Torchwood Novel Penned by Star John Barrowman and Sister Carole E
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London Calling: BBC External Services, Whitehall and the Cold War 1944- 57
London calling: BBC external services, Whitehall and the cold war 1944- 57. Webb, Alban The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/1577 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] LONDON CALLING: SSC EXTERNAL SERVICES, WHITEHALL AND THE COLD WAR, 1944-57 ALBAN WEBB Queen Mary College, University of London A thesis submitted in partial fulfilment of the requirements of the University of London for the degree of Doctor of Philosophy (Ph.D) 1 Declaration: The work presented in this thesis is my own. Signed: '~"\ ~~Ue6b Alban Webb Declaration: The work presented in this thesis is my own. Signed: Alban Webb ABSTRACT The Second World War had radically changed the focus of the BBC's overseas operation from providing an imperial service in English only, to that of a global broadcaster speaking to the world in over forty different languages. The end of that conflict saw the BBC's External Services, as they became known, re-engineered for a world at peace, but it was not long before splits in the international community caused the postwar geopolitical landscape to shift, plunging the world into a cold war. At the British government's insistence a re-calibration of the External Services' broadcasting remit was undertaken, particularly in its broadcasts to Central and Eastern Europe, to adapt its output to this new and emerging world order. -
Virginia Woolf's Portraits of Russian Writers
Virginia Woolf’s Portraits of Russian Writers Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Darya Protopopova All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2753-0 ISBN (13): 978-1-5275-2753-9 TABLE OF CONTENTS Note on the Text ........................................................................................ vi Preface ...................................................................................................... vii Introduction ................................................................................................ 1 Russia and the British Search for the Cultural ‘Other’ Chapter One .............................................................................................. 32 Woolf’s Real and Fictional Russians Chapter Two ............................................................................................. 58 Woolf and Dostoevsky: Verbalising the Soul Chapter Three ........................................................................................ -
Doctor Who 4 Ep.18.GOLD.SCW
DOCTOR WHO 4.18 by Russell T Davies Shooting Script GOLDENROD ??th April 2009 Prep: 23rd February Shoot: 30th March Tale Writer's The Doctor Who 4 Episode 18 SHOOTING SCRIPT 20/03/09 page 1. 1 OMITTED 1 2 FX SHOT. GALLIFREY - DAY 2 FX: LONG FX SHOT, craning up to reveal the mountains of Gallifrey, as Ep.3.12 sc.40. But now transformed; the mountains are burning, a landscape of flame. The valley's a pit of fire, cradling the hulks of broken spaceships. Keep craning up to see, beyond; the Citadel of the Time Lords. The glass dome now cracked and open. CUT TO: 3 INT. CITADEL - DAY 3 FX: DMP WIDE SHOT, an ancient hallway, once beautiful, high vaults of stone & metal. But the roof is now broken, open to the dark orange sky, the edges burning. Bottom of frame, a walkway, along which walk THE NARRATOR, with staff, and 2 TIME LORDS, the latter pair in ceremonial collars. FX: NEW ANGLE, LONG SHOT, the WALKWAY curves round, Narrator & Time Lords now following the curve, heading towards TWO HUGE, CARVED DOORS, already open. A Black Void beyond. Tale CUT TO: 4 INT. BLACK VOID 4 FX: OTHER SIDE OF THE HUGE DOORS, NARRATOR & 2 TIME LORDS striding through. The Time Lords stay by the doors, on guard; lose them, and the doors, as the Narrator walks on. FX: WIDE SHOT of the Black Void - like Superman's Krypton, the courtroom/Phantom Zone scenes - deep black, starkly lit from above. Centre of the Void: a long table, with 5 TIME LORDS in robes Writer's(no collars) seated. -
“My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
“My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
TORCHWOOD T I M E L I N E DRAMA I 2 K S 2 Sunday BBC3, Wednesday BBC2 ~*T0&> ' ""* Doctor Who Viewers Have Hear
DRAMA SundayI2KS BBC3,2 Wednesday BBC2 TORCHWOOD TIMELINE ~*t0&> ' ""* Doctor Who viewers have heard the name Torchwood before... 11 Jure 2005 In the series one episode It may be a Doctor Who spin-off, but Torchwood Sad Wolf, Torchwood is an is very much its own beast, says Russell T Davies answer on Weakest Link with Anne-droid (pictured above). % Jack's back. But he's changed - he's of course, their leader, and two of the other angrier. The last we saw of Captain actors have also appeared in Doctor Who: Eve 25 December 2005 Jack Harkness, at the tail end of the Myles, who played Victorian maid Gwyneth In The Christmas Invasion, Prime Minister Harriet Jones rejuvenated Doctor Who series one, he'd in The Unquiet Dead; and Naoko Mori continues reveals she knows about top- been exterminated by Daleks (see picture to play the role of Dr Toshiko Sato, last seen secret Torchwood - and orders below), been brought back to life and then examining a pig in a spacesuit in Aliens of London. it to destroy the Sycorax ship. abandoned by the Doctor to fend for himself. As you'll see from the cover and our profile on What does a flirtatious, sexy-beast Time Agent page 14, they're a glamorous bunch. Or, as 22 April 2006 from the 51 st century, understandably miffed at Myles puts it, "It's a very sexy world." In Tooth and Claw, set in being dumped, do next? Easy: he joins Torchwood. Their objective? Nothing less than keeping the Torchwood House, Queen Doctor Who fans - and there are a few - will world safe from alien threat. -
Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In
Sociopathetic abscess or yawning chasm? The absent postcolonial transition in Doctor Who Lindy A Orthia The Australian National University, Canberra, Australia Abstract This paper explores discourses of colonialism, cosmopolitanism and postcolonialism in the long-running television series, Doctor Who. Doctor Who has frequently explored past colonial scenarios and has depicted cosmopolitan futures as multiracial and queer- positive, constructing a teleological model of human history. Yet postcolonial transition stages between the overthrow of colonialism and the instatement of cosmopolitan polities have received little attention within the program. This apparent ‘yawning chasm’ — this inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination — is whitewashed by the representation of past, present and future humanity as unchangingly diverse; literally fixed in happy demographic variety. Harmonious cosmopolitanism is thus presented as a non-negotiable fact of human inevitability, casting instances of racist oppression as unnatural blips. Under this construction, the postcolonial transition needs no explication, because to throw off colonialism’s chains is merely to revert to a more natural state of humanness, that is, cosmopolitanism. Only a few Doctor Who stories break with this model to deal with the ‘sociopathetic abscess’ that is real life postcolonial modernity. Key Words Doctor Who, cosmopolitanism, colonialism, postcolonialism, race, teleology, science fiction This is the submitted version of a paper that has been published with minor changes in The Journal of Commonwealth Literature, 45(2): 207-225. 1 1. Introduction Zargo: In any society there is bound to be a division. The rulers and the ruled. -
Five Goes Mad in Stockbridge Fifth Doctor Peter Davison Chats About the New Season
ISSUE #8 OCTOBER 2009 FREE! NOT FOR RESALE JUDGE DREDD Writer David Bishop on taking another shot at ‘Old Stony Face’ DOCTOR WHO Scribe George Mann on Romana’s latest jaunt FIVE GOES MAD IN STOCKBRIDGE FIFTH DOCTOR PETER DAVISON CHATS ABOUT THE NEW SEASON PLUS: Sneak Previews • Exclusive Photos • Interviews and more! EDITORIAL Hello. More Vortex! Can you believe it? Of course studio session to make sure everyone is happy and that you can, you’re reading this. Now, if I sound a bit everything is running on time. And he has to do all those hyper here, it’s because there’s an incredibly busy time CD Extras interviews. coming up for Big Finish in October. We’ve already started recording the next season of Eighth Doctor What will I be doing? Well, I shall be writing a grand adventures, but on top of that there are more Lost finale for the Eighth Doctor season, doing the sound Stories to come, along with the Sixth Doctor and Jamie design for our three Sherlock Holmes releases, and adventures, the return of Tegan, Holmes and the Ripper writing a brand new audio series for Big Finish, which and more Companion Chronicles than you can shake may or may not get made one day! More news on that a perigosto stick at! So we’ll be in the studio for pretty story later, as they say… much the whole month. I say ‘we’… I actually mean ‘David Richardson’. He’s our man on the spot, at every Nick Briggs – executive producer SNEAK PREVIEWS AND WHISPERS Love Songs for the Shy and Cynical Bernice Summerfield A short story collection by Robert Shearman Secret Histories Rob Shearman is probably best known as a writer for Doctor This year’s Bernice Summerfield book is a short Who, reintroducing the Daleks for its BAFTA winning first stories collection, Secret Histories, a series of series, in an episode nominated for a Hugo Award. -
STATION NULL STATION NULL Unser Besonderer Dank Geht an Russell T
JOHN BARROWMAN • CAROLE BARROWMAN NEIL EDWARDS • NICOLA RIGHI STATION NULL STATION NULL Unser besonderer Dank geht an Russell T. Davies, James Goss, Scott Handcock, dem Team von Big Finish, Mandy Thwaites, Edward Russell, Derek Ritchie, Kirsty Mullan, Kate Bush und Ed Casey für ihre große Hilfe Die deutsche Ausgabe von TORCHWOOD 2 – Station Null wird von der Panini Verlags GmbH herausgegeben, Rotebühlstr. 87, 70178 Stuttgart. Geschäftsleitung: Hermann Paul; Head of Editorial: Jo Löffler (v.i.S.d.P.); Redaktion: Steffen Volkmer (verantw.), Rebecca Haar; Übersetzung: Claudia Kern; Head of Marketing: Holger Wiest; Marketing & Kooperationen: Rebecca Haar (E-Mail: [email protected]); Produktion: Sanja Ancic; Grafik & Lettering: LetterFactory · Michael Beck; Druck: Printed in Italy; Anzeigen: BLAUFEUER VERLAGSVERTRETUNGEN GmbH, [email protected]. Es gilt die Anzeigenpreisliste Nr. 14 vom 01.10.2016, Vertriebsservice: stella distribution, Hamburg, Fax: 040/808053050. Presse & PR: Steffen Volkmer. ISBN 978-3-74160-448-5. 1. Auflage, Oktober 2017 Digitale Ausgaben: 978-3-7367-3485-2 (PDF), 978-3-7367-3486-9 (EPUB), 978-3-7367-3487-6 (MOBI) Diese Ausgabe enthält die englischen Originalausgaben Torchwood #5 - #8. Torchwood is a BBC Worldwide Production for the BBC. Executive Producers: Russell T. Davies, Julie Gardner, and Jane Tranter. Original series created by Russell T. Davies, and developed and produced by BBC Cymru Wales. BBC, ‘TORCHWOOD’ and the Torchwood word marks, logos and devices are trademarks of the British Broadcasting Corporation and are used under license. BBC logo © BBC 1996. All rights reserved. The Ice Maiden and its designated crewmembers are © John Barrowman and Carole E. Barrowman 2012, as originated in the Torchwood novel ‘The Exodus Code.’ With the exception of artwork used for review purposes, no portion of this book may be reproduced or transmitted in any form or by any means, without the express permission of the publisher Titan Comics or the BBC. -
Drama Co- Productions at the BBC and the Trade Relationship with America from the 1970S to the 1990S
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output ’Running a brothel from inside a monastery’: drama co- productions at the BBC and the trade relationship with America from the 1970s to the 1990s http://bbktheses.da.ulcc.ac.uk/56/ Version: Full Version Citation: Das Neves, Sheron Helena Martins (2013) ’Running a brothel from inside a monastery’: drama co-productions at the BBC and the trade relationship with America from the 1970s to the 1990s. MPhil thesis, Birkbeck, University of Lon- don. c 2013 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email BIRKBECK, UNIVERSITY OF LONDON SCHOOL OF ARTS DEPARTMENT OF HISTORY OF ART AND SCREEN MEDIA MPHIL VISUAL ARTS AND MEDIA ‘RUNNING A BROTHEL FROM INSIDE A MONASTERY’: DRAMA CO-PRODUCTIONS AT THE BBC AND THE TRADE RELATIONSHIP WITH AMERICA FROM THE 1970s TO THE 1990s SHERON HELENA MARTINS DAS NEVES I hereby declare that this is my own original work. August 2013 ABSTRACT From the late 1970s on, as competition intensified, British broadcasters searched for new ways to cover the escalating budgets for top-end drama. A common industry practice, overseas co-productions seems the fitting answer for most broadcasters; for the BBC, however, creating programmes that appeal to both national and international markets could mean being in conflict with its public service ethos. Paradoxes will always be at the heart of an institution that, while pressured to be profitable, also carries a deep-rooted disapproval of commercialism. -
Doctor Who and the Creation of a Non-Gendered Hero Archetype
Illinois State University ISU ReD: Research and eData Theses and Dissertations 10-13-2014 Doctor Who and the Creation of a Non-Gendered Hero Archetype Alessandra J. Pelusi Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the Mass Communication Commons Recommended Citation Pelusi, Alessandra J., "Doctor Who and the Creation of a Non-Gendered Hero Archetype" (2014). Theses and Dissertations. 272. https://ir.library.illinoisstate.edu/etd/272 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. DOCTOR WHO AND THE CREATION OF A NON-GENDERED HERO ARCHETYPE Alessandra J. Pelusi 85 Pages December 2014 This thesis investigates the ways in which the television program Doctor Who forges a new, non-gendered, hero archetype from the amalgamation of its main characters. In order to demonstrate how this is achieved, I begin with reviewing some of the significant and relevant characters that contribute to this. I then examine the ways in which female and male characters are represented in Doctor Who, including who they are, their relationship with the Doctor, and what major narrative roles they play. I follow this with a discussion of the significance of the companion, including their status as equal to the Doctor. From there, I explore the ways in which the program utilizes existing archetypes by subverting them and disrupting the status quo. -
Download Ebook « Torchwood: Almost Perfect \\ JVA4JNNWA0IK
PLWTS3PV3KP6 # Book ~ Torchwood: Almost Perfect Torchwood: Almost Perfect Filesize: 5.64 MB Reviews This ebook is wonderful. Of course, it really is perform, nevertheless an interesting and amazing literature. Its been printed in an extremely straightforward way and it is simply after i finished reading this ebook where in fact changed me, modify the way i believe. (Prof. Maxwell Stracke) DISCLAIMER | DMCA U7DFKXV4OAVP # Doc \ Torchwood: Almost Perfect TORCHWOOD: ALMOST PERFECT To download Torchwood: Almost Perfect eBook, make sure you refer to the button beneath and download the file or have access to other information which are relevant to TORCHWOOD: ALMOST PERFECT book. Ebury Publishing. Paperback. Book Condition: new. BRAND NEW, Torchwood: Almost Perfect, James Goss, Emma is 30, single and frankly desperate. She woke up this morning with nothing to look forward to but another evening of unsuccessful speed-dating. But now she has a new weapon in her quest for Mr Right. And it's made her almost perfect. Gwen Cooper woke up this morning expecting the unexpected. As usual. She went to work and found a skeleton at a table for two and a colleague in a surprisingly glamorous dress. Perfect. Ianto Jones woke up this morning with no memory of last night. He went to work, where he caused amusement, suspicion and a little bit of jealousy. Because Ianto Jones woke up this morning in the body of a woman. And he's looking just about perfect. And Jack Harkness has always had his doubts about Perfection. Featuring Captain Jack Harkness as played by John Barrowman, with Gwen Cooper, Owen Harper, Toshiko Sato and Ianto Jones as played by Eve Myles, Burn Gorman, Naoki Mori and Gareth David-Lloyd, in the hit series created by Russell T Davies for BBC Television.