Spring 2021 Spring 2021
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
K E N F a R M
KEN FAR MER (Partial Resume- Actor/Director) Ht: 6ft., Wt: 200 Eyes: Blue, Hair: Grey SELECTED FEATURE FILMS DIRECTOR ROCKABILLY BABY Writer/Director KEN FARMER FRIDAY NIGHT LIGHTS PETER BERG RED RIDGE Co-STAR DAMIAN SKINNER THE NEWTON BOYS RICK LINKLATER ROCKET MAN STUART GILLARD LAST OF THE WARRIORS (STAR, - Above Title) LLOYD SIMANDLE MANIAC WARRIORS (STAR) LLOYD SIMANDLE SILVERADO LAWRENCE KASDAN UNCOMMON VALOR TED KOTCHEFF SPLIT IMAGE TED KOTCHEFF EMPIRE OF ASH (STAR - Above Title) MICHAEL MAZO POWER PLAY AL FRAKES SELECT MOVIES OF THE WEEK AND EPISODIC TELEVISION (Star, Co-Star, Guest Star) “THE GOOD GUYS” FOX SANFORD BOOKSTAVER "TOO LEGIT TO QUIT" VH1 ARTIE MANDELBERG "THE PRESIDENT'S MAN" CBS MICHAEL PREECE "WALKER, TEXAS RANGER" CBS MICHAEL PREECE "LOGAN'S WAR" CBS MICHAEL PREECE "WALKER, TEXAS RANGER" CBS TONY MORDENTE "AUSTIN STORIES" MTV (STAR) GEORGE VERSHOOR "WALKER, TEXAS RANGER" CBS ALEX SINGER "WALKER, TEXAS RANGER" CBS TONY MORDENTE "WALKER, TEXAS RANGER" CBS MICHAEL PREECE "WALKER, TEXAS RANGER" CBS TONY MORDENTE "ANOTHER PAIR OF ACES" CBS (STAR) BILL BIXBY "AMERICA'S MOST WANTED" FOX (STAR) TOM SHELLY "HIGH MOUNTAIN RANGERS" CBS GEORGE FENNEDY "DALLAS" CBS LEONARD KATZMAN "GENERAL HOSPITAL" ABC (RECURRING) MARLENA LAIRD "DALLAS" CBS LEONARD KATZMAN "BENJI" CBS (STAR) JOE CAMP "DALLAS, WHO SHOT J.R.?" CBS LEONARD KATZMAN "BENJI" CBS (STAR) JOE CAMP "JAKE'S WAY" CBS RICHARD COLLA "BACKLOT" NICK (STAR) GARY PAUL "DALLAS" CBS MICHAEL PREECE "DALLAS" CBS LEONARD KATZMAN "SUPERIOR COURT" (2) NBC (STAR) HANK GRIMER SPECIAL ABILITIES EXPERT HORSEMAN: ALL SPORTS: COLLEGE ALL-AMERICAN, FOOTBALL: EXCELLENT SWIMMER: DIVING: SCUBA: WRESTLING: HAND-TO-HAND COMBAT: USMC: FAMILIAR WITH ALL TYPES OF FIREARMS: CAN FURNISH OWN FILM TRAINED HORSE: BACHELOR'S DEGREE - SPEECH & DRAMA : GOLF: AUTHOR OF "ACTING IS STORYTELLING ©" : ACTING COACH: STORYTELLING CONSULTANT: PRODUCER: DIRECTOR Web Site - www.kenfarmer-author.net THEATRICAL AND COMMERCIAL DVD & AUDIO TAPES AVAILABLE LINDA McALISTER TALENT - 972-938-2433. -
Lloyd Cutler
White House Interview Program DATE: July 8, 1999 INTERVIEWEE: LLOYD CUTLER INTERVIEWER: Martha Kumar With Nancy Kassop MK: May we tape? LC: Yes, but I’d like to have one understanding. I have been misquoted on more than one occasion. I’ll be happy to talk to you about what I think about the transition but I don’t want my name attached to any of it. MK: Okay. So we’ll come back to you for any quotes. We’re going to look at both aspects: the transition itself and then the operations of the office. Working on the theory that one of the things that would be important for people is to understand how an effective operation works, what should they be aiming toward? For example, what is a smooth-running counsel’s office? What are the kinds of relationships that should be established and that sort of thing? So, in addition to looking at the transition, we’re just hoping they’re looking toward effective governance. In your time in Washington, observing many administrations from various distances, you have a good sense of transitions, what works and what doesn’t work. One of the things we want to do is isolate what are the elements of success—just take a number, six elements, five elements—that you think are common to successful transitions. What makes them work? LC: Well, the most important thing to grasp first is how much a White House itself, especially as it starts off after a change in the party occupying the White House, resembles a city hall. -
Mattel Films and Blumhouse Productions Partner to Bring ‘Magic 8 Ball®’ to the Big Screen
Mattel Films and Blumhouse Productions Partner to Bring ‘Magic 8 Ball®’ to the Big Screen June 3, 2019 First collaboration between Mattel Films and Blumhouse Productions, the producer of Get Out, Ma, Halloween Film director Jeff Wadlow, whose work includes Kick-Ass 2, Truth or Dare and the upcomingFantasy Island, has signed on to direct the production Sixth live-action film project Mattel Films has in development since its creation nine months ago, including Barbie®, Hot Wheels®, Masters of the Universe®, American Girl® and View Master® EL SEGUNDO, Calif.--(BUSINESS WIRE)--Jun. 3, 2019-- Mattel, Inc. (NASDAQ: MAT) today announced a partnership with Academy Award®- nominated production company Blumhouse Productions to create a live-action feature film based on the iconic, fortune-telling Magic 8 Ball®, selected by Time magazineas one of the100 greatest toys of all time. The film will be directed by critically-acclaimed director Jeff Wadlow, whose previous work includes notable films such as Kick-Ass 2 and Truth or Dare. Wadlow is writing the script with his collaborators, Jillian Jacobs and Chris Roach. This marks Mattel Film’s first partnership with independent powerhouse Blumhouse Productions, whose films have grossed more than $3 billion at the worldwide box office. The suspense-filled Magic 8 Ball movie will be adapted for audiences worldwide. It also marks the sixth project Mattel Films has in development, including plans to create feature films based on Mattel’s Barbie®, Hot Wheels®, Masters of the Universe®, American Girl® and View Master® brands. “Since the 1950s, Magic 8 Ball has inspired imagination, suspense and intrigue across generations. -
The Construction of Muslim Terrorism in the Kingdom Movie (2007) Directed by Peter Berg: a Reception Theory Magister of Language
THE CONSTRUCTION OF MUSLIM TERRORISM IN THE KINGDOM MOVIE (2007) DIRECTED BY PETER BERG: A RECEPTION THEORY PUBLICATION ARTICLE Submitted as a Partial Fulfillment of the Requirements for Getting Master Degree of Education in Magister of Language Study by: Agung Budi Santoso S200130035 MAGISTER OF LANGUAGE STUDY MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2015 i ii iii 1 THE CONSTRUCTION OF MUSLIM TERRORISM IN THE KINGDOM MOVIE (2007) DIRECTED BY PETER BERG: A RECEPTION THEORY Agung Budi Santoso Magister of Language Study Muhammadiyah University of Surakarta Abstract This study belongs to the literary study. This study analyzes the construction of Muslim terrorism based on reader response reflected in The Kingdom Movie (2007). There are two objectives of the study, the first is to describe the dominant issues by the reviewers in applying reader response theory to Peter Berg‟s The Kingdom movie, and the second is to explain the reason why the dominant issue are perceived differently by reviewers. This study is a qualitative study and using two data sources; they are primary and secondary data. The primary data source is the reviews of The Kingdom movie (2007) by Peter Berg from IMDb (Internet Movie Database). The secondary data of this study are taken from other sources such as literary book, previous studies, articles, journals, and also website related to reader response theory. This study aimed to reveal how the cultural reader response reflected to The Kingdom movie. The dominant issue which is respond by the reviewers is the terrorism dealing with the culture reader response. Keywords: Culture Reader Response, Richard Beach, The Kingdom Abstrak Penelitian ini termasuk dalam penelitian sastra. -
Popular Cultural Islamophobia
CHAPTER 4 POPULAR CULTURAL ISLAMOPHOBIA Muslim representations in Films, News Media, and Television Programs INTRODUCTION Thus far in the book, we have examined Islamophobia from a theoretical perspective, as well as how it manifests in political discourse, and policies and legislation in the context of the War on Terror. Negatively evaluated beliefs and perceptions of Muslims in the post-9/11 context have also been strongly influenced and informed by representations in popular cultural mediums such as film, news media, and television programs. The impact of media in the construction of race has been discussed in great detail by Stuart Hall (1996), as he states, “the media construct for us a definition of what race is, what meaning the imagery of race carries, and what the ‘problem of race’ is understood to be” (p. 161). Indeed, after 9/11 depictions of Muslim terrorists flooded TV and cinema screens reinforcing narratives in the news media about ‘dangerous Muslim men’ and ‘imperilled Muslim women’. This chapter examines Muslim representations in popular cultural mediums after 9/11. The reason I have devoted an entire chapter on analyzing Muslim representations in popular cultural mediums is because a number of people I interviewed for this book directly and unambiguously discussed how they felt the ‘media’ negatively portrayed Muslims and that these depictions have facilitated the growth of stereotypes of Muslims in Canadian society and secondary schools. This chapter examines the types of media that participants discussed in the interview process to demonstrate how these media have circulated the tropes of ‘dangerous Muslim men’, ‘imperilled Muslim women’, and Muslim cultures as being monolithic. -
Reimbursing the Attorney's Fees of Current and Former Federal
(Slip Opinion) Reimbursing the Attorney’s Fees of Current and Former Federal Employees Interviewed as Witnesses in the Mueller Investigation The Department of Justice Representation Guidelines authorize, on a case-by-case basis, the reimbursement of attorney’s fees incurred by a current or former federal govern- ment employee interviewed as a witness in the Mueller Investigation under threat of subpoena about information the person acquired in the course of his government du- ties. October 7, 2020 MEMORANDUM OPINION FOR THE ACTING ASSISTANT ATTORNEY GENERAL CIVIL DIVISION You have asked for our opinion on the scope of the Attorney General’s authority to reimburse the attorney’s fees of federal employees who were interviewed as witnesses in connection with the investigation by Special Counsel Robert S. Mueller, III into possible Russian interference in the 2016 presidential election (“Mueller Investigation”). The Civil Division reviews requests for such reimbursement under long-standing Department of Justice (“Department”) regulations. See 28 C.F.R. §§ 50.15–50.16. You have asked specifically how certain elements of section 50.15 apply to the Mueller Investigation: (1) whether a person interviewed as a witness in the Mueller Investigation under threat of subpoena should be viewed as having been “subpoenaed,” id. § 50.15(a); (2) whether a witness inter- viewed about information acquired in the course of the witness’s federal employment appears in an “individual capacity,” id.; and (3) what factors should be considered in evaluating whether the reimbursement of the attorney’s fees of such a witness is “in the interest of the United States,” id. -
KATHRINE GORDON Hair Stylist IATSE 798 and 706
KATHRINE GORDON Hair Stylist IATSE 798 and 706 FILM DOLLFACE Department Head Hair/ Hulu Personal Hair Stylist To Kat Dennings THE HUSTLE Personal Hair Stylist and Hair Designer To Anne Hathaway Camp Sugar Director: Chris Addison SERENITY Personal Hair Stylist and Hair Designer To Anne Hathaway Global Road Entertainment Director: Steven Knight ALPHA Department Head Studio 8 Director: Albert Hughes Cast: Kodi Smit-McPhee, Jóhannes Haukur Jóhannesson, Jens Hultén THE CIRCLE Department Head 1978 Films Director: James Ponsoldt Cast: Emma Watson, Tom Hanks LOVE THE COOPERS Hair Designer To Marisa Tomei CBS Films Director: Jessie Nelson CONCUSSION Department Head LStar Capital Director: Peter Landesman Cast: Gugu Mbatha-Raw, David Morse, Alec Baldwin, Luke Wilson, Paul Reiser, Arliss Howard BLACKHAT Department Head Forward Pass Director: Michael Mann Cast: Viola Davis, Wei Tang, Leehom Wang, John Ortiz, Ritchie Coster FOXCATCHER Department Head Annapurna Pictures Director: Bennett Miller Cast: Steve Carell, Channing Tatum, Mark Ruffalo, Siena Miller, Vanessa Redgrave Winner: Variety Artisan Award for Outstanding Work in Hair and Make-Up THE MILTON AGENCY Kathrine Gordon 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 and 798 [email protected] www.miltonagency.com Page 1 of 6 AMERICAN HUSTLE Personal Hair Stylist to Christian Bale, Amy Adams/ Columbia Pictures Corporation Hair/Wig Designer for Jennifer Lawrence/ Hair Designer for Jeremy Renner Director: David O. Russell -
Bike Sharing Pedals Into Jacksonville
Jacksonville, AL JSU’s Student-Published Newspaper Since 1934 January 24, 2019 in ARTS & ENTERTAINMENT 2019 Oscar Nominations released Page 5 in NEWS Daniel Mayes/The Chanticleer VeoRide Fleet Coordinator Trent Dickeson, a graduate of JSU, shows off the new bikes that Jacksonville residents and JSU students will be able to use. COMMUNITY Shutdown enters fifth week Bike sharing pedals Page 2 into Jacksonville VeoRide, which is the first company of its Daniel Mayes in SPORTS Editor-in-Chief kind to come to Alabama, allows users to use a bike by downloading an app, scanning Have you ever faced the dreaded walk to a QR code on the bike, and then taking off. or from Stone Center and wished there was a Users are charged 50 cents per 15 minutes on way to move more quickly? Wanted to finally the bike, and monthly and yearly packages get out and explore more of the Ladiga Trail? are also available for repeat users. Wanted to bring your bike to campus, but The company launched their program, don’t want to deal with storage, upkeep, or which will start in Anniston, Oxford and the risk of getting it stolen? Jacksonville, with an event at the Jacksonville A new bike-sharing company coming to Train Depot on Friday, where the public and Gamecocks duo receives town might just be for you. OVC, national honors see BIKE page 2 Page 8 COMMUNITY on CAMPUS Local man campaigns to bring TV series to Jacksonville International JP Wood House Staff Reporter Presentation: It could be out with the Benin construction equipment and Thursday, in with the camera equipment January 24, soon in Jacksonville. -
ABSTRACT Title of Document: COMMUNICATING FEAR in FILM
ABSTRACT Title of Document: COMMUNICATING FEAR IN FILM MUSIC: A SOCIOPHOBIC ANALYSIS OF ZOMBIE FILM SOUNDTRACKS Pedro Gonzalez-Fernandez Master of Arts, 2014 Directed By: Dr. Patrick Warfield, Musicology The horror film soundtrack is a complex web of narratological, ethnographic, and semiological factors all related to the social tensions intimated by a film. This study examines four major periods in the zombie’s film career—the Voodoo zombie of the 1930s and 1940s, the invasion narratives of the late 1960s, the post-apocalyptic survivalist fantasies of the 1970s and 1980s, and the modern post-9/11 zombie—to track how certain musical sounds and styles are indexed with the content of zombie films. Two main musical threads link the individual films’ characterization of the zombie and the setting: Othering via different types of musical exoticism, and the use of sonic excess to pronounce sociophobic themes. COMMUNICATING FEAR IN FILM MUSIC: A SOCIOPHOBIC ANALYSIS OF ZOMBIE FILM SOUNDTRACKS by Pedro Gonzalez-Fernandez Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Master of Arts 2014 Advisory Committee: Professor Patrick Warfield, Chair Professor Richard King Professor John Lawrence Witzleben ©Copyright by Pedro Gonzalez-Fernandez 2014 Table of Contents TABLE OF CONTENTS II INTRODUCTION AND LITERATURE REVIEW 1 Introduction 1 Why Zombies? 2 Zombie Taxonomy 6 Literature Review 8 Film Music Scholarship 8 Horror Film Music Scholarship -
Proquest Dissertations
mn u Ottawa L'UniversiW canadienne Canada's university ITTTT FACULTE DES ETUDES SUPERIEURES 1^=1 FACULTY OF GRADUATE AND ET POSTOCTORALES U Ottawa POSDOCTORAL STUDIES L'Universite canadienrie Canada's university Lauren Patricia Levesgue AUTEUR DE LA THESE / AUTHOR OF THESIS M.A. (Communication) GRADE/DEGREE Department of Communication FACULTE, ECOLE, DEPARTEMENT / FACULTY, SCHOOL, DEPARTMENT Media Culture, Artifact and Gender Identity: An Analysis of Bratz Dolls TITRE DE LA THESE / TITLE OF THESIS Lise Boily DIRECTEUR (DIRECTRICE) DE LA THESE / THESIS SUPERVISOR Rukhsana Ahmed CO-DIRECTEUR (CO-DIRECTRICE) DE LA THESE / THESIS CO-SUPERVISOR Sherry Ferguson C.harlene Elliott Gar.Y W- .siater Le Doyen de la Faculte des etudes superieures et postdoctorales / Dean of the Faculty of Graduate and Postdoctoral Studies Media Cuituref Artifact and Gender Identity: An Analysis of Bratz Dolls Lauren Patricia Lewesque Thesis submitted to the Faculty of Graduate and Postdoctoral Studies In partiai fulfillment of the requirements For the Master's of Arts in Communication Department of Communication Faculty of Arts University of Ottawa © Lauren Levesque, Ottawa, Canada, 2010 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-69044-4 Our file Notre reference ISBN: 978-0-494-69044-4 NOTICE: AVIS: The author has granted a non L'auteur a accorde une -
P20-21 Layout 1
20 Established 1961 Monday, August 20, 2018 Lifestyle Gossip Shawn Mendes can’t drink and sing hawn Mendes insists it’s “physically mess up, it’s going viral.” But the ‘Treat You impossible” for him to drink alcohol Better’ hitmaker admitted he needs to find Swhile on tour. The 20-year-old pop more time to “enjoy life” instead of concen- star feels he has to be an “athlete” while on trating too much on his work. He told the road because if he makes a mistake on Sunday Times Style magazine: “I actually stage, he’s aware the social media age means need to work on that. I’m not much of a all of his fans will soon hear about it. He said: partier. Honest to God, I need to enjoy my “Have you sung on stage for 60 minutes? life more and stop worrying about work, but It’s hard. And almost impossible hungover. I find it difficult.” However, Shawn does go There’s certain magic drugs that can help, out sometimes and doesn’t feel he needs to but I’m not interested in those, so when I’m take an entourage with him. He said: “I don’t flying 10 hours and there’s a three-hour worry about it. If people want a photo, then drive to the venue and I’m doing three inter- I take the photo.” When he does have time views, honestly, it’s physically impossible to off, the ‘Stitches’ singer values time alone at drink. You have to be an athlete in the pop his home in Toronto. -
RLB Letterhead
6-25-14 White Paper in support of the Robert II v CIA and DOJ plaintiff’s June 25, 2014 appeal of the June 2, 2014 President Reagan Library FOIA denial decision of the plaintiff’s July 27, 2010 NARA MDR FOIA request re the NARA “Perot”, the NARA “Peter Keisler Collection”, and the NARA “Robert v National Archives ‘Bulky Evidence File” documents. This is a White Paper (WP) in support of the Robert II v CIA and DOJ, cv 02-6788 (Seybert, J), plaintiff’s June 25, 2014 appeal of the June 2, 2014 President Reagan Library FOIA denial decision of the plaintiff’s July 27, 2010 NARA MDR FOIA request. The plaintiff sought the release of the NARA “Perot”, the NARA “Peter Keisler Collection”, and the NARA “Robert v National Archives ‘Bulky Evidence File” documents by application of President Obama’s December 29, 2009 E.O. 13526, Classified National Security Information, 75 F.R. 707 (January 5, 2010), § 3.5 Mandatory Declassification Review (MDR). On June 2, 2014, President Reagan Library Archivist/FOIA Coordinator Shelly Williams rendered a Case #M-425 denial decision with an attached Worksheet: This is in further response to your request for your Mandatory Review request for release of information under the provisions of Section 3.5 of Executive Order 13526, to Reagan Presidential records pertaining to Ross Perot doc re report see email. These records were processed in accordance with the Presidential Records Act (PRA), 44 U.S.C. §§ 2201-2207. Id. Emphasis added. The Worksheet attachment to the decision lists three sets of Keisler, Peter: Files with Doc ## 27191, 27192, and 27193 notations.