Lifetime Achievement Award | GRAMMY.Org

Total Page:16

File Type:pdf, Size:1020Kb

Lifetime Achievement Award | GRAMMY.Org Lifetime Achievement Award | GRAMMY.org The Recording Academy GRAMMY Foundation MusiCares Home ► The Recording Academy ► GRAMMY Awards Lifetime Achievement Award This Special Merit Award is presented by vote of The Recording Academy's National Trustees to performers* who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording. (*Through 1972, recipients included non-performers.) Past Recipients Roy Acuff The Allman Brothers Band Marian Anderson Awarded: 1987 Awarded: 2012 Awarded: 1991 Julie Andrews Louis Armstrong Eddy Arnold Awarded: 2011 Awarded: 1972 Awarded: 2005 Fred Astaire Chet Atkins Gene Autry Awarded: 1989 Awarded: 1993 Awarded: 2009 Burt Bacharach Joan Baez The Band Awarded: 2008 Awarded: 2007 Awarded: 2008 Count Basie The Beach Boys The Beatles Awarded: 2002 Awarded: 2001 Awarded: 2014 Harry Belafonte Tony Bennett Irving Berlin Awarded: 2000 Awarded: 2001 Awarded: 1968 Leonard Bernstein Chuck Berry Art Blakey Awarded: 1985 Awarded: 1984 Awarded: 2005 Bobby "Blue" Bland The Blind Boys Of Alabama Booker T. & The MG's Awarded: 1997 Awarded: 2009 Awarded: 2007 David Bowie James Brown Dave Brubeck Awarded: 2006 Awarded: 1992 Awarded: 1996 Maria Callas Cab Calloway Glen Campbell Awarded: 2007 file:///C|/Kasfiles/MPART/Lifetime%20Achievement%20Award%20%20%20GRAMMY.org.htm[12/21/2013 8:00:08 PM] Lifetime Achievement Award | GRAMMY.org Awarded: 2008 Awarded: 2012 Benny Carter (Original) Carter Family Enrico Caruso Awarded: 1987 Awarded: 2005 Awarded: 1987 Pablo Casals Johnny Cash Ray Charles Awarded: 1989 Awarded: 1999 Awarded: 1987 Clifton Chenier Van Cliburn Patsy Cline Awarded: 2014 Awarded: 2004 Awarded: 1995 Rosemary Clooney Leonard Cohen Nat "King" Cole Awarded: 2002 Awarded: 2010 Awarded: 1990 Ornette Coleman John Coltrane Perry Como Awarded: 2007 Awarded: 1992 Awarded: 2002 Sam Cooke Cream Bing Crosby Awarded: 1999 Awarded: 2006 Awarded: 1962 Bobby Darin Sammy Davis Jr. Miles Davis Awarded: 2010 Awarded: 2001 Awarded: 1990 Doris Day Bo Diddley Fats Domino Awarded: 2008 Awarded: 1998 Awarded: 1987 The Doors Bob Dylan David "Honeyboy" Edwards Awarded: 2007 Awarded: 1991 Awarded: 2010 Duke Ellington Bill Evans The Everly Brothers Awarded: 1966 Awarded: 1994 Awarded: 1997 Ella Fitzgerald The Four Tops Aretha Franklin Awarded: 1967 Awarded: 2009 Awarded: 1994 The Funk Brothers Judy Garland Marvin Gaye Awarded: 2004 Awarded: 1997 Awarded: 1996 Dizzy Gillespie Benny Goodman Glenn Gould Awarded: 1989 Awarded: 1986 Awarded: 2013 Morton Gould Stephane Grappelli Grateful Dead Awarded: 2005 Awarded: 1997 Awarded: 2007 Al Green Woody Guthrie Charlie Haden Awarded: 2002 Awarded: 2000 Awarded: 2013 Merle Haggard Roy Haynes Jascha Heifetz Awarded: 2006 Awarded: 2011 Awarded: 1989 Jimi Hendrix Woody Herman Billie Holiday Awarded: 1992 Awarded: 1987 Awarded: 1987 Buddy Holly John Lee Hooker Lightnin' Hopkins Awarded: 1997 Awarded: 2000 Awarded: 2013 file:///C|/Kasfiles/MPART/Lifetime%20Achievement%20Award%20%20%20GRAMMY.org.htm[12/21/2013 8:00:08 PM] Lifetime Achievement Award | GRAMMY.org Lena Horne Vladimir Horowitz The Isley Brothers Awarded: 1989 Awarded: 1990 Awarded: 2014 Mahalia Jackson Michael Jackson Etta James Awarded: 1972 Awarded: 2010 Awarded: 2003 Ella Jenkins Antonio Carlos Jobim Robert Johnson Awarded: 2004 Awarded: 2012 Awarded: 2006 George Jones Hank Jones Janis Joplin Awarded: 2012 Awarded: 2009 Awarded: 2005 Juilliard String Quartet B.B. King Carole King Awarded: 2011 Awarded: 1987 Awarded: 2013 The Kingston Trio Kraftwerk Kris Kristofferson Awarded: 2011 Awarded: 2014 Awarded: 2014 Led Zeppelin Brenda Lee Peggy Lee Awarded: 2005 Awarded: 2009 Awarded: 1995 John Lennon Jerry Lee Lewis Little Richard Awarded: 1991 Awarded: 2005 Awarded: 1993 Loretta Lynn Henry Mancini Armando Manzanero Awarded: 2010 Awarded: 1995 Awarded: 2014 Bob Marley Dean Martin Johnny Mathis Awarded: 2001 Awarded: 2009 Awarded: 2003 Curtis Mayfield Paul McCartney The Memphis Horns Awarded: 1995 Awarded: 1990 Awarded: 2012 Glenn Miller Mitch Miller The Mills Brothers Awarded: 2003 Awarded: 2000 Awarded: 1998 Charles Mingus Joni Mitchell Thelonious Monk Awarded: 1997 Awarded: 2002 Awarded: 1993 Bill Monroe Jelly Roll Morton Willie Nelson Awarded: 1993 Awarded: 2005 Awarded: 2000 Jessye Norman Roy Orbison Patti Page Awarded: 2006 Awarded: 1998 Awarded: 2013 Charlie Parker Dolly Parton Tom Paxton Awarded: 1984 Awarded: 2011 Awarded: 2009 Pinetop Perkins Itzhak Perlman Oscar Peterson Awarded: 2005 Awarded: 2008 Awarded: 1997 Maud Powell Elvis Presley André Previn Awarded: 2014 Awarded: 1971 Awarded: 2010 Leontyne Price Richard Pryor Tito Puente file:///C|/Kasfiles/MPART/Lifetime%20Achievement%20Award%20%20%20GRAMMY.org.htm[12/21/2013 8:00:08 PM] Lifetime Achievement Award | GRAMMY.org Awarded: 1989 Awarded: 2006 Awarded: 2003 Ramones Otis Redding Max Roach Awarded: 2011 Awarded: 1999 Awarded: 2008 Paul Robeson Smokey Robinson The Rolling Stones Awarded: 1998 Awarded: 1999 Awarded: 1986 Sonny Rollins Diana Ross Artur Rubinstein Awarded: 2004 Awarded: 2012 Awarded: 1994 Gil Scott-Heron Earl Scruggs Pete Seeger Awarded: 2012 Awarded: 2008 Awarded: 1993 Andrés Segovia Ravi Shankar Artie Shaw Awarded: 1986 Awarded: 2013 Awarded: 2004 George Beverly Shea Simon & Garfunkel Frank Sinatra Awarded: 2011 Awarded: 2003 Awarded: 1965 Bessie Smith Georg Solti The Staple Singers Awarded: 1989 Awarded: 1996 Awarded: 2005 Isaac Stern Igor Stravinsky Barbra Streisand Awarded: 1987 Awarded: 1987 Awarded: 1995 Art Tatum The Temptations Clark Terry Awarded: 1989 Awarded: 2013 Awarded: 2010 Mel Tormé Arturo Toscanini Sarah Vaughan Awarded: 1999 Awarded: 1987 Awarded: 1989 Fats Waller Muddy Waters Doc Watson Awarded: 1993 Awarded: 1992 Awarded: 2004 The Weavers Kitty Wells The Who Awarded: 2006 Awarded: 1991 Awarded: 2001 Hank Williams Bob Wills Stevie Wonder Awarded: 1987 Awarded: 2007 Awarded: 1996 Frank Zappa Awarded: 1997 The Recording Academy Overview GRAMMY Awards Lifetime Achievement Award Trustees Award file:///C|/Kasfiles/MPART/Lifetime%20Achievement%20Award%20%20%20GRAMMY.org.htm[12/21/2013 8:00:08 PM].
Recommended publications
  • Time 1925 1930 1935 1940 1945 1950 1955 1960 1965 1970 1975 1980 1985 1990 1995 2000 2005 2010
    Giulio Gatti Casazza 1926 Director, Metropolitan Opera Arturo Toscanini Leopold Stokowski 1926 1930 Conductor Conductor Pietro Mascagni Lucrezia Bori James Cæsar Petrillo 1926 1930 1948 Composer Singer Head, American Federation of Musicians Richard Strauss Alfred Hertz Sergei Koussevitsky Helen Traubel Charles Munch 1938 1927 1930 1946 1949 Composer and conductor Conductor Conductor Singer Conductor Ignace J Paderewski Geraldine Farrar Joseph Deems Taylor Marian Anderson Cole Porter 1939 1927 1931 1946 1949 Kirsten Flagstad Pianist, politician Singer Composer, critic Singer Composer 1935 Lauritz Melchior Giulio Gatti-Casazza Ignace Jan Paderewski Yehudi Menuhin Singer Artur Rodziński Gian Carlo Menotti Maria Callas 1940 1923 1928 1932 1947 1950 1956 Artur Rubinstein Edward Johnson Singer Director, Metropolitan Opera Pianist, politician Violinist; 16 years old Conductor Composer Singer 1966 1936 Leopold Stokowski Pianist Johann Sebastian Bach Nellie Melba Mary Garden Lawrence Tibbett Singer Arturo Toscanini Mario Lanza & Enrico Caruso Leonard Bernstein 1940 1968 1927 1930 1933 1948 1951 1957 Jean Sibelius Conductor Dmitri Shostakovich Composer (1685–1750) Singer Singer Singer Conductor Singers Composer, conductor 1937 1942 Beverly Sills Richard Strauss Rosa Ponselle Arturo Toscanini Composer Composer Benjamin Britten Patrice Munsel Renata Tebaldi Rudolf Bing Luciano Pavarotti 1971 1927 1931 1934 1948 1951 1958 1966 1979 Sergei Koussevitsky Sir Thomas Beecham Leontyne Price Singer Georg Solti Composer, conductor Singer Conductor Composer
    [Show full text]
  • Enrico Caruso (1873-1921)
    ENRICO CARUSO (1873-1921) Birth Name: Enrico Caruso Place of Birth: Naples, Italy Career Highlights: Enrico Caruso was widely considered the greatest international opera star of his day. He was not American – Caruso was born and died in Naples, Italy – but he spent many years living in New York as a leading star at the Metropolitan Opera, and was the United States’ first recording superstar, issuing almost 300 recordings with the Victor Talking Machine Company (later RCA). While much of his recording focused on operatic works, Caruso recorded many popular songs, including the Neapolitan (southern Italian) song “O Sole Mio,” in the language of his native Naples. (In 1960, Elvis Presley had a No. 1 hit with the song “It’s Now or Never,” sung to same tune as “O Sole Mio.”) In 1918, Caruso recorded the patriotic American World War I song “Over There.” Recording: “O Sole Mio” (traditional Italian song), 1916 Recording: “Over There” (patriotic World War I song), 1918 Questions to consider: What cities are the newspapers below from? What does the size and placement of the articles about Caruso’s death suggest about his popularity in the United States? What are some of the terms used to describe Caruso in the headlines to these articles? Why might American audiences have been interested in listening to recordings of popular Italian songs? What does Caruso’s recording of a song like “Over There” suggest about his attitude toward the United States? About Americans’ attitudes toward him? Why might it have been easier for an Italian to find success as an opera star in the United States during this period than in another field? How might Caruso’s success have helped paved the way for singers of Italian descent who came after him?.
    [Show full text]
  • Pablo Villegas and Madcámara at Festival Casals
    MUSIC Pablo Villegas and SAN JUAN, PR MADCámara at Festival Wed, March 04– Casals Wed, March 11, 2015 Venue Centro de Bellas Artes Luis A. Ferré, Sala Sinfónica Pablo Casals, Ponce de León Ave., San Juan, PR View map Phone: 787-918-1106 Admission Buy tickets More information Festival Casals Credits Organized by the Corporation of Musical Arts of Puerto Rico. Supported by Cooperación Española Founded in 1956 by the famous cellist, conductor, and and the General Consulate of Spain composer Pablo Casals, the festival brings together the most in Puerto Rico. outstanding musical talent in the world. MADCÁMARA ■ On March 4 at 8 pm. Free event. ■ At Teatro Bertita y Guillermo L. Martínez, Sala Jesús María Sanromá. The musical trio MADCámara, which consists of a cello, a clarinet and a piano, will play a repertoire based on compositions by Mozart (K. 498 Kegelstatt), Nino Rota and the eight pieces of clarinet, cello and piano, Op. 83 of Max Bruch. The trio was born as result of the professional relationship of its members in various conservatories from the Community of Madrid. MADCámara’s repertoire ranges from classical music to specially-commissioned works by recognized Spanish composers of contemporary music. PABLO VILLEGAS, GUITAR ■ On March 11 at 8 pm. ■ At Sala Sinfónica Pablo Casals. Pablo Villegas is celebrated by the international press as an ambassador of Spanish culture, with performances in more than 30 countries. Since his Embassy of Spain – Cultural Office | 2801 16th Street, NW, Washington, D.C. 20009 | Tel: (202) 728-2334 View this event online: https://www.spainculture.us/city/san-juan-puerto-rico/pablo-sainz-villegas-at-festival-casals/ Created on 09/27/2021 | Page 1 of 2 auspicious debut with the New York Philharmonic under Rafael Frühbeck de Burgos at Avery Fisher Hall, he has performed with such orchestras as the Israel and Los Angeles philharmonics and the San Francisco and Boston symphonies.
    [Show full text]
  • October 25Th 2011
    + HIGH ENERGY/DANCE Brick House, Commodores All Night Long, Lionel Ritchie 1999, Prince Le Freak, CHIC Can’t feel my face, The Weeknd We Are Family, Sister Sledge Shut up and dance with me, Walk the YMCA, The Village People moon Crazy Little Thing Called Love, Queen Uptown Funk, Bruno Mars Love Song, The Cure Footloose, Blake Shelton I'm So Excited, Pointer Sisters Shake it off, Taylor Swift Girls Just Want To Have Fun, Cindy Cupid Shuffle, Cupid Lauper Happy, Pharrell Williams Keep Your Hands To Yourself, Georgia Moves like Jagger, Maroon 5 Satellites I Know You Want Me, Pitbull The House is Rockin', Stevie Ray Vaughn Let's Dance, Lady Gaga 867-5309 (Jenny, Jenny), Tommy Firework, Katy Perry Tutone Let's Go Crazy, Prince The Future's So Bright (I Gotta Wear Blurred Lines, Robin Thicke Shades), Timbuk 3 Get Lucky, Daft Punk Jungle Love, Steve Miller Party Rock Anthem, LMFAO Old Time Rock n' Roll, Bob Seger Gingham Style, Psy Feel Like Makin' Love, Bad Company Don't Stop The Party, Pitbull La Grange, ZZ Top I Gotta Feeling, The Black-Eyed Peas Hotel California, The Eagles Play That Funky Music, Wild Cherry Volcano, Jimmy Buffet Love Shack, B-52s Margaritaville, Jimmy Buffet Hey Ya, Outkast Satisfaction, The Rolling Stones Tubthumpin', Chumbawamba Sweet Caroline, Neil Diamond I Will Survive, Gloria Gaynor She Loves You, The Beatles Brick House, Commodores Twist and Shout, The Beatles California Sun, The Rivieras Jailhouse Rock, Elvis Presley Celebration, Kool and the Gang La Bamba, Richie Valens Hot, Hot, Hot, Buster Poindexter Pretty Woman, Roy Orbison I Feel Good, James Brown Mustang Sally, Wilson Pickett I'm A Believer, Smashmouth Boot Scootin' Boogie, Brooks and Dunn Turn The Beat Around, Vicky Sue Steamroller Blues, James Taylor Robinson Proud Mary, Tina Turner That's The Way I Like It, K.C.
    [Show full text]
  • Howard Dyck Reflects on Glenn Gould's The
    “What you intended to say”: Howard Dyck Reflects on Glenn Gould’s The Quiet in the Land Doreen Helen Klassen The Quiet in the Land is a radio documentary by Canadian pianist and composer Glenn Gould (1932-82) that features the voices of nine Mennonite musicians and theologians who reflect on their Mennonite identity as a people that are in the world yet separate from it. Like the other radio compositions in his The Solitude Trilogy—“The Idea of North” (1967) and “The Latecomers” (1969)—this work focuses on those who, either through geography, history, or ideology, engage in a “deliberate withdrawal from the world.”1 Based on Gould’s interviews in Winnipeg in July 1971, The Quiet in the Land was released by the Canadian Broadcasting Corporation (CBC) only in 1977, as Gould awaited changes in technology that would allow him to weave together snatches of these interviews thematically. His five primary themes were separateness, dealing with an increasingly urban and cosmopolitan lifestyle, the balance between evangelism and isolation, concern with others’ well-being in relation to the historic peace position, and maintaining Mennonite unity in the midst of fissions.2 He contextualized the documentary ideologically and sonically by placing it within the soundscape of a church service recorded at Waterloo-Kitchener United Mennonite Church in Waterloo, Ontario.3 Knowing that the work had received controversial responses from Mennonites upon its release, I framed my questions to former CBC radio producer Howard Dyck,4 one of Gould’s interviewees and later one of his 1 Bradley Lehman, “Review of Glenn Gould’s ‘The Quiet in the Land,’” www.
    [Show full text]
  • American Masters 200 List Finaljan2014
    Premiere Date # American Masters Program Title (Month-YY) Subject Name 1 ARTHUR MILLER: PRIVATE CONVERSATIONS On the Set of "Death of a Salesman" June-86 Arthur Miller 2 PHILIP JOHNSON: A SELF PORTRAIT June-86 Philip Johnson 3 KATHERINE ANNE PORTER: THE EYE OF MEMORY July-86 Katherine Anne Porter 4 UNKNOWN CHAPLIN (Part 1) July-86 Charlie Chaplin 5 UNKNOWN CHAPLIN (Part 2) July-86 Charlie Chaplin 6 UNKNOWN CHAPLIN (Part 3) July-86 Charlie Chaplin 7 BILLIE HOLIDAY: THE LONG NIGHT OF LADY DAY August-86 Billie Holiday 8 JAMES LEVINE: THE LIFE IN MUSIC August-86 James Levine 9 AARON COPLAND: A SELF PORTRAIT August-86 Aaron Copland 10 THOMAS EAKINS: A MOTION PORTRAIT August-86 Thomas Eakins 11 GEORGIA O'KEEFFE September-86 Georgia O'Keeffe 12 EUGENE O'NEILL: A GLORY OF GHOSTS September-86 Eugene O'Neill 13 ISAAC IN AMERICA: A JOURNEY WITH ISAAC BASHEVIS SINGER July-87 Isaac Bashevis Singer 14 DIRECTED BY WILLIAM WYLER July-87 William Wyler 15 ARTHUR RUBENSTEIN: RUBENSTEIN REMEMBERED July-87 Arthur Rubinstein 16 ALWIN NIKOLAIS AND MURRAY LOUIS: NIK AND MURRAY July-87 Alwin Nikolais/Murray Louis 17 GEORGE GERSHWIN REMEMBERED August-87 George Gershwin 18 MAURICE SENDAK: MON CHER PAPA August-87 Maurice Sendak 19 THE NEGRO ENSEMBLE COMPANY September-87 Negro Ensemble Co. 20 UNANSWERED PRAYERS: THE LIFE AND TIMES OF TRUMAN CAPOTE September-87 Truman Capote 21 THE TEN YEAR LUNCH: THE WIT AND LEGEND OF THE ALGONQUIN ROUND TABLE September-87 Algonquin Round Table 22 BUSTER KEATON: A HARD ACT TO FOLLOW (Part 1) November-87 Buster Keaton 23 BUSTER KEATON:
    [Show full text]
  • Deana Carter Danny Myrick
    Deana Carter DEANA CARTER, the daughter of famed studio guitarist and producer Fred Carter, Jr., grew up surrounded by musical greats, including Willie Nelson, Bob Dylan, Waylon Jennings, and Simon & Garfunkel. She developed her songwriting skills at writer’s nights throughout Nashville, but her real break came when one of her demo tapes fell into the hands of Willie Nelson, who remembered Deana as a child. Impressed with how she’d grown as a songwriter, Nelson asked Deana to perform along with John Mellencamp, Kris Kristofferson, and Neil Young, as the only female solo artist to appear at Farm Aid VII in 1994. Her 1996 debut album Did I Shave My Legs for This? quickly climbed to the top of both the country and pop charts, quickly achieving multi-platinum status. "Strawberry Wine,” the first single from the album, was awarded CMA's 1997 Single of the Year. Seven albums and a decade later, Deana is still writing and producing for both the pop/rock and country markets when not on the road touring. Her superstar success continues to be evident. Her chart topper “You & Tequila,” co-written with Matraca Berg and recorded by Kenny Chesney, was nominated in 2011 as CMA’s “Song of the Year” and received two Grammy nods. Carter also recently co-wrote and produced a new album for recording artist Audra Mae while putting the finishing touches on her own Southern Way of Life that hit the shelves last December. Danny Myrick DANNY MYRICK is an award winning songwriter and musician based here in Nashville.
    [Show full text]
  • Armando Manzanero Manuel Barrero Bueno ©EFE/Juan “Los Mayas Supieron Ver Para Arriba” “The Maya Looked to the Sky”
    Reportaje / Reportage Armando Manzanero Manuel Barrero Bueno ©EFE/Juan “Los mayas supieron ver para arriba” “The Maya Looked to the Sky” as noches estrelladas del cielo maya he starry nights of the Mayan fueron el mágico techo de su infan- skies stretched a magical canopy cia y juventud: la luna allá en lo alto, over his childhood and youth: the Lel mar que lo atraía, el amor… Al Tmoon above, the sea that capti- mítico compositor Armando Manzanero, vated him, love... Legendary composer Ar- nacido en 1935 en Yucatán, México, su mando Manzanero, born in Yucatán, Méxi- fascinante tierra natal le ha brindado imá- co in 1935, has drawn on the fascinating genes que han aforado durante décadas land of his birth for images that have, over en las maravillosas canciones de su consis- the decades, become the wonderful songs tente producción musical. of his long-running musical career. Luis Miguel, Plácido Domingo, Chavela Luis Miguel, Plácido Domingo, Chavela Vargas, Lucho Gatica, Julio Iglesias, Rober- Vargas, Lucho Gatica, Julio Iglesias, Rober- to Carlos, Susana Zabaleta, Raphael, Tania to Carlos, Susana Zabaleta, Raphael, Tania Libertad y el trío Los Panchos son algunos Libertad, and the Los Panchos trio are de los intérpretes que han llevado en espa- some of the artists who have popularized ñol sus canciones por el mundo; mientras the Spanish versions of his songs around que Elvis Presley, Elis Regina y Johnny the world, while Elvis Presley, Elis Regina, Mathis, entre otros, las interpretaron con and Johnny Mathis, among others, have gran éxito en idiomas diferentes. El propio performed his songs to great acclaim in Manzanero ha sido un incansable viajero other languages.
    [Show full text]
  • To Download Press
    BIO - GRAPHY Tapestry Tapestry made its debut in Jordan Hall with a performance of Steve Reich’s Cristi Catt, soprano, has performed with Tehillim, deemed “a knockout” by The Boston Globe. The trademark of the leading early music groups including En- Boston-based vocal ensemble is combining medieval repertory and contem- semble PAN, Revels, Boston Camerata porary compositions in bold, conceptual programming. Critics hail their rich and La Donna Musicale. Her interest in the distinctive voices, their “technically spot-on singing” and their emotionally meeting points between medieval and folk charged performances. The LA Times writes “They sing beautifully separately traditions has led to research grants to Por- and together with a glistening tone and precise intonation” and The Cleve- tugal and France, and performances with land Plain Dealer describes Tapestry as “an ensemble that plants haunting HourGlass, Le Bon Vent, Blue Thread, and vibrations, old and new, in our ears.” Most recently, Tapestry has expanded their repertoire to include works of impression- ists including Debussy, Lili Boulanger and Vaughan Williams for a US tour in celebra- tion of the 100-year anniversary of World War One Armistice, culminating with a per- formance at the National Gallery in Wash- ington DC. Their newest program, Beyond Borders, builds on their impressionistic discoveries and expands to works of Duke Ellington, Samuel Barber, and Leonard Ber- nstein programmed with early music and folk songs. Concert appearances include the Utrecht Early Music and
    [Show full text]
  • Country Music Special 1979
    COUNTRY MUSIC SPECIAL 1979 Songwriters: Unsung Heroes The Future Looks Bright For Are Enjoying New Popularity Country Music Labels, Artists (continued from nage C-22) (continued from page C-20) very little monetary reward for some time," Songwriters Hall of Fame. Founded in 1970, "Television seems to be the primary that area slowing down either. Cavender noted. "It takes tenacity, dedica- the list of Hall of Famers now boasts some market in any country in getting the big "I've always contended that if country tion, hard work and total concentration for a 74 names. Four more songwriters will be word out," Walker said. "Getting the music could be heard more, it would long, thankless period. But the writer does immortalized this week (Oct. 7) when the awards show on would allow us to expose become more popular," said Walker. "That receive something very important - self association announces this year's new country music to a large group of people was the theory behind trying to get more fulfillment. I don't think you can ask for members. who 'may have never heard country music radio stations to program country music. much more of a reward than fulfillment of A nomination list is comprised yearly by before." That was our first goal when the CMA was self." the NSAI board of directors, the past presi- Of the countries the CMA is hoping to organized. I think the figures speak for The NSAI was formed in 1967 to aid the dent of the association and a selected elec- develop, Walker said that Germany would themselves.
    [Show full text]
  • Guide to the Bill Holman Collection
    Guide to the Bill Holman Collection NMAH.AC.0733 Scott Schwartz, Ann Kuebler, and Pam Kirby 2001 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Music Manuscripts, 1952 - 1999.............................................................. 4 Series 2: Photographs and Business Records, 1975-1997.................................... 28 Bill Holman Collection NMAH.AC.0733 Collection Overview Repository: Archives Center, National Museum of American History Title: Bill Holman Collection Identifier: NMAH.AC.0733 Date:
    [Show full text]
  • Highlighted = Needs to Be Written/Included
    Seeing and Hearing Music COMBINING GENRES IN FILM VERSIONS OF BACH’S SIX SUITES FOR SOLO CELLO SENIOR THESIS FOR MUSIC SIMON LINN-GERSTEIN APRIL 20, 2009 TABLE OF CONTENTS TABLE OF CONTENTS 2 LIST OF MUSIC EXAMPLES 3 LIST OF VIDEO CLIPS 4 INTRODUCING BACH SUITE FILMS 5 PART I: DIAGRAMMING MUSIC: MONTAGE AND SHOWING MUSICAL FORMS/GENRES 7 Introduction to Montage and Links to Sound Recording 7 Comparing Audio and Visual Methods 12 Montage Case Studies 14 PART II: GENERIC CROSSOVER: INFLUENCES FROM OTHER FILM TRADITIONS ON BACH SUITE MONTAGE 25 Documentary Film and Didactic Montage 25 Music Video: Illustrating Both Structure and Gesture 28 Case Studies: Comparing the Influence of Music Video on Two Bach Films 35 PART III: THE HISTORICAL BACH: REPRESENTING SOCIAL AND HISTORICAL CONTEXT/GENRES 41 Showing and Telling History 41 The Myth of Bach’s Spirituality: A History, and its Influence on Bach Suite Films 46 Cautious Avoidance of Historical Context 54 From Dances to DVDs: Melding New and Old Contexts and Genres 55 CONCLUSION 59 WORKS CITED/BIBLIOGRAPHY 61 2 MUSIC EXAMPLES 68 Example 1: Bach Well-Tempered Clavier, Fugue No. 20 in A minor, exposition Glenn Gould’s editing 68 Example 2: Bach Well-Tempered Clavier, Fugue No. 20 in A minor, conclusion Glenn Gould’s editing 69 Example 3: Bach Suites for Solo Cello, Suite No. 1 in G major, Allemande Pablo Casals and Wen-Sinn Yang’s editing 70 Example 4: Bach Suites for Solo Cello, Suite No. 3 in C major, Prelude Mstislav Rostropovich’s editing 71 Example 5: Bach Suites for Solo Cello, Suite No.
    [Show full text]