Alan Bennett Examines the Private Education System
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2015 Kaleidoscope
The faculty advisors wish to give special recognition and thanks to these individuals who also gave of their time and energy to make this edition of the Kaleidoscope possible: Lauren Courtney, Jakob Plotts, and Tracy Snowman. Thank you! 2 Kaleidoscope Journal of Art & Literature -Editor- James Grove -Assistant Editors- Brie Coder Alexa Dailey Georgia Meagher Trista Miller Cameron Phillips -Faculty Advisors- Michael Maher Becca Werland -Cover Art- Brandy Wise 3 Alexa Dailey-17, 25 Alyssa Brown-28 Amber Burnett-8 Annalea Forrest-9, 11, 16, 18, 24 Aubrey Foust-6, 14, 20, 31 Brandy Wise-Cover Brie Coder-29 Cecilia Carrillo-12, 18 Edward Johnson-5, 9, 23, 24, 26, 27, 30 Frances G. Tate-32 Georgia Meagher-13 Jacqueline Westin-6,10, 12, 20, 26 Jakob Plotts-3, 5, 8, 21 James Grove-21, 32 Jed Vaughn-11 Lafe Richardson-10, 19 An Artist’s Still Life Paula Cortes-4 Jakob Plotts Sheretta S Miller-7, 15, 22 4 Letter from the Editor Life is filled with a variety of people; some are good and others bad. We have athletes, scholars, theatre progressives, metal heads, and far too many more to write down in the little space I have. The point is that life is filled with different walks of life, and perhaps that’s what I en- joy most about the Kaleidoscope. Within these pages, you, dear reader, will find people who’ve gained and lost, found joy and pain. You’ll find works of the sur- real, and still ones of reality. I give thanks to those who helped piece together the many to present something whole, for that is the heart of the Kaleidoscope. -
Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
Global Dialogue on Care: Agenda and Participants
World Dementia Leading the Global Action Council Against Dementia Global dialogue on care: Agenda and participants The dementia landscape project 5 February 2021 Organized in partnership with Welcome We are delighted you are able to join us at the virtual World Dementia Council care workshop on 5 February 2021. The world’s first G8 dementia summit was held in 2013 in London, where the international community of top scientists in the field, advocates, industry, researchers of, and providers in, the care sector, and governments committed to improve the lives of people with dementia through research and the develop of treatments, better care, increasing awareness and promoting risk reduction. According to the World Health Organization, around 50 million people have dementia worldwide and the global societal cost of dementia was estimated to be approaching $1 billion. Everyone today living with dementia does need, or will need as their dementia develops, access to care and support. And much of the cost of dementia is the direct and indirect costs associated with care. We hope this decade brings disease modifying treatments that slow the progression of Alzheimer’s and other form of dementia. The first treatments are, perhaps, tantalisingly close. But even when we have the first treatments people with dementia will continue to need care and support until, in the years ahead, until we have disease modifying treatments that can effectively stop the develop of the disease. It is not just that today there are millions of people needing care; until we defeat dementia, in the years ahead there will be millions more. -
{TEXTBOOK} the Clothes They Stood up in and the Lady and the Van
THE CLOTHES THEY STOOD UP IN AND THE LADY AND THE VAN PDF, EPUB, EBOOK Alan Bennett | 240 pages | 14 Jul 2009 | Random House USA Inc | 9780812969658 | English | New York, United States The Clothes They Stood Up in and the Lady and the Van PDF Book You are commenting using your Twitter account. Quotes from The Clothes They I enjoyed the little nod to Barbara Pym. Refresh and try again. Interest will be charged to your account from the purchase date if the balance is not paid in full within 6 months. Read on the strength of the cover and loved the premise. Saw that the second story in this double feature has been adapted into a film starring Maggie Smith. Other editions. The Ransome's come back from the opera to find they have been burgled, everything has been taken, the carpets, toilet paper, underwear, everything was gone Going Down. He is concerned about her and she eventua Bennett is a British writer and a master of subtle irony, insight, and wit. This amount is subject to change until you make payment. The Ransomes come home from the opera to find that absolutely everything, down the the carpets, toilet paper and holder, to the oven containing the roast has been taken from the carpet. He's incredibly clever. A charming, humorous story with some surprising depth, this is a quick, one sitting read. A Shooting Star. I was captivated mostly all through, an unusual denouement was extremely funny and revealing, the only thing that jarred a little was the wife's naivety. -
Council Agenda Combined
N o t i c e o f M e e t i n g Council 14 October 2015 at 6.30pm The Council Chamber, Kensington Town Hall, Hornton Street, W8 7NX Contact: Mr M Carver E-mail: [email protected] Tel: 020 7361 2477 Website: www.rbkc.gov.uk Issue Date: 6 October 2015 Town Clerk - Nicholas Holgate Public Agenda 1. MINUTES OF THE PREVIOUS MEETING The minutes of meeting of the Council held on 24 June 2015 are submitted for confirmation. 2. SPECIAL ANNOUNCEMENTS BY THE MAYOR 3. TOWN CLERK’S REPORTS AND COMMUNICATIONS (i) Apologies for absence (ii) Declarations of interest Any Member of the Council who has a disclosable pecuniary interest in a matter to be considered at the meeting is reminded to disclose the interest to the meeting and to leave the Chamber while any discussion or vote on the matter takes place. Members are also reminded that if they have any other significant interest in a matter to be considered at the meeting, which they feel should be declared in the public interest, such interests should be declared to the meeting. In such circumstances Members should consider whether their continued participation, in the matter relating to the interest, would be reasonable in the circumstances, particularly if the interest may give rise to a perception of a conflict of interests, or whether they should leave the Chamber while any discussion or vote on the matter takes place. 4. PETITIONS (i) Petition on Marlborough School; (ii) Presentation of other petitions (if any). 5. ORDER OF BUSINESS The Mayor to announce the order of business for the remainder of the meeting. -
Firearms & Explosive Manager
Firearms & Explosive Manager National Crime Agency NCA Grade 3 / Civil Service SEO / Police Inspector Reference: 84353 Closing date: Tuesday 5th January 2021 at 23:55 Candidate information Pack Move your mouse pointer over the buttons Contents below and click for more information Contact us The Department Lynne Owens Director General Biography Thank you for your I am seeking determined, and proactive officers to join the National Crime Agency to help fight the most serious and interest in this role in the organised crime threats to the UK. National Crime Agency NCA officers work at the forefront of law enforcement, building the best possible intelligence picture of all serious and Lynne took up post as the Director General of the organised crime threats; relentlessly pursuing the most serious National Crime Agency in January 2016. and dangerous offenders; and developing and delivering An experienced police officer, Lynne joined the specialist capabilities on behalf of law enforcement and other Metropolitan Police in 1989 where she rose to partners. the rank of Detective Chief Inspector and Senior Investigating Officer within the Force’s Major Crime There is no such thing as a 'typical' NCA officer. The breadth of our capabilities means Department. that we recruit people from virtually every walk of life, from police to project management, crime analysis to commercial procurement. Our diversity is one of our greatest strengths. Lynne transferred to Surrey Police in 2002 where she served as a Divisional Commander and subsequently Assistant Chief Constable, responsible We equip our officers with the right skills, workplaces and technology to lead the UK' for Territorial Operations. -
Legends in a Snowfall
LEGENDS IN A SNOWFALL By Claudia Haas Performance Rights It is an infringement of the federal copyright law to copy or reproduce this script in any manner or to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co., Inc. Call the publisher for additional scripts and further licensing information. The author’s name must appear on all programs and advertising with the notice: “Produced by special arrangement with Eldridge Publishing Company.” PUBLISHED BY ELDRIDGE PUBLISHING COMPANY www.histage.com © 1999 by Claudia Haas Download your complete script from Eldridge Publishing http://www.histage.com/playdetails.asp?PID=1605 Legends in a Snowfall - 2 - STORY OF THE PLAY Winter tales from around the world come together to celebrate the joys and wonders of this dark and cold season. Ellisandra, a weather spirit who hopes to become Frost Queen, takes Faith, a frazzled mother, on a journey of imagination. They first meet the Snow Maiden, a beautiful woman who can only live during winter, in a legend from Russia. Tempesta, a stormy weather spirit who also seeks the title of Frost Queen, follows with her own Native American tale from Minnesota. It’s about a young poet at odds with a warrior lifestyle and his encounter with a Great White Bear. The tales are threaded together with an Eskimo story about the Northern Lights. The characters are a wonderful mix of humans, spirits, mischievous snowflakes and sparkling northern lights. Suggested music adds a grace note to creating the perfect winter solstice program. This play promises winter enchantment for all. -
00:00:02 Jesse Thorn Host Welcome to the Judge John Hodgman Podcast
00:00:00 Sound Effect Transition [Three gavel bangs.] 00:00:02 Jesse Thorn Host Welcome to the Judge John Hodgman podcast. I'm Bailiff Jesse Thorn. This week: "Neverlandmark Case." Jessie files suit against her husband Ryan. During a past relationship, Ryan's ex-girlfriend made him a Peter Pan–themed painting, and he still has it. Jessie wants to get rid of the painting, but Ryan can't bring himself to do it. Who's right? Who's wrong? Only one can decide. 00:00:26 Sound Effect Sound Effect [As Jesse speaks below: Door opens, chairs scrape on the floor, footsteps.] 00:00:27 Jesse Host Please rise as Judge John Hodgman enters the courtroom and presents an obscure cultural reference. 00:00:32 Sound Effect Sound Effect [Door shuts.] 00:00:33 John Host We all know Peter Pan. Peter Pan is the story of a young woman Hodgman who gets ensnared in a relationship with an adulterous narcissist, a guy who literally commands his partner to be his mother, but it's okay, 'cause the young woman thinks her love can fix him! But the narcissist cannot be fixed! And he eventually leaves Wendy for a younger woman, who happens to be Wendy's own daughter! Bailiff Jesse Thorn, swear them in. 00:00:59 Jesse Host Jesse, Ryan, please rise and raise your right hands. 00:01:00 Sound Effect Sound Effect [Chairs scrape.] 00:01:02 Jesse Host Do you swear to tell the truth, the whole truth, and nothing but the truth, so help you God or whatever? 00:01:07 Jessie Guest I do. -
Playwright DAVID HARE Receives the Guild's 2017 GIELGUD AWARD
But the culminating moments of a richly varied program Playwright DAVID HARE Receives were devoted to the GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS and to the afternoon’s final presentation, for The Guild’s 2017 GIELGUD AWARD OUTSTANDING CONTRIBUTION TO BRITISH THEATRE.. That trophy went to LYN GARDNER, “a renowned theatre journalist, critic, n Sunday, October 15, at a memorable UK THEATRE author, and champion of the industry, whose invaluable O AWARDS luncheon in London’s historic GUILDHALL, one insights can most often be found in The Guardian and The of today’s most versatile dramatic artists received the 2017 Stage, of which she is an associate editor.” GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS. Not only has DAVID HARE enriched our theatrical repertory resenting this year’s GIELGUD AWARD was FREDDIE FOX, with some of the most resonant and challenging stageplays of P an actor of impeccable pedigree who is admired for our era. He has also produced screenplays that have garnered films such as The Three Musketeers, Victor Frankenstein, The Riot Club, Pride, and Worried About the Boy, as well as for such stage roles as Bosie in The Judas Kiss, a David Hare drama about the tragic fall of Oscar Wilde. Mr. Fox talked about how much he’d enjoyed working not only with Sir David but with artistic director Jonathan Kent while co-starring in this Hampstead Theatre production. As he bestowed the 2017 GIELGUD trophy, he shared two messages from admirers of Sir David who were unable to attend the Guildhall luncheon. -
Annual Report and Accounts 2015-16
Annual Report and Accounts 2015/2016 – Competition Appeal Tribunal and Competition Service and Competition Tribunal Appeal Report 2015/2016 – Competition Annual and Accounts Annual Report and Accounts 2015/2016 Contents Introduction 4 President’s statement 6 Performance report 12 Membership 17 Cases 2015/2016 24 Accounts 2015/2016 46 Introduction The Enterprise Act 2002 provided Further powers have been given to Following the coming into force of for the establishment of the the Tribunal to hear appeals under the Consumer Rights Act in Competition Appeal Tribunal the Payment Services Regulations October 2015, the Tribunal can now (Tribunal) and the Competition 2009. Under the Financial Services hear any claim for damages in respect Service (CS). Although created as (Banking Reform) Act 2013 and the of an infringement whether or not separate entities under the Payment Card Interchange Fee there is a prior decision of a Enterprise Act 2002 and treated as Regulations 2015, the Tribunal has competition authority establishing such for accounting purposes, in jurisdiction to hear appeals from such an infringement (previously the practical terms the Tribunal and the some types of enforcement and Tribunal’s jurisdiction was limited to CS constitute a single organisation. penalty decisions of the Payment “follow-on” claims, i.e. claims that Through the CS, the Tribunal Systems Regulator. Under the Energy follow on from a decision by a effectively administers itself and a Act 2010, the Tribunal is able to hear national competition authority single body of staff deploys the appeals in relation to decisions taken finding an infringement of UK same set of resources in multi- by the Gas and Electricity Markets competition law or by the European tasking the casework of the Tribunal Authority (GEMA) in respect of the Commission in respect of an and necessary support functions. -
Habeas Corpus
41st Season • 394th Production SEGERSTROM STAGE / OCTOBER 15 - NOVEMBER 21, 2004 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR presents HABEAS CORPUS BY Alan Bennett SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN COMPOSER/SOUND DESIGN/MUSICAL DIRECTOR Christopher Acebo Shigeru Yaji Geoff Korf Paul James Prendergast DIALECT COACH CHOREOGRAPHER PRODUCTION MANAGER STAGE MANAGER Philip D. Thompson Ken Roht Jeff Gifford *Randall K. Lum DIRECTED BY Bill Rauch HONORARY PRODUCERS Haskell & White LLP Presented by special arrangement with Samuel French, Inc. Habeas Corpus • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) Arthur Wicksteed .................................................................... Hal Landon Jr.* Mrs. Swabb ...................................................................................... Jane Carr* Muriel Wicksteed ................................................................ Caitlin O’Connell* Dennis Wicksteed ................................................... Christopher Liam Moore* Constance Wicksteed .......................................................... Kate A. Mulligan* Canon Throbbing ................................................................ Daniel T. Parker* Sir Percy Shorter ........................................................................... Patrick Kerr* Lady Rumpers .................................................................... Lynnda Ferguson* Felicity Rumpers ..................................................................... Lynsey -
Annual Report and Accounts 2006-07 Cover Images
Annual Report and Accounts 2006-07 Cover images Left, from top to bottom: Leading Through Practice, Artwork and Photographs by Reiko Goto, artist and researcher for On The Edge Research. © Reiko Goto 2007. Detail. Detail from Japanese earthenware vase, Meiji 1895. Kyoto, Kin Kozan Sobei VII. Accession number EA1997.41. Image copyright University of Oxford, Ashmolean Museum. Still from Gone with the Wind. Selznick / MGM / The Kobal Collection. Right: View from Töölö bay of Finlandia Hall, Helsinki, the setting for the HERA Conference. Photo: Eero Venhola. The Arts and Humanities Research Council Annual Report and Accounts 2006-2007 Presented to the House of Commons Pursuant to Section 4 of the Higher Education Act 2004 Ordered by the House of Commons to be printed on 12 July 2007 HC 763 LONDON: The Stationery Office £18.00 Part of the orchestral fanfare The The AHRC is incorporated by Royal Charter and came into existence World In One City by Merseyside composer Ian Stephens, which was on 1 April 2005 under the terms of the Higher Education Act 2004. composed to celebrate Liverpool's selection as European Capital of It took over the responsibilities of the Arts and Humanities Research Culture 2008. Image courtesy the Royal Liverpool Philharmonic Board. On that date all of the AHRB’s activities, assets and liabilities transferred to the AHRC. The AHRC is a non-departmental public body (NDPB) sponsored by the Office of Science and Innovation (OSI), which is part of the Department for Trade and Industry, along with the other seven research councils. It is governed by its Council, which is responsible for the overall strategic direction of the organisation.