Bibliographie D'histoire De L'amérique Française

Total Page:16

File Type:pdf, Size:1020Kb

Bibliographie D'histoire De L'amérique Française Document generated on 10/03/2021 2:07 p.m. Revue d'histoire de l'Amérique française Bibliographie d’histoire de l’Amérique française (publications récentes) Centre de bibliographie historique de l’Amérique française Volume 41, Number 3, hiver 1988 URI: https://id.erudit.org/iderudit/304611ar DOI: https://doi.org/10.7202/304611ar See table of contents Publisher(s) Institut d'histoire de l'Amérique française ISSN 0035-2357 (print) 1492-1383 (digital) Explore this journal Cite this document Centre de bibliographie historique de l’Amérique française (1988). Bibliographie d’histoire de l’Amérique française (publications récentes). Revue d'histoire de l'Amérique française, 41(3), 460–490. https://doi.org/10.7202/304611ar Tous droits réservés © Institut d'histoire de l'Amérique française, 1988 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ BIBLIOGRAPHIE D'HISTOIRE DE L'AMERIQUE FRANÇAISE (PUBLICATIONS RÉCENTES) préparée depuis 1967 par le Centre de bibliographie historique de l'Amérique française sous la direction de Paul AUBIN (Institut québécois de recherche sur la culture) et Paul-André LINTEAU (Université du Québec à Montréal). Cette bibliographie est réalisée à partir du dépouillement systé­ matique de plus de 400 périodiques. Tous ces titres, de même que ceux-là que, faute d'espace, nous ne mentionnons pas dans la chronique de la Revue, sont ensuite versés dans la banque informatisée HISCABEQ; le recours à cette banque offre au chercheur la possibilité d'une mise à jour cumulative des don­ nées bibliographiques dans le ou les champs de recherche qui l'intéres­ sent. I - LES CIVILISATIONS AMERINDIENNES ET LES PREMIÈRES DÉCOUVERTES 1 - ALLEN, Robert S., «A Witness to Murder: the Cypress Hill Massacre and the Conflict of Attitudes Towards the Native People of the Canadian-American West During the 1870's», Ian A. L. GETTY and Antoine S. LUSSIER, As Long as the Sun Shines and Water Flows. A Reader in Canadian Native Studies. Vancouver, University of British Columbia Press, 1983, 229-246. 2 - ANDRÉ, Mathieu Mestenapeu, Monsieur Mathieu Mestenapeu André. [Sept-îles?], tra­ duction montagnaise, édition INO [1984?]. iv-140-146-iv p. 3 - BANKS, Joyce M., Books in Native Languages in the Rare Book Collections of the National Library of Canada/Livres en langues autochtones dans les collections de livres rares de la Bibliothèque nationale du Canada. Ottawa, National Library of Canada/Biblio­ thèque nationale du Canada, 1985. 190 p. 4 - BARRON, F. Laurie, «Alcoholism, Indians and the Anti-Drink Cause in the Protestant Indian Missions of Upper Canada, 1822-1850», Ian A. L. GETTY and Antoine S. LUSSIER, As Long as the Sun Shines and Water Flows. A Reader in Canadian Native Studies. Vancouver, University of British Columbia Press, 1983, 191-202. 5 - BISHOP, Charles A., «The First Century: Adaptive Changes Among the Western James Bay Crée Between the Early Seventeenth and Early Eighteenth Centuries», Shepard KRECH, The Subarctic Fur Trade: Native Social and Economic Adaptations. Van­ couver, University of British Columbia, 1984, 21-54. 6 - BLACK-ROGERS, Mary and Edward S. ROGERS, «The Cranes and their Neighbours, 1770-1970: Trouble Case Data for Tracing We-They Boundaries of the Northern Ojibwa», William COWAN, Actes du quatorzième congrès des algonquinistes. Ottawa, Carleton University, 1983, 91-124. [460] RHAF, vol. 41, no 3, hiver 1988 BIBLIOGRAPHIE 461 7 - CAMPEAU, Lucien, Catastrophe démographique sur les Grands Lacs: Les premiers habi­ tants du Québec. Montréal, Bellarmin, 1986. 147 p. 8 - CLIFTON, James A., «The Re-Emergent Wyandot: a Study in Ethnogenesis on the Detroit River Borderland, 1747», K. G. PRYKE and L. L. KULISEK, The Western District: Papers from the Western District Conference. Windsor, Essex County Historical Society, 1983, 1-18. 9 - COLE-WILL, Rebecca, Copper Inuit Antler Technology, Banks Island, N. W. T. Thèse de M. A. (anthropologie), University of Alberta, 1984. xiv-183 p. 10 - DEMPSEY, Hugh A., «The Fearsome Fire Wagon», Hugh A. DEMPSEY, The CPR West - The Iron Road and the Making of a Nation. Vancouver, Douglas & Mclntyre, 1984, 55-69. (Réactions des Indiens à la construction du CPR). 11 - DEMPSEY, Hugh A., The Gentle Persuader: a Biography of James Gladstone, Indian Senator. Saskatoon, Western Producer Prairie Books, 1986. viii-225 p. 12 - FENTON, William N., Francis JENNINGS and Mary A. DRUKE, «The Earliest Recorded Description - The Mohawk Treaty with New France at Three Rivers, 1645», Francis JENNINGS, The History and Culture of Iroquois Diplomacy. Syracuse, Syracuse Uni­ versity Press, 1985, 127-153. 13 - FENTON, William N., «Structure, Continuity, and Change in the Process of Iroquois Treaty Making», Francis JENNINGS, The History and Culture of Iroquois Diplomacy. Syra­ cuse, Syracuse University Press, 1985, 3-36. 14 - FLANAGAN, Thomas, «Louis Riel and Aboriginal Rights», Ian A. L. GETTY and Antoine S. LUSSIER, As Long as the Sun Shines and Water FLows. A Reader in Canadian Native Studies. Vancouver, University of British Columbia Press, 1983, 247-262. 15 - Frog Lake Massacre. Surrey, (C.-B.), Frontier Books, 1984. 96 p. 16 - GOLTZ, Herbert C. W., «The Indian Revival: Religion and the Western District, 1805- 1813», K. G. PRYKE and L. L. KULISEK, The Western District: Papers from the Western District Conference. Windsor, Essex County Historical Society, 1983, 18-32. (Tecumseh). 17 - GRANT, Valerie, «The Crane and Sucker Indians of Sandy Lake, 1870-1970: a Research Report», William COWAN, Actes du quatorzième congrès des algonquinistes. Ottawa, Carleton University, 1983, 75-90. 18 - HALL, David J., «Clifford Sifton and Canadian Indian Administration, 1896-1905», Ian A. L. GETTY and Antoine S. LUSSIER, As Long as the Sun Shines and Water FLows. A Reader in Canadian Native Studies. Vancouver, University of British Columbia Press, 1983, 120-144. 19 - JACOBS, Dean, «Indian Land Surrenders», K. G. PRYKE and L. L. KULISEK, The Western District: Papers from the Western District Conference. Windsor, Essex County Historical Society, 1983, 61-68. 20 - JARVENPA, Robert and Hetty Jo BRUMBACH, «The Micro-Economics of Southern Chipewyan Fur-Trade History», Shepard KRECH, The Subarctic Fur Trade: Native Social and Economic Adaptations. Vancouver, University of British Columbia, 1984, 147-183. 21 - JENNESS, Diamond, «The Politics of Indian Affairs», Ian A. L. GETTY and Antoine S. LUSSIER, As Long as the Sun Shines and Water Flows. A Reader in Canadian Native Studies. Vancouver, University of British Columbia Press, 1983, 164-187. 22 - JOHNSTON, Basil, UndManitu erschufdie Welt: Mythen und Visionen der Ojibwa. Kôln, Diederichs, 1984. 217 p. (Traduction de Ojibway Heritage). 23 - JUDD, Carol M., «Sakie, Esquawenoe, and the Foundation of a Dual-Native Tradition at Moose Factory», Shepard KRECH, The Subarctic Fur Trade: Native Social and Eco­ nomic Adaptations. Vancouver, University of British Columbia, 1984, 81-98. 24 - KRECH, Shepard III, «The Trade of the Slavey and Dogrib at Fort Simpson in the Early Nineteenth Century», Shepard KRECH, The Subarctic Fur Trade: Native Social and Economic Adaptations. Vancouver, University of British Columbia, 1984, 99-146. 25 - LEIGHTON, Douglas, «A Victorian Civil Servant at Work: Lawrence Vankoughnet and the Canadian Indian Department, 1874-1893», Ian A. L. GETTY and Antoine S. LUSSIER, As Long as the Sun Shines and Water Flows. A Reader in Canadian Native Studies. Vancouver, University of British Columbia Press, 1983, 104-119. 462 REVUE D'HISTOIRE DE L'AMERIQUE FRANÇAISE 26 - McNAB, David T., «Herman Merivale and Colonial Office Indian Policy in the Mid- Nineteenth Century», Ian A. L. GETTY and Antoine S. LUSSIER, As Long as the Sun Shines and Water Flows. A Reader in Canadian Native Studies. Vancouver, Uni­ versity of British Columbia Press, 1983, 85-103. 27 - McNAB, David T., «The Administration of Treaty 3: The Location of the Boundaries of Treaty 3 Indian Reserves in Ontario, 1873-1915», Ian A. L. GETTY and Antoine S. LUSSIER, As Long as the Sun Shines and Water Flows. A Reader in Canadian Native Studies. Vancouver, University of British Columbia Press, 1983, 145-157. 28 - MARSHALL, Ingeborg Constance, Beothuk Bard Canoes: an Analysis and Comparative Study. Thèse de M.A. (anthropologie), Memorial University, 1984. xii-231 p. 29 - MILLOY, John S., «The Early Indian Acts: Developmental Strategy and Constitutionnal Change», Ian A. L. GETTY and Antoine S. LUSSIER, As Long as the Sun Shines and Water Flows. A Reader in Canadian Native Studies. Vancouver, University of British Columbia Press, 1983, 56-64. 30 - MORANTZ, Toby, «Economic and Social Accommodations of the James Bay Inlanders to the Fur Trade», Shepard KRECH, The Subarctic Fur Trade: Native Social and Eco­ nomic Adaptations. Vancouver, University of British Columbia, 1984, 55-80. 31 - MORANTZ, Toby, «Not Annual Visitors: the Drawing in to Trade of Northern Algonquian Caribou Hunters», William COWAN, Actes du quatorzième congrès des algonqui- nistes. Ottawa, Carleton University, 1983, 57-73. 32 - PATTERSON, Lisa Lynn, Indian Affairs and the Nova Scotia Centralization. Thèse de M.A. (histoire), Dalhousie University, 1985. 173 p. 33 - PETRONE, Penny, First People, First Voices. Toronto, University of Toronto Press, 1983. ix-221 p. 34 - RAY, Arthur Joseph, «Periodic Shortages, Native Welfare, and the Hudson's Bay Company 1670-1930», Shepard KRECH, The Subarctic Fur Trade: Native Social and Economic Adaptations. Vancouver, University of British Columbia, 1984, 1-20. 35 - RICHLING, Barnett, «Labrador Nalujick: the Transformation of an Aboriginal Ritual Complex in a Post-Contact Setting», N. Ross CRUMRINE and Marjorie H ALPIN, The Power of Symbols - Masks and Masquerade in the Americas.
Recommended publications
  • Framework 2/18
    FrameWork 2/18 Lauren Fournier on Althea Thauberger the reparative practice of re-performing Legend: - - -> performativityi ~~~ interpellationii (a) re-performing In Althea Lorraine, Althea Thauberger stages a performative intervention into the NFB’s archives, fixating on the figure of Lorraine Althea Monk. The artist sees herself in her, maybe: her name sandwiched between this historical figure’s first name and surname: Althea.iii A point of connection. It’s not the only one. Both are women, both have worked as producers and directors of a sort, in different contexts and in different ways. Lorraine Monk was the executive producer of the NFB’s still image division circa 1967: she developed “The People Tree” for Expo 67’s Canadian Pavilion in Montreal. And now, fifty years later, we reach another point of nationalistic relevance: the sesquicentennial. Artists revolt, protest, subvert. Althea Thauberger develops the film L’arbre est dans ses feuilles (The tree is in its leaves), which is shown in Montreal in the MAC’s 2017 exhibition In Search of Expo 67. Lorraine Monk, this figure of white womanhood, of nation-building, of middle-class Canadiana. She’s problematic and we’re paranoid.iv Objects like grey cards, a work desk, a glass ceiling. Monk’s eyes looking downward, then up: at least she gets to see. Althea is attuned to the rhythms of re-performing. This is an integral part of her practice: re-performing, re- casting. Now, Althea moves from her place behind the camera, from her role as director, to the role of director-actor, director-artist, she begins to pose.
    [Show full text]
  • Tournant Artistique » Du Service De La Photographie De L'onf, 1960-1978
    UNIVERSITÉ DU QUÉBEC À MONTRÉAL LE « TOURNANT ARTISTIQUE» DU SERVICE DE LA PHOTOGRAPHIE DE L'ONF, 1960-1978: MUTATION DU STATUT DE LA PHOTOGRAPHIE ET CONSTRUCTION DE SA VALEUR ARTISTIQUE DANS LE CONTEXTE CANADIEN MÉMOIRE PRÉSENTÉ COMME EXIGENCE PARTIELLE DE LA MAÎTRISE EN ÉTUDES DES ARTS PAR JULIE-ANN LATULIPPE DÉCEMBRE 2009 UNIVERSITÉ DU QUÉBEC À MONTRÉAL Service des bibliothèques Avertissement La diffusion de ce mémoire se fait dans le respect des droits de son auteur, qui a signé le formulaire Autorisation de reproduire et de diffuser un travail de recherche de cycles supérieurs (SDU-522 - Rév.01-2006). Cette autorisation stipule que «conformément à l'article 11 du Règlement noa des études de cycles supérieurs, [l'auteur] concède à l'Université du Québec à Montréal une licence non exclusive d'utilisation et de publication de la totalité ou d'une partie importante de [son] travail de recherche pour des fins pédagogiques et non commerciales. Plus précisément, [l'auteur] autorise l'Université du Québec à Montréal à reproduire, diffuser, prêter, distribuer ou vendre des copies de [son] travail de recherche à des fins non commerciales sur quelque support que ce soit, y compris l'Internet. Cette licence et cette autorisation n'entrainent pas une renonciation de [la] part [de l'auteur] à [ses] droits moraux ni à [ses] droits de propriété intellectuelle. Sauf entente contraire, [l'auteur] conserve la liberté de diffuser et de commercialiser ou non ce travail dont [il] possède un exemplaire.» REMERCIEMENTS Je voudrais d'abord remercier mon directeur de recherche, Vincent Lavoie. Son enseignement, ses conseils et les nombreuses opportunités de recherche qu'il m'a offerts dans les dernières années ont été des plus déterminants dans mon parcours.
    [Show full text]
  • CANADIAN PHOTOGRAPHY MAGAZINES 1970–1990 Reconsidering a History of Photography in Print
    Notes 1 For a good overview of photographic art in Canada, see Martha Langford, “A Short History of Photography, 1900–2000,” in Brian Foss, Anne Whitelaw and Sandra Paikowsky eds., The Visual Arts in Canada: The Twentieth Century (Don Mills, ON: Oxford University Press, 2010), 279– 311. 2 See especially Martha Langford, “Introduction,” in Contemporary Canadian Photography from the Collection of the National Film Board (Edmonton, Alta: Hurtig Publishers, 1984), 7–16. 3 For an inciteful application of the notion of “field of art” to photography, specifically in 1970s Montreal, see Lise Lamarche, “La photographie par la bande. Notes de recherche à partir des expositions collectives de photographie à Montreal (et un peu ailleurs) entre 1970 et 1980,” in Francine Couture ed., Exposer l’art contemporain du Québec. Discours d’intention et d’accompagnement (Montreeal: Centre de diffusion 3D, 2003), 221–265. 4 The first issue of Impressions was printed in Toronto in March 1970. The original editors were John Prendergrast and John F. Philips, co-founder of the Baldwin Street Gallery of Photography, Toronto. Subsequent co-editors would include Shin Sugino and Isaac Applebaum. The magazine aimed to showcase photographers whose work is “too personal to find an automatic commercial market.” In October 1970, the first issue of Image Nation appeared in Toronto. Edited variously by David Hlynsky, Fletcher Starbuck and others, it succeeded the Rochdale College Image Nation, published in 1969–1970 by a printing collective based at the short-lived “alternative” Rochdale College, Toronto. Image Nation was aimed primarily at photographic artists active within the parallel gallery network across Canada.
    [Show full text]
  • Stephen Bulger Gallery Online Auction Partnership (HO2)
    STePHeN BUlGeR GalleRY ONlINe aUCTION JULY 15, 2020 15, JULY Partnership (HO2) Sale mAY 19, 2020 – june 2, 2020 h001 WILLIAM JAMES TOPLEY 1845 - 1930 Canadian Sir John A. MacDonald, circa 1885 albumen print on board inscribed "Sir John A. MacDonald" faintly and on verso inscribed with the gallery inventory "SBG-WT- 0005-CF" 8 1/2 x 7 1/4 inches 21.6 x 18.4 centimeters Provenance: Private Collection, Ontario Stephen Bulger Gallery, Toronto Exhibited: Literature: An introduction to this sale by Stephen Bulger can be viewed <a href=" https://www.youtube.com/watch?v=_23Ajb5kTkE&feature=youtu.be">here.</a> Please click <a href=" https://www.youtube.com/watch?v=koJkIffUJi8&feature=youtu.be">here</a> to view a guided tour of this Lot. William James Topley is well known for his portraiture of Canadian politicians and high society. He was also a business partner of the acclaimed photographer William Notman, and eventually took over Notman's Ottawa studio in 1872. Topley’s studio attracted many leading figures of his day, including the sitter of this photograph, Canadian Prime Minister John A. Macdonald. Topley’s photographs are an important record of Canadian history and its major players. This work was printed circa 1885. The albumen print is mounted on a board which measures 10 x 8 inches. Please note: this work is unframed. The Buyer is hereby advised to read fully the Terms and Conditions of Business and Catalogue Terms, including our Stephen Bulger Gallery HO2 Sale Notice and any Addendum or Erratum specific to the Stephen Bulger Gallery HO2 auction.
    [Show full text]
  • Photography ‘75: the Still Photography Division’S “Women’S Show” As an Act of Subtle Protest
    Carleton University Render Volume 7 Photography ‘75: The Still Photography Division’s “Women’s Show” as an Act of Subtle Protest Katie Lydiatt Art History (SSAC), Carleton University, Ottawa, Canada Abstract This paper examines a largely under-explored exhibition organized by the Still Photography Division in Ottawa in 1975, appropriately titled Photography ‘75. Featuring the works of eighty-three women photographers, the show was organized around the distinction of the year 1975 as the International Year of the Woman. Although it claimed to capture a “feminine way of seeing” and a national vision of Canadian life, this exhibition marked a significant contribution to the history of Canadian photography through its engagement with contemporary debates surrounding photography as art, and women’s roles as practitioners of the medium. While the exhibition’s opinions on women and photography date itself, it was successful at professionalizing women artists and contributing to collections of female photographers in the Canadian Museum of Contemporary Photography (CMCP) and the Canadian Photography Institute (CPI) at the National Gallery of Canada (NGC). Keywords: Canadian Women’s Photography, Photography ’75, Still Photography Division, International Year of the Woman, Canadian Women’s Art History, Contemporary Canadian Photography, Suzy Lake, Lynne Cohen, Barbara Astman photography, and a challenge to examine some worn stereotypes about In the summer of 1975, the National Film art, women, and the world in general. Board’s Still Photography Division exhibited over Featuring new concepts, new artists, 100 works by eighty-three female Canadian new perspectives in traditional photographers in honour of International Year of realization, and new formats exploring the Woman.
    [Show full text]
  • John Reeves Fonds
    MG 276 – John Reeves fonds Dates: 1962-1998 (inclusive); 1974-1977 (predominant). Extent: 95 colour transparencies; 44 colour slides; 60 photographs; textual records. Biography: John Reeves was born in Burlington, Ontario, in 1938, and graduated from the Ontario College of Art in 1961. Well known particularly for his portrait photography, Reeves’ work has appeared in virtually every Canadian periodical. His photographic and written essays have included works on Jean Vanier, Elizabeth Smart and Germaine Greer; and he provided photography for the books Debrett's Illustrated Guide to the Canadian Establishment and John Fillion - Thoughts about My Sculpture. John Reeves was a member of the Royal Canadian Academy of Arts. Reeves died at Toronto in 2016. Scope and content: This fonds contains Reeves’ images of women, primarily Canadian, and involved in the arts: musicians, artists, authors, actors. Arrangement: This fonds has been arranged into the following series: A. Portraits of Women, 1974-1977. B. “30 Portraits of Women” Exhibition - 1977. C. Prints. – 1962-1998. D. Artists and Writers - Primarily West Coast. - 1977-1978, 1985. Restrictions: There are no restrictions on access. Accession Numbers: 2002-077, 2005-076. John Reeves retains copyright. Original finding aid by Cheryl Avery, 2003. Reformatting by Joanne Abrahamson, 2020. Box 1 A. Portraits of Women, 1974-1977. - 95 7x7 cm colour transparencies. Many of these portraits were originally commissioned by Lorraine Monk, then head of the NFB Still Photo Division, in part to document Canadian women of achievement during the International Year of the Woman (1975). 1. Doris Anderson. - 1975. Editor, author; Toronto. 2. Margaret Atwood. - 1975.
    [Show full text]
  • PC Index-1-40.Numbers
    Title Author Column Category Date Vol Iss PgNr 'Old Buck' Craske by Olive Edis of Sheringham, U.K. Edis, Olive Front Cover Images/Processes 2006 03 31 5 1 'Old Jimmy Esson' Honoured by the City of Cambridge White, Stanley J. People 1995 05 21 1 11 'Quickset' Condensers Old Ads 1992 03 17 5 15 'Spy', Subminiature and Detective Cameras (Christie's Auction) Back Cover Cameras/Equipment 1991 11 17 3 20 "...I can take a better picture with my 126 Instamatic than any of you can withKochman, your new Irv Nikons." People 2004 01 29 4 10 "Anonymous" Zeiss Ikon Cameras [Zeiss Historica Reprint] Gubas, Larry Cameras/Equipment 1999 05 25 1 05 "Camera Fiends and Kodak Girls" by Peter Palmquist Roseborough, EverettEditor's Notebook Industry 1993 03 18 5 03 "Canadian Made" Teague Era Cameras Cameras/Equipment 2006 12 32 3 13 "Clear and Bright Mirror" published by APHS Roseborough, EverettEditor's Notebook Book Reviews 1996 09 22 2 14 "Doing the things we had to do..." John Crawford's success story Roseborough, Everett People 1992 01 17 4 04 "Don de Dieu" Replica of Champlain's Ship July 23, 1908 KVC No. 16048 Front Cover Images/Processes 1984 09 10 3 0 "Exposure Meters" now on CD ROM (Miha Podlogar) Bookshelf Book Reviews 1998 11 24 3 15 "Graphic Antiquarian" Revived News Activities - Others 1977 03 02 06 12 "I don't collect things, I just let them collect." -- Dick Wolfe Seeger, Andree Miscellaneous 1998 11 24 3 12 "I've got a peach of a camera"...was the customer's remark Old Ads 1985 11 11 3 15 "Information Please" [Request for info/manuscript diaries] Batts, John Miscellaneous 1977 11 03 04 05 "Le Ticka" [Old Ad - in French] Old Ads 1983 07 09 2&3 20 "Mary Marble" A Portrait by F.W.
    [Show full text]
  • Ms. Drache, Sharon Abron Coll. Papers 00684 (2B Annex) Gift of Sharon Abron Drache, 2014
    Ms. Drache, Sharon Abron Coll. papers 00684 (2B Annex) Gift of Sharon Abron Drache, 2014 Includes extensive correspondence, manuscripts, etc. with Joe Rosenblatt, David Gurr; drafts, research and correspondence related to Barbara Klein-Muskrat: Then and Now; The Lubavitchers Are Coming to Second Avenue; Ritual Slaughter; The Mikveh Man; The Golden Ghetto; The Magic Pot; correspondence, research and drafts for piece on Richard Landon and the Thomas Fisher Rare Book Library; Arthur Drache material; unpublished children’s stories; family material; ghost writing; mentoring and other material related to the life and work of Sharon Abron Drache. Extent: 40 boxes (6 metres) Biographical family note from the Ontario Jewish Archives Sharon Abron Drache fonds: Sharon Abron Drache attended Forest Hill Collegiate(graduating in 1962) and then completed an undergraduate degree and post-graduate diploma in Psychology at the University of Toronto, the latter from the Institute of Child Study. She was enrolled as a special student in the Department of Religion at Carleton University from 1974-78. She has published four books of adult fiction, The Mikveh Man, Ritual Slaughter, The Golden Ghetto, Barbara Klein-Muskrat – then and now, and two children’s books, The Magic Pot and The Lubavitchers are coming to Second Avenue. She has also worked as a literary journalist and book reviewer for several newspapers and journals including, The Globe and Mail, Ottawa Citizen, Books In Canada, the Glebe Report and The Ottawa and Western Jewish Bulletins. Murray Abramowitz was born in 1912 in Toronto. His parents were David (1884-1963) and Sarah (nee Winfield) (1885-1955).
    [Show full text]
  • February-March 1976
    — suuuoi/\ adey JQJ soijsnf 00'1$ 9Z.6L HDyVlAI/AdVnHa3d N3IAIOAA aOd 3NIZV9VIAI NVIQVNVO Mrs. Phyllis Ellis Director Alberta Women's Bureau The Alberta Women's Bureau is an information and referral service for Albertans. If you have concerns withwhich you require assistance and don't know who to contact, call, write or visit us at our new offices. 1402 Centennial Building 10015 - 103 Avenue Edmonton, Alberta T5J OH1 /dberfa WOMEN'S BUREAU CONTENTS IN EVERY ISSUE Editor letters 2 Sharon Batt editorial Sharon Batt 5 Business law: Bape Logic Linda Duncan 28 Mary Alyce Heaton Design music: Discovering the Wheel Beverley Boss 32 Barbara Hartmann books: Morag Gunn - A Canadian Venus at Last? Art lona MacAlhster Laurie Bagley 39 Audrey Watson Margaret Laurence - More to her World Layout Marianne English than Facts Alison Hopwood 39 Diane Walton . and more books 41 Photography Alice Baumann-Rondez head way: When I Met the Lady Poets Diana Selsor Palling Anita Lerek 44 Fiction Karen Lawrence, Editor people in this issue 48 Candas Jane Dorsey Jeanne Perreault Helen Rosta FEATUBES Nonfiction Sharon Batt, Editor St. Joan in Silken Armour Susan McMaster 7 Marianne English From Atwood to Zaremba Peat Mary Alyce Heaton O'Neil 11 Jean Liebrecht Bape: Are We Paranoid? Jane Dick 30 Book Reviews Cruel and Unusual Punishment Helen Bosta 36 Karen Lawrence Law Conscience Came First Helen Bosta 38 Linda Duncan Public Relations Naomi Loeb WOMEN IN THE ABTS Susan McMaster Two Poems Bosemary Aubert 6 Administrative Nancy Caskenette Codpieces: Phallic Paraphernalia
    [Show full text]
  • Libraries and Cultural Resources
    LIBRARIES AND CULTURAL RESOURCES Archives and Special Collections Suite 520, Taylor Family Digital Library 2500 University Drive NW Calgary, AB, Canada T2N 1N4 www.asc.ucalgary.ca Bruce Hutchison fonds. ACU SPC F0029 https://searcharchives.ucalgary.ca/bruce-hutchison-fonds An additional finding aid in another format may exist for this fonds or collection. Inquire in Archives and Special Collections. BRUCE HUTCHISON fonds RECEIPT NO.: 866/09.10 The Bruce Hutchinson Fonds Accession No. 866/09.10 CORRESPONDENCE .......................................................................................................................... 2 MANUSCRIPTS ............................................................................................................................... 10 Articles, Columns, Etc. ............................................................................................................... 17 Speeches, Addresses, Etc. ......................................................................................................... 24 PUBLISHED WORKS ........................................................................................................................ 28 Columns ..................................................................................................................................... 28 Articles, Short Stories, Etc. ........................................................................................................ 33 ABOUT BRUCE HUTCHISON ..........................................................................................................
    [Show full text]
  • Photojournalism and the Canadian North: Rosemary Gilliat Eaton's 1960 Photographs of the Eastern Canadian Arctic Danielle Siem
    Photojournalism and the A power of photographs is that, in their silence and North.5 These visual renderings, which remain the primary stillness, they propose so much, and reveal nothing. means through which Canadians and the rest of the world – Hugh Brody1 are acquainted with the North and Inuit, often perpetuate Canadian North: Rosemary harmful stereotypes and ignore the live realities of northern On 8 June 1963, The Ottawa Journal published a story on Canada.6 In Grace’s words, the North, as a construction of Gilliat Eaton’s 1960 local photographer Rosemary Gilliat and her travels to the southerners, is “a constellation of racial stereotypes and Canadian North.2 Gilliat, who had emigrated from England seemingly intransigent exclusions.”7 Photographs of the Eastern a decade earlier, was a freelance photojournalist whose skills and sense of curiosity took her to parts of Canada This notion of the camera as an extension of the colonizer’s that few were then afforded the opportunity to visit. In gaze was not lost on photographer Rosemary Gilliat who Canadian Arctic the span of nine years, she made several trips to Arctic and embarked on her longest and most ambitious trip to the sub-Arctic regions of the country, taking photographs both North in 1960, spending four late summer months in “on assignment and on self-appointed expeditions.”3 The the eastern Canadian Arctic. Travelling throughout the Ottawa Journal reporter, noting the exceptional nature of Ungava Bay region in parts of what are now Nunavut Danielle Siemens Gilliat’s travels,
    [Show full text]
  • The National Photography Collection, Public Archives of Canada, 1975-1986
    Picturing Archives: The National Photography Collection, Public Archives of Canada, 1975-1986 by Nicole Courrier A Thesis submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfilment of the requirements of the degree of MASTER OF ARTS Joint Master’s Program Department of History (Archival Studies) University of Manitoba/University of Winnipeg Winnipeg, Manitoba Copyright © 2017 by Nicole Courrier ii Table of Contents Abstract .............................................................................................................................. iii Acknowledgments............................................................................................................... v Introduction ......................................................................................................................... 1 Chapter One: Archiving Photographs: From Image to Document and the Creation of the National Photography Collection at the Public Archives of Canada in 1975 ..................... 7 Chapter Two: Making Photographs a Subject of Study .................................................... 30 Chapter Three: The National Photography Collection and an Unfinished Task .............. 59 Conclusion ........................................................................................................................ 80 Appendix A: Sample Introductory Letter, Questionnaire, and Consent Forms ................ 84 Appendix B: Transcribed Interviews and Answered Questionnaires ..............................
    [Show full text]