Glebe Report February 4, 2000 2 for Come out Lunch! NOT a CHAIN, but a LINK in YOUR COMMUNITY by GORDON HAUSER Or Older

Total Page:16

File Type:pdf, Size:1020Kb

Glebe Report February 4, 2000 2 for Come out Lunch! NOT a CHAIN, but a LINK in YOUR COMMUNITY by GORDON HAUSER Or Older Serving the Glebe community since 1973 FREE Patti McKay (GCC) & Nadia Moravec sell raffle tickets Photo: Roger Lalonde Mayor Jim Watson & Coun. Inez Berg welcome all to Taste of the Glebe Rose Roberts of The Arrow & the Loon serves supper Great times at Taste of the Glebe BY SUSAN JERMYN bites of all ages made the rounds Westin. "We made lots more Glebe eateries served up sam- of the food stalls, trying out the selling the raffle tickets than last ples of their specialties at the pot pie, pizza, stir-fried shrimp, year," said Mary Lovelace of the Taste of the Glebe Thursday, pasta, cheesecake and cookies of- Glebe Neighbourhood Activities January 27 at the Glebe Commu- fered by Glebe restaurateurs. Group ( GNAG). nity Centre. The food fair, Many other community busi- Volunteers from GNAG, the chaired by Mayor Jim Watson, nesses supported the fundraiser community centre staff, a local raised more than $10,000 for the by donating raffle prizesgift fraternity and Glebe residents community centre renovation. The baskets, gift certificates, tickets pitched in to make the second an- $25 tickets sold out early. Gle- and a weekend get-away at the nual fundraiser a success. Fourth Avenue post office sold to local developer David Choo of Ashcroft Homes the site with a major architec- propriate for the area that will has bought the Fourth Avenue tural uplift." Since the site is complement the new townhouses post office. He said that his com- zoned commercial, the project on Third. The Glebe resident said pany is still conceptualizing the will include office and retail use, he wants to contribute to the re- Photos: S. Jermyn projectplans are in the prelimi- as well as residential units. juvenation of the area he lives and Kamal, with Gwen McGuire, nary stage. If he obtains a vari- Mr. Choo said he hopes to con- jogs in. He said that, in time, feeds the hungry ance from the city, he would like vert the industrial-looking plans for the project will be pre- to add a third level to "revitalize building into something more ap- sented to the community. Glebe CI as good as any other school I3Y DIANE CAMPBELL came to Glebe, so knowing older says she attended Glebe in Grade Glebe Collegiate is just as good kids helped," Clarke-Nolan con- 9 because of its gifted bilingual INSIDE as any other high school in Ot- tinues. program, one of only a couple of News 5 tawa, say some students who at- Both Carr and Clarke-Nolan such programs in the city, as well Central Park's heroes tend the school. are among students who disagree as its sports program. 7 "Ever since I was little, I've with comments made in a feature Ryan mentions that Glebe ca- Taste of the Glebe always wanted to go to Glebe," story published in the Octo- ters to the needs of students with More pictures from fundraiser says Grade 10 student Sarah Carr. ber/November issue of Ottawa disabilities, as well as those for Coun. Berg 8 Carr and her friend Katherine City magazine. whom English is not their first Clarke-Nolan live in the Fisher The article explored the pos- language. And, she says, the Coun. Doucet 10 sibility a to Avenue area, which the school of situationsimilar school embraces its large, diverse Columbine High School in Health 11, 12 board calls an option zone. Last Little- population through different ton, Coloradohappening in Ot- year, Carr and Clarke-Nolan multicultural events during the Glebe Questions 15 tawa, and made a comparison be- could have started Grade 9 at year. tween Glebe, Lisgar Collegiate Octopus in the Glebe Nepean High Schoolwhich is in As for the rumours of fights, Institute and Canterbury High their areabut chose to go to Carr says, "I really don't see Heritage 16-18 Glebe instead. School. them. And if there are fights, According to the story, Ottawa Memories of the Glebe; "I had been with the same peo- they're usually friends fighting students see Glebe as a school of over something ple since kindergarten, and I stupid." new book on Ottawa's heritage; last resort, where the people who Ryan, Carr and Clarke-Nolan wanted to meet new people," Carr heritage events in the city says. attend are looked upon as "both all agree on one thingthat getting violent and dumb." involved in extracurricular ac- Schools 22-26 Clarke-Nolan adds, "The aca- The feature also implied that tivities helps new students adjust demics are better here [at Glebe], Glebe is more dangerous than ei- to high school life. Words 30 and the school didn't feel that ther Lisgar or Canterbury, mostly "I think the Grade-9s are still clique-y. We made so many new because of rumoured gang fights scared of the older kids," says friends within the first couple of between various racial and social Ryan. weeks. groups. "But," Carr adds, "when people NEXT DEADLINE "I really liked the atmosphere, Anna-Claire Ryan, who's in get involved in things, like stu- Monday, February 21 and I had an older brother who Grade 11 at Glebe, disagrees. She dent council, age doesn't matter." N EWS Glebe Report February 4, 2000 2 for Come out lunch! NOT A CHAIN, BUT A LINK IN YOUR COMMUNITY BY GORDON HAUSER or older. If you want to look at One of the many ways we cater the long list of our services, to our area of concern in the phone the magic number and ask INNIS S PHARMACY community is to arrange for those, for our program guide or better elderly who cannot get out and' yet, visit us at 950 Bank Street 769 BANK ST. (AT SECOND AVENUE) about to be picked up for some opposite Lansdowne Park. We are TEL.: 235-4377 FAX.: 235-1460 social interaction. So, every here to serve. Tuesday and Friday, we have our. But, of course, we have many Luncheon Club. services that enable our centre to Imagine yourself in your room, be busy all the time. Some of our unable to go out because you fear programs are already full, like those icy streets; however com- the pottery course, but some oth- Your Family Health Care fortable you are, after a time you ers have still got space for new begin to feel like a prisoner. Our participants. If you want to see Provider club gives you an opportunity to people in action, having fun, be- get a good meal and talk to ing creative, call down (it's in the friends in like circumstances, basement) and look over the pot- Offering You and after lunch to play cards and tery studio. Perhaps that's the do other group activities. Once therapy you need, getting your Bus Passes each month, we take all members hands into clay. to Billings Bridge to shop and Perhaps you want to join the check out the stores. At 2 p.m., action of this 21st century by Beautiful Greeting Cards they are taken home again and learning how to use a computer. helped from the bus into their It seems everyone is "on line" Stamps & More home until the next time. these days and knowing how to surf the web is essential if you The bus both ways costs each a are going to be "with it," as they 3emem6er to piek up yourfree total of $5, and volunteers are say. Phone 230-5730 to ask for monthly. jamtfy Mialth:y eare newsletter. with them all the time to help details or for a program guide Qsaekerfwith' valae anar rots of information. with every little detail. If you with all our exciting possibilities know someone to whom this serv- laid out for you to choose. It hap- ice would be useful, get in touch pens here at Abbotsford, 950 with Elizabeth at 230-5730. Bank Street, easy to get to and a Abbotsford serves seniors 55 friendly welcome when you come. SINCE THE TURN OF THE CENTI, RN THIS HAS BEEN A PHARMACY LOCATION Palliative care volunteer OPEN: WE ACCEPT: MON-THURS 8:30-6:00 PM =MIND VISA FRIDAY 8:30-7:00 PM MASTERCARD information session SATURDAY 9:00-6:00 PM AM. DEBIT CARDS BY CHERYL LEDGERWOOD sionate care and comfort to resi- CLOSED SUNDAY TO ALLOW STAFF FAMILY TIME 4110 & MAJOR DRUG PLANS The Glebe Centre is hosting dents who are approaching their an information session for per- time of death, and to support FOR YOUR ONE STOP SHOPPING IN THE GLEBE sons interested in being part of their families and friends during an interdisciplinary team of this time. The program requires care-givers offering palliative mature, empathetic volunteers, 21 care to dying residents and their years and older, who enjoy being families. The information session with elder people, have good I is- on volunteering in palliative care tening skills and the ability to at the Glebe Centre takes place on deal with strong emotions. Tues., March 7, starting at 7 p.m. Staff and volunteers will The information session will C 01\4P-A outline the requirements for pal- take place in the auditorium of liative-care volunteers, and de- the Glebe Centre, located at 950 scribe the challenges and rewards Bank Street directly across from 785 Bank Street of this very special volunteer Lansdowne Park. Free parking, (between Second & Third in the Glebe) role. Following the presentation, accessed by Monk Street, is avail- www.compact-music.com there will be a question and an- able to the south of the facility.
Recommended publications
  • Framework 2/18
    FrameWork 2/18 Lauren Fournier on Althea Thauberger the reparative practice of re-performing Legend: - - -> performativityi ~~~ interpellationii (a) re-performing In Althea Lorraine, Althea Thauberger stages a performative intervention into the NFB’s archives, fixating on the figure of Lorraine Althea Monk. The artist sees herself in her, maybe: her name sandwiched between this historical figure’s first name and surname: Althea.iii A point of connection. It’s not the only one. Both are women, both have worked as producers and directors of a sort, in different contexts and in different ways. Lorraine Monk was the executive producer of the NFB’s still image division circa 1967: she developed “The People Tree” for Expo 67’s Canadian Pavilion in Montreal. And now, fifty years later, we reach another point of nationalistic relevance: the sesquicentennial. Artists revolt, protest, subvert. Althea Thauberger develops the film L’arbre est dans ses feuilles (The tree is in its leaves), which is shown in Montreal in the MAC’s 2017 exhibition In Search of Expo 67. Lorraine Monk, this figure of white womanhood, of nation-building, of middle-class Canadiana. She’s problematic and we’re paranoid.iv Objects like grey cards, a work desk, a glass ceiling. Monk’s eyes looking downward, then up: at least she gets to see. Althea is attuned to the rhythms of re-performing. This is an integral part of her practice: re-performing, re- casting. Now, Althea moves from her place behind the camera, from her role as director, to the role of director-actor, director-artist, she begins to pose.
    [Show full text]
  • Tournant Artistique » Du Service De La Photographie De L'onf, 1960-1978
    UNIVERSITÉ DU QUÉBEC À MONTRÉAL LE « TOURNANT ARTISTIQUE» DU SERVICE DE LA PHOTOGRAPHIE DE L'ONF, 1960-1978: MUTATION DU STATUT DE LA PHOTOGRAPHIE ET CONSTRUCTION DE SA VALEUR ARTISTIQUE DANS LE CONTEXTE CANADIEN MÉMOIRE PRÉSENTÉ COMME EXIGENCE PARTIELLE DE LA MAÎTRISE EN ÉTUDES DES ARTS PAR JULIE-ANN LATULIPPE DÉCEMBRE 2009 UNIVERSITÉ DU QUÉBEC À MONTRÉAL Service des bibliothèques Avertissement La diffusion de ce mémoire se fait dans le respect des droits de son auteur, qui a signé le formulaire Autorisation de reproduire et de diffuser un travail de recherche de cycles supérieurs (SDU-522 - Rév.01-2006). Cette autorisation stipule que «conformément à l'article 11 du Règlement noa des études de cycles supérieurs, [l'auteur] concède à l'Université du Québec à Montréal une licence non exclusive d'utilisation et de publication de la totalité ou d'une partie importante de [son] travail de recherche pour des fins pédagogiques et non commerciales. Plus précisément, [l'auteur] autorise l'Université du Québec à Montréal à reproduire, diffuser, prêter, distribuer ou vendre des copies de [son] travail de recherche à des fins non commerciales sur quelque support que ce soit, y compris l'Internet. Cette licence et cette autorisation n'entrainent pas une renonciation de [la] part [de l'auteur] à [ses] droits moraux ni à [ses] droits de propriété intellectuelle. Sauf entente contraire, [l'auteur] conserve la liberté de diffuser et de commercialiser ou non ce travail dont [il] possède un exemplaire.» REMERCIEMENTS Je voudrais d'abord remercier mon directeur de recherche, Vincent Lavoie. Son enseignement, ses conseils et les nombreuses opportunités de recherche qu'il m'a offerts dans les dernières années ont été des plus déterminants dans mon parcours.
    [Show full text]
  • CANADIAN PHOTOGRAPHY MAGAZINES 1970–1990 Reconsidering a History of Photography in Print
    Notes 1 For a good overview of photographic art in Canada, see Martha Langford, “A Short History of Photography, 1900–2000,” in Brian Foss, Anne Whitelaw and Sandra Paikowsky eds., The Visual Arts in Canada: The Twentieth Century (Don Mills, ON: Oxford University Press, 2010), 279– 311. 2 See especially Martha Langford, “Introduction,” in Contemporary Canadian Photography from the Collection of the National Film Board (Edmonton, Alta: Hurtig Publishers, 1984), 7–16. 3 For an inciteful application of the notion of “field of art” to photography, specifically in 1970s Montreal, see Lise Lamarche, “La photographie par la bande. Notes de recherche à partir des expositions collectives de photographie à Montreal (et un peu ailleurs) entre 1970 et 1980,” in Francine Couture ed., Exposer l’art contemporain du Québec. Discours d’intention et d’accompagnement (Montreeal: Centre de diffusion 3D, 2003), 221–265. 4 The first issue of Impressions was printed in Toronto in March 1970. The original editors were John Prendergrast and John F. Philips, co-founder of the Baldwin Street Gallery of Photography, Toronto. Subsequent co-editors would include Shin Sugino and Isaac Applebaum. The magazine aimed to showcase photographers whose work is “too personal to find an automatic commercial market.” In October 1970, the first issue of Image Nation appeared in Toronto. Edited variously by David Hlynsky, Fletcher Starbuck and others, it succeeded the Rochdale College Image Nation, published in 1969–1970 by a printing collective based at the short-lived “alternative” Rochdale College, Toronto. Image Nation was aimed primarily at photographic artists active within the parallel gallery network across Canada.
    [Show full text]
  • Stephen Bulger Gallery Online Auction Partnership (HO2)
    STePHeN BUlGeR GalleRY ONlINe aUCTION JULY 15, 2020 15, JULY Partnership (HO2) Sale mAY 19, 2020 – june 2, 2020 h001 WILLIAM JAMES TOPLEY 1845 - 1930 Canadian Sir John A. MacDonald, circa 1885 albumen print on board inscribed "Sir John A. MacDonald" faintly and on verso inscribed with the gallery inventory "SBG-WT- 0005-CF" 8 1/2 x 7 1/4 inches 21.6 x 18.4 centimeters Provenance: Private Collection, Ontario Stephen Bulger Gallery, Toronto Exhibited: Literature: An introduction to this sale by Stephen Bulger can be viewed <a href=" https://www.youtube.com/watch?v=_23Ajb5kTkE&feature=youtu.be">here.</a> Please click <a href=" https://www.youtube.com/watch?v=koJkIffUJi8&feature=youtu.be">here</a> to view a guided tour of this Lot. William James Topley is well known for his portraiture of Canadian politicians and high society. He was also a business partner of the acclaimed photographer William Notman, and eventually took over Notman's Ottawa studio in 1872. Topley’s studio attracted many leading figures of his day, including the sitter of this photograph, Canadian Prime Minister John A. Macdonald. Topley’s photographs are an important record of Canadian history and its major players. This work was printed circa 1885. The albumen print is mounted on a board which measures 10 x 8 inches. Please note: this work is unframed. The Buyer is hereby advised to read fully the Terms and Conditions of Business and Catalogue Terms, including our Stephen Bulger Gallery HO2 Sale Notice and any Addendum or Erratum specific to the Stephen Bulger Gallery HO2 auction.
    [Show full text]
  • Photography ‘75: the Still Photography Division’S “Women’S Show” As an Act of Subtle Protest
    Carleton University Render Volume 7 Photography ‘75: The Still Photography Division’s “Women’s Show” as an Act of Subtle Protest Katie Lydiatt Art History (SSAC), Carleton University, Ottawa, Canada Abstract This paper examines a largely under-explored exhibition organized by the Still Photography Division in Ottawa in 1975, appropriately titled Photography ‘75. Featuring the works of eighty-three women photographers, the show was organized around the distinction of the year 1975 as the International Year of the Woman. Although it claimed to capture a “feminine way of seeing” and a national vision of Canadian life, this exhibition marked a significant contribution to the history of Canadian photography through its engagement with contemporary debates surrounding photography as art, and women’s roles as practitioners of the medium. While the exhibition’s opinions on women and photography date itself, it was successful at professionalizing women artists and contributing to collections of female photographers in the Canadian Museum of Contemporary Photography (CMCP) and the Canadian Photography Institute (CPI) at the National Gallery of Canada (NGC). Keywords: Canadian Women’s Photography, Photography ’75, Still Photography Division, International Year of the Woman, Canadian Women’s Art History, Contemporary Canadian Photography, Suzy Lake, Lynne Cohen, Barbara Astman photography, and a challenge to examine some worn stereotypes about In the summer of 1975, the National Film art, women, and the world in general. Board’s Still Photography Division exhibited over Featuring new concepts, new artists, 100 works by eighty-three female Canadian new perspectives in traditional photographers in honour of International Year of realization, and new formats exploring the Woman.
    [Show full text]
  • John Reeves Fonds
    MG 276 – John Reeves fonds Dates: 1962-1998 (inclusive); 1974-1977 (predominant). Extent: 95 colour transparencies; 44 colour slides; 60 photographs; textual records. Biography: John Reeves was born in Burlington, Ontario, in 1938, and graduated from the Ontario College of Art in 1961. Well known particularly for his portrait photography, Reeves’ work has appeared in virtually every Canadian periodical. His photographic and written essays have included works on Jean Vanier, Elizabeth Smart and Germaine Greer; and he provided photography for the books Debrett's Illustrated Guide to the Canadian Establishment and John Fillion - Thoughts about My Sculpture. John Reeves was a member of the Royal Canadian Academy of Arts. Reeves died at Toronto in 2016. Scope and content: This fonds contains Reeves’ images of women, primarily Canadian, and involved in the arts: musicians, artists, authors, actors. Arrangement: This fonds has been arranged into the following series: A. Portraits of Women, 1974-1977. B. “30 Portraits of Women” Exhibition - 1977. C. Prints. – 1962-1998. D. Artists and Writers - Primarily West Coast. - 1977-1978, 1985. Restrictions: There are no restrictions on access. Accession Numbers: 2002-077, 2005-076. John Reeves retains copyright. Original finding aid by Cheryl Avery, 2003. Reformatting by Joanne Abrahamson, 2020. Box 1 A. Portraits of Women, 1974-1977. - 95 7x7 cm colour transparencies. Many of these portraits were originally commissioned by Lorraine Monk, then head of the NFB Still Photo Division, in part to document Canadian women of achievement during the International Year of the Woman (1975). 1. Doris Anderson. - 1975. Editor, author; Toronto. 2. Margaret Atwood. - 1975.
    [Show full text]
  • PC Index-1-40.Numbers
    Title Author Column Category Date Vol Iss PgNr 'Old Buck' Craske by Olive Edis of Sheringham, U.K. Edis, Olive Front Cover Images/Processes 2006 03 31 5 1 'Old Jimmy Esson' Honoured by the City of Cambridge White, Stanley J. People 1995 05 21 1 11 'Quickset' Condensers Old Ads 1992 03 17 5 15 'Spy', Subminiature and Detective Cameras (Christie's Auction) Back Cover Cameras/Equipment 1991 11 17 3 20 "...I can take a better picture with my 126 Instamatic than any of you can withKochman, your new Irv Nikons." People 2004 01 29 4 10 "Anonymous" Zeiss Ikon Cameras [Zeiss Historica Reprint] Gubas, Larry Cameras/Equipment 1999 05 25 1 05 "Camera Fiends and Kodak Girls" by Peter Palmquist Roseborough, EverettEditor's Notebook Industry 1993 03 18 5 03 "Canadian Made" Teague Era Cameras Cameras/Equipment 2006 12 32 3 13 "Clear and Bright Mirror" published by APHS Roseborough, EverettEditor's Notebook Book Reviews 1996 09 22 2 14 "Doing the things we had to do..." John Crawford's success story Roseborough, Everett People 1992 01 17 4 04 "Don de Dieu" Replica of Champlain's Ship July 23, 1908 KVC No. 16048 Front Cover Images/Processes 1984 09 10 3 0 "Exposure Meters" now on CD ROM (Miha Podlogar) Bookshelf Book Reviews 1998 11 24 3 15 "Graphic Antiquarian" Revived News Activities - Others 1977 03 02 06 12 "I don't collect things, I just let them collect." -- Dick Wolfe Seeger, Andree Miscellaneous 1998 11 24 3 12 "I've got a peach of a camera"...was the customer's remark Old Ads 1985 11 11 3 15 "Information Please" [Request for info/manuscript diaries] Batts, John Miscellaneous 1977 11 03 04 05 "Le Ticka" [Old Ad - in French] Old Ads 1983 07 09 2&3 20 "Mary Marble" A Portrait by F.W.
    [Show full text]
  • Bibliographie D'histoire De L'amérique Française
    Document generated on 10/03/2021 2:07 p.m. Revue d'histoire de l'Amérique française Bibliographie d’histoire de l’Amérique française (publications récentes) Centre de bibliographie historique de l’Amérique française Volume 41, Number 3, hiver 1988 URI: https://id.erudit.org/iderudit/304611ar DOI: https://doi.org/10.7202/304611ar See table of contents Publisher(s) Institut d'histoire de l'Amérique française ISSN 0035-2357 (print) 1492-1383 (digital) Explore this journal Cite this document Centre de bibliographie historique de l’Amérique française (1988). Bibliographie d’histoire de l’Amérique française (publications récentes). Revue d'histoire de l'Amérique française, 41(3), 460–490. https://doi.org/10.7202/304611ar Tous droits réservés © Institut d'histoire de l'Amérique française, 1988 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ BIBLIOGRAPHIE D'HISTOIRE DE L'AMERIQUE FRANÇAISE (PUBLICATIONS RÉCENTES) préparée depuis 1967 par le Centre de bibliographie historique de l'Amérique française sous la direction de Paul AUBIN (Institut québécois de recherche sur la culture) et Paul-André LINTEAU (Université du Québec à Montréal). Cette bibliographie est réalisée à partir du dépouillement systé­ matique de plus de 400 périodiques.
    [Show full text]
  • Ms. Drache, Sharon Abron Coll. Papers 00684 (2B Annex) Gift of Sharon Abron Drache, 2014
    Ms. Drache, Sharon Abron Coll. papers 00684 (2B Annex) Gift of Sharon Abron Drache, 2014 Includes extensive correspondence, manuscripts, etc. with Joe Rosenblatt, David Gurr; drafts, research and correspondence related to Barbara Klein-Muskrat: Then and Now; The Lubavitchers Are Coming to Second Avenue; Ritual Slaughter; The Mikveh Man; The Golden Ghetto; The Magic Pot; correspondence, research and drafts for piece on Richard Landon and the Thomas Fisher Rare Book Library; Arthur Drache material; unpublished children’s stories; family material; ghost writing; mentoring and other material related to the life and work of Sharon Abron Drache. Extent: 40 boxes (6 metres) Biographical family note from the Ontario Jewish Archives Sharon Abron Drache fonds: Sharon Abron Drache attended Forest Hill Collegiate(graduating in 1962) and then completed an undergraduate degree and post-graduate diploma in Psychology at the University of Toronto, the latter from the Institute of Child Study. She was enrolled as a special student in the Department of Religion at Carleton University from 1974-78. She has published four books of adult fiction, The Mikveh Man, Ritual Slaughter, The Golden Ghetto, Barbara Klein-Muskrat – then and now, and two children’s books, The Magic Pot and The Lubavitchers are coming to Second Avenue. She has also worked as a literary journalist and book reviewer for several newspapers and journals including, The Globe and Mail, Ottawa Citizen, Books In Canada, the Glebe Report and The Ottawa and Western Jewish Bulletins. Murray Abramowitz was born in 1912 in Toronto. His parents were David (1884-1963) and Sarah (nee Winfield) (1885-1955).
    [Show full text]
  • February-March 1976
    — suuuoi/\ adey JQJ soijsnf 00'1$ 9Z.6L HDyVlAI/AdVnHa3d N3IAIOAA aOd 3NIZV9VIAI NVIQVNVO Mrs. Phyllis Ellis Director Alberta Women's Bureau The Alberta Women's Bureau is an information and referral service for Albertans. If you have concerns withwhich you require assistance and don't know who to contact, call, write or visit us at our new offices. 1402 Centennial Building 10015 - 103 Avenue Edmonton, Alberta T5J OH1 /dberfa WOMEN'S BUREAU CONTENTS IN EVERY ISSUE Editor letters 2 Sharon Batt editorial Sharon Batt 5 Business law: Bape Logic Linda Duncan 28 Mary Alyce Heaton Design music: Discovering the Wheel Beverley Boss 32 Barbara Hartmann books: Morag Gunn - A Canadian Venus at Last? Art lona MacAlhster Laurie Bagley 39 Audrey Watson Margaret Laurence - More to her World Layout Marianne English than Facts Alison Hopwood 39 Diane Walton . and more books 41 Photography Alice Baumann-Rondez head way: When I Met the Lady Poets Diana Selsor Palling Anita Lerek 44 Fiction Karen Lawrence, Editor people in this issue 48 Candas Jane Dorsey Jeanne Perreault Helen Rosta FEATUBES Nonfiction Sharon Batt, Editor St. Joan in Silken Armour Susan McMaster 7 Marianne English From Atwood to Zaremba Peat Mary Alyce Heaton O'Neil 11 Jean Liebrecht Bape: Are We Paranoid? Jane Dick 30 Book Reviews Cruel and Unusual Punishment Helen Bosta 36 Karen Lawrence Law Conscience Came First Helen Bosta 38 Linda Duncan Public Relations Naomi Loeb WOMEN IN THE ABTS Susan McMaster Two Poems Bosemary Aubert 6 Administrative Nancy Caskenette Codpieces: Phallic Paraphernalia
    [Show full text]
  • Libraries and Cultural Resources
    LIBRARIES AND CULTURAL RESOURCES Archives and Special Collections Suite 520, Taylor Family Digital Library 2500 University Drive NW Calgary, AB, Canada T2N 1N4 www.asc.ucalgary.ca Bruce Hutchison fonds. ACU SPC F0029 https://searcharchives.ucalgary.ca/bruce-hutchison-fonds An additional finding aid in another format may exist for this fonds or collection. Inquire in Archives and Special Collections. BRUCE HUTCHISON fonds RECEIPT NO.: 866/09.10 The Bruce Hutchinson Fonds Accession No. 866/09.10 CORRESPONDENCE .......................................................................................................................... 2 MANUSCRIPTS ............................................................................................................................... 10 Articles, Columns, Etc. ............................................................................................................... 17 Speeches, Addresses, Etc. ......................................................................................................... 24 PUBLISHED WORKS ........................................................................................................................ 28 Columns ..................................................................................................................................... 28 Articles, Short Stories, Etc. ........................................................................................................ 33 ABOUT BRUCE HUTCHISON ..........................................................................................................
    [Show full text]
  • Photojournalism and the Canadian North: Rosemary Gilliat Eaton's 1960 Photographs of the Eastern Canadian Arctic Danielle Siem
    Photojournalism and the A power of photographs is that, in their silence and North.5 These visual renderings, which remain the primary stillness, they propose so much, and reveal nothing. means through which Canadians and the rest of the world – Hugh Brody1 are acquainted with the North and Inuit, often perpetuate Canadian North: Rosemary harmful stereotypes and ignore the live realities of northern On 8 June 1963, The Ottawa Journal published a story on Canada.6 In Grace’s words, the North, as a construction of Gilliat Eaton’s 1960 local photographer Rosemary Gilliat and her travels to the southerners, is “a constellation of racial stereotypes and Canadian North.2 Gilliat, who had emigrated from England seemingly intransigent exclusions.”7 Photographs of the Eastern a decade earlier, was a freelance photojournalist whose skills and sense of curiosity took her to parts of Canada This notion of the camera as an extension of the colonizer’s that few were then afforded the opportunity to visit. In gaze was not lost on photographer Rosemary Gilliat who Canadian Arctic the span of nine years, she made several trips to Arctic and embarked on her longest and most ambitious trip to the sub-Arctic regions of the country, taking photographs both North in 1960, spending four late summer months in “on assignment and on self-appointed expeditions.”3 The the eastern Canadian Arctic. Travelling throughout the Ottawa Journal reporter, noting the exceptional nature of Ungava Bay region in parts of what are now Nunavut Danielle Siemens Gilliat’s travels,
    [Show full text]