Gaston Bachelard and Contemporary Philosophy1
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Philipp Frank at Harvard University: His Work and His Influence
Philipp Frank at Harvard University: His Work and His Influence The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Holton, Gerald. 2006. Phillip Frank at Harvard: His Work and his Influence. Synthese 153 (2): 297-311. doi.org/10.1007/ s11229-005-5471-3 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:37837879 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA 10/12/04 Lecture at Philipp Frank Conferences in Prague & Vienna, Sept-Oct. ‘04 Philipp Frank at Harvard: His Work and his Influence by Gerald Holton My pleasant task today is to bring to life Philipp Frank’s work and influence during his last three decades, when he found a refuge and a position in America. In what follows, I hope I may call him Philipp--having been first a graduate student in one of his courses at Harvard, then his teaching assistant sharing his offices, then for many years his colleague and friend in the same Physics Department, and finally, doing research on his archival holdings kept at Harvard. I also should not hide my large personal debt to him, for without his recommendation in the 1950s to the Albert Einstein Estate, I would not have received its warm welcome and its permission, as the first one to do historical research in the treasure trove of unpublished letters and manuscripts, thus starting me on a major part of my career in the history of science. -
Dossier Pierre Duhem Pierre Duhem's Philosophy and History of Science
Transversal: International Journal for the Historiography of Science , 2 (201 7) 03 -06 ISSN 2526 -2270 www.historiographyofscience.org © The Author s 201 7 — This is an open access article Dossier Pierre Duhem Pierre Duhem’s Philos ophy and History of Science Introduction Fábio Rodrigo Leite 1 Jean-François Stoffel 2 DOI: http://dx.doi.org/10.24117/2526-2270.2017.i2.02 _____________________________________________________________________________ We are pleased to present in this issue a tribute to the thought of Pierre Duhem, on the occasion of the centenary of his death that occurred in 2016. Among articles and book reviews, the dossier contains 14 contributions of scholars from different places across the world, from Europe (Belgium, Greece, Italy, Portugal and Sweden) to the Americas (Brazil, Canada, Mexico and the United States). And this is something that attests to the increasing scope of influence exerted by the French physicist, philosopher and 3 historian. It is quite true that since his passing, Duhem has been remembered in the writings of many of those who knew him directly. However, with very few exceptions (Manville et al. 1927), the comments devoted to him exhibited clear biographical and hagiographic characteristics of a generalist nature (see Jordan 1917; Picard 1921; Mentré 1922a; 1922b; Humbert 1932; Pierre-Duhem 1936; Ocagne et al. 1937). From the 1950s onwards, when the studies on his philosophical work resumed, the thought of the Professor from Bordeaux acquired an irrevocable importance, so that references to La théorie physique: Son objet et sa structure became a common place in the literature of the area. As we know, this recovery was a consequence of the prominence attributed, firstly, to the notorious Duhem-Quine thesis in the English- speaking world, and secondly to the sparse and biased comments made by Popper that generated an avalanche of revaluations of the Popperian “instrumentalist interpretation”. -
Foucault, Laclau, Habermas
CULTURE – SOCIETY – EDUCATION NO. 2 (12) 2017 POZNAN Lotar Rasiński Dolnośląska Szkoła Wyższa we Wrocławiu Three concepts of discourse: Foucault, Laclau, Habermas KEYWORDS ABSTRACT Michel Foucault, Ernesto The aim of this article is to examine three currently dominant con- Laclau, Jürgen Habermas, cepts of discourse, developed by Michel Foucault, Ernesto Laclau and discourse, theory of lan- Jürgen Habermas. I argue that these concepts of discourse constitute guage, linguistic turn neither a coherent methodological agenda nor a coherent theoretical vision. That means that the reference to discourse will always imply engaging with a particular theoretical framework. I briefly discuss the theoretical traditions from which these concepts emerged and point to the essential elements which the respective concepts of discourse derived from these traditions. Concluding, I examine differences be- tween and similarities in the discussed concepts, whereby I address, in particular, the relationship between discourse and everyday lan- guage, the notion of subjectivity and the concept of the social world. Adam Mickiewicz University Press, pp. 33-50 ISSN 2300-0422. DOI 10.14746/kse.2017.12.2. The aim of this article is to examine three currently dominant concepts of discourse developed by Michel Foucault, Ernesto Laclau and Jürgen Habermas. I purpose- fully relinquish the term “theory of discourse” as at the core of my argument is the idea that such a theory is, in fact, non-existent. An essential challenge that social sciences scholars who use discourse analysis face is locating their own research in a broader methodological framework in which a particular concept of discourse was formulated. As a result, theoretical choices involved in research, such as, for example, the notion of subjectivity, the concept of the social world and the rela- tionship between discourse and everyday language, are essentially influenced by this framework. -
Parrhesia 31 · 2019 Parrhesia 31 · 2019 · 1-16
parrhesia 31 · 2019 parrhesia 31 · 2019 · 1-16 gaston bachelard and contemporary philosophy massimiliano simons, jonas rutgeerts, anneleen masschelein and paul cortois1 There are philosophers whose name sounds familiar, but who very few people know in more than a vague sense. And there are philosophers whose footprints are all over the recent history of philosophy, but who themselves have retreated somewhat in the background. Gaston Bachelard (1884-1962) is a bit of both. With- out doubt, he was one of the most prominent French philosophers in the first half of the 20th century, who wrote over twenty books, covering domains as diverse as philosophy of science, poetry, art and metaphysics. His ideas profoundly influ- enced a wide array of authors including Georges Canguilhem, Gilbert Simondon, Roland Barthes, Michel Foucault, Bruno Latour and Pierre Bourdieu. Up until the 1980s, Bachelard’s work was widely read by philosophers, scientists, literary theo- rists, artists, and even wider audiences and in his public appearances he incar- nated one of the most iconic and fascinating icons of a philosopher. And yet, surprisingly, in recent years the interest in Bachelard’s theoretical oeuvre seems to have somewhat waned. Apart from some recent attempts to revive his thinking, the philosopher’s oeuvre is rarely discussed outside specialist circles, often only available for those able to read French.2 In contemporary Anglo-Saxon philosophy the legacy of Bachelard seems to consist mainly in his widely known book Poetics of Space. While some of Bachelard’s contemporaries, like Georges Canguilhem or Gilbert Simondon (see Parrhesia, issue 7), who were profoundly influenced by Bachelard, have been rediscovered, the same has not happened for Bachelard’s philosophical oeuvre. -
Surrationalism After Bachelard: Michel Serres and Le Nouveau Nouvel Esprit Scientifique Massimiliano Simons
parrhesia 31 · 2019 · 60-84 surrationalism after bachelard: michel serres and le nouveau nouvel esprit scientifique massimiliano simons 1. INTRODUCTION The work of Michel Serres, if considered at all, is often presented as a radical break with or criticism of the work of Gaston Bachelard. This is sometimes also endorsed by Serres himself, who in an interview stated: Yes, I wrote my thesis under Bachelard, but l thought privately that the “new scientific spirit” coming into fashion at that time lagged way behind the sciences. ... The model it offered of the sciences could not, for me, pass as contemporary. This new spirit seemed to me quite old. And so, this milieu was not mine.1 Bruno Latour, in a similar vein, has described Serres as the anti-Bachelard.2 Within this context the project of Bachelard is described as a naive belief in the rational- ity of science or as a misguided project to purify science from all non-scientific el- ements. For instance, in his own work, Latour, inspired by Serres, uses Bachelard as the perfect illustration of the paradox of modernity he is attacking: Gaston Bachelard’s dual enterprise—which […] exaggerates the objectiv- ity of the sciences by dint of breaking with common sense, and symmetri- cally exaggerates the objectless power of the imaginary by dint of episte- mological breaks—offers the perfect symbol for this impossible crisis, this drawing and quartering.3 This image, however, is too simplistic and in fact makes us unable to really appre- ciate what we can learn from the work of Bachelard today. -
Fifty Key Contemporary Thinkers: from Structuralism to Postmodernity
FIFTY KEY CONTEMPORARY THINKERS From structuralism to postmodernity John Lechte London and New York FIFTY KEY CONTEMPORARY THINKERS In this book, John Lechte focuses both on the development of structuralist theory and on key thinkers opposed to this tendency. For the specialist and the general reader alike, it is an indispensable reference book on this century’s most important intellectual revolution. In each of the fifty entries, John Lechte skilfully illuminates complex thought with unusual clarity. He also provides comprehensive bibliographical information and suggestions for further reading. From early structuralism, Fifty Key Contemporary Thinkers guides us through post-structuralism, semiotics, post-Marxism and Annales history, on to modernity and postmodernity. It includes chapters on Bakhtin, Freud, Bourdieu, Chomsky, Derrida, Lacan, Kristeva, Saussure, Irigaray and Kafka among others. Literary figures who have changed the way language is conceived are considered, together with philosophers, linguists, social theorists, feminists and historians. Fifty Key Contemporary Thinkers shows that thought in the twentieth century emphasises the relational dimension of existence rather than an essential dimension. This kind of thought leads on to nihilism, but also to the point where nihilism might be overcome. In explaining new developments in literature, art and philosophy, John Lechte helps readers to achieve a more profound understanding of the underpinnings of post- war thought and culture. John Lechte, a former student of Julia Kristeva, teaches social theory and the sociology of representation at Macquarie University, Australia. He has also worked in the fields of history, semiotics and politics, and has an abiding interest in psychoanalysis. He has taught and published widely on many aspects of modern thought. -
Gaston Bachelard and the Hands of Albert Flocon†
Revista de Humanidades de Valparaíso Año 4 / 2016 / 2do semestre / N° 8 Págs. 205 - 221 ISSN 0719-4234 / eISSN 0719-4242 Gaston Bachelard and the Hands of Albert Flocon† Hans-Jörg Rheinberger* Abstract The paper deals with the engraving hand of Albert Flocon and its poietic description by the pen of Gaston Bachelard. It proceeds by discussing examples of the group of collaborative works that emerged from the cooperation between Flocon, the copperplate engraver and theoretician of perspective and Bachelard, the philosopher of science and scholar of literary images in mid-twentieth century Paris. Keywords: Gaston Bachelard, Albert Flocon, Images of the hand, Con- cretion, Abstraction, Perspective, Phenomenotechnique, Surrationalism. Gaston Bachelard y las manos de Albert Flocon Resumen Este artículo se ocupa del grabado de mano de Albert Flocon y la des- cripción poiética que realiza la pluma de Gaston Bachelard. Se procede a discutir los ejemplos del conjunto de trabajos que surgieron de la cooperación entre Flocon y Bachelard; el grabador en cobre y teórico de la perspectiva, y el filósofo de la ciencia y estudioso de imágenes literarias de la segunda mitad del siglo XX de París. Palabras clave: Gaston Bachelard, Albert Flocon, imágenes de la mano, concreción, abstracción, perspectiva, fenomenotécnica, surrealismo. __________________ † Dedicated to Roberto Torretti. Recibido: mayo 2016. * Max Planck Institute for the History of Science, Berlin. 205 206 / Revista de Humanidades de Valparaíso Año 4, 2016, 2do semestre, N° 8 ISSN 0719-4234 / eISSN 0719-4242 This paper concerns the engraving hand of Albert Flocon and its poietic description by the pen of Gaston Bachelard. -
A Poetics for Spatial Justice: Gaston Bachelard, Walter Benjamin, and the Return to Historical Materialism
LAW & LITERATURE A Poetics for Spatial Justice: Gaston Bachelard, Walter Benjamin, and the Return to Historical Materialism Christopher Tomlins Abstract, With the ebb of the last half century’s linguistic/cultural turn, Keywords, Gaston Bachelard, socio-legal and legal-humanist scholarship has begun to return to Walter Benjamin, Materialism, materiality. This article addresses the “new materialisms” and “vibrant Material Imagination, Historical matter” of recent years, and asks how they might be embodied in a Materialism, Law, Time, philosophy of law that can address the forms, notably “spatial justice,” Spatial Justice that materiality is assuming in contemporary legal studies. To attempt answers, the article turns to two figures from the middle decades of the twentieth century: Gaston Bachelard – once famous, now mostly forgotten; and Walter Benjamin – once largely forgotten, now famous. A prolific and much-admired writer between 1930 and 1960, Bachelard pursued a trajectory of inquiry that braided two putatively distinct elements: a dialectical and materialist and historical (but non-Marxist) philosophy of science; and a poetics of the material imagination based on inquiry into the literary reception and representation of classical antiquity’s four physical elements – earth, water, fire, and air. Between the late 1920s and 1940, meanwhile, Benjamin developed an idiosyncratic but potent form of historical materialism dedicated to “arousing [the world] from its dream of itself.” The article argues that by mobilizing Bachelard and Benjamin for scholarship at the intersection of law with the humanities, new materialism can be reminded that it has a potent history from which a poetics can be fashioned for the material forms in which law appears to us today. -
Was Pierre Duhem an Esprit De Finesse ?
Transversal: International Journal for the Historiography of Science , 2 (201 7) 93 -107 ISSN 2526 -2270 www.historiographyofscience.org © The Author 201 7 — This is an open access article Dossier Pierre Duhem Was Pierre Duhem an Esprit de finesse ? Víctor Manuel Hernández Márquez 1 Abstract: Although Pierre Duhem is well known for his conventionalist outlook and, in particular, for his critique of crucial experiments outlined in his thesis on the empirical indeterminacy of theory, he also contributed to the scholarship on the psychological profiles of scientists by revising Pascal’s famous distinction between the subtle mind and the geometric mind ( esprits fins and esprits géométriques ). For Duhem, the ideal scientist is the one who combines the defining qualities of both types of intellect. As a physicist, Duhem made important theoretical contributions to the field of thermodynamics as well as to the then-nascent physical chemistry. Due to his rejection of atomism and his unrelenting critique of Maxwell’s electrodynamics, however, in his later years, Duhem’s work was surpassed and abandoned by the dominant tendencies of physics of the time. In this essay, I will discuss whether Duhem himself can be understood through the lens of his own account of the scientist’s psychological profile. More specifically, I examine whether the subtle 93 mind – to which he seems to assign greater cognitive value – in fact plays a key role in Duhem’s critique of the English School ( école anglaise ), or if his preference for the axiomatic structure of theoretical physics shows a greater affinity with the geometric mind. Keywords: Pierre Duhem; subtle and geometric minds; abstract and axiomatic theories; physical theory Received: 30 March 2017. -
Architecture, Space, and Society in Chinese Villages, 1978-2018
Wesleyan University The Honors College Constructing Nostalgic Futurity: Architecture, Space, and Society in Chinese Villages, 1978-2018 by Juntai Shen Class of 2018 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors from the College of Social Studies and with Departmental Honors in Art History Middletown, Connecticut April, 2018 Table of Contents Acknowledgement - 2 - [Introduction] A Playground for Minds and Actions Modern Chinese Villages - 4 - [Chapter 1] Houses as a Mirror of the Boom and Bust Liangjia’s Spontaneous Path of Architectural Development - 27 - [Chapter 2] A Socialist Paradise on Earth Huaxi’s Story of Socialist Great Revival - 59 - [Chapter 3] Intermingled Sounds of Chickens and Dogs Wencun’s Cultural and Aesthetic Experiment - 103 - [Epilogue] The Presence of Nostalgic Futurity - 135 - Research Bibliography - 144 - Image Appendix - 154 - 1 Acknowledgement This project would not have come to fruition were it not for the help of a host of gracious people along the way. Firstly, I am deeply indebted to my thesis advisors, Professors Joseph Siry and Ying Jia Tan. Professor Siry’s infinite knowledge of architectural history and global culture, as well as his incredible work efficiency and sharp criticism pushed me to become a better thinker, writer, and human being. Professor Tan’s high academic standard, and more importantly, his belief in my idea and vision gave me confidence through all the ups and downs during the writing process. I will always treasure my conversations with both about China, villages, buildings, arts, and beyond. -
Beyond Foucault: Excursions in Political Genealogy
Beyond Foucault: Excursions in Political Genealogy Edited by Michael Clifford Printed Edition of the Special Issue Published in Genealogy www.mdpi.com/journal/genealogy Beyond Foucault: Excursions in Political Genealogy Beyond Foucault: Excursions in Political Genealogy Special Issue Editor Michael Clifford MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade Special Issue Editor Michael Clifford Mississippi State University USA Editorial Office MDPI St. Alban-Anlage 66 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Genealogy (ISSN 2313-5778) from 2017 to 2018 (available at: http://www.mdpi.com/journal/genealogy/ special issues/After Foucault) For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03897-244-0 (Pbk) ISBN 978-3-03897-245-7 (PDF) Cover image courtesy of Michael Clifford. Articles in this volume are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles even for commercial purposes, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book taken as a whole is c 2018 MDPI, Basel, Switzerland, distributed under the terms and conditions of the Creative Commons license CC BY-NC-ND (http://creativecommons.org/licenses/by-nc-nd/4.0/). Contents About the Special Issue Editor ...................................... vii Michael Clifford Introduction: Beyond Foucault: Excursions in Political Genealogy Reprinted from: Genealogy 2018, 2, 34, doi: 10.3390/genealogy2030034 .............. -
The Ethical Image in a Topological Perspective: the Poetics of Gaston Bachelard by Kuam-Min Huang
The Ethical Image in a Topological Perspective: the Poetics of Gaston Bachelard by Kuam-Min Huang 1 − CONCEPT OF THE ETHICAL IMAGE The term “ethical image” is derived from the term “moral imagination”, used by Gaston Bachelard. In this conceptual derivation, two moments are immediately to explain. In a first moment, as principle, the image is taken semantically related to the imagination, while being attentive to the theoretical consequences thereof. In this sense, the line of Bergson-Deleuze tending to separate the image from the imagination is meaningful in opening another direction of considering the images as fundamental units for an ontology of multiplicity. Similarly, the priority of perception may endorse the distance between the visual experience in the images and the psychical function elaborated by the imagination. On the contrary, guided by the transcendental subjectivity, the focus on a certain productive imagination from Kant to Schelling (even to Heidegger) is relevant in this philosophical tradition. Within such a framework, the position of Bachelard in crediting a high esteem of the imagination, inscribed in the metaphysics of the subjectivity. In a second moment, the emphasis lies on the connection of the aesthetical with the ethical (or the moral)1, at least on a certain correspondence of the two due to the foundation of imagination. 1 I assimilate the ethical and the moral in taking the “ethical imagination” not being different from “moral imagination”. The distinction between the ethical from the moral may introduce some other theoretical discussions such as the position of Hegel that I will not consider here. Saggi /Ensayos/Essais/Essays 47 Bachelard – 16/10/2012 This idea is not innovatory, but can be found in a Kantian idea that the beauty is a moral symbol, even though Kant himself did not allow the confusion of type (Typus)2 with symbol and endorsed a use of reason rather than that of imagination in a moral action.