Theatre Archive Project
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Lavender Hill "Serious Competition for 'GUYS AND
On Wifely Constancy The Passing Show Miss Cornell Poetic Speaks Playwrights Of Those She Go on Plays Right Writing Star of Maugham Revival Sees Lesson in Classic Hits Way Is Hard and Rewards Fewer, By Mark Barron But, Like Anouilh, They Work On NEW YORK. [sake, just because it was a great A veteran from in the * By Jay Carmody trouper coast play past. to coast, Miss Katharine Cornell “It is just as Maugham writes The is that so sensitive surprise many humans go on writing in ‘The Constant Wife’ when I for the theater. was still traveling the other eve- am fighting to hold my husband The insensitive ones, no. are ning after her They gamblers, betting that their Broadway premiere from a beautiful blond who is al- literal reports on life or their broad jokes about will catch the it, in W. Somerset Maugham’s artful most stealing him from me.’’ she public fancy and make them rich. They know the odds and the comedy, "The Constant Wife.” said. consequences involved in failure and nature armed them with the This “As the wife in Maugham’s toughness to both. These are time, however, Miss Cor- play, accept the addicts and there is I am faced with nell took only a hop-skip-and- the realization little need to give them a second thought. that Jump from National every marriage needs a great It is different with the other, smaller group. They are crea- Broadway’s Theater to her deal more thought than most tive, artistic and idealistic. They write plays because they want long-established home on Manhattan’s East wives devote to it. -
113 Winter 2004
ISSN 1478-0186 1 The Charles Williams Society www.geocities.com/charles_wms_soc Newsletter The Charles Williams Society Newsletter No. 113 Winter 2004 2 THE SOCIETY The Charles Williams Society The Society was founded in 1975, thirty years after Charles Williams’s sudden death at the end of the Second World War. It exists to celebrate Charles Wil- liams and to provide a forum for the exchange of views and information about his life and work. Members of the Society receive a quarterly newsletter and may attend the Society’s meetings which are held three times a year. Facilities for members also include a postal lending library and a reference library housed at The Centre for Medieval Studies in Oxford. Officers of the Society President: John Heath-Stubbs OBE Chairman: Librarian: Mrs Eileen Mable Dr Brian Horne 28 Wroxham Way Flat 8, 65 Cadogan Gardens Harpenden London, SW3 2RA Herts, AL5 4PP 020 7581 9917 01582 713641 [email protected] Secretary: Membership Secretary: Revd Dr Richard Sturch Mr Guy Carter 35 Broomfield 67B Ulverston Road Stacey Bushes Walthamstow Milton Keynes MK12 6HA London, E17 4NB 01908 316779 020 8523 3465 [email protected] [email protected] Treasurer: Newsletter Editor: Mr Stephen Barber Mr Edward Gauntlett Greystones 21 Downsway, Lawton Avenue, Carterton Whyteleafe Oxon OX18 3JY Surrey, CR3 0EW 01993 841219 020 8660 1402 [email protected] ste- [email protected] Winter 2004 THE NEWSLETTER 3 Contents Newsletter No. 113 Winter 2004 Officers of the Society 2 Reading Groups 3 From the Editor 4 Society News & Notes 5 Forthcoming Meetings 6 Council Meeting 7 Questionnaire Summary 8 The Future of the Society 9 Waiting for Conflict: A Creative Response to the Experience of War Michael Hampel 11 Book Reviews 23 Letters 26 Editorial Policy and Copyright 27 Reading groups For information about the Oxford reading group please contact Brenda Boughton, tel: 01865 515589. -
Theatre Archive Project Archive
University of Sheffield Library. Special Collections and Archives Ref: MS 349 Title: Theatre Archive Project: Archive Scope: A collection of interviews on CD-ROM with those visiting or working in the theatre between 1945 and 1968, created by the Theatre Archive Project (British Library and De Montfort University); also copies of some correspondence Dates: 1958-2008 Level: Fonds Extent: 3 boxes Name of creator: Theatre Archive Project Administrative / biographical history: Beginning in 2003, the Theatre Archive Project is a major reinvestigation of British theatre history between 1945 and 1968, from the perspectives of both the members of the audience and those working in the theatre at the time. It encompasses both the post-war theatre archives held by the British Library, and also their post-1968 scripts collection. In addition, many oral history interviews have been carried out with visitors and theatre practitioners. The Project began at the University of Sheffield and later transferred to De Montfort University. The archive at Sheffield contains 170 CD-ROMs of interviews with theatre workers and audience members, including Glenda Jackson, Brian Rix, Susan Engel and Michael Frayn. There is also a collection of copies of correspondence between Gyorgy Lengyel and Michel and Suria Saint Denis, and between Gyorgy Lengyel and Sir John Gielgud, dating from 1958 to 1999. Related collections: De Montfort University Library Source: Deposited by Theatre Archive Project staff, 2005-2009 System of arrangement: As received Subjects: Theatre Conditions of access: Available to all researchers, by appointment Restrictions: None Copyright: According to document Finding aids: Listed MS 349 THEATRE ARCHIVE PROJECT: ARCHIVE 349/1 Interviews on CD-ROM (Alphabetical listing) Interviewee Abstract Interviewer Date of Interview Disc no. -
Katie May Tranter
Katie May Tranter Training January 2016 to present currently attends The Theatre Workshop every Saturday. February 2018 to present Private vocal tuition at Pro Music Ltd leading to RSL grades. July 2017 Guitar lessons at Pro Music Ltd September 2016 - February 2018 private singing tuition. September 2016 to present private LAMDA lessons. • Level -1 Award In Performance Grade 1 - Distinction • Level -1 Award In Performance Grade 2 - Merit • Level - 1 Award in Performance Grade 3 - Distinction April 2018 Emma Stafford Acting Workshop August 2016 West End Experience August 2017 West End Experience August 2018 West End Experience August 2019 West End Experience 18th May 2017 Audition Techniques with Scott Cooper January 2010 - December 2015 Karen Yates School of Dance Introduction to Ballet - Honours Plus Grade 1 Tap - Special Commend Theatre August 2019 - West End Experience Week With Final Performance At The Old Rep Theatre Birmingham. June 2019 - Singer, Actor Dancer In The Oscarettes Performing At Birmingham Town Hall. April 2019, Concert, Choir, The Barricade Boys - Stars of Les Miserables, Forest Arts Centre April 2019, Vocalist, LIVE & LOUD, Pro Music Ltd March 2019, Concert, Choir, The Barricade Boys - Stars of Les Miserables, The New Alexandra Theatre January 2019 - Part of The Young Voices Choir at The Genting Arena Birmingham. December 2018, Stage, Vocalist and Guitar, LIVE & LOUD, Pro Music Ltd August 2018 - West End Experience Week With Final Performance At The Crescent Theatre Birmingham. June 2018 - The Theatre Workshop presents The Stars of the Future Birmingham Town Hall May 2018 - Chance2Dance Birmingham Hippodrome. [email protected] 0121 212 0090 www.alansharmanagency.com May 2018 - Orphan Kate in Annie with Kinver Light Operatic Society at Kinver High School Theatre. -
Marketing Plan Template
Sutton Coldfield Arts and Recreation Trust – Business Plan notes – MARKETING The marketing plan is aimed at achieving income by the sale of tickets and the hiring of rooms. Main income streams Tickets 1. The sale of tickets to the general public for theatre shows 2. The sale of tickets to the general public for non-theatrical events Room hire 3. The hiring of the theatre for use by professional acts 4. The hiring of the theatre for use by amateur dramatic and orchestral societies, schools/clubs. 5. The hiring of the rooms by the public for weddings and civil ceremonies 6. The hiring of the rooms for non-theatrical public events (e.g. trade fairs) 7. The hiring of the rooms by companies and public for private events (e.g. company presentations, charity balls, parties). THEATRICAL Theatre (Vesey Suite) The Town Hall theatre is currently a receiving house, a theatre that produces no original work of its own and instead, hosts or ‘tours in’ other people’s productions, usually those of commercial production companies and amateur dramatics/music societies. The unique selling point is that Town Hall has no commercial theatre competitor in close proximity, is central to the town and to public transport and can provide a fully functioning 427 seat professionally working theatre for the local community. The competing theatres are listed below. From community research is it quite clear that the people of Sutton Coldfield would prefer to see theatre shows locally rather than travel to Birmingham City Centre or Staffordshire. This is especially the case for older residents and young families with children. -
Fun in Brum February Half Term Holiday 17/02/2018 to 25/02/2018
Fun in Brum February Half Term Holiday 17/02/2018 to 25/02/2018 Safeguarding Statement This list of events has been compiled by the Early Years Service for information only. It is up to the parent/carer to decide what is most appropriate for their child. Please note that some of the events listed in this booklet are organised by third parties and neither the Early Years Service nor Birmingham City Council take responsibility if any of these events are cancelled or changed. Please note the information has been gathered to support parents/carers in accessing activities for children and that Birmingham City Council does not in any way recommend or endorse any of the organisations other than services directly delivered by the council. It is the responsibility of parents/carers to carry out their own checks and to feel completely satisfied with the safety of their child and the quality of the service offered. Early Years Service P.O. Box I6453, Lancaster Circus, Birmingham B2 2ZJ 0121 216 3514/464 4437 Email: [email protected] Fun in Brum Welcome to the latest edition of Fun In Brum produced by the Early Years Service. We hope you find the information useful. There are loads of exciting things to do for all the family and some of them are totally free. We have added contact details of Birmingham Libraries which often run activities during school holidays. The activities are listed in date order. Fun for All This edition contains a wide range of activities including some for disabled children and young people up to the age of 19 in some cases. -
Ring Round the Moon Is Often Considered an Adaptation Rather Than a Translation
Jean Anouilh was born on June 23 rd , 1910, in Jean Anouilh the small village of Cérisole, France to parents of Basque heritage. His father was a tailor and his mother, a violinist. Anouilh became interested in drama at a young age and began his playwriting career at the age of 12. Anouilh received his secondary education at the Collège Chaptal and later enrolled as a law student in the University of Paris, only to Jean Anouilh abandon the course after just eighteen months when he found employment in the advertising industry. It was in advertising, through drafting copy, that Anouilh discovered the importance of the brevity and precision of language; he put the discovery to use when, at 25, he chose to devote himself entirely to writing. In addition to many successful plays, he also wrote ballets and translated and adapted works from such authors as Shakespeare and Oscar Wilde. Many of his works deal with moral choices and the limitations imposed upon his characters. Anouilh's work reflects the classical theatre of Molière in its comic portrayal of human folly and misery and the experimental theatre of Pirandello in its overt use of theatrical devices to explore the nature of reality and illusion. A note on “adaptation” and “translation” A Charade with Music Ring Round the Moon is often considered an adaptation rather than a translation . When Christopher Fry adapted it for Peter Brooks’ 1950 Adapted by Christopher Fry London production, he made several changes to the script. Fry softened some of the edges of the original, for example cutting out all Anouilh’s allusions to anti-Semitism, and also pushed the A Playgoer’s Guide comedy up a notch, both in language and action. -
Economic Impact Study of West Midlands Theatre
Economic impact study of West Midlands theatre Dominic Shellard, University of Sheffield April 2005 Contents Acknowledgements 2 Introduction 3 Executive summary 4 Key findings 7 1 Research for the West Midlands study 7 2 Methodology 9 3 Results of the West Midlands study 10 4 Calculation of economic impact 12 5 Number of volunteers in the West Midlands theatre sector 14 6 Recommendations for future work 16 Appendix A West Midlands economic impact study responses 17 Appendix B Calculation of economic impact of West Midlands venues not included in the Economic Impact Study of UK Theatre 18 1 Acknowledgements I would like to thank the following people for their help and support in the undertaking of this study. Derrick Elliss FCA: the project accountant, and my collaborator The University of Sheffield Julie Eaglen, Arts Council England West Midlands Dominic Shellard 2 Introduction Theatre in the United Kingdom is admired throughout the world for its quality and creativity. The excellence of its plays, actors and performances are unrivalled. This study of West Midlands theatre builds on the work of the Economic Impact Study of UK Theatre (Arts Council, 2004), which was the first national study of the contribution that theatre makes to the local and national economy. It established that the economic impact of UK theatre was £2.6bn: £1.5bn coming from London theatre and £1.1bn from regional theatre. The impact of regional theatre had previously been undervalued and this new study – of the economic impact of West Midlands theatre – further highlights the fact that regional theatre is economically as well as artistically vibrant. -
BOA Alumni Christmas Newsletter
BOA Alumni Christmas Newsletter Principal’s Message: “Wishing you and your friends and families a wonderful Christmas and all the best for 2019. Please keep in touch and spread the word about BOA! “ - John Reilly, Principal BOA held its third ‘Alumni Morning’ on the 21st of September, which was a huge success. The aim was to provide advice and guidance to our current Year 13 students. There were 6 of our alumni from across a range of pathways that were invited back for a question and answer session. The questions asked were focused mainly on progression routes and what our current stu- dents can expect when they are ready to leave. It was a great way for our alumni to talk about their own personal experiences and progression since parting from BOA. We feel as though this two hour session will benefit our current students when applying for their chosen progression routes, at the end of the school year. Following the event and its positive outcomes, we received some valuable feedback from the current students, that this session was extremely helpful and something that enlightened our cur- rent students. Our alumni morning will definitely be something we continue to do, as we love to keep in contact with our alumni and find it’s important for them to still be involved also. “Birmingham Ormiston Academy is like a big family, it’s a place we know we can come back to for help” Birmingham Ormiston Academy Christmas Term 2018 PAGE 2 "Make the most of your time at BOA, and take on every opportunity that you have offered to you” “Don’t be afraid to ask for support. -
Birmingham Cover
Worcestershire Cover Online.qxp_Worcestershire 01/02/2016 14:42 Page 1 Your FREE essential entertainment guide for the Midlands Worcestershire ’ Whatwww.whatsonlive.co.uk sOnISSUE 362 FEBRUARY 2016 ADAM HILLS THE SOUND OUT ON TOUR OF MUSIC inside: Yourthe 16-pagelist week by week listings guide Echoes through the Malvern hills... grand_whatson FP FEB:Layout 1 19/01/2016 16:49 Page 1 Great Theatre at the Grand! THU 25 - SAT 27 FEB TUE 8 - SAT 12 MARCH TUE 15 - SAT 19 MARCH Music by STEVEN MARGOSHES Lyrics by JAQUES LEVY Book by JOSE FERNADEZ Based on a concept by David DeSilva (Title song “Fame” written by Dean Pitchford and Michael Gore) This amateur production is presented by arrangement with JOSEF WEINBERGER LTD. ON BEHALF OF MUSIC THEATRE INTERNATIONAL OF NEW YORK SUN 20 - TUE 22 MARCH SAT 26 MARCH THU 31 MARCH THE RUSSIAN STATE BALLET OF SIBERIA THE SNOW MAIDEN Sleeping Beauty Swan Lake HHHHH “Mesmerising” The Guardian FRI 1 APRIL SAT 2 APRIL MON 4 - SAT 9 APRIL “What a great night... Just like it used to be” A BLACK COUNTRY NIGHT OUT JONNY COLE DANDY THE FIZZOGS and DON’T MISS ANNIE THE RONALDOS! YOU CAN BET YOUR BOTTOM DOLLAR THAT YOU’LL LOVE IT! Follow us on @WolvesGrand Like us on Facebook: Wolverhampton Grand Box Office 01902 42 92 12 Book online at www.grandtheatre.co.uk Contents February Region 1 .qxp_Layout 1 25/01/2016 15:22 Page 2 February 2016 Contents Destination Space - topical half-term show at Thinktank page 40 Belinda Lang Joe Caulfield Sleeping Beauty the list talks about her dual role in sharp-witted comedian Matthew Bourne’s gothic your 16-page Single Spies at The REP returns to the Glee reworking of classic tale week-by-week listings guide page 20 page 22 page 30 page 51 inside: 4. -
Printed Books, Maps & Autographs (MAY20) Lot
Printed Books, Maps & Autographs (MAY20) Thu, 28th May 2020 Viewing: Restricted viewing by appointment only from Friday 15 May until Tuesday 26 May (excluding Bank Holiday Monday 25 May). Click here for details. Lot 628 Estimate: £150 - £200 + Fees British Actors. A collection of signed theatre programmes and photos British Actors. A group of approximately 55 signed programmes for the New Theatre, Oxford, 1930s & 1940s, mostly multi-signed by several of the cast on upper wrapper or the cast list, signatures include Richard Burton, John Gielgud, Claire Bloom (together in Christopher Fry’s The Lady’s Not for Burning, 1949, with a loosely inserted autograph letter signed from the playwright to Mr Frewer), Kathleen Harrison, Patricia Burke, Trevor Howard, Bernard Miles, Roger Livesey, Sybil Thorndike Celia Johnson, Nicholas Parsons, John Gielgud, Leslie Banks, Robert Morley, Ivor Novello, Beatrice Lillie, Zena Dare, Phyllis Dare, Michael Redgrave, Lilli Palmer, Marie Tempest, Owen Nares, Robertson Hare, Rex Harrison (pencil), Robert Donat, Ronald Squire, Laurence Olivier, Ralph Richardson, Eric Portman, Violet Vanburgh, et al., some related letters, photographs and flyers loosely inserted including several with signatures, original printed wrappers, some staples slightly rusted, slim 8vo, together with a group of approximately 70 mostly smaller format photographs and real photo publicity postcards of music hall and theatre entertainers, many with printed or ink signatures, ink signers include Anita Martell, David Ziekins, Billy Kent, Gene Darham, Stella Carol, Jack Jackson, Peggy Cohrane, Charles D. Smart, Dennis Lawes, Joan Winters, Arthur Schnabel (signature), etc. Qty: approx. 120. -
Four Original Plays
Oe'f- lllpv'. l'fJ .S ~e ;>.S.~ X X f/1;.1 l 1 @ PRODUCTION STAFF Technical Direction by Robert Vogelsang THE Costumes by Hedwig Billaber UNIVERSITY STAGE MANAGER . NORMAN DAVISON LIGHTING CHARLES FORESMAN OF COSTUMES. GERALDINE CHAR, JANE SUGIYAMA, ANN TOGAWA, GLADYS TSUKAMOTO HAWAII PROPERTIES . MiSAO TOKUHISA, LEORA KOIKE THEATRE BUSINESS WALLACE AKIYAMA; assisted by ELAJNE WoN PUBLICITY. MAYBELLE NAKAMURA GROUP HEAD USHER WALTER YouNG PROMPTERS AMY MUNECHIKA, JEAN TAKAHASHI, SHIRLEY TONG, HELEN TOPHAM THIS GROUP HAS BEEN ASSISTED BY: Nancy Arakaki, Richard Chong, Dixon Ince, Robert Lum, James Misbima, Warren Monaghan, Edmund Poons, Charles Sonoda, Roy Uejio; and by the classes in Dramatic Production (Dr:tma 150) :md Theatre Practice (Drama 200). THEATRE GROUP COUNCIL Wallace Akiyama Norman Davison Misao Tokuhisa FOUR ORIGINAL PLAYS Hedwig Billaber Charles Foresman Joan Waite Sheila Cruickshank Maybelle Nakamura Walter Young The Ram Russell Sowers Situation: Desperate Lazy Man Lucie Bentley, Earle Ernst, and Joel Trapido (Directors) Where the Love Tree Grows The Theatre Group wishes to acknowledge the assistance of others, including both students and members of the faculty and administration, who have helped make this production possible. The Malo-Maker THE THEATRE GROUP SEASON As noted above, Four Original Plays will be followed early in December by a faculty production of Christopher Fry's The Lady's 1101 for Buming. According to present plans, the Group's third production will be Eugene O'Neill's only comedy, Ah, 11'/i/demess !, scheduled for February. This will be followed in early April by a combined production, with the Music Department, of Gian-Carlo Menotti's short opera Amah/ aud 1he Nigh1 Visilors.