October 11-17, 2021 Colonna Palace, Rome
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Canova's George Washington
CANOVA’S GEORGE WASHINGTON EXHIBITION ADDRESSES CANOVA’S ONLY WORK FOR UNITED STATES May 23 through September 23, 2018 In 1816, the General Assembly of North Carolina commissioned a full-length statue of George Washington to stand in the rotunda of the State Capitol, in Raleigh. Thomas Jefferson, believing that no American sculptor was up to the task, recommended Antonio Canova (1757– 1822), then one of Europe’s most celebrated artists. The first and only work Canova created for the United States, the statue depicted the nation’s first president in ancient Roman garb—all’antica armor—per Jefferson’s urging, drafting his farewell address to the states. It was unveiled to great acclaim in 1821. Tragically, a decade later, a fire swept through the State Capitol, reducing the statue to a few charred fragments. On May 23, The Frick Collection presents Canova’s George Washington, an exhibition that examines the history of the artist’s lost masterpiece. The show brings together for the first time all of the objects connected to the creation of the sculpture— including a remarkable life-sized Antonio Canova, Modello for George Washington (detail), 1818, modello that has never before left Italy—and tells the extraordinary plaster, Gypsotheca e Museo Antonio Canova, Possagno, Italy; photo Fabio Zonta, Fondazione Canova onlus, Possagno transatlantic story of this monumental work. The life-size modello, above, provides the closest idea of what the destroyed marble would have looked like. It is shown in the Frick’s Oval Room—alone—to replicate the effect it would have had in the rotunda of North Carolina’s State Capitol. -
Rome: Portrait of a City 2019
Rome: Portrait of a City 2019 28 OCT – 9 NOV 2019 Code: 21941 Tour Leaders Em. Prof. Bernard Hoffert Physical Ratings Explore the treasures of the Eternal City, from the Etruscans through to the 21st century, with art history expert Emeritus Professor Bernard Hoffert. Overview Join Emeritus Professor Bernard Hoffert in Rome on a program that explores the enduring yet ever- changing nature of this extraordinary city. In Tarquinia, north of Rome, discover the exquisite beauty of Etruscan wall painting at the UNESCO site of the Necropoli dei Monterozzi and view fine Etruscan sculpture at the Villa Giulia. Marvel at the extraordinary ancient Roman architectural and engineering feats like the Pantheon and the revolutionary Roman documentary realism in the sculpture of Augustus’ Ara Pacis Augustae. Admire the glistening Early Christian and medieval mosaics that convey a sense of a transcendent world in churches such as Santa Prassede, Santa Maria Maggiore, San Clemente and Santa Maria in Trastevere. View Michelangelo’s awesome God of Creation on the Sistine Ceiling and his terrifying Just Christ of the Last Judgement, as well as Raphael’s superb frescoes in the Vatican Stanze and the Villa Farnesina. Outside Rome, wander through the exquisite pentagonal Villa Farnese at Caprarola with its extensive park adorned with fountains, walled gardens and a casino; and explore the garden masterpiece of the Renaissance, Vignola’s Villa Lante at Bagnaia. Contemplate Caravaggio’s portrayal of deep spiritual awakening in his St Matthew cycle in the church of San Luigi dei Francesi, and his Crucifixion of Saint Peter and Conversion of St Paul at Santa Maria del Popolo, and witness the revolutionary illusionism and high drama of Gian Lorenzo Bernini’s sculptures at the Villa Borghese. -
Rome and Beyond for the Cognoscenti May 6 – 16, 2019
ROMTravel – World Cultures Tour Let our experts be your guides Rome and Beyond for the Cognoscenti May 6 – 16, 2019 Whether you have been to Rome before or Quartiere Coppedè. Afternoon visit to the Hotels this will be your first visit, our trip to the ancient churches of Santa Costanza and Rome Fortyseven Hotel 7 nights Eternal City contains sights specially chosen Sant’Agnese and its catacombs. Orvieto Hotel La Badia 3 nights to delight you by our Resource Person Ken Day 6 Rome Bartlett. By the end of this tour, you will Visit the Palazzo Doria Pamphilj (optional). Resource Person indeed be one of the “cognoscenti”, those “in Tour of the Palazzo Colonna. Included lunch. Dr. Kenneth Bartlett is Professor of History & the know” about Rome! Walking tour of the Qurinale, including the Renaissance Studies at Victoria College, U of Our journey will take us through time churches of Sant’Andrea, San Carlino, Santa T. He is author of A Short History of the from the Etruscans, through the ancient Maria Vittoria and Santa Maria degli Angeli. Italian Renaissance, The English in Italy: A Romans, the artists and architects of the Day 7 Rome Study in Culture and Politics and The th Morning walking tour of the Roman Forum. Renaissance, the 20 century and up to today, Civilization of the Italian Renaissance as well Afternoon visit to the Capitoline Museum. and will feature sumptuous palaces, idyllic as five video series, including the most Day 8 Rome – Tivoli – Orvieto gardens, magnificent paintings and sculpture, recent, The Guide to Essential Italy, with the Depart Rome and drive to Tivoli. -
VISTA ROMA ROMA La Cupola Di San Pietro, in Lontananza, Troneggia Sul Tevere Illuminato
VISTA ROMA ROMA La cupola di San Pietro, in lontananza, troneggia sul Tevere illuminato. Sulle sponde fermento e bancarelle: da giugno ad agosto la manifestazione “Lungo il Tevere...Roma” anima l’estate capitolina. Fascino immortale Cambiamenti e trasformazioni hanno accompagnato alcuni quartieri di Roma. Monti, Trastevere, Pigneto e Centocelle, in tempi e modi diversi, portano avanti la loro rinascita: sociale, gastronomica e culturale DI VIOLA PARENTELLI 40 _ LUGLIO 2019 ITALOTRENO.IT ITALOTRENO.IT LUGLIO 2019 _ 41 VISTA ROMA A destra, un pittoresco scorcio di Monti e sullo sfondo la Basilica di Santa Maria Maggiore. Fafiuché, vineria nascosta tra i vicoli del rione, è una tappa obbligata per sorseggiare un calice di vino. isomogenea, caotica, imperfetta. Impo- “zona abitata sotto la città” ne richiama nente nella sua maestosità storica, fami- la struttura: che si scenda dalla Salita liare nei dettagli visibili solo agli sguardi dei Borgia o da Via dei Serpenti, tutte le più attenti. Con Roma ci vuole pazienza, scale portano qui. Tolti gli abiti di luogo e ci vuole empatia. Roma accoglie, ma malfamato che era in origine, da qualche solo chi sa leggerne le infinite anime po- decennio è una delle mete più apprezzate trà sentirsi davvero a casa. Per ammirar- per il suo fascino un po’ rétro. Dopo una ne la bellezza, le terrazze sono luoghi pri- visita al mercatino vintage a pochi passi vilegiati. Il Roof 7 Terrace di Le Méridien dall’uscita della metro B, camminare su Visconti, a Prati, gode di questa fortuna. quegli infiniti sanpietrini diventa quasi D Un salotto con vista dove appagare il pa- piacevole. -
Dep MUSEO Di ROMA Dic19
Questo palazzo rappresenta uno degli esempi più belli di architettura civile Palazzo Braschi represents one of the finest examples of civil architecture in a Roma tra Sette e Ottocento. Rome between the 18th and 19th centuries. Fu costruito per il nipote di papa Pio VI, Luigi Braschi Onesti che vi abitò con It was built for the nephew of Pope Pius VI, Luigi Braschi Onesti, who lived here sua moglie Costanza Falconieri fino al 1816, esercitando qui anche le sue with his wife Costanza Falconieri until 1816, exercising also his functions as funzioni di Sindaco di Roma durante il breve governo napoleonico. L’edificio Mayor of Rome during the short-lived Napoleonic government. The building chiude simbolicamente la lunga stagione del nepotismo papale a Roma, di symbolically concludes the long season of papal nepotism in Rome, of which is MUSEO cui è espressione piena nello sfarzo e nell’eleganza dei dettagli e delle a full expression for the splendour and elegance of the details and formal soluzioni formali. Lo scalone monumentale che conduce ai piani nobili è solutions. The monumental staircase that leads to the piano nobile is finely finemente decorato di stucchi con i simboli araldici dei proprietari e decorated with DI ROMA riquadri con storie dell’epica omerica, secondo il gusto antiquariale e la cifra stuccoes, bearing the stilistica del Neoclassicismo. Ciò che l’occhio non può vedere, invece, è coat of arms of the l’ottima acustica di questo invaso, progettato come l’intero edificio da owners and square Cosimo Morelli (1732-1812), ma con la supervisione di Giuseppe Valadier, frames with stories of principe degli architetti del the Homeric epics in the ultimo aggiornamento ottobre 2018 ottobre ultimo aggiornamento 30.000 - 09/10/2018 Srl stampa: Gemmagraf - copie tempo, che molto probabilmente antiquarian taste and ispirò anche la realizzazione Neoclassical style. -
Presentation of the Jubilee of the Sick and Disabled
N. 160609d Thursday 09.06.2016 Presentation of the Jubilee of the sick and disabled Vatican City, 9 June 2016 – This morning in the Holy See Press Office a press conference was held to present the Jubilee of the sick and disabled (10 to 12 June). The panel was composed of Archbishop Rino Fisichella, president of the Pontifical Council for Promoting New Evangelisation, Bishop José Octavio Ruiz Arenas and Msgr. Graham Bell, respectively secretary and under-secretary of the same dicastery. The Jubilee will begin tomorrow, Friday, with the usual pilgrimage from Castel Sant'Angelo to the Holy Door. Later, at 5 p.m., in the Church of Santa Maria in Vallicella, there will be a catechesis addressed to all and in particular to the deaf and blind, given by the Redemptorist Fr. Cyril Axelrod, also deaf and blind and known throughout the world, especially in China, the United Kingdom and South Africa, for his full commitment to disability issues. The catechesis will be made available in International Sign Language (ISL), in Italian sign language and in tactile sign language. On Saturday 11 there will be two special moments. The first, of a religious nature, will be an appointment in various churches in the city centre from 10 to 11 am., for catechesis offered in various languages and methods of communication, entitled "Mercy, source of joy". In the Church of Sant'Andrea della Valle there will be, in Italian, a symbolic catechesis with a dramatisation of the Gospel reading and various simple gestures to accompany prayer, which will enable those with intellectual disabilities to participate. -
Revised Final MASTERS THESIS
UNIVERSITY OF CALIFORNIA RIVERSIDE Carlo Fontana and the Origins of the Architectural Monograph A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Juliann Rose Walker June 2016 Thesis Committee: Dr. Kristoffer Neville, Chairperson Dr. Jeanette Kohl Dr. Conrad Rudolph Copyright by Juliann Walker 2016 The Thesis of Juliann Rose Walker is approved: Committee Chairperson University of California, Riverside Acknowledgements I would first like to start by thanking my committee members. Thank you to my advisor, Kristoffer Neville, who has worked with me for almost four years now as both an undergrad and graduate student; this project was possible because of you. To Jeanette Kohl, who was integral in helping me to outline and finish my first chapter, which made the rest of my thesis writing much easier in comparison. Your constructive comments were instrumental to the clarity and depth of my research, so thank you. And thank you to Conrad Rudolph, for your stern, yet fair, critiques of my writing, which were an invaluable reminder that you can never proofread enough. A special thank you to Malcolm Baker, who offered so much of his time and energy to me in my undergraduate career, and for being a valuable and vast resource of knowledge on early modern European artwork as I researched possible thesis topics. And the warmest of thanks to Alesha Jeanette, who has always left her door open for me to come and talk about anything that was on my mind. I would also like to thank Leigh Gleason at the California Museum of Photography, for giving me the opportunity to intern in collections. -
Villa Borghese
Piazza del Campidoglio 5 Centro Storico 6 Gianicolo - Trastevere - Villa Pamphili 19 Villa Borghese - Flaminio Nomentana - San Basilio 21 Polo museale “Sapienza” 26 Testaccio - Ostiense - Garbatella 28 Eur - Ostia - Fiumicino 30 Appia - Casilina 31 Cassia - Flaminia 32 Prenestina - Pigneto 32 Ingresso libero fino Ingresso contingentato ad esaurimento posti Prenotazione consigliata Ingresso a pagamento Dove non espressamente o obbligatoria indicato l’iniziativa è gratuita. Il programma può subire variazioni. Programma aggiornato all’11 maggio 2012 Info 060608 www.museiincomuneroma.it Piazza del Campidoglio sulla piazza Ore 21.00-22.30 “Meno male che c’è Radio 2” Il programma di Radio 2 in diretta, presentato da Simone Cristicchi e Nino Frassica, con vari ospiti e musicisti. Musei Capitolini Orario 20.00-02.00 (ultimo ingresso ore 01.00) Il Museo pubblico più antico del mondo, fondato nel 1471 da Sisto IV con la donazione al popolo romano dei grandi bronzi lateranensi, si articola nei due edifici che insieme al Palazzo Senatorio delimitano la piazza del Campidoglio. Il Gioco del Lotto offrirà mediatori storici dell’arte a disposizione del pubblico per rispondere alle domande sulle opere esposte. MOSTRA Lux in Arcana - L’Archivio Segreto Vaticano si rivela Ore 20.30 Premio Strega. Incontro con l’autore Gianrico Carofiglio Il silenzio dell'onda (Rizzoli) Presenta Franco Scaglia, Presidente del Teatro di Roma. Ore 21.30, 22.45 e 24.15 Le Romane La canzone romana è il luogo d’incontro di questa formazione acustica tutta al femminile, dove la serenata ed il canto della popolana si mescolano ai versi di grandi autori come Pasolini e Strehler e alle musiche di Rota, Umiliani, Carpi, Rustichelli, Trovajoli, Balzani; dal linguaggio prezioso delle parole di Gadda, Giuliani, Fabrizi, Belli, Trilussa, tornano alla mente immagini forti piene di ironia e passione. -
Passionist2nd-Centenaryofrestoration
2nd CENTENARY OF THE RESTORATION OF THE CONGREGATION Letter of the Superior General on the 2nd CENTENARY OF THE RESTORATION OF THE CONGREGATION: 1814 - 2014 were times in our history when fidelity to the Church’s doctrine and these buildings, including many to the directives of the Pope.” monasteries and convents, were Dear Brothers, Sisters and Friends in desecrated and destroyed by anti- the Passionist Family, religious and anti-church forces – Napoleon was also interested in taking over “the goods of religious in not to mention the persecution of its believers. Such was the situation order to pay for the great economic On my daily walks here in Rome, in the Papal States known as “the debt caused by the war, lodging which I am required to do following complete suppression” by Napoleon soldiers, the increase of bureaucrats my surgery, I often ‘drop-in’ to visit on 3 May 1810 leading to the and for completing public works.” churches and basilicas of which there confiscation of all church is no shortage. And I am often in awe properties, and the disbanding and at the beauty of the art and At the time of the suppression, our displacement of all religious and architecture of these structures, Congregation had been in existence clergy to their places of origin in the many of which were constructed for 90 years and was present in 17 hope that this would bring about centuries ago. They were built as communities – all in Italy. This, in the extinction of the church and “Temples to the glory of God”. -
S T E W a R D S H IP E X a M IN
My journey continues... Written by: Gail Nampel You may remember during the fall of 2014, I shared that I was excited to be on a stewardship journey and invited anyone that felt called, to join me. Recently, my journey took me to Italy and I’m thrilled and honored to share the experience with you. This past December, while doing some work on my computer, I received an email from Mountain Bu- torac ‘The Catholic Traveler’ announcing that he was offering “A Low Season” pilgrimage to Rome and Assisi. A one-week, all-inclusive pilgrimage that included daily Mass at destinations like The Basilica of St. Francis of Assisi, St. Peter’s Basilica in Rome, The Cathedral Basilica of St. Augustine, The Pontifical North American College. Plus, we’d step through six sets of Holy Doors, tour the Basilicas of St. Clare, St Mary Major, St. Paul Outside the Walls, St. John Lateran, the Vatican Museum, attend the Pope’s General Audience on Ash Wednesday, take the Scavi Tour, climb The Holy Stairs at the Chapel Volume of2, IssueSan Lorenzo3 and much, much, more! – This trip was being offered to the first sixteen people that replied…for a price that was FAR less than one might expect! What was there to think about? I’ve been wanting to do this for so long and finally had the opportunity! I immediately replied with a HUGE affirmative! I’m in! I’m going! My fellow pilgrims and I landed at the airport in Rome on Sunday, February 7th at 10:30 AM, boarded a bus and headed to the incredibly picturesque city of Assisi, situated in the slopes of Mount Subasio. -
Terracotta Tableau Sculpture in Italy, 1450-1530
PALPABLE POLITICS AND EMBODIED PASSIONS: TERRACOTTA TABLEAU SCULPTURE IN ITALY, 1450-1530 by Betsy Bennett Purvis A thesis submitted in conformity with the requirements for the degree of Doctorate of Philosophy Department of Art University of Toronto ©Copyright by Betsy Bennett Purvis 2012 Palpable Politics and Embodied Passions: Terracotta Tableau Sculpture in Italy, 1450-1530 Doctorate of Philosophy 2012 Betsy Bennett Purvis Department of Art University of Toronto ABSTRACT Polychrome terracotta tableau sculpture is one of the most unique genres of 15th- century Italian Renaissance sculpture. In particular, Lamentation tableaux by Niccolò dell’Arca and Guido Mazzoni, with their intense sense of realism and expressive pathos, are among the most potent representatives of the Renaissance fascination with life-like imagery and its use as a powerful means of conveying psychologically and emotionally moving narratives. This dissertation examines the versatility of terracotta within the artistic economy of Italian Renaissance sculpture as well as its distinct mimetic qualities and expressive capacities. It casts new light on the historical conditions surrounding the development of the Lamentation tableau and repositions this particular genre of sculpture as a significant form of figurative sculpture, rather than simply an artifact of popular culture. In terms of historical context, this dissertation explores overlooked links between the theme of the Lamentation, the Holy Sepulcher in Jerusalem, codes of chivalric honor and piety, and resurgent crusade rhetoric spurred by the fall of Constantinople in 1453. Reconnected to its religious and political history rooted in medieval forms of Sepulchre devotion, the terracotta Lamentation tableau emerges as a key monument that both ii reflected and directed the cultural and political tensions surrounding East-West relations in later 15th-century Italy. -
The Spirit of Rome, by Vernon Lee 1
The Spirit of Rome, by Vernon Lee 1 The Spirit of Rome, by Vernon Lee The Project Gutenberg EBook of The Spirit of Rome, by Vernon Lee This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Spirit of Rome Author: Vernon Lee Release Date: January 22, 2009 [EBook #27873] Language: English Character set encoding: ISO-8859-1 The Spirit of Rome, by Vernon Lee 2 *** START OF THIS PROJECT GUTENBERG EBOOK THE SPIRIT OF ROME *** Produced by Delphine Lettau & the Online Distributed Proofreading Team at http://www.pgdpcanada.net This file was produced from images generously made available by The Internet Archive/American Libraries. THE SPIRIT OF ROME BY VERNON LEE. CONTENTS. Explanatory and Apologetic I. First Return to Rome II. A Pontifical Mass at the Sixtine Chapel III. Second Return to Rome IV. Ara Coeli V. Villa Cæsia VI. The Pantheon VII. By the Cemetery SPRING 1895. I. Villa Livia II. Colonna Gallery III. San Saba IV. S. Paolo Fuori V. Pineta Torlonia SPRING 1897. I. Return at Midnight II. Villa Madama III. From Valmontone to Olevano IV. From Olevano to Subiaco V. Acqua Marcia VI. The Sacra Speco VII. The Valley of the Anio VIII. Vicovaro IX. Tor Pignattara X. Villa Adriana XI. S. Lorenzo Fuori XII. On the Alban Hills XIII. Maundy Thursday XIV. Good Friday XV.