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Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has. -
The Fingerprints of the “5” Royales Nearly 65 Years After Forming in Winston-Salem, the “5” Royales’ Impact on Popular Music Is Evident Today
The Fingerprints of the “5” Royales Nearly 65 years after forming in Winston-Salem, the “5” Royales’ impact on popular music is evident today. Start tracing the influences of some of today’s biggest acts, then trace the influence of those acts and, in many cases, the trail winds back to the “5” Royales. — Lisa O’Donnell CLARENCE PAUL SONGS VOCALS LOWMAN “PETE” PAULING An original member of the Royal Sons, the group that became the The Royales made a seamless transition from gospel to R&B, recording The Royales explored new terrain in the 1950s, merging the raw emotion of In the mid-1950s, Pauling took over the band’s guitar duties, adding a new, “5” Royales, Clarence Paul was the younger brother of Lowman Pauling. songs that included elements of doo-wop and pop. The band’s songs, gospel with the smooth R&B harmonies that were popular then. That new explosive dimension to the Royales’ sound. With his guitar slung down to He became an executive in the early days of Motown, serving as a mentor most of which were written by Lowman Pauling, have been recorded by a sound was embraced most prominently within the black community. Some his knees, Pauling electrified crowds with his showmanship and a crackling and friend to some of the top acts in music history. diverse array of artists. Here’s the path a few of their songs took: of those early listeners grew up to put their spin on the Royales’ sound. guitar style that hinted at the instrument’s role in the coming decades. -
More Than a Municipal Campaign: Speech in Haverhill, Massachusetts (November 27, 1899)
More Than a Municipal Campaign: Speech in Haverhill, Massachusetts (November 27, 1899) Ladies and Gentlemen, Citizens of Haverhill:— A year ago the name of Haverhill was flashed around the world. On Wednesday next [Dec. 6, 1899] the magnificent victory achieved then will have ben ratified by an increased majority. This is something more than a municipal campaign. There are issues involved that are of vital and commanding interest to every man, woman, and child in Haverhill, in Massachusetts, throughout the length and breadth of the land. The competitive system, with its extreme wealth upon the one hand, its abject and widespread poverty upon the other, its political corruption, its economic servitude, its social demoralization is on trial. What pen or tongue, from primeval man to the dullest intellect, can describe the effect of this struggle upon the great mass of the working people? Multiplied millions of them answer to the description of the embruted peasant in the poem of Edwin Markham, a poem fraught with such significance that it blazed the immortality of the author on wings of lightning around the world: Bowed by the weight of centuries he leans Upon his hoe and gazes on the ground, The emptiness of ages in his face, And on his back the burden of the world. Who made him dead to rapture and despair, A thing that grieves not and that never hopes. Stolid and stunned, a brother to the ox? Who loosened and let down this brutal jaw? Whose was the hand that slanted back this brow? Whose breath blew out the light within this brain? 1 The capitalist system must answer for this appalling indictment at the bar of humanity. -
How Campaign Songs Sold the Image of Presidential Candidates
University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2019 Music and the Presidency: How Campaign Songs Sold the Image of Presidential Candidates Gary M. Bogers University of Central Florida Part of the Music Commons, and the United States History Commons Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Bogers, Gary M., "Music and the Presidency: How Campaign Songs Sold the Image of Presidential Candidates" (2019). Honors Undergraduate Theses. 511. https://stars.library.ucf.edu/honorstheses/511 MUSIC AND THE PRESIDENCY: HOW CAMPAIGN SONGS SOLD THE IMAGE OF PRESIDENTIAL CANDIDATES by GARY MICHAEL BOGERS JR. A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Music Performance in the College of Arts and Humanities and in The Burnett Honors College at the University of Central Florida Orlando, Florida Spring Term, 2019 Thesis Chair: Dr. Scott Warfield Co-chairs: Dr. Alexander Burtzos & Dr. Joe Gennaro ©2019 Gary Michael Bogers Jr. ii ABSTRACT In this thesis, I will discuss the importance of campaign songs and how they were used throughout three distinctly different U.S. presidential elections: the 1960 campaign of Senator John Fitzgerald Kennedy against Vice President Richard Milhouse Nixon, the 1984 reelection campaign of President Ronald Wilson Reagan against Vice President Walter Frederick Mondale, and the 2008 campaign of Senator Barack Hussein Obama against Senator John Sidney McCain. -
Partisan Federal Election Commission (FEC)
Analysis of H.R. 1 (Part Two) Establishing a Campaign Speech Czar and Enabling Partisan Enforcement: An Altered FEC Structure Poses Risks to First Amendment Speech Rights Bradley A. Smith, Chairman January 2019 Introduction While most of the attention on H.R. 1 has focused on “hot” issues, such as earmarking government subsidies for political campaigns, gerrymandering, and new restrictions on grassroots organizations that engage in public affairs,1 twenty pages of the bill are devoted to the unsexy, yet vitally important, issue of the Federal Election Commission’s (FEC) composition and operating procedures.2 If you’re a Democrat, do you think Donald Trump should be able to appoint a campaign speech czar to determine and en- force the rules on political campaigns? And if you’re a Republican, would you have wanted those rules enforced by a partisan selected by Barack Obama? Of course not. That’s why for over 40 years, Republicans and Democrats have agreed that campaign regulations should be enforced by an independent, bipartisan agency. The Watergate scandal that forced Richard Nixon to resign the presidency showed the dangers of allowing one party to use the power of government against the other.3 As the late Sen. Alan Cranston (D-Ca.) warned during debate on legislation creating the agency, “We must not allow the FEC to become a tool for harassment by future imperial Presidents who may seek to repeat the abuses of Watergate. I un- derstand and share the great concern expressed by some of our colleagues that the FEC has such a potential for abuse in our democratic society that the President should not be given power over the Commission.”4 That concern led to Congressional adoption of the present method of selecting Commission members. -
Nba Information
NBA INFORMATION NBA Information Collin Sexton, who joined LeBron James and Kyrie Irving as the only Cavs players to ever average 20.0 PPG in a season before the age of 22 in 2019-20, tallied 21 points in 20 minutes for the U.S. Team in the 2020 NBA Rising Stars Challenge at All-Star Weekend in Chicago. 2019-20 NBA Standings NBA Eastern Conference NBA Western Conference ATLANTIC DIVISION SOUTHWEST DIVISION W L PCT GB HOME ROAD LAST-10 STREAK W L PCT GB HOME ROAD LAST-10 STREAK Toronto 53 19 .736 - 26-10 27-9 9-1 Won 4 Houston 44 28 .611 - 24-12 20-16 5-5 Lost 3 Boston 48 24 .667 5 26-10 22-14 6-4 Lost 1 Dallas 43 32 .573 2.5 20-18 23-14 4-6 Lost 2 Philadelphia 43 30 .589 10.5 31-4 12-26 5-5 Won 1 Memphis 34 39 .466 10.5 20-17 14-22 3-7 Won 1 Brooklyn 35 37 .486 18 20-16 15-21 7-3 Lost 1 San Antonio 32 39 .451 11.5 19-15 13-24 6-4 Lost 1 New York 21 45 .318 29 11-22 0-23 4-6 Won 1 New Orleans 30 42 .417 14 15-21 15-21 4-6 Lost 3 CENTRAL DIVISION NORTHWEST DIVISION W L PCT GB HOME ROAD LAST-10 STREAK W L PCT GB HOME ROAD LAST-10 STREAK Milwaukee 56 17 .767 - 30-5 26-12 3-7 Lost 1 Denver 46 27 .630 - 26-11 20-16 4-6 Lost 3 Indiana 45 28 .616 11 25-11 20-17 7-3 Won 2 Oklahoma City 44 28 .611 1.5 23-14 21-14 6-4 Lost 1 Chicago 22 43 .338 30 14-20 8-23 3-7 Won 1 Utah 44 28 .611 1.5 23-12 21-16 4-6 Won 1 Detroit 20 46 .303 32.5 11-22 9-24 1-9 Lost 5 Portland 35 39 .473 11.5 21-15 14-24 7-3 Won 3 CLEVELAND 19 46 .292 33 11-25 8-21 4-6 LOST 1 Minnesota 19 45 .297 22.5 8-24 11-21 3-7 Lost 3 SOUTHEAST DIVISION PACIFIC DIVISION W L PCT GB HOME ROAD LAST-10 STREAK W L PCT GB HOME ROAD LAST-10 STREAK Miami 44 29 .603 - 29-7 15-22 4-6 Lost 2 L.A. -
Doo-Wop (That Thing)”
“Respect is just a minimum”: Self-empowerment in Lauryn Hill’s “Doo-Wop (That Thing)” Maisie Hulbert University of Cambridge 3,995 words Maisie Hulbert Self-empowerment in Lauryn Hill In his 2016 Man Booker Prize winning satirical novel The Sellout, Paul Beatty’s narrator states that “the black experience used to come with lots of bullshit, but at least there was some fucking privacy” (p. 230). The global hip-hop industry admittedly circulates images of blackness that were once silenced, but on the terms of an economically and socially dominant order. The resulting fascination with stereotypes of blackness, essentialised by those in positions of corporate power, means hip-hop becomes an increasingly complex identity- forming tool for young people worldwide. From a series of case studies exploring young black women’s relationship to hip-hop, Lauren Leigh Kelly argues that many “construct their identities in relation to media representations of blackness and femininity in hip-hop music and culture” (2015, p. 530). However, the stereotypical images of blackness which are encouraged ignore elements of choice, empowerment and re-contextualisation in hip-hop whilst meeting the widespread demand for imagery of a racial “Other”. The often negative associations with such images denies individuals the opportunity to identify their own relationship towards them, independent of media scrutiny and judgement. Lauryn Hill’s “Doo Wop (That Thing)” “sounds gender” (Bradley, 2015) through lyrics, flow, and multimedia, working to empower black femininities with self-respect. I argue that Hill’s track voices specifically black female concerns, prioritising notions of community central to black feminist thought (Collins, 2009). -
Set Info - Player - 2018-19 Opulence Basketball
Set Info - Player - 2018-19 Opulence Basketball Set Info - Player - 2018-19 Opulence Basketball Player Total # Cards Total # Base Total # Autos Total # Memorabilia Total # Autos + Memorabilia Nikola Jokic 597 58 309 0 230 Deandre Ayton 592 58 295 59 180 Kevin Knox 585 58 295 48 184 Wendell Carter Jr. 585 58 295 46 186 Marvin Bagley III 579 58 295 37 189 Jaren Jackson Jr. 572 58 255 71 188 Trae Young 569 58 295 31 185 Shai Gilgeous-Alexander 564 58 270 39 197 Kyle Kuzma 560 58 308 0 194 Christian Laettner 539 0 309 0 230 Michael Porter Jr. 538 58 270 27 183 Luka Doncic 538 58 295 15 170 Mo Bamba 537 58 270 25 184 Collin Sexton 523 58 255 37 173 De`Aaron Fox 518 58 230 0 230 Grayson Allen 500 0 270 42 188 John Collins 482 58 194 0 230 Kevin Huerter 480 0 270 24 186 Jerome Robinson 478 0 270 24 184 Lonnie Walker IV 473 0 270 21 182 Mikal Bridges 472 0 270 21 181 Donte DiVincenzo 467 0 270 6 191 Landry Shamet 458 0 270 0 188 Troy Brown Jr. 457 0 270 0 187 Josh Okogie 455 0 270 0 185 Jarrett Allen 446 58 158 0 230 Omari Spellman 425 0 270 0 155 Gary Harris 424 0 194 0 230 Robert Parish 424 0 309 0 115 Chris Mullin 423 0 309 0 114 LaMarcus Aldridge 422 58 279 0 85 Lonzo Ball 422 58 279 0 85 Elie Okobo 420 0 270 0 150 Hamidou Diallo 411 0 230 0 181 Kevin Love 404 58 249 12 85 Buddy Hield 403 58 115 0 230 Kyrie Irving 403 58 273 0 72 Khris Middleton 403 58 115 0 230 Zach LaVine 403 58 115 0 230 Jason Kidd 403 0 334 0 69 Anthony Davis 368 58 225 0 85 Allonzo Trier 367 58 270 23 16 Reggie Jackson 365 58 79 0 228 Gordon Hayward 345 0 115 0 230 Kevin -
Band Song-List
SONG LIST Modern Rock, Pop & Hip-Hop Adele Bruno Mars Love Song Just The Way You Are Rolling In The Deep Locked Out Of Heaven Someone Like You Treasure Make You Feel My Love Uptown Funk 24K Magic Alicia Keys Leave The Door Open Empire State of Mind Part II Finesse Feat. Cardi B Fallin' If I Ain't Got You BTS No One Dynamite This Girl Is On Fire Capital Cities Ariana Grande Safe and Sound No Tears Left To Cry Bang, Bang Cardi B I like it like that Amy Winhouse Valerie Calvin Harris Rehab Feel So Close Back To Black This is What You Came For Avicii Carly Rae Jepsen Wake Me Up Call Me Maybe Beyonce Cee-lo Green 1 Plus 1 Forget You Crazy In Love Drunk In Love Chainsmokers If I Were a Boy Closer Love On Top Single Ladies Christina Aguilera Lady Marmalade Billie Eilish Bad Guy Christina Perri 1000 Years Black-Eyed Peas I Gotta Feeling Clean Bandit A Little Party Never Killed Nobody Rather Be Bow Wow Wow Corinne Bailey Rae I Want Candy Put your Records On Daft Punk Get Lucky Lose Yourself To Dance Justin Timberlake Darius Rucker Suit & Tie Wagon Wheel Can’t Stop The Feeling Cry Me A River David Guetta Love You Like I Love You Titanium Feat. Sia Sexy Back Drake Jay-Z and Alicia Keys Hotline Bling Empire State of Mind One Dance In My Feelings Jess Glynne Hold One We’re Going Home Hold My Hand Too Good Controlla Jessie J Bang, Bang DNCE Domino Cake By The Ocean Kygo Disclosure Higher Love Latch Katy Perry Dua Lipa Chained To the Rhythm Don’t Start Now California Gurls Levitating Firework Teenage Dream Duffy Mercy Lady Gaga Bad Romance Ed Sheeran Just Dance Shape Of You Poker Face Thinking Out loud Perfect Duet Feat. -
Star Weekend 2018
ALL STAR WEEKEND 2018 FURGIES QUESTIONABLE DEVIN BOOKER SETS 3PT NATIONAL ANTHEM CONTEST RECORD IN WIN PAGE 7 PAGE 4 DONOVAN MITCHELL PAYS FULL ALL STAR GAME TRIBUTE TO VINCE SHOE LIST CARTER IN DUNK PAGE 10 CONTEST WIN PAGE 5 LEBRON JAMES HOLDING ALL STAR TROPHY 1 POSTED BY WASHINGTON POST Rising Stars Challenge 2018 Skills Challenge The Rising Stars Challenge frst began in In this past All Star Weekend, ing in an identical course. The 1994. It frst started by having two random athletes also participated in the players must dribble around teams selected from the best rookie play- Taco Bell Skills Challenge. The multiple barriers, then pass ers. It has since adapted in multiple ways Skills challenge began in 2003, the ball into a ring. The players to now be featuring one “Team World” and the frst winner was Jason must then make a layup on the and one “team USA”. Each team must Kidd. The competition has since other side of the court, then pick at least 3 rookies and 3 2nd year evolved to now feature eight return and hit a 3 point shot. players. The players must also be from players in a single elimination In the past two years, big men their respective places, either the United bracket tournament. Four play- Karl-Anthony Towns and Kri- States or anywhere else. This new for- ers are big men, while the other staps Porzingis won. Dinwiddie mat started in 2015 and 2018 was the 4th four are guards. The competi- had to take down Buddy Hield game using this format. -
VERA BLUE: the BLUEPRINT VERA BLUE It’S Been a Long Road to Vera Blue’S Debut Album Perennial, but for Label Universal, It’S Still Just the Beginning
AUGUST 2017 | THEMUSICNETWORK.COM AUSTRALIAN SINGLES REPORT VERA BLUE: THE BLUEPRINT VERA BLUE It’s been a long road to Vera Blue’s debut album Perennial, but for label Universal, it’s still just the beginning. alk to a few Vera Blue fans in Her debut album Perennial entered the ST the crowd at Splendour in the ARIA charts at #6 (with the tragic anomaly AT Grass – where the singer popped of Chester Bennington’s death bumping ST TS Tup no less than three times, Linkin Park into the top spots), and she’s S cameoing onstage with Peking Duk and racked up over a million monthly listeners Slumberjack as well as her own epic set on Spotify and counting, showing just – and you’ll fnd any number of diferent how hungry for the full-length her fans things brought them there. One or two had grown. Vera Blue’s true range is may have followed Celia Pavey since clear for the frst time – from the witchy her appearance under her own name beats of potential single ‘Lady Powers’ on The Voice in 2013; plenty will have to the sly and soaring new anthem to been drawn in by the indelible chorus independence, ‘Regular Touch’, which 2015 – 'Hold' on Illy’s 2016 hit ‘Papercuts’, where Vera represents her strongest appeal to 18 million plays on Blue’s haunting, hooky guest vocal was commercial FM yet. Spotify a standout. But mostly it’s simply that she boasts one of the most powerful “It's about having that sense of voices in Australian music, as distinctive contentment and happiness, not as her sheet of luminous red hair, and a needing attention or affection to feel #2 songwriting talent to match that draws complete and of purpose,” she says. -
Introducing Women's and Gender Studies: a Collection of Teaching
Introducing Women’s and Gender Studies: A Teaching Resources Collection 1 Introducing Women’s and Gender Studies: A Collection of Teaching Resources Edited by Elizabeth M. Curtis Fall 2007 Introducing Women’s and Gender Studies: A Teaching Resources Collection 2 Copyright National Women's Studies Association 2007 Introducing Women’s and Gender Studies: A Teaching Resources Collection 3 Table of Contents Introduction……………………..………………………………………………………..6 Lessons for Pre-K-12 Students……………………………...…………………….9 “I am the Hero of My Life Story” Art Project Kesa Kivel………………………………………………………….……..10 Undergraduate Introductory Women’s and Gender Studies Courses…….…15 Lecture Courses Introduction to Women’s Studies Jennifer Cognard-Black………………………………………………………….……..16 Introduction to Women’s Studies Maria Bevacqua……………………………………………………………………………23 Introduction to Women’s Studies Vivian May……………………………………………………………………………………34 Introduction to Women’s Studies Jeanette E. Riley……………………………………………………………………………...47 Perspectives on Women’s Studies Ann Burnett……………………………………………………………………………..55 Seminar Courses Introduction to Women’s Studies Lynda McBride………………………..62 Introduction to Women’s Studies Jocelyn Stitt…………………………….75 Introduction to Women’s Studies Srimati Basu……………………………………………………………...…………………86 Introduction to Women’s Studies Susanne Beechey……………………………………...…………………………………..92 Introduction to Women’s Studies Risa C. Whitson……………………105 Women: Images and Ideas Angela J. LaGrotteria…………………………………………………………………………118 The Dynamics of Race, Sex, and Class Rama Lohani Chase…………………………………………………………………………128