Irish Music", What Springs Into Your Mind? Perhaps U2 Or Other Pop and Rock Artists

Total Page:16

File Type:pdf, Size:1020Kb

Irish Music "Irish music", what springs into your mind? Perhaps U2 or other pop and rock artists. Or maybe you imagine a traditional Irish music "session", a group of musicians gathered in a pub, playing tunes on their fiddles, whistles and banjo: There is no strict boundary between traditional folk and popular rock music. Read about bands who approached Irish music in different ways - but all helped to bring it into the spotlight. When The Rogues started playing, traditionalists were shocked, others thrilled. Rebels, punks, poets Irish music London, the beginning of the 1980s. The signs declaring "No blacks, no dogs, no Irish are allowed" (a common thing in the in the spotlight 1950s and 1960s) were gone from the windows of London boarding houses. But the attitude towards the Irish was streets, commented on politics and at modern Christmas song by various media. still negative. The IRA placed bombs in the same time brought heartfelt poetic They have inspired many other groups the city and made it scared. Celebrating qualities to his slow ballads. (Flogging Molly, Dropkick Murphys, etc.) Irish culture was viewed as unusual, even The band caused controversy because to follow in their footsteps. Although they provocative. Yet many Irish families moved of their anti-establishment attitude, wild celebrate their 25th anniversary this year, to London, seeking better fortune than lifestyle, and also because of the band they remain popular even among young could be found in their native Ireland. name. When it was found out that the people who weren't born when The Shane MacGowan came from one original name Pogue Mahone means Pogues began playing. such family. Having grown up in the 'kiss my backside' in Irish Gaelic, they (http://www.pogues.com) Irish countryside, he felt a strong bond had to shorten it to the less offensive Zuzana Pernicova (CR) to Irish tradition. He was also an active The Pogues. However, their energy, participant in the London punk scene rebelliousness and catchy songs and frequently attended shows by bands appealed to young audiences, and soon like The Sex Pistols and The Clash. After even critics recognized their masterly Vocabulary experimenting with playing punk rock, he songwriting and skillful playing. signs declaring [samz di'klEinn] - napisy hlasajici got together with several of his London Nevertheless, troubles were to be allowed [s'laod] - mit povoleny vstup friends, both British and Irish. They accumulating within the band. The boarding house | h.-vdiii | - penzion decided to play Irish music with punk singer and main songwriter MacGowan attitude ['aetitju:d] - postoj seeking better fortune [' h: tju:n] - za lepsim energy and prove that it is no less lively had increasing problems with drinking zivobytim and vigorous than rock. The band, soon and drugs; sometimes he annoyed his bond [bond] - pouto, vazba to be named The Rogues, was born. bandmates by not appearing for gigs. vigorous ['vig(3)res] - razny, energicky They began by playing traditional Finally, he left the band at the beginning rowdy ['raodi]-drsny songs, especially the rowdier ones, often of the 1990s, and a few years later, the tin whistle [tin 'wis(s)l] - kovova pistala to bash [beej] - tlouct, mlatit in extremely fast versions. They used band split up. In 2001, the band reunited beer tray [trei] - pivni tac traditional instruments (tin whistle, banjo, and since then they have been touring and vividly ['vividli] -zive accordion), but made them sound as loud playing to sold-out arenas. heartfelt ['ha:tfdt] - uprimny, prociteny as any rock band. Their gigs were very Perhaps no other band has contributed backside [b;ek'said] - zadek wild, with the band members appearing to popularizing traditional Irish music for offensive [3'fsnsiv]-urazlivy catchy [kastji] - chytlavy drunk on stage, screaming, and one of rock audiences as much as The Pogues. to appeal to (sb.) [s'pi:!] - pritahovat (nekoho), Kbit them bashing his head with a beer tray. Their most famous song, "Fairytale of se(nekomu) MacGowan quickly began to write New York" (an unusual Christmas ballad, to accumulate [3'kju:mjobt]-riromaditse original songs. In his lyrics he expressed describing the lost illusions of a couple, to split up - rozpadno tit se and partly taking place in a drunk tank), to contribute [kan'tnbjuit] - prispet the feelings of Irishmen living in London, drunk tank (AmE, slang) - zachytka vividly described the harsh life on the has been repeatedly voted the best Bridge 07/2006-2007 TASK Read the lyrics of the song and fill in the missing words with the help of the hints in the brackets. MOLLY MALONE In Dublin's fair (= big town) where the girls are so (= beautiful) I first set my on sweet Molly Malone, (= the organs of sight) As she wheeled her wheelbarrow, Through streets broad and narrow, Crying, "Cockles and mussels, alive alive oh!" "Alive-alive-oh, Alive-alive-oh," Crying "Cockles and mussels, alive alive oh." She was a fishmonger, And sure 'twas no , (= surprise) For so were her mother and father before, However different The Dubliners (pictured) and The Rogues may seem at the first sight, they And they each wheeled their barrow, enjoyed performing together. Their joint rendition of the folk song "The Irish Rover" reached the UK Through streets broad and narrow, Top Ten chart in 1987. Crying, "Cockles and mussels, alive, alive oh!" The Dubliners popular rock bands as The Beatles - and (chorus) it even reached UK pop charts. The - an Irish legend Dubliners were on their way to fame. She died of a , (= high body They spent the following decades temperature) One of the most legendary Irish bands, touring all over the world and recording And no one could her, The Dubliners, started in a Dublin pub albums. Although they performed many (= rescue) in 1962. They named themselves after slow ballads, they are best-known for their And that was the of sweet a book by James Joyce, a collection renditions of pub songs. Rebel songs, Molly Malone. (= the opposite of of short stories about various people praising Irishmen who dared to revolt "beginning") living in Dublin. After several years of against English rule, also had a place Now her wheels her barrow, playing in folk clubs and at festivals, their in their repertoire. Their music sounded (= spirit of a dead person) breakthrough came very unexpectedly. very fresh and lively, creating the feel of Through streets broad and narrow, A pirate radio station got interested a spontaneous pub session even if it was Crying, "Cockles and mussels, alive, in their recording of "Seven Drunken performed at a concert hall. alive oh!" Nights" (a humorous song about a woman The line-up of The Dubliners has who cheats on her permanently drunk changed over the years, but the band (chorus) husband). Suddenly, a traditional song hasn't lost their vigour and they still tour was played on the radio alongside such regularly - more than 40 years after their Solution on p. 3 story started. (http://www.geocities.com/toeye/dubliners) Zuzana Pernicova (CR) Vocabulary Read about another famous Irish band, breakthrough ['breikGru:] - prulom The Chieftains, in "brain teaser". unexpectedly [Aiiik'spektidli] - necekane to cheat on (sb.) [tji:t] - podvadet(nekono) alongside [slorj'said] - spolu s, vedle Molly Malone rendition [ren'dij(3)n] - provedeni, verze to praise [preiz] - oslavovat "Molly Malone", a permanent part of to dare [des] - odvazit se The Dubliners' repertoire, is one of the feel [fi:l]-dojem line-up - obsazeni most popular Irish folk songs and it is vigour ['viga] - energie, elan considered the unofficial anthem of anthem ['snSsm] - hymna Dublin. It tells a simple story of a girl who to honour ['ons] - poctit was selling fish in Dublin streets and died to erect [i'rskt]-vztycit young of an illness. Nobody knows if it's wheelbarrow ['wiMbaersoj-trakar based on a real person; nevertheless, \1A\e statue shows Molly as a young woman in a cockles and mussels ['kok(3)Lz 'mAs(a)lz] people honoured Molly by erecting a - srdcovky a slavky (druhy morskych skebli) fishmonger ['fiJrriAggs] - prodavac ryb statue of her in Grafton Street, the main long dress, pushing a wheelbarrow loaded with shopping street in Dublin. baskets of fish. Bridge 07/2006-2007.
Recommended publications
  • A Farewell to Alms
    A Farewell to Alms: A Brief Economic History of the World Draft, 1 October 2006 Forthcoming, Princeton University Press, 2007 He is a benefactor of mankind who contracts the great rules of life into short sentences, that may be easily impressed on the memory, and so recur habitually to the mind --Samuel Johnson Gregory Clark University of California Davis, CA 95616 ([email protected]) 1. Introduction…………………………………….. 1-13 The Malthusian Trap: Economic Life to 1800 2. The Logic of the Malthusian Economy…………. 15-39 3. Material Living Standards……………………….. 40-76 4. Fertility………………………………………….. 78-99 5. Mortality………………………………………… 100-131 6. Malthus and Darwin: Survival of the Richest……. 132-152 7. Technological Advance…………………………..153-179 8. Preference Changes………………………………180-207 The Industrial Revolution 9. Modern Growth: the Wealth of Nations………… 208-227 10. The Problem of the Industrial Revolution……….. 228-256 11. The Industrial Revolution in Britain, 1760-1860…. 257-293 12 Social Consequences of the Industrial Revolution.. 294-330 The Great Divergence 13. The Great Divergence: World Growth since 1800.. 331-364 14. The Proximate Sources of Divergence…………... 365-394 15. Why Isn’t the Whole World Developed?.................. 395-420 16. Conclusion: Strange New World………………… 421-422 Technical Appendix……………………………... 423-427 References……………………………………….. 428-451 ii 1 Introduction The basic outline of world economic history is surprisingly simple. Indeed it can be summarized in one diagram: figure 1.1. Before 1800 income per person – the food, clothing, heat, light, housing, and furnishings available per head - varied across socie- ties and epochs. But there was no upward trend. A simple but powerful mechanism explained in this book, the Malthusian Trap, kept incomes within a range narrow by modern standards.
    [Show full text]
  • The Pogues Hell's Ditch Mp3, Flac, Wma
    The Pogues Hell's Ditch mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Hell's Ditch Country: US Released: 1990 Style: Folk Rock MP3 version RAR size: 1139 mb FLAC version RAR size: 1906 mb WMA version RAR size: 1681 mb Rating: 4.7 Votes: 791 Other Formats: VOC MOD ADX VQF AHX AUD MPC Tracklist Hide Credits The Sunnyside Of The Street Accordion – J. Fearnley*Acoustic Guitar – P. Chevron*Banjo, Steel Guitar [Lap Steel] – J. 1 2:44 Finer*Bass, Backing Vocals – D. Hunt*Drums – A. Ranken*Mandolin – T. Woods*Vocals – S. MacGowan*Whistle – S. Stacy*Written-By – Finer*, MacGowan* Sayonara Acoustic Guitar – P. Chevron*Backing Vocals – D. Hunt*, P. Chevron*Banjo – J. 2 3:07 Fearnley*Bass – D. Hunt*Drums – A. Ranken*Vocals – S. MacGowan*Whistle – S. Stacy*Written-By – MacGowan* The Ghost Of A Smile Accordion, Piano – J. Fearnley*Acoustic Guitar – P. Chevron*Bass – D. Hunt*Drums – A. 3 2:58 Ranken*Electric Guitar, Mandolin – T. Woods*Vocals – S. MacGowan*Whistle – S. Stacy*Written-By – MacGowan* Hell's Ditch Accordion, Acoustic Guitar – J. Fearnley*Bass – D. Hunt*Cittern – T. Woods*Drums – A. 4 3:03 Ranken*Mandolin, Hurdy Gurdy – J. Finer*Percussion – Pogues*Vocals – S. MacGowan*Whistle – S. Stacy*Written-By – Finer*, MacGowan* Lorca's Novena Accordion, Guitar [Spanish] – J. Fearnley*Backing Vocals – A. Ranken*, D. Hunt*Bass, Bells 5 – D. Hunt*Cittern – T. Woods*Drums, Drums [Bed Side Kit] – A. Ranken*Electric Guitar – P. 4:40 Chevron*Hurdy Gurdy – J. Finer*Vocals – S. MacGowan*Whistle, Harmonica – S. Stacy*Written-By – MacGowan* Summer In Siam Accordion, Acoustic Guitar – P.
    [Show full text]
  • MUSIC of IRELAND Fact Sheet PRESS FINAL
    Premiering nationwide March 2010 on public television (check local listings), Music of Ireland – DVD plus exclusive Welcome Home tells the definitive story of bonus CD available contemporary Irish music, starting in 1960 with the only through public Clancy Brothers. Grammy-winner Moya Brennan television stations! (Clannad) hosts this new documentary featuring exclusive interviews and performances from The Chieftains’ Paddy Moloney , Riverdance ’s Michael Flatley & Bill Whelan , U2’s Bono & Adam Clayton , Sinéad O’Connor , Bob Geldof , Pete Seeger , The Dubliners’ John Sheahan , the late Liam Clancy ’s last interview before his death (12/2009), and other great icons of Irish popular culture. See vintage clips of The Clancy Brothers & Tommy Makem on The Ed Sullivan Show, Judy Collins playing music from the ‘old Companion CD of new & original country,’ The Pogues and Van Morrison with The songs from artists Chieftains on RTE’s “Late, Late Show,” Riverdance ’s in the program and debut at Eurovision and more! A must-see for music other Irish music fans, Music of Ireland explores the impact of Irish stars! music in America and the world. Preview video and more at wliw.org/musicofireland . Media Kit : wliw.org/pressroom Media Contacts Natasha Padilla Patti Conte Melani Rogers WNET.ORG Plan A Media Plan A Media [email protected] [email protected] [email protected] Phone: 212.560.8824 Phone: 212.337.1406 ext 16 Phone: 212.337.1406 ext 18 The greatest Irish musical artists of our time in the definitive story of contemporary Irish music
    [Show full text]
  • Mapping Dublin in James Joyce's
    Università degli Studi di Padova Dipartimento di Studi Linguistici e Letterari Corso di Laurea Magistrale in Lingue e Letterature Europee e Americane Classe LM-37 Tesi di Laurea Mapping Dublin in James Joyce’s ‘Dubliners’. Dublin, a Static and Timeless Environment: a Text Narrative Relatore Laureanda Prof. Francesco Giacobelli Chiara Salvagno n° matr.1034872 / LMLLA Anno Accademico 2012/ 2013 CONTENTS ACKNOWLEDGMENTS..............................................................................................p. iii ABBREVIATIONS.........................................................................................................p. iv INTRODUCTION.....................................................................................................pp. v-xi CHAPTER ONE I. DUBLINERS’ STRUCTURE: LOOKING AT THE MAP.....................................pp. 1-2 I.1. Childhood: ‘The Sisters’, ‘An Encounter’, ‘Araby’.................................pp. 2-6 I.2. Adolescence: ‘Eveline’, ‘After the Race’, ‘Two Gallants’, ‘The Boarding House’...........................................................................................................pp. 6-10 I.3. Maturity: ‘A Little Cloud’, ‘Counterparts’, ‘Clay’, ‘A Painful Case’..pp. 11-17 I.4. Public Life: ‘Ivy Day in the Committee Room’, ‘A Mother’, ‘Grace’..pp.17-19 I.5. ‘The Dead’............................................................................................pp. 19-20 CHAPTER TWO II. MOTIFS....................................................................................................................p.
    [Show full text]
  • “Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in Partial Fulfillment Of
    “Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate School of The Ohio State University By Dana DeVlieger, B.A., M.A. Graduate Program in Music The Ohio State University 2016 Thesis Committee: Graeme M. Boone, Advisor Johanna Devaney Anna Gawboy Copyright by Dana Lauren DeVlieger 2016 Abstract “Whiskey in the Jar” is a traditional Irish song that is performed by musicians from many different musical genres. However, because there are influential recordings of the song performed in different styles, from folk to punk to metal, one begins to wonder what the role of the song’s Irish heritage is and whether or not it retains a sense of Irish identity in different iterations. The current project examines a corpus of 398 recordings of “Whiskey in the Jar” by artists from all over the world. By analyzing acoustic markers of Irishness, for example an Irish accent, as well as markers of other musical traditions, this study aims explores the different ways that the song has been performed and discusses the possible presence of an “Irish feel” on recordings that do not sound overtly Irish. ii Dedication Dedicated to my grandfather, Edward Blake, for instilling in our family a love of Irish music and a pride in our heritage iii Acknowledgments I would like to thank my advisor, Graeme Boone, for showing great and enthusiasm for this project and for offering advice and support throughout the process. I would also like to thank Johanna Devaney and Anna Gawboy for their valuable insight and ideas for future directions and ways to improve.
    [Show full text]
  • The Wire the Complete Guide
    The Wire The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 29 Jan 2013 02:03:03 UTC Contents Articles Overview 1 The Wire 1 David Simon 24 Writers and directors 36 Awards and nominations 38 Seasons and episodes 42 List of The Wire episodes 42 Season 1 46 Season 2 54 Season 3 61 Season 4 70 Season 5 79 Characters 86 List of The Wire characters 86 Police 95 Police of The Wire 95 Jimmy McNulty 118 Kima Greggs 124 Bunk Moreland 128 Lester Freamon 131 Herc Hauk 135 Roland Pryzbylewski 138 Ellis Carver 141 Leander Sydnor 145 Beadie Russell 147 Cedric Daniels 150 William Rawls 156 Ervin Burrell 160 Stanislaus Valchek 165 Jay Landsman 168 Law enforcement 172 Law enforcement characters of The Wire 172 Rhonda Pearlman 178 Maurice Levy 181 Street-level characters 184 Street-level characters of The Wire 184 Omar Little 190 Bubbles 196 Dennis "Cutty" Wise 199 Stringer Bell 202 Avon Barksdale 206 Marlo Stanfield 212 Proposition Joe 218 Spiros Vondas 222 The Greek 224 Chris Partlow 226 Snoop (The Wire) 230 Wee-Bey Brice 232 Bodie Broadus 235 Poot Carr 239 D'Angelo Barksdale 242 Cheese Wagstaff 245 Wallace 247 Docks 249 Characters from the docks of The Wire 249 Frank Sobotka 254 Nick Sobotka 256 Ziggy Sobotka 258 Sergei Malatov 261 Politicians 263 Politicians of The Wire 263 Tommy Carcetti 271 Clarence Royce 275 Clay Davis 279 Norman Wilson 282 School 284 School system of The Wire 284 Howard "Bunny" Colvin 290 Michael Lee 293 Duquan "Dukie" Weems 296 Namond Brice 298 Randy Wagstaff 301 Journalists 304 Journalists of The Wire 304 Augustus Haynes 309 Scott Templeton 312 Alma Gutierrez 315 Miscellany 317 And All the Pieces Matter — Five Years of Music from The Wire 317 References Article Sources and Contributors 320 Image Sources, Licenses and Contributors 324 Article Licenses License 325 1 Overview The Wire The Wire Second season intertitle Genre Crime drama Format Serial drama Created by David Simon Starring Dominic West John Doman Idris Elba Frankie Faison Larry Gilliard, Jr.
    [Show full text]
  • Crime, Class, and Labour in David Simon's Baltimore
    "From here to the rest of the world": Crime, class, and labour in David Simon's Baltimore. Sheamus Sweeney B.A. (Hons), M.A. (Hons) This thesis is submitted to Dublin City University for the award of Ph.D in the Faculty of Humanities and Social Sciences. August 2013 School of Communications Supervisors: Prof. Helena Sheehan and Dr. Pat Brereton I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ___________________________________ (Candidate) ID No.: _55139426____ Date: _______________ TABLE OF CONTENTS Introduction 1 Literature review and methodology 17 Chapter One: Stand around and watch: David Simon and the 42 "cop shop" narrative. Chapter Two: "Let the roughness show": From death on the 64 streets to a half-life on screen. Chapter Three: "Don't give the viewer the satisfaction": 86 Investigating the social order in Homicide. Chapter Four: Wasteland of the free: Images of labour in the 122 alternative economy. Chapter Five: The Wire: Introducing the other America. 157 Chapter Six: Baltimore Utopia? The limits of reform in the 186 war on labour and the war on drugs. Chapter Seven: There is no alternative: Unencumbered capitalism 216 and the war on drugs.
    [Show full text]
  • Crock of Gold: a Few Rounds with Shane Macgowan
    MAGNOLIA PICTURES, HANWAY FILMS BBC MUSIC WARNER MUSIC ENTERTAINMENT INFINITUM NIHIL / NITRATE FILM JOHNNY DEPP PRESENTS IN ASSOCIATION WITH BBC MUSIC, WARNER MUSIC AND HANWAY FILMS With Participation of Screen Ireland A NITRATE FILM / INFINITUM NIHIL PRODUCTION CROCK OF GOLD: A FEW ROUNDS WITH SHANE MACGOWAN Directed by Julien Temple 124 minutes Official Selection 2020 San Sebastian International Film Festival – World Premiere FINAL PRESS NOTES Distributor Contact: Press Contact NY/Nat’l: Press Contact LA/Nat’l: George Nicholis Steve Beeman Michael Lawson Rebecca Fisher Falco Ink [email protected] Magnolia Pictures 475 Park Avenue South (212) 924-6701 phone New York, NY 10016 [email protected] (212) 445-7100 phone [email protected] 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com Foreword If future generations look back at what it was truly like to be both human and alive in the late 20th century, they will be hard put to find a more powerful and enlightening testament than the songs of Shane McGowan. In a world where music has become increasingly sanitized and unable to venture beneath the surface clichés of human emotion, Shane’s songs stand out in ever greater relief. None has bared their soul like Shane McGowan. His unique ability to plumb the dark recesses of the human soul, while in the very same breath celebrating its capacity to find healing transcendence, in both love and the sublime mysteries of existence, goes a long way to making sense of who we actually are.
    [Show full text]
  • A City out of Old Songs
    A City Out of Old Songs: The influence of ballads, hymns and children’s songs on an Irish writer and broadcaster Catherine Ann Cullen Context Statement for PhD by Public Works Middlesex University Director of Studies: Dr Maggie Butt Co-Supervisor: Dr Lorna Gibb Contents: Public Works Presented as Part 1 of this PhD ............................................................ iii List of Illustrations ....................................................................................................... iv Acknowledgements ...................................................................................................... v Preface: Come, Gather Round ..................................................................................... 1 Chapter 1: The Singing Without Ceasing .................................................................... 8 Chapter 2: A Tune That Could Calm Any Storm ......................................................... 23 Chapter 3: Something Rich and Strange .................................................................... 47 Chapter 4: We Weave a Song Beneath Our Skins ...................................................... 66 Chapter 5: To Hear the Nightingale Sing ................................................................... 98 Conclusion: All Past Reflections Shimmer into One ............................................... 108 Works Cited .............................................................................................................. 112 Appendix 1: Index of Ballads and Songs used
    [Show full text]
  • Dubliners and the Joycean Epiphany
    DUBLINERS AND THE JOYCEAN EPIPHANY A Thesis by Roger T. Briggs B.A., Wichita State University, 2003 Submitted to the Department of English and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts May 2006 DUBLINERS AND THE JOYCEAN EPIPHANY I have examined the final copy of this Thesis for form and content and recommend that it be accepted in partial fulfillment of the requirement for the degree of Master of Arts with a major in Literature. ____________________________________ Peter T. Zoller, Committee Chair We have read this Thesis and recommend its acceptance: ____________________________________ Christopher K. Brooks, Committee Member ____________________________________ Wilson Baldridge, Committee Member ii The Roman Catholic Church was an important and prominent aspect of Irish life in the early twentieth century. Where most of Western Europe had become secularized during the nineteenth century, Ireland remained steadfast in its faith, be it Roman Catholic or Protestant. However, at the time, more than ninety percent of the Irish population was Roman Catholic with the numbers of Protestants belonging to the Church of Ireland or Presbyterian and Methodist Churches falling from eight percent in the second half of the nineteenth century to less than three percent in 1981 (Inglis 63). As a result of the growth of the Roman Catholic Church, much of Irish politics and society was infused with starkly Catholic tones—so much that individual citizens and the nation as a whole began to understand their inherent identity through their association with the Roman Catholic faith (59).
    [Show full text]
  • Glen Hansard
    SUBSCRIBER CD - SEE PAGE 9 around for a GLEN HANSARD while as footage can be found on the internet of the singer DIDN’T HE RAMBLE performing it at Sydney Opera House as part of his last ANTI-/WARNER MUSIC visit. Is there actually such as place as McCormack’s Wall? indie folk “No,” Hansard responds, “but the song is about the place in Ireland’s Glen Hansard, known for his work with The Ireland where John McCormack, the great Irish tenor, was Frames, The Swell Season and the movie Once, has just born. One night I was with a very dear friend who is also a recorded his second solo album, Didn’t He Ramble. musician and, on a night out, we accidentally got drunk. It’s essentially a sparse and quite reflective acoustic “We’d been to a few places but we ended up where John offering with only one song, ‘Lonely Deserter’, getting the McCormack was born which is now a derelict old house pulse racing in terms of tempo. with a stable. So we broke in and sat there with a bottle Didn’t He Ramble, which may have taken its name from of wine which we’d stolen from the dressing room of a the Jellyroll Morton song, opens with ‘Grace Beneath friend’s band earlier in the night and toasted and saluted The Pines’, which begins with a slow Irish drone before John McCormack. Hansard’s vocals come to the fore on the heartfelt tale. “And then we went down to the grave of Wolfe Tone, the “Wedding Ring’ gives a nod to Dylan’s laconic version of Irish revolutionary from the 1798 Irish Rebellion, and raised ‘Corrina Corrina’, while first single, the Celtic soul-driven a glass to him but, somehow, during the course of the ‘Winning Streak’, is such that it would be a good vehicle for night, my friend and I got kind of romantic.
    [Show full text]
  • Dubliners by James Joyce
    Prestwick House SampleTeaching Unit™ Chapter-by-Chapter Study Guide Dubliners by James Joyce • Learning objectives • Study Guide with short-answer questions • Background information • Vocabulary in context • Multiple-choice test • Essay questions • Literary terms A Tale of Two Cities CHARLES DICKENS Click here to learn more REORDER NO . XXXXXX about this Teaching Unit! Click here to find more Classroom Resources for this title! More from Prestwick House Literature Grammar and Writing Vocabulary Reading Literary Touchstone Classics College and Career Readiness: Writing Vocabulary Power Plus Reading Informational Texts Literature Teaching Units Grammar for Writing Vocabulary from Latin and Greek Roots Reading Literature Chapter-by-Chapter Study Guide Dubliners by James Joyce • Learning objectives • Study Guide with short-answer questions • Background information • Vocabulary in context • Multiple-choice test • Essay questions • Literary terms P.O. Box 658, Clayton, DE 19938 www.prestwickhouse.com 800.932.4593 ISBN: 978-1-58049-285-0 Copyright ©2017 by Prestwick House Inc. All rights reserved. No portion may be reproduced without permission in writing from the publisher. Item No: 300292 Dubliners TEACHING UNIT Dubliners Objectives By the end of this Unit, the student will be able to: 1. define vocabulary words from the stories. 2. discuss the author’s writing style; point out examples in the story of how his tone, diction, subtle comments, and objectivity support the themes in the story. 3. point out the extent to which the following overall themes are present in each of the stories: • Many of the characters experience a form of paralysis that results in an inability to change their lives • The Dubliners of this era succumb to temptations which contribute to a morally decaying society.
    [Show full text]