Title The Image of Woman as a National Icon in Modern Japanese Art: 1890s-1930s Type The sis URL https://ualresearchonline.arts.ac.uk/id/eprint/15561/ Dat e 2 0 0 6 Citation Kojima, Kaoru (2006) The Image of Woman as a National Icon in Modern Japanese Art: 1890s-1930s. PhD thesis, University of the Arts London. Cr e a to rs Kojima, Kaoru Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact
[email protected] . License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author The Image of Woman as a National Icon in Modern Japanese Art: 1890s-1930s Volume 1 Kaoru Kojima Submitted as a partial requirement for the degree of doctor of philosophy, awarded by the University of the Arts, London September, 2006 Contents Volume 1 Abstract Acknowledgements ii Note v Introduction 1 Chapter 1 Kuroda Seiki and His Reception of Western art 1.1 Kuroda Seiki in Japanese art histotry 8 1.2 Kuroda's family background 12 1.3 The art of Raphael Collin and its reception by Kuroda 18 1.4 Female images by Kuroda 25 Chapter 2 Formation of Masculine camaraderie in Japan 2.1 Controversy over female nude in Japan 31 2.2 Solidarity of Japanese Students in Paris around 1900 38 2.3 Male artists and the artistic self 47 2.4 "Bohemian" life introduced to Japanese stUdents 50 Chapter 3 Making Images of "Kimono Beauty" as National Symbol 3.1 Reception of Western dress in the early Meiji period 55 3.2 Images of Japanese women in kimono