Through the Eyes of a Satin Bowerbird
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Through the eyes of a satin bowerbird: a bricolage metaphor as an organising principle for a self-reflective process to explore spirituality in home economics contexts Author Deagon, Jay Published 2015 Journal Title Victorian Journal of Home Economics Version Version of Record (VoR) Copyright Statement © 2015 Home Economics Victoria. The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/157697 Link to published version https://www.homeeconomics.com.au/about-us/research Griffith Research Online https://research-repository.griffith.edu.au Through the eyes of a satin bowerbird a bricolage metaphor as an organising principle for a self-reflective process Jay R. Deagon PhD Adjunct Research Fellow to explore spirituality in home Griffith Institute for Educational Research (GIER) economics contexts. This is a peer reviewed article Abstract It started with a poem Researchers often “act like” satin bowerbirds as they purposefully, selectively and instinctively select and display the “bluest of trophies” or “the best bits” of their Satin Bowerbird Blues research. The strategies conveyed in this paper were used as an observational technique to explore cross-cultural views and perceptions of spirituality within Ptilinorhynchus violaceus home economics contexts. This article articulates the methodological journey By Richard Foerster towards construction of a bricolage research metaphor: through the eyes of a satin bowerbird. The paper uses a narrative approach to communicate the researcher’s When whatever tripwire story of the development of an organising principle for a self-reflective process triggers his compulsion, to explain research decisions and actions within uncertain research environments. he constructs a U from twigs The satin bowerbird bricolage entailed a six-phase navigation method of engaging, selecting, focusing, refining, defining, and weaving theoretical and methodological and hoop-pine needles tapered concepts together with key insights of the research. The methodology explored foot-high at the tips in this paper offers a transparency technique for a critical self-reflection process like horns. To this courtyard exposes a researcher’s choices of theoretical and methodological lenses also of bliss he brings the bluest exposes the complexity of individualised researcher realities. trophies he can find to entice the demurely dull- Introduction green bowerhens This article articulates the As a methodological process, metaphor to his violaceous eyes – methodological journey which was is useful. Following Schmitt’s (2005) blues electric and ultra- undertaken in constructing a research ‘rules’ for the use of metaphor in marine: swap-shop gems, metaphor: through the eyes of a satin qualitative research, the satin bowerbird wrapper scraps and straws, bowerbird. The purpose of this paper metaphor operated within a broader a plastic bottlecap. His is craft is to share the journey of a home research strategy. As a caveat, if taken economics researcher navigating a too far, an analogy may expose illogical cerulean, lapis, indican complex, highly subjective and fluid or irrational arguments that may detract to swell a heart like a sapphire research environment. A recent project from the author’s intentions (Thouless, star till he bursts into a fluff-’n- that examined cross-cultural views 1961). The satin bowerbird metaphor ruffle jig with a navy clothespeg, and perceptions of spirituality within a was not used to justify researcher perhaps, in his bill. home economics paradigm required reasoning or results; rather, it was an Whether an audience will come the researcher to examine deeply organising principle for a self-reflective and stay, enthralled, he breaks – her own subjective perceptions. The process to explain research decisions guttural, glissando – into pure way that the researcher perceived the and actions. To illuminate the metaphor, cyanic song. subjective topic of spirituality required this article uses a narrative approach a non-traditional approach to research to communicate the research story and Figure 1: Satin Bowerbird Blues a Poem practices. In order to study spirituality a colour version of this paper would be by Richard Foerster (2005) as a research topic, the location of beneficial for the reader. a diverse and socially responsive In the spirit of bricolage, which will theoretical and methodological be explained later in this article, and framework within which to operate was in order to give the reader a poetic required. introduction to my work, I present this poem (Figure 1) entitled Satin Bowerbird Victorian Journal of Home Economics Volume 54 Number 1 2015 Page 7 Figure 2: Male satin bowerbird (ptilinorhynchus violaceus) decorating his bower with the bluest of trophies. Photograph by Tim Lanman retrieved on 10 May 2012 via National Geographic website Germany at http://ngm.nationalgeographic Blues by Richard Foerster (2005), used bowerbird (Ptilinorhynchus violaceus) that makes for successful breeding – it with permission. (Figure 2) is unique for two reasons: is the preparation of the bower that 1) it weaves, paints and decorates a makes the difference for nesting The genesis of the Satin Bowerbird bower to entice a mate; and 2) uses success. Bricolage (hereafter referred to as SBB) decorations of a specific colour blue. stemmed from a casual conversation With my fascination deepening, I wrote For interest’s sake, if blue ornaments with my partner. Reflecting on my to the author of the poem (Figure 1) are not available, yellow or white previous research experiences, to find out about his experience with objects are sometimes collected. Some I recognised that I was ‘acting’ like a the satin bowerbird. Richard Foerster other bowerbird species collect shells, male satin bowerbird. I had anecdotal explained: flowers, feathers, fungi to adorn the evidence of other researchers ‘feeling’ bower. Male bowerbirds often ‘steal’ I wrote “Satin Bowerbird Blues” in the same way about their work: a from other males’ bowers to improve January 2001 during my residency at compulsion to select and present their own bower decorations. The Varuna, the novelist Eleanor Dark’s only ‘the best bits’ of literature and female bowerbird will then assess house in Katoomba that is now a writers’ research. On rainforest walks near my the ‘honesty’ of the male bowerbird colony. Over the course of my weeks home in South-East Queensland, I have by investigating the bower for colour, there, I got to watch the bowerbird in had personal encounters with satin arrangement, quality and quantity of his efforts to construct a bower. Alas, bowerbirds, their bowers and their the ornaments that adorn the bower. he repeatedly failed since more mature collections of bright blue ornaments, It is believed that parasites in the eyes males kept raiding his trophies. Still, the which left me with enduring feelings of the male satin bowerbird affect the urge to construct and dance and sing of awe and wonder. My inquisitiveness selection of the bluest of ornaments for never deserted him. There’s a life-lesson obliged me to search academic the arrangement in his bower (Keagy et there. (I’m curious to know, however, literature to learn more about the satin al., 2009). In this way, by the selection what these birds did before the advent bowerbird. and arrangement of these ‘bluest of of human detritus.) (personal email I discovered that the bowerbird is trophies’, a female bowerbird can communication, Foerster, 2013) thought to be one of the most intelligent identify how healthy the male bird is Indeed it is a curious question – what birds in the avian world due to its and therefore determine his “honesty” did satin bowerbirds do before cognitive ability to use tools to build as a suitable mating partner. Although humans invented blue clothes pegs? elaborate structures called bowers it is only the male bowerbird that Regardless, it was the instinctive habits (Keagy, Savard, & Borgia, 2009). Avian creates the bower, for the purpose of and persistence of this much watched researchers use the term ‘avenue’ to the analogy developed in this paper, adolescent satin bowerbird that gave describe the purpose of a bower. The gender is multidirectional and no bias is my research its unique perspective. bower is not a nest; rather, it is an intended. For the bowerbirds, the bower invitation to nest. The male satin is not the final nesting place (or home) Page 8 Victorian Journal of Home Economics Volume 54 Number 1 2015 A methodological metaphor: through the eyes of a satin bowerbird As the research progressed, I began to Some see research as a step-by-step 2005; O’Halloran, 2008). I used see points of connection between the process that starts with a research creative devices to allow for fluidity satin bowerbird’s behaviours and my question and ends with a technically of thought and development of a research behaviours. I now develop the formatted report which logically and twisting and turning research story methodological metaphor: through the objectively arrives at a definitive answer (Creswell, 2005). By creative, I mean eyes of the satin bowerbird by “speaking to that specific research question the use of devices such as poems, to” Figure 3. It will be explained that (Creswell, 2005). My research did not metaphors, analogies, photographs, this methodological metaphor required follow such a simple linear process. The annotated drawings, models and a complex set of considerations. The doctoral thesis was structured using graphs to highlight and explain complex suite of photographs in Figure 3 is a traditional signposts for identifying concepts. There were three reasons pictorial representation of the way I quality research (introduction, for this style of presentation. First, the visualised a narrowing of my research literature review, theoretical study was internet-based; as a site focus. I will explain each of these framework, methodology, data and of data collection, the internet is a photographs and corresponding analysis, discussion, and conclusion); highly visual space (Silverman, 2010).