AT&T Chairman and CEO Randall Stephenson Discusses the Future Of
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Cablefax Dailytm Thursday — January 9, 2020 What the Industry Reads First Volume 31 / No
www.cablefaxdaily.com, Published by Access Intelligence, LLC, Tel: 301-354-2101 Cablefax DailyTM Thursday — January 9, 2020 What the Industry Reads First Volume 31 / No. 006 Quick Bites: Quibi Not ‘Shrinking TV’ For Mobile Viewing In just over a year, short-form content streamer Quibi has been able to raise $1bln in funding while receiving the back- ing of major Hollywood studios, but are consumers ready to embrace the app? CEO Meg Whitman and founder Jeffrey Katzenberg used the company’s CES keynote Wednesday to dispel any consumer skepticism regarding Quibi, calling it the world’s first mobile-only premium entertainment platform. “Mobile phones are the most widely-distributed, democra- tized entertainment platform the world has ever seen,” Katzenberg said. The idea behind the platform is to deliver movie- quality experiences in quick bites (known as Quibis) for Millennial and Gen Z audiences that take advantage of all of the capabilities modern smartphones offer. To do so, Quibi had to tackle the usual challenges that come with mobile viewing, including the inability to watch content in both portrait and landscape modes. “It means creating a technology platform optimized for people on the go and giving them a great entertainment experience in those in-between moments,” Whit- man said. “We’re not shrinking TV onto phones. We’re creating something new.” Chief product officer Tom Conrad took to the stage to unveil Turnstyle, a new way to watch that allows viewers to move between a full-screen landscape mode and a full-screen portrait mode experience at any time. Conrad illustrated Turnstyle by showing the short film “Nest.” When the phone was held in portrait mode, viewers were able to see an intruder trying to break into a woman’s house through her Google Nest doorbell camera. -
Form W-9 (Rev. November 2017)
Request for Taxpayer Form W-9 Give Form to the (Rev. November 2017) Identification Number and Certification requester. Do not Department of the Treasury send to the IRS. Internal Revenue Service ▶ Go to www.irs.gov/FormW9 for instructions and the latest information. 1 Name (as shown on your income tax return). Name is required on this line; do not leave this line blank. Southwestern Bell Telephone Company 2 Business name/disregarded entity name, if different from above DBA: AT&T Southwest, AT&T Arkansas, AT&T Oklahoma, AT&T Texas, AT&T DataComm 3 Check appropriate box for federal tax classification of the person whose name is entered on line 1. Check only one of the 4 Exemptions (codes apply only to following seven boxes. certain entities, not individuals; see instructions on page 3): ✔ Individual/sole proprietor or C Corporation S Corporation Partnership Trust/estate on page 3. single-member LLC Exempt payee code (if any) Limited liability company. Enter the tax classification (C=C corporation, S=S corporation, P=Partnership) ▶ Note: Check the appropriate box in the line above for the tax classification of the single-member owner. Do not check Exemption from FATCA reporting LLC if the LLC is classified as a single-member LLC that is disregarded from the owner unless the owner of the LLC is code (if any) another LLC that is not disregarded from the owner for U.S. federal tax purposes. Otherwise, a single-member LLC that Print or type. is disregarded from the owner should check the appropriate box for the tax classification of its owner. -
FCC-06-11A1.Pdf
Federal Communications Commission FCC 06-11 Before the FEDERAL COMMUNICATIONS COMMISSION WASHINGTON, D.C. 20554 In the Matter of ) ) Annual Assessment of the Status of Competition ) MB Docket No. 05-255 in the Market for the Delivery of Video ) Programming ) TWELFTH ANNUAL REPORT Adopted: February 10, 2006 Released: March 3, 2006 Comment Date: April 3, 2006 Reply Comment Date: April 18, 2006 By the Commission: Chairman Martin, Commissioners Copps, Adelstein, and Tate issuing separate statements. TABLE OF CONTENTS Heading Paragraph # I. INTRODUCTION.................................................................................................................................. 1 A. Scope of this Report......................................................................................................................... 2 B. Summary.......................................................................................................................................... 4 1. The Current State of Competition: 2005 ................................................................................... 4 2. General Findings ....................................................................................................................... 6 3. Specific Findings....................................................................................................................... 8 II. COMPETITORS IN THE MARKET FOR THE DELIVERY OF VIDEO PROGRAMMING ......... 27 A. Cable Television Service .............................................................................................................. -
Appendix Hosting - Sbc12state Page 1 of 9 Sbc-12State/Allure Communications, Llc 010802
APPENDIX HOSTING - SBC12STATE PAGE 1 OF 9 SBC-12STATE/ALLURE COMMUNICATIONS, LLC 010802 APPENDIX HOSTING APPENDIX HOSTING - SBC12STATE PAGE 2 OF 9 SBC-12STATE/ALLURE COMMUNICATIONS, LLC 010802 TABLE OF CONTENTS 1. INTRODUCTION....................................................................................................................................................3 2. DEFINITIONS ........................................................................................................................................................4 3. RESPONSIBILITIES OF THE PARTIES ...............................................................................................................5 4. DESCRIPTION OF BILLING SERVICES ..............................................................................................................5 5. BASIS OF COMPENSATION................................................................................................................................7 6. TERM OF AGREEMENT .......................................................................................................................................7 7. APPLICABILITY OF OTHER RATES, TERMS AND CONDITIONS.....................................................................7 APPENDIX HOSTING - SBC12STATE PAGE 3 OF 9 SBC-12STATE/ALLURE COMMUNICATIONS, LLC 010802 APPENDIX HOSTING 1. INTRODUCTION 1.1 This Appendix sets forth the terms and conditions under which the Hosting Company will perform hosting responsibilities for a CLEC for data received from such -
An Evaluation of Public Relations As Practiced By
3~9 AN EVALUATION OF PUBLIC RELATIONS AS PRACTICED BY SOUTHWESTERN BELL TELEPHONE COMPANY THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Eddye S. Gallagher, B. A. Denton, Texas August, 1974 Gallagher, Eddye S., An Evaluation of Public Relations as Practiced by SouthwesternBell Telephone Company. Master of Arts (Journalism), August, 1974, 143 pp., bibli- ography, 31 titles. This study presents a detailed analysis of the public relations organization, objectives, and practices of South- western Bell Telephone Company, Dallas, Texas. Information sources included interviews with telephone company public relations personnel, company publications, and other publi- cations. The five chapters deal with the history and development of the company and its public relations program, and the organization, functions, and operations of the public relations department. With a long and varied history of public relations activities, the company executes numerous activities for com- employees, customers, educational institutions, the munity, stockholders, and the media. The study recommends that the department establish a committee to formulate long-range public relations goals, initiate a management orientation program, and advertise in area high school and college publications. TABLE OF CONTENTS Page Chapter I. INTRODUCTION . ............... 1. Statement of Problem Purposes of the Study Questions To Be Answered Recent and Related Studies Definition of Terms Limitations Basic Assumptions Instruments and Procedure Procedure for Analysis of Data Organization of the Study II. HISTORY AND DEVELOPMENT .0. .. .... .24 Organizational Sketch Development of Public Relations III. ORGANIZATION AND FUNCTIONS OF SOUTHWESTERN BELL'S PUBLIC RELATIONS PROGRAM... -
News and Documentary Emmy Winners 2020
NEWS RELEASE WINNERS IN TELEVISION NEWS PROGRAMMING FOR THE 41ST ANNUAL NEWS & DOCUMENTARY EMMY® AWARDS ANNOUNCED Katy Tur, MSNBC Anchor & NBC News Correspondent and Tony Dokoupil, “CBS This Morning” Co-Host, Anchor the First of Two Ceremonies NEW YORK, SEPTEMBER 21, 2020 – Winners in Television News Programming for the 41th Annual News and Documentary Emmy® Awards were announced today by The National Academy of Television Arts & Sciences (NATAS). The News & Documentary Emmy® Awards are being presented as two individual ceremonies this year: categories honoring the Television News Programming were presented tonight. Tomorrow evening, Tuesday, September 22nd, 2020 at 8 p.m. categories honoring Documentaries will be presented. Both ceremonies are live-streamed on our dedicated platform powered by Vimeo. “Tonight, we proudly honored the outstanding professionals that make up the Television News Programming categories of the 41st Annual News & Documentary Emmy® Awards,” said Adam Sharp, President & CEO, NATAS. “As we continue to rise to the challenge of presenting a ‘live’ ceremony during Covid-19 with hosts, presenters and accepters all coming from their homes via the ‘virtual technology’ of the day, we continue to honor those that provide us with the necessary tools and information we need to make the crucial decisions that these challenging and unprecedented times call for.” All programming is available on the web at Watch.TheEmmys.TV and via The Emmys® apps for iOS, tvOS, Android, FireTV, and Roku (full list at apps.theemmys.tv). Tonight’s show and many other Emmy® Award events can be watched anytime, anywhere on this new platform. In addition to MSNBC Anchor and NBC. -
Annex 2: Providers Required to Respond (Red Indicates Those Who Did Not Respond Within the Required Timeframe)
Video on demand access services report 2016 Annex 2: Providers required to respond (red indicates those who did not respond within the required timeframe) Provider Service(s) AETN UK A&E Networks UK Channel 4 Television Corp All4 Amazon Instant Video Amazon Instant Video AMC Networks Programme AMC Channel Services Ltd AMC Networks International AMC/MGM/Extreme Sports Channels Broadcasting Ltd AXN Northern Europe Ltd ANIMAX (Germany) Arsenal Broadband Ltd Arsenal Player Tinizine Ltd Azoomee Barcroft TV (Barcroft Media) Barcroft TV Bay TV Liverpool Ltd Bay TV Liverpool BBC Worldwide Ltd BBC Worldwide British Film Institute BFI Player Blinkbox Entertainment Ltd BlinkBox British Sign Language Broadcasting BSL Zone Player Trust BT PLC BT TV (BT Vision, BT Sport) Cambridge TV Productions Ltd Cambridge TV Turner Broadcasting System Cartoon Network, Boomerang, Cartoonito, CNN, Europe Ltd Adult Swim, TNT, Boing, TCM Cinema CBS AMC Networks EMEA CBS Reality, CBS Drama, CBS Action, Channels Partnership CBS Europe CBS AMC Networks UK CBS Reality, CBS Drama, CBS Action, Channels Partnership Horror Channel Estuary TV CIC Ltd Channel 7 Chelsea Football Club Chelsea TV Online LocalBuzz Media Networks chizwickbuzz.net Chrominance Television Chrominance Television Cirkus Ltd Cirkus Classical TV Ltd Classical TV Paramount UK Partnership Comedy Central Community Channel Community Channel Curzon Cinemas Ltd Curzon Home Cinema Channel 5 Broadcasting Ltd Demand5 Digitaltheatre.com Ltd www.digitaltheatre.com Discovery Corporate Services Discovery Services Play -
Channel Lineup January 2018
MyTV CHANNEL LINEUP JANUARY 2018 ON ON ON SD HD• DEMAND SD HD• DEMAND SD HD• DEMAND My64 (WSTR) Cincinnati 11 511 Foundation Pack Kids & Family Music Choice 300-349• 4 • 4 A&E 36 536 4 Music Choice Play 577 Boomerang 284 4 ABC (WCPO) Cincinnati 9 509 4 National Geographic 43 543 4 Cartoon Network 46 546 • 4 Big Ten Network 206 606 NBC (WLWT) Cincinnati 5 505 4 Discovery Family 48 548 4 Beauty iQ 637 Newsy 508 Disney 49 549 • 4 Big Ten Overflow Network 207 NKU 818+ Disney Jr. 50 550 + • 4 Boone County 831 PBS Dayton/Community Access 16 Disney XD 282 682 • 4 Bounce TV 258 QVC 15 515 Nickelodeon 45 545 • 4 Campbell County 805-807, 810-812+ QVC2 244• Nick Jr. 286 686 4 • CBS (WKRC) Cincinnati 12 512 SonLife 265• Nicktoons 285 • 4 Cincinnati 800-804, 860 Sundance TV 227• 627 Teen Nick 287 • 4 COZI TV 290 TBNK 815-817, 819-821+ TV Land 35 535 • 4 C-Span 21 The CW 17 517 Universal Kids 283 C-Span 2 22 The Lebanon Channel/WKET2 6 Movies & Series DayStar 262• The Word Network 263• 4 Discovery Channel 32 532 THIS TV 259• MGM HD 628 ESPN 28 528 4 TLC 57 557 4 STARZEncore 482 4 ESPN2 29 529 Travel Channel 59 559 4 STARZEncore Action 497 4 EVINE Live 245• Trinity Broadcasting Network (TBN) 18 STARZEncore Action West 499 4 EVINE Too 246• Velocity HD 656 4 STARZEncore Black 494 4 EWTN 264•/97 Waycross 850-855+ STARZEncore Black West 496 4 FidoTV 688 WCET (PBS) Cincinnati 13 513 STARZEncore Classic 488 4 Florence 822+ WKET/Community Access 96 596 4 4 STARZEncore Classic West 490 Food Network 62 562 WKET1 294• 4 4 STARZEncore Suspense 491 FOX (WXIX) Cincinnati 3 503 WKET2 295• STARZEncore Suspense West 493 4 FOX Business Network 269• 669 WPTO (PBS) Oxford 14 STARZEncore Family 479 4 FOX News 66 566 Z Living 636 STARZEncore West 483 4 FOX Sports 1 25 525 STARZEncore Westerns 485 4 FOX Sports 2 219• 619 Variety STARZEncore Westerns West 487 4 FOX Sports Ohio (FSN) 27 527 4 AMC 33 533 FLiX 432 4 FOX Sports Ohio Alt Feed 601 4 Animal Planet 44 544 Showtime 434 435 4 Ft. -
Teachers Guide
Teachers Guide Exhibit partially funded by: and 2006 Cartoon Network. All rights reserved. TEACHERS GUIDE TABLE OF CONTENTS PAGE HOW TO USE THIS GUIDE 3 EXHIBIT OVERVIEW 4 CORRELATION TO EDUCATIONAL STANDARDS 9 EDUCATIONAL STANDARDS CHARTS 11 EXHIBIT EDUCATIONAL OBJECTIVES 13 BACKGROUND INFORMATION FOR TEACHERS 15 FREQUENTLY ASKED QUESTIONS 23 CLASSROOM ACTIVITIES • BUILD YOUR OWN ZOETROPE 26 • PLAN OF ACTION 33 • SEEING SPOTS 36 • FOOLING THE BRAIN 43 ACTIVE LEARNING LOG • WITH ANSWERS 51 • WITHOUT ANSWERS 55 GLOSSARY 58 BIBLIOGRAPHY 59 This guide was developed at OMSI in conjunction with Animation, an OMSI exhibit. 2006 Oregon Museum of Science and Industry Animation was developed by the Oregon Museum of Science and Industry in collaboration with Cartoon Network and partially funded by The Paul G. Allen Family Foundation. and 2006 Cartoon Network. All rights reserved. Animation Teachers Guide 2 © OMSI 2006 HOW TO USE THIS TEACHER’S GUIDE The Teacher’s Guide to Animation has been written for teachers bringing students to see the Animation exhibit. These materials have been developed as a resource for the educator to use in the classroom before and after the museum visit, and to enhance the visit itself. There is background information, several classroom activities, and the Active Learning Log – an open-ended worksheet students can fill out while exploring the exhibit. Animation web site: The exhibit website, www.omsi.edu/visit/featured/animationsite/index.cfm, features the Animation Teacher’s Guide, online activities, and additional resources. Animation Teachers Guide 3 © OMSI 2006 EXHIBIT OVERVIEW Animation is a 6,000 square-foot, highly interactive traveling exhibition that brings together art, math, science and technology by exploring the exciting world of animation. -
2019 At&T Earnings
2019 AT&T EARNINGS Investor Briefing No. 306 | OCTOBER 28, 2019 INVESTOR BRIEFING Q3 2019 AT&T EARNINGS Contents 3 Communications Mobility Entertainment Group Business Wireline 7 WarnerMedia Turner Home Box Office Warner Bros. 10 Latin America Mexico Vrio 11 Xandr 13 Financial and Operational Information 28 Discussion and Reconciliation of Non-GAAP Measures INVESTOR BRIEFING Q3 2019 AT&T EARNINGS Communications FINANCIAL HIGHLIGHTS (Puerto Rico and U.S. Virgin Islands wireless and business wireline operations, which are pending divestiture, are reported within Corporate & Other instead of the Mobility and Business Wireline business units. Prior quarters have been recast.) Nj $35.4 billion, down 1.7% year over year due to declines in Entertainment Group and Business Revenues Wireline that were partially offset by gains in wireless service revenues Nj $27.4 billion, down 1.8% year over year reflecting lower Entertainment Group and Mobility Operating Expenses expenses partially offset by increases in Business Wireline Nj $8.0 billion, down 1.4% year over year; operating income margin of 22.7% compared to Operating Income 22.6% in the year-ago quarter MOBILITY Nj $17.7 billion, down slightly year over year due to declines in equipment revenues which were mostly offset by an increase in service revenues ■ Service revenues: $13.9 billion, up 0.7% year over year due to postpaid phone ARPU Revenues growth and prepaid subscriber gains ■ Equipment revenues: $3.8 billion, down 3.5% year over year with continued low postpaid phone upgrade rates Nj $12.0 -
Achieving "The Franchise": the Comcast-Nbc Universal Merger and the New Media Marketplace
ACHIEVING "THE FRANCHISE": THE COMCAST-NBC UNIVERSAL MERGER AND THE NEW MEDIA MARKETPLACE Thomas Curtint I. INTRODUCTION In 1997, then-Chairman of the Federal Communications Commission ("FCC" or "Commission") Reed Hundt delivered a speech to the leaders of the cable industry in which he described the future of cable television in terms of what he called "the Franchise."' According to Hundt, this model "consists of the core package of the most popular TV channels and the most popular way to deliver them." Hundt acknowledged that the cable industry "has made huge inroads on the delivery side," and classified broadcast television as "the other side of the Franchise." 2 The Chairman further forecasted that "the core pro- gramming package may or may not be possessed by local broadcasters in the future."' Nearly thirteen years after Chairman Hundt foretold an all-in-one entertain- ment content and delivery service, the Comcast Corporation ("Comcast") is on its way to realizing this vision of "the Franchise," as the media delivery giant undertakes efforts to merge with NBC Universal.' If successful, the merger would give the nation's largest cable corporation control over NBC Univer- t J.D. Candidate, May 2011. Tom would like to thank his parents, Thomas and Donna Curtin, his brother Frank and his extended family for always encouraging the writing proc- ess. He would also like to thank his friends for their constant support, and the Editors and Associates of COMMLAW CONSPECTUS Volumes 18 and 19 for their valued input and advice. I Reed Hundt, Chairman, Fed. Commc'ns Comm'n, Speech at the National Cable Television Association: Cable, Broadcasting, and The Franchise (Mar. -
NATAS Supplement.Qxd
A SPECIAL SUPPLEMENT TO BROADCASTING & CABLE AND MULTICHANNEL NEWS The National Academy of Television Arts & Sciences at 50 years,0 A golden past with A platinum future marriott marquis | new york october 20-21, 2005 5 THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES Greetings From The President Executive Committee Dennis Swanson Peter O. Price Malachy Wienges Chairman of the Board President & CEO Treasurer Dear Colleagues, Janice Selinger Herb Granath Darryl Cohen As we look backwards to our founding and forward to our future, it is remarkable Secretary 1st Vice Chairman 2nd Vice Chairman how the legacy of our founders survives the decades. As we pause to read who Harold Crump Linda Giannecchini Ibra Morales composed Ed Sullivan’s “Committee of 100” which established the Academy in 1955, Chairman’s Chairman’s Chairman’s the names resonate with not just television personalities but prominent professionals Representative Representative Representative from theatre, film, radio, magazines and newspapers. Perhaps convergence was then Stanley S. Hubbard simply known as collaboration. Past Chairman of the Board The television art form was and is a work in progress, as words and pictures morph into new images, re-shaped by new technologies. The new, new thing in 1955 was television. But television in those times was something of an appliance—a box Board of Trustees in the living room. Families circled the wagons in front of that electronic fireplace Bill Becker Robert Gardner Paul Noble where Americans gathered nightly to hear pundits deliver the news or celebrities, fresh from vaudeville and Betsy Behrens Linda Giannecchini David Ratzlaff Mary Brenneman Alison Gibson Jerry Romano radio, entertain the family.