Sundance Institute Names Four New Members of Board of Trustees
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Mattel Films and Blumhouse Productions Partner to Bring ‘Magic 8 Ball®’ to the Big Screen
Mattel Films and Blumhouse Productions Partner to Bring ‘Magic 8 Ball®’ to the Big Screen June 3, 2019 First collaboration between Mattel Films and Blumhouse Productions, the producer of Get Out, Ma, Halloween Film director Jeff Wadlow, whose work includes Kick-Ass 2, Truth or Dare and the upcomingFantasy Island, has signed on to direct the production Sixth live-action film project Mattel Films has in development since its creation nine months ago, including Barbie®, Hot Wheels®, Masters of the Universe®, American Girl® and View Master® EL SEGUNDO, Calif.--(BUSINESS WIRE)--Jun. 3, 2019-- Mattel, Inc. (NASDAQ: MAT) today announced a partnership with Academy Award®- nominated production company Blumhouse Productions to create a live-action feature film based on the iconic, fortune-telling Magic 8 Ball®, selected by Time magazineas one of the100 greatest toys of all time. The film will be directed by critically-acclaimed director Jeff Wadlow, whose previous work includes notable films such as Kick-Ass 2 and Truth or Dare. Wadlow is writing the script with his collaborators, Jillian Jacobs and Chris Roach. This marks Mattel Film’s first partnership with independent powerhouse Blumhouse Productions, whose films have grossed more than $3 billion at the worldwide box office. The suspense-filled Magic 8 Ball movie will be adapted for audiences worldwide. It also marks the sixth project Mattel Films has in development, including plans to create feature films based on Mattel’s Barbie®, Hot Wheels®, Masters of the Universe®, American Girl® and View Master® brands. “Since the 1950s, Magic 8 Ball has inspired imagination, suspense and intrigue across generations. -
Westfield Filmmaker Basler Spices Estfield Filmmaker Basler Spices
Page 20 Thursday, April 11, 2002 The Westfield Leader and THE TIMES of Scotch Plains – Fanwood A WATCHUNG COMMUNICATIONS, INC. PUBLICATION Artist of Pen & Ink By Michelle H. Le Poidevin the Week Father Ozzy Knows Best When It Comes to Acing Cable TV Ratings By MICHELLE H. Le POIDEVIN Specially Written for The Westfield Leader and The Times WWestfieldestfield FilmmakerFilmmaker BaslerBasler SpicesSpices Unless he’s carrying one toward his neighbor’s house because they’re playing their music too loud, Ozzy Osbourne isn’t likely to have any association with a Cleaver on his much ballyhooed MTV program, UpUp IndustryIndustry WWitithh JustJust AAdddd PepperPepper “The Osbournes.” For the man who proclaims himself the “Prince of UpUp IndustryIndustry WWitithh JustJust AAdddd PepperPepper (ahem...expletives) Darkness” manages to juggle his bad to the bone By KERRIANNE SPELLMAN CORT For a full description Specially Written for The Westfield Leader and The Times reputation, while doddering around the house, picking up dog drop- of the story, please visit pings and fretting over whether or not he the house can stand another WESTFIELD — Talent and per- www.justaddpepper.com/ sistence have proven to be a winning story. pet. The ironic concoction of these two personas makes the Tuesday combination for one local filmmaker. On Saturday, April night show a winning combo with all generations of viewers. It’s no Peter Paul Basler of Westfield paid 27, Basler’s work wonder that “The his dues like any Osbournes” rule the cable hopeful artist. Years of attending television charts. No- school, training, Robert Redford where else would you see studying abroad a man, who once bit off and working as a the head of a bat, cud- production assis- (1937- ) dling and cooing to a ter- tant on several films all paved the By MICHELLE H. -
National Endowment for the Arts Annual Report 1990
National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................ -
TREFOR PROUD Make-Up Artist IATSE 706 Journeyman Member of the Academy of Motion Picture Arts and Sciences
TREFOR PROUD Make-Up Artist IATSE 706 Journeyman Member of the Academy of Motion Picture Arts and Sciences FILM MR. CHURCH Make-Up Department Head Director: Bruce Beresford Cast: Britt Robertson, Xavier Samuel, Christian Madsen SPY Make-Up Department Head Director: Paul Feig Cast: Jason Statham, Rose Byrme, Peter Serafinowicz, Julian Miller THE PURGE 2 - ANARCHY Make-Up Department Head and Mask Design Director: James DeMonaco Cast: Michael K. Williams, Frank Grillo, Carmen Ejogo BONNIE AND CLYDE Make-Up Department Head Director: Bruce Beresford Cast: Emile Hirsch, Holly Hunter, William Hurt, Sarah Hyland Nominee: Emmy – Outstanding Make-Up for a Miniseries or a Movie (Non-Prosthetic) ENDER’S GAME Make-Up Department Head Director: Gavin Hood Cast: Harrison Ford, Asa Butterfield, Sir Ben Kingsley JACK REACHER Make-Up Department Head Director: Christopher McQuarrie Cast: Rosamund Pike, Robert Duvall THE RITE Make-Up and Hair Designer Director: Mikael Håfström Cast: Alice Braga, Anthony Hopkins, Ciarán Hinds A NIGHTMARE ON ELM STREET Department Head Make-Up, Los Angeles Director: Samuel Bayer Cast: Jackie Earle Hayley, Kyle Gallner, Rooney Mara, Katie Cassidy, Thomas Dekker, Kellan Lutz, Clancy Brown LONDON DREAMS Make-Up and Hair Designer Director: Vipul Amrutlal Shah Cast: Salman Khan, Ajay Devgan, Asin, THE COURAGEOUS HEART Make-Up and Hair Department Head OF IRENA SENDLER Director: John Kent Harrison Hallmark Hall of Fame Cast: Anna Paquin, Goran Visnjic, Marcia Gay Harden Winner: Emmy for Outstanding Make-Up for a Miniseries or Movie -
TV NATIONAL HONOREES 60 Minutes: the Chibok Girls (60
TV NATIONAL HONOREES 60 Minutes: The Chibok Girls (60 Minutes) Clarissa Ward (CNN International) CBS News CNN International News Magazine Reporter/Correspondent Abby McEnany (Work in Progress) Danai Gurira (The Walking Dead) SHOWTIME AMC Actress in a Breakthrough Role Actress in a Leading Role - Drama Alex Duda (The Kelly Clarkson Show) Fiona Shaw (Killing Eve) NBCUniversal BBC AMERICA Showrunner – Talk Show Actress in a Supporting Role - Drama Am I Next? Trans and Targeted Francesca Gregorini (Killing Eve) ABC NEWS Nightline BBC AMERICA Hard News Feature Director - Scripted Angela Kang (The Walking Dead) Gender Discrimination in the FBI AMC NBC News Investigative Unit Showrunner- Scripted Interview Feature Better Things Grey's Anatomy FX Networks ABC Studios Comedy Drama- Grand Award BookTube Izzie Pick Ibarra (THE MASKED SINGER) YouTube Originals FOX Broadcasting Company Non-Fiction Entertainment Showrunner - Unscripted Caroline Waterlow (Qualified) Michelle Williams (Fosse/Verdon) ESPN Films FX Networks Producer- Documentary /Unscripted / Non- Actress in a Leading Role - Made for TV Movie Fiction or Limited Series Catherine Reitman (Workin' Moms) Mission Unstoppable Wolf + Rabbit Entertainment (CBC/Netflix) Produced by Litton Entertainment Actress in a Leading Role - Comedy or Musical Family Series Catherine Reitman (Workin' Moms) MSNBC 2019 Democratic Debate (Atlanta) Wolf + Rabbit Entertainment (CBC/Netflix) MSNBC Director - Comedy Special or Variety - Breakthrough Naomi Watts (The Loudest Voice) Sharyn Alfonsi (60 Minutes) SHOWTIME -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Bike Sharing Pedals Into Jacksonville
Jacksonville, AL JSU’s Student-Published Newspaper Since 1934 January 24, 2019 in ARTS & ENTERTAINMENT 2019 Oscar Nominations released Page 5 in NEWS Daniel Mayes/The Chanticleer VeoRide Fleet Coordinator Trent Dickeson, a graduate of JSU, shows off the new bikes that Jacksonville residents and JSU students will be able to use. COMMUNITY Shutdown enters fifth week Bike sharing pedals Page 2 into Jacksonville VeoRide, which is the first company of its Daniel Mayes in SPORTS Editor-in-Chief kind to come to Alabama, allows users to use a bike by downloading an app, scanning Have you ever faced the dreaded walk to a QR code on the bike, and then taking off. or from Stone Center and wished there was a Users are charged 50 cents per 15 minutes on way to move more quickly? Wanted to finally the bike, and monthly and yearly packages get out and explore more of the Ladiga Trail? are also available for repeat users. Wanted to bring your bike to campus, but The company launched their program, don’t want to deal with storage, upkeep, or which will start in Anniston, Oxford and the risk of getting it stolen? Jacksonville, with an event at the Jacksonville A new bike-sharing company coming to Train Depot on Friday, where the public and Gamecocks duo receives town might just be for you. OVC, national honors see BIKE page 2 Page 8 COMMUNITY on CAMPUS Local man campaigns to bring TV series to Jacksonville International JP Wood House Staff Reporter Presentation: It could be out with the Benin construction equipment and Thursday, in with the camera equipment January 24, soon in Jacksonville. -
Sundance Institute Announces Film Forward: Advancing Cultural Dialogue to Be Presented in Morocco September 27-30
SUNDANCE INSTITUTE ANNOUNCES FILM FORWARD: ADVANCING CULTURAL DIALOGUE TO BE PRESENTED IN MOROCCO SEPTEMBER 27-30 Filmmakers Cherien Dabis (Amreeka ) and Emmy Award Winner Stanley Nelson ( Freedom Riders ) Featured Participants for Screenings and Workshops Co-Hosted by the U.S. Embassy in Rabat RABAT, MOROCCO (September 23, 2011) — Film Forward: Advancing Cultural Dialogue , a Sundance Institute initiative in partnership with U.S. federal cultural agencies, will be presented in the Kingdom of Morocco September 27-30, in collaboration with the U.S. Embassy in Rabat. A selection of films and film- related events will be presented at locations in Tangier, Tetouan, Salé and Casablanca. Filmmakers Cherien Dabis (Amreeka ) and Stanley Nelson ( Freedom Riders ), as well as Caroline Libresco, Senior Programmer at Sundance Institute, will travel to Morocco to represent the initiative and engage with audiences. “In just the first year of this program, we’ve taken films and filmmakers around the world and built a dialogue with audiences in Tunisia, Turkey, China, Kenya, Puerto Rico and several other locations in the U.S.,” said Keri Putnam, Sundance Institute Executive Director. “Though each location is different, audiences are finding common themes and sharing their own experiences. It speaks to the goal of the program – showing the power of film to transcend culture barriers.” Screenings, including some for students and underserved youth, will take place at locations including the Cinematheque de Tanger, the Tangier American Legation Museum in conjunction with the American Language Center, University Abdelmalek Essadi, Abi bakr Errazi Junior High School, Cinema Hollywood, and School of Metiers du Cinema. Private workshops will be held at University Abdelmalek Essadi in Tetouan by Stanley Nelson who will explore the filmmaking challenges he faced with creating a historical film and how to effectively use rich archival footage to create a singular cinematic experience. -
Spring 2021 Spring 2021
SPRING 2021 SPRING 2021 INSIDE 42 Unscripted: How filmmakers Peter Berg ’80 and Jason Blum ’87 evolved during a year of COVID-19 By Neil Vigdor ’95 c 56 Confronting the Pandemic Dr. Paul Ehrlich ’62 and his work as a New York City allergist-immunologist By Bonnie Blackburn-Penhollow ’84 b OTHER DEPARTMENTS 3 On Main Hall 5 Social Scene 6 Belonging 24/7 Elena Echavarria ’21 8 Alumni Spotlight works on a project in 20 In Print Advanced Ceramics 26 Around the Pond class, where students 62 do hands-on learning Class Notes in the ceramics studio 103 Milestones with teacher Claudia 108 Looking Back Black. ROBERT FALCETTI 8 On MAIN HALL A WORD FROM HEAD Managing Stress in Trying Times OF SCHOOL WILLY MACMULLEN ’78 This is a column about a talk I gave and a talk I heard—and about how SPRING 2021 ON THE COVER schools need to help students in managing stress. Needless to say, this Volume 91, Number 2 Students enjoyed the warm spring year has provided ample reason for this to be a singularly important weather and the beautiful flowering EDITOR trees on the Jig Patio following focus for schools. Linda Hedman Beyus Community Time. ROBERT FALCETTI In September 2018, during my opening remarks to the faculty, I spoke about student stress, and how I thought we needed to think about DIRECTOR OF MARKETING AND COMMUNICATIONS Kaitlin Thomas Orfitelli it in new ways. I gave that talk because it was clear to me that adolescents today were ASSISTANT DIRECTOR OF MARKETING AND COMMUNICATIONS experiencing stress and managing stress in different ways than when I Debra Meyers began teaching and even when I began as head of school just 20 years PHOTOGRAPHY ago. -
2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions. -
The Loudest Voice in the Room Is Our Silence: Narrative Possibilities of Silenced Adults
California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 5-2021 THE LOUDEST VOICE IN THE ROOM IS OUR SILENCE: NARRATIVE POSSIBILITIES OF SILENCED ADULTS Rebeccah Avila CSUSAN BERNARDINO Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the Communication Commons Recommended Citation Avila, Rebeccah, "THE LOUDEST VOICE IN THE ROOM IS OUR SILENCE: NARRATIVE POSSIBILITIES OF SILENCED ADULTS" (2021). Electronic Theses, Projects, and Dissertations. 1267. https://scholarworks.lib.csusb.edu/etd/1267 This Thesis is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. THE LOUDEST VOICE IN THE ROOM IS OUR SILENCE: NARRATIVE POSSIBILITIES OF SILENCED ADULTS A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in Communication Studies by Rebeccah M. Avila May 2021 THE LOUDEST VOICE IN THE ROOM IS OUR SILENCE: NARRATIVE POSSIBILITIES OF SILENCED ADULTS A Thesis Presented to the Faculty of California State University, San Bernardino by Rebeccah M. Avila May 2021 Approved by: Brian Heisterkamp, Committee Chair, Communication Studies Julie Taylor, Committee Member Thomas Corrigan, Committee Member © 2021 Rebeccah M. Avila ABSTRACT Using muted group theory and communication privacy management theory as the theoretical framework, a deeper examination of adults who have experienced a childhood traumatic experience who now exhibit silencing behaviors as adults will be reviewed. -
With No Catchy Taglines Or Slogans, Showtime Has Muscled Its Way Into the Premium-Cable Elite
With no catchy taglines or slogans, Showtime has muscled its way into the premium-cable elite. “A brand needs to be much deeper than a slogan,” chairman David Nevins says. “It needs to be a marker of quality.” BY GRAHAM FLASHNER ixteen floors above the Wilshire corridor in entertainment. In comedy, they have a sub-brand of doing interesting things West Los Angeles, Showtime chairman and with damaged or self-destructive characters.” CEO David Nevins sits in a plush corner office Showtime can skew male (Ray Donovan, House of Lies) and female (The lined with mementos, including a prop knife Chi, SMILF). It’s dabbled in thrillers (Homeland), black comedies (Shameless), from the Dexter finale and ringside tickets to adult dramas (The Affair), docu-series (The Circus) and animation (Our the Pacquiao-Mayweather fight, which Showtime Cartoon President). It’s taken viewers on journeys into worlds TV rarely presented on PPV. “People look to us to be adventurous,” he explores, from hedge funds (Billions) to management consulting (House of says. “They look to us for the next new thing. Everything we Lies) and drug addiction (Patrick Melrose). make better be pushing the limits of the medium forward.” Fox 21 president Bert Salke calls Showtime “the thinking man’s network,” Every business has its longstanding rivalries. Coke and Pepsi. Marvel and noting, “They make smart television. HBO tries to be more things to more DC. For its first thirty-odd years, Showtime Networks (now owned by CBS people: comedy specials, more half-hours. Showtime is a bit more interested Corporation) ran a distant second to HBO.