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Rosena Hill Jackson Resume
ROSENA M. HILL JACKSON 941-350-8566 [email protected] www.RosenaHill.com BROADWAY/New York Carousel Nettie Jack O’Brien/Justin Peck Prince of Broadway swing Harold Prince/ Susan Stroman After Midnight Rosena Warren Carlyle/Daryl Waters/Wynton Marsalis Carousel Ensemble Avery Fisher Hall/PBS “Live at Lincoln Center” Cotton Club Parade Rosena Encores City Center Lost in the Stars Mrs. Mckenzie Encores Z City Center Come Fly Away Featured Vocalist Marriott Marqui Theatre/Twyla Tharp The Tin Pan Alley Rag Monisha/Miss Lee Roundabout Theatre Co./Stafford arima,dir Oscar Hammerstein II: The Song is You Soloist Carnegie Hall/New York Pops Color Purple Church Lady Broadway Theatre Spamalot Lady of the Lake/Standby Mike Nichols dir. Imaginary Friends Mrs. Stillman & others Jack O'Brien dir. Oklahoma Ellen Trevor Nunn mus dir./Susan Stroman chor. Riverdance on Broadway Amanzi Soloist Gershwin Theater Marie Christine Ozelia Graciela Daniele dir. Ragtime Sarah’s Friend u/s Frank Galati, Graciela Daniele/Ford’s Center REGIONAL The Toymaker Sarah NYMF/Lawrence Edelson,dir The World Goes Round Woman #1 Pittsburgh Public Theater/Marcia Milgrom Dodge,dir Ragtime Sarah White Plains Performing Arts Center Man of Lamancha Aldonza White Plains Performning Arts Center Baby Pam/s Papermill Playhouse Dreamgirls Michelle North Carolina Theater Ain’t Misbehavin’ Armelia Playhouse on the Green Imaginary Friends Smart women soloist Globe Theater 1001 Nights Sophie George Street Playhouse Mandela (with Avery Brooks) Winnie Steven Fisher dir./Crossroads Brief History -
The Evolution of Musical Theatre Dance
Gordon 1 Jessica Gordon 29 March 2010 Honors Thesis Everything was Beautiful at the Ballet: The Evolution of Musical Theatre Dance During the mid-1860s, a ballet troupe from Paris was brought to the Academy of Music in lower Manhattan. Before the company’s first performance, however, the theatre in which they were to dance was destroyed in a fire. Nearby, producer William Wheatley was preparing to begin performances of The Black Crook, a melodrama with music by Charles M. Barras. Seeing an opportunity, Wheatley conceived the idea to combine his play and the displaced dance company, mixing drama and spectacle on one stage. On September 12, 1866, The Black Crook opened at Niblo’s Gardens and was an immediate sensation. Wheatley had unknowingly created a new American art form that would become a tradition for years to come. Since the first performance of The Black Crook, dance has played an important role in musical theatre. From the dream ballet in Oklahoma to the “Dance at the Gym” in West Side Story to modern shows such as Movin’ Out, dance has helped tell stories and engage audiences throughout musical theatre history. Dance has not always been as integrated in musicals as it tends to be today. I plan to examine the moments in history during which the role of dance on the Broadway stage changed and how those changes affected the manner in which dance is used on stage today. Additionally, I will discuss the important choreographers who have helped develop the musical theatre dance styles and traditions. As previously mentioned, theatrical dance in America began with the integration of European classical ballet and American melodrama. -
CAMILLE A. BROWN Choreographer, Performer, Teacher, Cultural Innovator
CAMILLE A. BROWN Choreographer, Performer, Teacher, Cultural Innovator FOUNDER/ARTISTIC DIRECTOR/CHOREOGRAPHER/PERFORMER 2006-present Camille A. Brown & Dancers, contemporary dance company based in New York City www.camilleabrown.org FILM/TELEVISION Ma Rainey’s Black Bottom George C. Wolfe Netflix Jesus Christ Superstar Live David Leveaux NBC BROADWAY Disney’s Aida (Fall 2020) Schele Williams Broadway Theatre TBD Soul Train (2021-22) Kamilah Forbes Broadway Theatre TBD Basquiat (TBD) John Doyle Broadway Theatre TBD Pal Joey (TBD) Tony Goldwyn Broadway Theatre TBD Choir Boy Trip Cullman Samuel Friedman Theatre (MTC) *nominee Tony, Drama Desk Awards Once on This Island Michael Arden Circle in the Square Theatre *nominee Chita Rivera, Outer Critics Circle, Drama Desk Awards A Streetcar Named Desire Emily Mann Broadhurst Theatre OFF-BROADWAY/NEW YORK The Suffragists (October 2020) Leigh Silverman The Public Theater Thoroughly Modern Millie Lear DeBessonet Encores! City Center For Colored Girls Leah Gardiner The Public Theater Porgy and Bess James Robinson The Metropolitan Opera Much Ado About Nothing Kenny Leon Shakespeare in the Park *winner: Audelco Award 2019 Toni Stone Pam McKinnon Roundabout Theatre Company This Ain’t Not Disco Darko Trensjak Atlantic Theatre Company Bella: An American Tall Tale Robert O’Hara Playwrights HoriZons *winner: Lucille Lortel Award 2017 Cabin in the Sky Ruben Santiago-Hudson New York City Center (Encores!) Fortress of Solitude Daniel Aukin The Public Theater *nominee Lucille Lortel Award tick, tick…BOOM! Oliver Butler New York City Center (Encores!) The Box: A Black Comedy Seth Bockley The Irondale Soul Doctor Danny Wise New York Theatre Workshop 450 West 24th Street Suite 1C New York New York 10011 (212) 221-0400 Main (212) 881-9492 Fax www.michaelmooreagency.com Department of Consumer Affairs License #2001545-DCA REGIONAL Treemonisha (May 2022) Camille A. -
“Kiss Today Goodbye, and Point Me Toward Tomorrow”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape. -
The 2009 Lotte Lenya Competition First Round
The 2009 Lotte Lenya Competition Lauren Worsham’s recent credits include Sophie in Master Class (Pa- permill Playhouse), Clara in The Light in the Piazza (Chamber Version - Kilbourn Hall, Eastman School of Music Weston Playhouse), Cunegonde in Candide (New York City Opera), Jerry Springer: The Opera (Carnegie Hall), Olive in The 25th Annual Putnam Saturday, 18 April 2009 County Spelling Bee (First National Tour). New York workshops/readings: Mermaid in a Jar, Le Fou at New Georges, The Chemist's Wife at Tisch, Mir- ror, Mirror at Playwright's Horizons, and Now I Ask You at Provincetown First Round Playhouse. Graduate of Yale University, 2005. Thanks for all the love and support from Bryan and Management 101. Most importantly, I owe it all to my amazing family. Proud member AEA! www.laurenworsham.com The Kurt Weill Foundation for Music, Inc. administers, promotes, and perpetuates the legacies of Kurt Weill and Lotte Lenya. It encourages broad dissemination and appreciation of Weill’s music through support of performances, productions, recordings, and scholarship; it fosters understanding of Weill’s and Lenya’s lives and work within diverse cultural contexts; and, building upon the legacies of both, it nurtures talent, particularly in the creation, performance, and study of musical theater in its various manifestations and media. Established in 1998 by the Kurt Weill Foundation for Music, the Lotte Lenya Competition provides a unique opportunity for talented young singer/actors to show their versatility in musical theater repertoire ranging from opera/operetta to contemporary Broadway, with Competition Administration, for the Kurt Weill Foundation: a focus on the varied works of Kurt Weill. -
Spencer Liff Choreographer Selected Credits Contact: 818 509-0121
spencer liff choreographer selected credits contact: 818 509-0121 < TELEVISION > So You Think You Can Dance (Season 6-10) *Emmy Nominated FOX How I Met Your Mother (Season 7-9) CBS / Dir. Pam Fryman 2 Broke Girls CBS / Dir. Phill Lewis Park and Recreation NBC / Dir. Dean Holland Mike and Molly CBS / Dir. Phill Lewis Happy Land (Pilot) MTV / Dir. Lee Toland Krieger Dancing With the Stars ABC Keeping Up With the Kardashians E! The 65th Primetime Emmy Awards CBS / Dir. Louis Horvitz 67th Tony Awards Opening Number (Assistant Chor) CBS / Neil Patrick Harris 81st Academy Awards w/Hugh Jackman, Beyonce (Asst. Choreographer) *Emmy Award Best Choreography ABC /Dr. Baz Lurhman 85th Academy Awards (Asst. Choreographer) ABC /Dir. Rob Ashford < THEATRE> Hedwig and the Angry Inch Broadway/Dir. Michael Mayer Sleepless in Seattle (World Premiere) Pasadena Playhouse/Dir. Sheldon Epps Spring Awakening Deaf West/Dir. Michael Arden Oliver! The Human Race Theatre/Dir. Alan Souza Shakespeare Theatre Co/Dir. Amanda Two Gentleman of Verona: A Rock Opera Dehnert The Wedding Singer Musical Theatre West/Dir. Larry Raben Saturday Night Fever Royal Caribbean Cruise Lines Aladdin Pasadena Playhouse/ Lythgoe Productions A Snow White Christmas Magical Pictures Ent/Lythgoe Productions An Unforgettable Journey Disney Cruise Lines A Fantasy Come True Disney Cruise Lines Trevor Live (w/Neil Patrick Harris) Trevor Project Benefit/Dir. Adam Shankman Broadway by the Year 2010 Town Hall Theatre, NYC Gypsy of the Year (w/Daniel Radcliffe) BCEFA Benefit, NYC Cry-Baby (Assistant Choreo/Dance Captain) Broadway/Dir. Mark Brokaw **2008 Astaire Award Winner: Best Male Dancer, Best Choreography Equus (Assistant Movement Director/Dance Captain) Broadway/Dir. -
Leonard Bernstein's MASS
27 Season 2014-2015 Thursday, April 30, at 8:00 Friday, May 1, at 8:00 The Philadelphia Orchestra Saturday, May 2, at 8:00 Sunday, May 3, at 2:00 Leonard Bernstein’s MASS: A Theatre Piece for Singers, Players, and Dancers* Conducted by Yannick Nézet-Séguin Texts from the liturgy of the Roman Mass Additional texts by Stephen Schwartz and Leonard Bernstein For a list of performing and creative artists please turn to page 30. *First complete Philadelphia Orchestra performances This program runs approximately 1 hour, 50 minutes, and will be performed without an intermission. These performances are made possible in part by the generous support of the William Penn Foundation and the Andrew W. Mellon Foundation. Additional support has been provided by the Presser Foundation. 28 I. Devotions before Mass 1. Antiphon: Kyrie eleison 2. Hymn and Psalm: “A Simple Song” 3. Responsory: Alleluia II. First Introit (Rondo) 1. Prefatory Prayers 2. Thrice-Triple Canon: Dominus vobiscum III. Second Introit 1. In nomine Patris 2. Prayer for the Congregation (Chorale: “Almighty Father”) 3. Epiphany IV. Confession 1. Confiteor 2. Trope: “I Don’t Know” 3. Trope: “Easy” V. Meditation No. 1 VI. Gloria 1. Gloria tibi 2. Gloria in excelsis 3. Trope: “Half of the People” 4. Trope: “Thank You” VII. Mediation No. 2 VIII. Epistle: “The Word of the Lord” IX. Gospel-Sermon: “God Said” X. Credo 1. Credo in unum Deum 2. Trope: “Non Credo” 3. Trope: “Hurry” 4. Trope: “World without End” 5. Trope: “I Believe in God” XI. Meditation No. 3 (De profundis, part 1) XII. -
Cast Biographies Chris Mann
CAST BIOGRAPHIES CHRIS MANN (The Phantom) rose to fame as Christina Aguilera’s finalist on NBC’s The Voice. Since then, his debut album, Roads, hit #1 on Billboard's Heatseekers Chart and he starred in his own PBS television special: A Mann For All Seasons. Chris has performed with the National Symphony for President Obama, at Christmas in Rockefeller Center and headlined his own symphony tour across the country. From Wichita, KS, Mann holds a Vocal Performance degree from Vanderbilt University and is honored to join this cast in his dream role. Love to the fam, friends and Laura. TV: Ellen, Today, Conan, Jay Leno, Glee. ChrisMannMusic.com. Twitter: @iamchrismann Facebook.com/ChrisMannMusic KATIE TRAVIS (Christine Daaé) is honored to be a member of this company in a role she has always dreamed of playing. Previous theater credits: The Most Happy Fella (Rosabella), Titanic (Kate McGowan), The Mikado (Yum- Yum), Jekyll and Hyde (Emma Carew), Wonderful Town (Eileen Sherwood). She recently performed the role of Cosette in Les Misérables at the St. Louis MUNY alongside Norm Lewis and Hugh Panero. Katie is a recent winner of the Lys Symonette award for her performance at the 2014 Lotte Lenya Competition. Thanks to her family, friends, The Mine and Tara Rubin Casting. katietravis.com STORM LINEBERGER (Raoul, Vicomte de Chagny) is honored to be joining this new spectacular production of The Phantom of the Opera. His favorite credits include: Lyric Theatre of Oklahoma: Disney’s The Little Mermaid (Prince Eric), Les Misérables (Feuilly). New London Barn Playhouse: Les Misérables (Enjolras), Singin’ in the Rain (Roscoe Dexter), The Music Man (Jacey Squires, Quartet), The Student Prince (Karl Franz u/s). -
Guest Artists
Guest Artists George Hamilton, Broadway and Film Actor, Broadway Actresses Charlotte D’Amboise & Jasmine Guy speaks at a Chicago Day on Broadway speak at a Chicago Day on Broadway Fashion Designer, Tommy Hilfiger, speaks at a Career Day on Broadway SAMPLE BROADWAY GUEST ARTISTS CHRISTOPHER JACKSON - HAMILTON Christopher Jackson- Hamilton – original Off Broadway and Broadway Company, Tony Award nomination; In the Heights - original Co. B'way: Orig. Co. and Simba in Disney's The Lion King. Regional: Comfortable Shoes, Beggar's Holiday. TV credits: "White Collar," "Nurse Jackie," "Gossip Girl," "Fringe," "Oz." Co-music director for the hit PBS Show "The Electric Company" ('08-'09.) Has written songs for will.i.am, Sean Kingston, LL Cool J, Mario and many others. Currently writing and composing for "Sesame Street." Solo album - In The Name of LOVE. SHELBY FINNIE – THE PROM Broadway debut! “Jesus Christ Superstar Live in Concert” (NBC), Radio City Christmas Spectacular (Rockette), The Prom (Alliance Theatre), Sarasota Ballet. Endless thanks to Casey, Casey, John, Meg, Mary-Mitchell, Bethany, LDC and Mom! NICKY VENDITTI – WICKED Dance Captain, Swing, Chistery U/S. After years of practice as a child melting like the Wicked Witch, Nicky is thrilled to be making his Broadway debut in Wicked. Off-Broadway: Trip of Love (Asst. Choreographer). Tours: Wicked, A Chorus Line (Paul), Contact, Swing! Love to my beautiful family and friends. BRITTANY NICHOLAS – MEAN GIRLS Brittany Nicholas is thrilled to be part of Mean Girls. Broadway: Billy Elliot (Swing). International: Billy Elliot Toronto (Swing/ Dance Captain). Tours: Billy Elliot First National (Original Cast), Matilda (Swing/Children’s Dance Captain). -
Resume 2017.Pgs
JANE LABANZ www.janelabanz.com Height: 5’5” / Weight: 120 212 300 5653 Soprano/Mix/Light Belt AEA SAG/AFTRA Strong High Notes 330 West 42nd Street, 18th Floor New York, NY 10036 212-629-9112 [email protected] BROADWAY/NATIONAL TOURS Director Anything Goes Hope u/s (Broadway and National Tour) Jerry Zaks The King and I Anna (Sandy Duncan / Stefanie Powers standby) Baayork Lee The Best Little Whorehouse in Texas Ginger (Doatsey Mae u/s) Thommie Walsh (Cast album, w/ Ann-Margret) Eric Schaeffer Annie Grace Farrell Bob Fitch 42nd Street Phyllis Dale (Peggy u/s) Mark Bramble The Sound of Music (w/ Marie Osmond) Swing/Dance Captain Jamie Hammerstein Bye Bye Birdie (w/ Tommy Tune/Anne Reinking) Kim u/s (to Susan Egan) Gene Saks Dr. Dolittle (w/ Tommy Tune) Puddleby Tommy Tune Cats Jelly/Jenny/Swing David Taylor REGIONAL THEATRE Tuck Everlasting (World Premiere /Alliance Theatre) Older Winnie (Nanna u/s) Casey Nicholaw (Dir.) Love Story (American Premiere) Alison Barrett Walnut Street Theatre A Little Night Music Mrs. Nordstrom / Dance Captain Cincinnati Playhouse 9 to 5 Violet Newstead Tent Theatre I Love a Piano Eileen Milwaukee Repertory Always…Patsy Cline Louise Seger New Harmony Theatre The Cocoanuts (Helen Hayes Award, Best Musical) Polly Potter Arena Stage Noises Off Brooke Ashton Totem Pole Playhouse Cinderella Fairy Godmother / Queen u/s North Shore Music Theatre The Nerd Clelia Waldgrave Totem Pole Playhouse The Music Man Marian Paroo Pittsburgh Playhouse George M! Nellie Cohan Theatre by the Sea George M! Agnes Nolan (plus 9 other -
Download Resume
PHONE 917.447.7687 E - MAIL [email protected] www.linkedin.com/in/dunjavitolic DUNJA VITOLIC Highly resourceful, Emmy-winning producer with years of experience on east and west coasts in production, development, management, and casting. Proactive, hardworking multi-tasker with exceptionally strong writing ability, organizational skills, attention to detail, diligence in follow-through, unusually detailed memory, and a positive and flexible attitude injected with a healthy dose of humor. Equally comfortable in collaborative settings or working independently. EXPERIENCE Technicolor 8/16-present Los Angeles, CA Senior Producer, Marketing Services 1/17-present • Senior supervising producer for Netflix marketing content: finishing and localization for trailers and broadcast/online spots; responsible for managing the entire production team for Netflix, including producers, operators, editors, and graphic artists, and overseeing thousands of deliverables • Supervising, training, and mentoring junior producers and coordinating every aspect of the production workflow for Netflix finishing team and division of current projects and responsibilities • Working hands-on with Director of Operations and Director of Production within the marketing group to streamline and modify workflows and improve efficiencies specific to Netflix production pipeline; working with Technicolor building-wide personnel to continually update and refresh available technical resources • Handling monthly budget projections and reports, based on current and future projects -
Broadcast December 23 at 7 Pm & December 25 at 1 Pm on WOWT Channel 6
Broadcast December 23 at 7 pm & December 25 at 1 pm on WOWT Channel 6 Ernest Richardson, principal pops conductor Parker Esse, stage director/choreographer Maria Turnage, associate stage director ROBERT H. STORZ FOUNDATION PROGRAM The Most Wonderful Time of the Year/ Jingle Bells JAMES LORD PIERPONT/ARR. ELLIOTT Christmas Waltz VARIOUS/ARR. KESSLER Happy Holiday - The Holiday Season IRVING BERLIN/ARR. WHITFIELD Joy to the World TRADITIONAL/ARR. RICHARDSON Mother Ginger (La mère Gigogne et Danse russe Trepak from Suite No. 1, les polichinelles) from Nutcracker PIOTR ILYICH TCHAIKOVSKY from Nutcracker PIOTR ILYICH TCHAIKOVSKY We Are the Very Model of a God Bless Us Everyone from Modern Christmas Shopping Pair A Christmas Carol from Pirates of Penzance ALAN SILVESTRI/ARR. ROSS ARTHUR SULLIVAN/LYRICS BY RICHARDSON Silent Night My Favorite Things from FRANZ GRUBER/ARR. RICHARDSON The Sound of Music RICHARD RODGERS/ARR. WHITFIELD Snow/Jingle Bells IRVING BERLIN/ARR. BARKER O Holy Night ADOLPH-CHARLES ADAM/ARR. RICHARDSON Let It Snow, Let It Snow, Let It Snow JULE STYNE/ARR. SEBESKY We Need a Little Christmas JERRY HERMAN/ARR. WENDEL Frosty the Snowman WALTER ROLLINS/ARR. KATSAROS Hark All Ye Shepherds TRADITIONAL/ARR. RICHARDSON Sleigh Ride LEROY ANDERSON 2 ARTISTIC DIRECTION Ernest Richardson, principal pops conductor and resident conductor of the Omaha Symphony, is the artistic leader of the orchestra’s annual Christmas Celebration production and internationally performed “Only in Omaha” productions, and he leads the successful Symphony Pops, Symphony Rocks, and Movies Series. Since 1993, he has led in the development of the Omaha Symphony’s innovative education and community engagement programs.