singer: KK Music: Samidh Mukherjee, Urvi Starring: Sanjay Dutt, Pooja Bhatt Label: Sony Music India Sadak 2 Songs Ishq Kamaal Guitar Chords Sadak 2 Tum Se Hi Guitar Chords Sadak 2 _______________________________________________ PDF generated by Kalin's PDF Creation Station 2 / 2 Powered by TCPDF (www.tcpdf.org).
    [Show full text]
  • Advocate Code List Udaipur
    Sheet1 District & Sessions Court Udaipur Advocate Code Advocate Name Mobile No. 1 Abdul ALeem Khan 9829115004 2 Abdul Haneef 9352501960 3 Abha Sharma 9460286481 4 Abhay Jumar Jain 9829529175 5 Abhimanyau Mandiya 9414927508 6 Abhimanyu Meghwal 9413403731 7 Abhimanyu Singh 9413481559 8 Abhimanyu Singh Chouhan 71023773071 9 Abhinav Dwivedi 7737787187 10 Abhishek Puri Goswami 9782822141 11 Aditi Menariya 7742456626 12 Aaditya Khandelwal 9667444468 13 Aishwarya Pujari 8003389246 14 Ajay Chand Jain 9829040153 15 Ajay Choubisa 9414166575 16 Ajay Kumar Bhandari 8952843861 17 Ajay Kumar Vyas 9828158608 18 Ajay Sanadhy 9413217738 19 Ajay Singh Hada 9413583181 20 Ajesh Sethi 9414157290 21 Akshay Singh Depura 2411004 22 Alikabano Sheikh 7568439273 23 Ali Mohmmad Sindhi 9414385691 24 Alka Dadhich 9413752966 25 Alka Joshi 9251425428 26 Alok Kumar Jain 9414316654 27 Amarjeet Singh Arora 9828144711 28 Amar Singh Sisodiya 9414296896 29 Amba Lal Bhavsar 9269345109 30 Amba Lal Chandaliya 2419668 31 Amba Lal Paliwal 9414621909 32 Amba Lal Sharma 33 Amit Dave 9982150521 34 Amit Kumar Mishra 9414167543 35 Amit Kumar Tiwari 9828224625 36 Amit Kumar Tiwari VN 9829033161 37 Aamos Meena 9828344013 38 Amjad Khan 9352503948 39 Anamika Tank 9950591252 40 Anand Bhattachary 9829042024 41 Anand Dhakad 9828560510 42 Anand Prakash Vedi 9414354203 43 Anandee Lal Sharma 9413474579 44 Anant Ram Agrawal 9413245236 45 Anil Aasaliya 9414168268 46 Anil Choudhary 9214805078 Page 1 Sheet1 47 Anil Jain ML 9414166152 48 Anil Jain CL 9828139117 49 Anil Kumar Jhakhad 9461616121 50
    [Show full text]
  • 1St Filmfare Awards 1953
    FILMFARE NOMINEES AND WINNER FILMFARE NOMINEES AND WINNER................................................................................ 1 1st Filmfare Awards 1953.......................................................................................................... 3 2nd Filmfare Awards 1954......................................................................................................... 3 3rd Filmfare Awards 1955 ......................................................................................................... 4 4th Filmfare Awards 1956.......................................................................................................... 5 5th Filmfare Awards 1957.......................................................................................................... 6 6th Filmfare Awards 1958.......................................................................................................... 7 7th Filmfare Awards 1959.......................................................................................................... 9 8th Filmfare Awards 1960........................................................................................................ 11 9th Filmfare Awards 1961........................................................................................................ 13 10th Filmfare Awards 1962...................................................................................................... 15 11st Filmfare Awards 1963.....................................................................................................
    [Show full text]
  • An SVD Involved in Film Industry
    An SVD involved in film industry Fr. Dominic Emmanuel, a Divine Word Missionary, is heavily involved in the production of a film aimed at the commercial cinema circuit in India. FILM RELEASE Indian Catholic church makes Bollywood movie to promote traditional values by Elizabeth Roche NEW DELHI, June 8 (AFP) - India's Roman Catholic Church, worried about traditional values breaking down in the country, has joined hands with Bollywood to make a movie highlighting dangers of risky sex. Greetings from Fr. Dominic The Hindi-language film, made in trademark Bollywood style with Emmanuel svd. songs, dance and melodrama, includes an HIV-positive character and is titled "Aisa Kyon Hota Hain" (Why does this happen?"). I hope you do remember about the film I was making on the twin The film, set for release in July or August, is the brain-child of themes of HIV/AIDS and communal Dominic Emmanuel, a Catholic priest and spokesman for the harmony. It gives me immense Delhi Catholic Archdiocese. pleasure to share this news with you that the film named "Aisa Kyon He says it "the first ever instance" of India's Roman Catholic Hota Hai" is being released all church producing a commercial film. over India today, that is, Friday, "There are people who have made video films more along the February 17, 2006. documentary style but this is purely Bollywood formula with The film is showing in about 9 songs and dances," he says. cinema halls in Delhi, 15 in Bollywood heroine Rati Agnihotri -- who made her debut in the Mumbai, 5 in Pune, 2 in Ahemdabad, 2 in Jaipur, 1 in 1981 romantic hit "Ek Duje Ke Liye" (For Each Other) -- plays the Chandigarh, 4 in Kolkotta and lead role of a woman who singlehandedly raises her son after several halls in Hyderabad and finding her husband cheating on her.
    [Show full text]
  • Recycle Industry: the Visual Economy of Remakes in Contemporary Bombay Film Culture by Ramna Walia “Audiences Now Want New Stories
    Recycle Industry: The Visual Economy of Remakes in Contemporary Bombay Film Culture by Ramna Walia “Audiences now want new stories. The problem is Bollywood has no tradition of producing original screenplays" —Chander Lall, lawyer “The brain is a recycling bin, not a creative bin. What goes in comes out in different ways” —Mahesh Bhatt, filmmaker and producer hus spoke filmmaker and producer Mahesh Bhatt when Mr. Chander Lall, the legal representative of two of Hollywood's major studios issued “warning Tletters” to film producers in Bombay who were poised to “indianize” a series of Hollywood films.1 While Lall referred to Bollywood’s widespread practice of making uncredited remakes of Hollywood films as “tradition,” Bhatt defiantly saw these remakes as a symptom of a larger mechanism of recycling material. In fact, the influence of other cinemas on Bombay films was reflected narratively and in other aspects of filmmaking such as fashion, poster art etc. Thus, at the center of this debate was the issue of Bombay cinema's identity as a bastardized clone of Hollywood and the counter argument that noted the distinctiveness of Bombay film culture by highlighting the “difference” in the manner of production. In view of these unacknowledged networks of exchange, the term “remake” was often used within popular discourse as an underhanded accusation of plagiarism against Bombay films. Moreover, because most of Bombay cinema’s remakes of Hollywood films were un-credited, they never secured the legitimacy attained in Hollywood and world cinemas wherein this process was seen as a reinterpretation of an earlier work or an updated modus operandi.
    [Show full text]