DOCSLIB.ORG

Building an Outstanding “World's Jewish Museum” in Tel Aviv

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Building an Outstanding “World's Jewish Museum” in Tel Aviv Building an outstanding “World’s Jewish Museum” in Tel Aviv Asper Foundation Final report June 2013 Executive summary (1/2) ▪ There is a clear white-space for an iconic cultural institution in Israel in general and specifically in Tel Aviv – There is no “must visit” cultural institute in Tel Aviv – Tel Aviv is under-represented in the museum landscape in Israel – Tel Aviv is missing an architectural symbol ▪ The World Jewish museum may be a viable candidate to fill this need. Initial indications from interviews are positive, and prime location given by the city is a significant achievement. However, further work is required on concept: – Assuming the museum can fully tap its target visitor groups and position itself as one of Israel’s top 3 museums, we believe a target of circa 850K visitors annually feasible1 – To achieve this, concept requires adjustment and significant further development. Expert interviews suggest a list of key elements critical to the success of the concept – In addition, at present the museum concept is not sufficiently differentiated from Beit Hatfutsot ▪ Even a very successful museum will only deliver limited economic benefits to Israel or to Tel Aviv; however, such a museum could contribute to the cultural and educational offering of /Tel Aviv, strengthen the relationship with the diaspora and add a sense of pride to the people of Israel 1 By 2019, assuming 2-3% growth in population and tourism SOURCE: Team McKinsey & Company | 1 Executive summary (2/2) ▪ Funding requirements: – Construction of the museum is estimated at NIS 650M, excluding development of exhibits – Ongoing operations costs and self-generated revenues estimated at NIS 75-90M, and ~40M respectively, resulting in an annual funding requirement for operations of NIS 35-50M ▪ Interviews indicate that securing a commitment for significant financial support from the government will be challenging – Initial focus should be on gathering strong support from key opinion leaders – Several innovative funding options were identified, all requiring some commitment by the government – Gathering significant donations from local donors might prove challenging, and some adaptions to the concept and the execution are required ▪ Going forward – Asper Foundation should set up local team to quarterback the concept development, orchestrate lobbying with key stakeholders, and manage the municipal processes 1 By 2019, assuming 2-3% growth in population and tourism SOURCE: Team McKinsey & Company | 2 Content of final report 1 Proposed concept 2 Overview of museum landscape 3 Financial assessment of proposed concept – operations 4 Financial assessment of proposed concept – construction 5 Country/city business case 6 Governance and funding strategy 7 Going forward and implementation plan McKinsey & Company | 3 Content of final report 1 Proposed concept Description White space assessment Assessment of potential traffic 2 Overview of museum landscape 3 Financial assessment of proposed concept – operations 4 Financial assessment of proposed concept – construction 5 Country/city business case 6 Governance and funding strategy 7 Going forward and implementation plan McKinsey & Company | 4 PROPOSED CONCEPT - DESCRIPTION The Jewish Museum will aim to offer a complete experience and immerse visitors in Jewish thoughts and achievements The World’s Jewish Museum will narrate, in an overarching chronological account, the odyssey of the Jewish people It will attest to the significance of outstanding Jewish achievement and intellectual output, and showcase how Jewish contributions have enriched the spirit of humankind. Exhibitions and programs will also document the covenant between Jewish people and the Land of Israel The museum will serve as the collaborative force among Jewish museums nationally and throughout the world and, most crucially, enhance the cultural bond between Israel and global Jewish populations through the strengthening of its collective identity The greater museum campus will provide a major new green public space where residents and tourists alike can learn, honor, discover, and celebrate SOURCE: Asper Foundation McKinsey & Company | 5 PROPOSED CONCEPT - DESCRIPTION The museum will include 6 pavilions with a different message for each Tzedakah Pavilion The Covenant Pavilion Tzedakah Amphi theatre Education Pavilion Covenant Theatre Volunteering space Children’s museum Origins Gallery Indoor Garden Digital library Museum welcome area Conference center Enterprise Pavilion Inquiry Pavilion Innovators Gallery Hand-on science Creativity pavilion center Product Showcase Arts gallery Future Laboratory Inventions Laboratory Artists residences Lecture Theater Materials Library SOURCE: Ralph Appelbaum McKinsey & Company | 6 PROPOSED CONCEPT - DESCRIPTION The museum will exhibit iconic architecture ▪ Great new museum projects arc suitably served by iconic architecture. The buildings that house epic historical narratives can, at best, add to the wonder and dimensions of the stories, giving texture to the visitor’s experience, and helping to enliven his or her imagination ▪ At best, these buildings become a symbol of some common human or cultural value that is larger than architecture itself. We imagine that the concept of a World’s Jewish Museum will invite this kind of inspired response ▪ The footprint provided by the site will allow the museum to inhabit a scale comparable to other leading global institutions SOURCE: Ralph Appelbaum McKinsey & Company | 7 PROPOSED CONCEPT - DESCRIPTION A prime location in the north of Tel Aviv, next to Hayarkon Park ▪ The Museum will capitalize on a priceless opportunity – a 22 dunam (6 acres) site on the edge of HaYarkon Park – a major green belt for the city – looking out over Tel Aviv Port and the Mediterranean ▪ The park already receives some 16 million visits per year, attracted by a range of recreational offers – ranging from the botanic gardens to a water park, or sports fields to wandering meadows. To this abundant setting, the World’s Jewish Museum can add cultural richness and depth SOURCE: Asper Foundation McKinsey & Company | 8 PROPOSED CONCEPT - DESCRIPTION The Asper Foundation The Asper Foundation was established in Winnipeg, Manitoba, Canada in 1983 to build on the philanthropic objectives of Israel Asper (1932-2003), Babs Asper (1933-2011) and the Asper family. It undertakes and develops major initiatives in the areas of Jewish charity as well as culture, education, community development and human rights locally, nationally and internationally. Two such initiatives are the Canadian Museum for Human Rights, established as a Canadian national museum in 2008 and opening in 2014 and the award-winning Asper Foundation Human Rights and Holocaust Studies Program, established in 1997. In the recent past, over $125 million has been donated to various charitable causes through The Asper Foundation. SOURCE: Asper Foundation McKinsey & Company | 9 Contents 1 Proposed concept Description White space assessment Assessment of potential traffic 2 Overview of museum landscape 3 Financial assessment of proposed concept – operations 4 Financial assessment of proposed concept – construction 5 Country/city business case 6 Governance and funding strategy 7 Going forward and implementation plan McKinsey & Company | 10 PROPOSED CONCEPT– WHITE SPACE ASSESSMENT There is a white space for iconic, landmark cultural institution in Tel Aviv Description / explanation A “Tel Aviv is now perceived as destination ▪ Tel Aviv attractions are of leisure and There is no “must for leisure and business, we need to recreation nature, and involve mainly connect it to culture, Zionism and the visit” cultural the city experience rather than must institute in Tel Aviv “new”, non-religious Judaism…” visit locations ▪ As the city is striving to become a “…We don’t have a “Must” experience in global leading city, it lacks a must city Tel Aviv. I want the museum to be one. cultural anchor in par with leaving cities Yad Vashem will be for the past, The B Jewish Museum for the future…” Of the top 3 museum in Israel, only Tel Aviv is under- ▪ Hilla Oren, Manager of Tel Aviv Ir Olam and one (Tel Aviv Museum of Art) is in Tel represented in the responsible for tourism museum landscape Aviv, ranked #3 in Israel ▪ Most visited places by foreign tourists are of historical and religious nature, “Tel Aviv needs its cultural and Jerusalem is the most visited anchor…” Avner Shalev, C Chairman of Yad Vashem ▪ The city lacks an iconic building which Tel Aviv lacks a could be the symbol of the city visual / architectural “It can be the next Mega Project symbol that gives the city its identity” Zvi Hauser, Secretary of the government of Israel SOURCE: Team analysis, interviews McKinsey & Company | 11 PROPOSED CONCEPT– WHITE SPACE ASSESSMENT A Top tourist attractions are historical and religious sites Share of international tourists visiting the site, percent The wailing wall Via Dolorosa Masada 75 74 77 58 60 51 35 36 30 2008 09 2010 2008 09 2010 2008 09 2010 SOURCE: CBS tourism report 2010 McKinsey & Company | 12 PROPOSED CONCEPT– WHITE SPACE ASSESSMENT A Most visited sites in Israel are of leisure, nature and history Most visited paid sites Greater Tel Aviv area Tel Aviv Masada 786,000 Biblical Zoo (Jerusalem) 746,639 Safari Ramat Gan 744,550 Caesarea 668,208 Israel Museum 658,576 Banias River 584,029 Limited number of Tel Aviv Museum of Art 502,149 sites in the greater Tel Aviv area (only 3 sites) Ein Gedi 460,404 Yamit 2000 426,999 Underwater observatory 421,000 National
Load more

Recommended publications
  • Museum Archivist
    Newsletter of the Museum Archives Section Museum Archivist WINTER 2014 Volume 24 Issue 2 From the Co-Chairs Hello, and Happy New Year to everyone! more. In fact, we have adopted the follow- Although we may be in the frozen depths ing words by Benjamin Franklin that cap- of winter throughout much of the US, rest ture our inspiration and summarize our assured that your Museum Archives Sec- goals for the Museum Archives Section this tion (MAS) Co-Chairs, Jennie Thomas and year: “Tell me and I forget. Teach me and I Heidi Abbey, have been busy not only remember. Involve me and I learn.” We reminiscing about the warm weather in are going to try to put these words into New Orleans during the 2013 annual practice. meeting, but also brainstorming ideas to facilitate participation from and communi- MAS Priorities for 2014 cation among our members. When we We will focus on three priorities for the began drafting our update for the newslet- rest of the year, and all of them will benefit ter, we were reminded of numerous con- from your involvement and feedback. We cerns raised by section members last Au- intend to: 1) improve communication tools gust. There was an overwhelming interest and information sharing, which will center in the value of talking to each other, collabo- around results from a spring 2014 survey rating more, and strengthening involvement of MAS members; 2) investigate the feasi- to make our section truly reflective of the bility and logistics of live streaming our diverse institutional and cultural heritage August 2014 annual meeting in Washing- Image by Lisa Longfellow.
    [Show full text]
  • Women's Israel Trip ITINERARY
    ITINERARY The Cohen Camps’ Women’s Trip to Israel Led by Adina Cohen April 10-22, 2018 Tuesday April 10 DEPARTURE Departure from Boston (own arrangements) Wednesday April 11 BRUCHIM HABA’AIM-WELCOME TO ISRAEL! . Rendezvous at Ben Gurion airport at 14:10 (or at hotel in Tel Aviv) . Opening Program at the Port of Jaffa, where pilgrims and olim entered the Holy Land for centuries. Welcome Dinner at Café Yafo . Check-in at hotel Overnight: Carlton, Tel Aviv Thursday April 12 A LIGHT UNTO THE NATIONS . Torah Yoga Session . Visit Save a Child’s Heart-a project of Wolfston Hospital, in which Israeli pediatric surgeons provide pro-bono cardiac surery for children from all over Africa and the Middle East. “Shuk Bites” lunch in the Old Jaffa Flea Market . Visit “The Women’s Courtyard” – a designer outlet empowering Arab and Jewish local women . Israeli Folk Dancing interactive program- Follow the beat of Israeli women throughout history and culture and experience Israel’s transformation through dance. Enjoy dinner at the “Liliot” Restaurant, which employs youth at risk. Overnight: Carlton, Tel Aviv Friday April 13 COSMOPOLITAN TEL AVIV . Interactive movement & drum circle workshop with Batya . “Shuk & Cook” program with lunch at the Carmel Market . Stroll through the Nahalat Binyamin weekly arts & crafts fair . Time at leisure to prepare for Shabbat . Candle lighting Cohen Camps Women’s Trip to Israel 2018 Revised 22 Aug 17 Page 1 of 4 . Join Israelis for a unique, musical “Kabbalat Shabbat” with Bet Tefilah Hayisraeli, a liberal, independent, and egalitarian community in Tel Aviv, which is committed to Jewish spirit, culture, and social action.
    [Show full text]
  • Around Town 2015 Annual Conference & Meeting Saturday, May 9 – Tuesday, May 12 in & Around, NYC
    2015 NEW YORK Association of Art Museum Curators 14th Annual Conference & Meeting May 9 – 12, 2015 Around Town 2015 Annual Conference & Meeting Saturday, May 9 – Tuesday, May 12 In & Around, NYC In addition to the more well known spots, such as The Metropolitan Museum of Art, Museum of Modern Art, , Smithsonian Design Museum, Hewitt, Solomon R. Guggenheim Museum, The Frick Collection, The Morgan Library and Museum, New-York Historical Society, and the Whitney Museum of American Art, here is a list of some other points of interest in the five boroughs and Newark, New Jersey area. Museums: Manhattan Asia Society 725 Park Avenue New York, NY 10021 (212) 288-6400 http://asiasociety.org/new-york Across the Fields of arts, business, culture, education, and policy, the Society provides insight and promotes mutual understanding among peoples, leaders and institutions oF Asia and United States in a global context. Bard Graduate Center Gallery 18 West 86th Street New York, NY 10024 (212) 501-3023 http://www.bgc.bard.edu/ Bard Graduate Center Gallery exhibitions explore new ways oF thinking about decorative arts, design history, and material culture. The Cloisters Museum and Garden 99 Margaret Corbin Drive, Fort Tyron Park New York, NY 10040 (212) 923-3700 http://www.metmuseum.org/visit/visit-the-cloisters The Cloisters museum and gardens is a branch oF the Metropolitan Museum oF Art devoted to the art and architecture oF medieval Europe and was assembled From architectural elements, both domestic and religious, that largely date from the twelfth through fifteenth century. El Museo del Barrio 1230 FiFth Avenue New York, NY 10029 (212) 831-7272 http://www.elmuseo.org/ El Museo del Barrio is New York’s leading Latino cultural institution and welcomes visitors of all backgrounds to discover the artistic landscape of Puerto Rican, Caribbean, and Latin American cultures.
    [Show full text]
  • WATERFRONT REDEVELOPMENT at SOUTH STREET SEAPORT: WHERE WATER and LAND, COLLABORATION and PLANNING CONVERGE Kathryn Anne Lorico Tipora Fordham University
    Fordham University Masthead Logo DigitalResearch@Fordham Urban Studies Masters Theses Urban Studies August 2012 WATERFRONT REDEVELOPMENT AT SOUTH STREET SEAPORT: WHERE WATER AND LAND, COLLABORATION AND PLANNING CONVERGE Kathryn Anne Lorico Tipora Fordham University Follow this and additional works at: https://fordham.bepress.com/urban_studies_masters Recommended Citation Tipora, Kathryn Anne Lorico, "WATERFRONT REDEVELOPMENT AT SOUTH STREET SEAPORT: WHERE WATER AND LAND, COLLABORATION AND PLANNING CONVERGE" (2012). Urban Studies Masters Theses. 2. https://fordham.bepress.com/urban_studies_masters/2 This is brought to you for free and open access by the Urban Studies at DigitalResearch@Fordham. It has been accepted for inclusion in Urban Studies Masters Theses by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. WATERFRONT REDEVELOPMENT AT SOUTH STREET SEAPORT: WHERE WATER AND LAND, COLLABORATION AND PLANNING CONVERGE BY Kathryn Anne Lorico Tipora BA, University of Richmond, 2007 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN URBAN STUDIES AT FORDHAM UNIVERSITY NEW YORK MAY 2012 TABLE OF CONTENTS LIST OF FIGURES ........................................................................................... iii INTRODUCTION ............................................................................................... 1 BACKGROUND AND DEFINITIONS ................................................................... 6 LITERATURE REVIEW
    [Show full text]
  • Programme of the Seminar
    Seminar and Workshop Announcement and Invitation Professional Certification for Israeli Conservators cA ollaboration of the key Israeli heritage stakeholders Organised by The Society for the Conservation and Preservation of Israeli Cultural Property, The Israel Antiquities Authority and UNESCO‐Israel sponsored by Israel Ministry of Culture and Sport ‐Museums Dept; Israel Foreign Ministry : Haifa University; ICOMOS‐ Israel; Society for Preservation of Israel Heritage Sites; Israel Nature and Parks Authority; ICOM‐Israel; Israel Museum, Jerusalem; Eretz Israel Museum; Israel Archives and Information Association; Israeli Society of United Architects, Hosted by the Tel Aviv Museum of Art Monday August 2nd 2010 10:00 – 15:00 8:30: Registration 9:30 Welcoming speeches 10:00‐12:00 Morning session‐ Chaired by James Snyder, Director of the Israel Museum, Jerusalem • Dr. Stan Lester ‐ Specialist in professional accreditation, chief designer of the ICON accreditation scheme, Director Stan Lester Developments Education and Training Sytems – Becoming a qualifying profession • Prof. Amos Notea – Head of Quality and Reliability Engineering in Electronics Program, Kinneret College, expert in certification systems in industry. Establishment and management of a professional certification system in Israel • Mr. Ingval Maxwell OBE –Consultant in Architectural Conservation Pan‐professional Accreditation in UK Building Conservation ‐ Background, Development and Operation • Mrs. Susan Bradshaw ACR ‐ ICON Accreditation Manager Operating PACR Accreditation in the UK 12:00 Break 13:00 – 15:00 Afternoon Session – Chaired by Prof. Amos Notea , Kinneret College • Dr. Chris Woods ACR‐ Chairman, ICON Professional Standards Committee, Director, Conservation Ltd ʹWhy Accredit Conservators? ‐ assessing the impact of accreditation and registration in the UK • Panel Session – chaired by Gideon Koren Adv.
    [Show full text]
  • Eighteen Major New York Area Museums Participate in Instagram Swap
    EIGHTEEN MAJOR NEW YORK AREA MUSEUMS PARTICIPATE IN INSTAGRAM SWAP THE FRICK COLLECTION PAIRS WITH NEW-YORK HISTORICAL SOCIETY In a first-of-its-kind collaboration, eighteen major New York City area institutions have joined forces to celebrate their unique collections and spaces on Instagram. All day today, February 2, the museums will post photos from this exciting project. Each participating museum paired with a sister institution, then set out to take photographs at that institution, capturing objects and moments that resonated with their own collections, exhibitions, and themes. As anticipated, each organization’s unique focus offers a new perspective on their partner museum. Throughout the day, the Frick will showcase its recent visit to the New-York Historical Society on its Instagram feed using the hashtag #MuseumInstaSwap. Posts will emphasize the connections between the two museums and libraries, both cultural landmarks in New York and both beloved for highlighting the city’s rich history. The public is encouraged to follow and interact to discover what each museum’s Instagram staffer discovered in the other’s space. A complete list of participating museums follows: American Museum of Natural History @AMNH The Museum of Modern Art @themuseumofmodernart Intrepid Sea, Air & Space Museum @intrepidmuseum Cooper Hewitt, Smithsonian Design Museum @cooperhewitt Museum of the City of New York @MuseumofCityNY New Museum @newmuseum 1 The Museum of Arts and Design @madmuseum Whitney Museum of American Art @whitneymuseum The Frick Collection
    [Show full text]
  • New Museum Elects New Members to Its Board of Trustees, Joining Four Other Board Members Appointed Over the Past Year
    PRESS CONTACTS Paul Jackson, Communications Director Nora Landes, Press Associate [email protected] 212.219.1222 x209 Andrea Schwan, Andrea Schwan Inc. 917.371.5023 [email protected] FOR IMMEDIATE RELEASE March 10, 2020 NEW MUSEUM ELECTS NEW MEMBERS TO ITS BOARD OF TRUSTEES, JOINING FOUR OTHER BOARD MEMBERS APPOINTED OVER THE PAST YEAR New York, NY… Lisa Phillips, Toby Devan Lewis Director of the New Museum, and James Keith Brown, President, announced today the appointment of four new members elected to the New Museum’s Board of Trustees: Patricia Blanchet, Füsun EczacıbaŞı, Tommie Pegues, and Jamie Singer. They join four other new members who became trustees over the past year including Evan Chow, Randi Levine, Matt Mullenweg, and Marcus Weldon. “We are thrilled that these outstanding individuals committed to our mission are joining the New Museum Board,” said New Museum Board President, JK Brown. “Their diverse backgrounds across generations and geographies will bring new perspectives to the Museum for the future ahead at an important time of change,” said Lisa Phillips, Toby Devan Lewis Director. Patricia Blanchet has a long history of engagement with black arts and culture, as a maker, administrator, and patron, particularly of the visual arts, dance, theater, film, music, and photography. A longstanding collector of African American art, she currently serves on the Acquisition Committee of the Studio Museum in Harlem, and on the boards of the Newport Festivals Foundation and the NY African Film Festival. Previously she was the Program Director at NYU’s Institute of African American Affairs as well as the Director of Development at the Museum for African Art when it was the neighbor of the New Museum on Broadway.
    [Show full text]
  • Onassis Usa and the New Museum's New Inc Announce the Launch of Onx Studio, with Two Dozen Artists and Producers Working in Extended Reality
    ONASSIS USA AND THE NEW MUSEUM'S NEW INC ANNOUNCE THE LAUNCH OF ONX STUDIO, WITH TWO DOZEN ARTISTS AND PRODUCERS WORKING IN EXTENDED REALITY New York, NY...Onassis USA and the New Museum’s NEW INC are pleased to announce the launch of ONX Studio—the Onassis, NEW INC Extended Reality Studio—with two dozen artists and producers working in extended reality (XR), for a year-long term to develop significant works for the public realm. ONX Studio distinguishes itself as a hybrid space where work is both created and presented. It functions as an accelerator, a subsidized production studio and workspace, and an exhibition gallery located in the Onassis Gallery of Olympic Tower in Midtown Manhattan. Each year the studio space will transform into an extended reality gallery for a month-long showcase featuring ONX artists. The first showcase is planned for later in 2021. ONX is a two-year pilot program and steered by NEW INC’s Cofounder Karen Wong and Director Stephanie Pereira, and the Onassis Foundation’s Head of Digital and Innovation Prodromos Tsiavos. ONX Studio will be in close dialogue with NEW INC (New York City) and Onassis Lab (Athens), the Onassis Foundation’s cross-disciplinary incubator that seeks to support innovation and disruption across disciplines. The three entities will support each other through curated conversations, skill sharing, and collaborative projects with a goal of creating an ecosystem that connects extended reality artists in the US and Europe and beyond. ONX Studio’s first international event will take place on December 18th, “Bodies in Space: Extended Realities in Live Performance,” in which three extended reality artists—Sarah Rothberg, Theo Triantafyllidis, and Lu Yang—will be in conversation with Janet Wong, Associate Artistic Director at New York Live Arts.
    [Show full text]
  • New York Pass Attractions
    Free entry to the following attractions with the New York Pass Top attractions Big Bus New York Hop-On-Hop-Off Bus Tour Empire State Building Top of the Rock Observatory 9/11 Memorial & Museum Madame Tussauds New York Statue of Liberty – Ferry Ticket American Museum of Natural History 9/11 Tribute Center & Audio Tour Circle Line Sightseeing Cruises (Choose 1 of 5): Best of New York Intrepid Sea, Air & Space Museum Local New York Favourite National Geographic Encounter: Ocean Odyssey - NEW in 2019 The Downtown Experience: Virtual Reality Bus Tour Bryant Park - Ice Skating (General Admission) Luna Park at Coney Island - 24 Ride Wristband Deno's Wonder Wheel Harlem Gospel Tour (Sunday or Wednesday Service) Central Park TV & Movie Sites Walking Tour When Harry Met Seinfeld Bus Tour High Line-Chelsea-Meatpacking Tour The MET: Cloisters The Cathedral of St. John the Divine Brooklyn Botanic Garden Staten Island Yankees Game New York Botanical Garden Harlem Bike Rentals Staten Island Zoo Snug Harbor Botanical Garden in Staten Island The Color Factory - NEW in 2019 Surrey Rental on Governors Island DreamWorks Trolls The Experience - NEW in 2019 LEGOLAND® Discovery Center, Westchester New York City Museums Museum of Modern Art (MoMA) Metropolitan Museum of Art (The MET) The Met: Breuer Solomon R. Guggenheim Museum Whitney Museum of American Art Museum of Sex Museum of the City of New York New York Historical Society Museum Cooper Hewitt, Smithsonian Design Museum Museum of Arts and Design International Center of Photography Museum New Museum Museum of American Finance Fraunces Tavern South Street Seaport Museum Brooklyn Museum of Art MoMA PS1 New York Transit Museum El Museo del Barrio - NEW in 2019 Museum of Jewish Heritage – A Living Memorial to the Holocaust Museum of Chinese in America - NEW in 2019 Museum at Eldridge St.
    [Show full text]
  • Yael Bartana 1970 Born in Kfar Yehezkel, Israel Currently Lives and Works in Amsterdam and Berlin
    Yael Bartana 1970 born in Kfar Yehezkel, Israel currently lives and works in Amsterdam and Berlin Education 2000–01 Rijksakademie van Beeldende Kunsten, Amsterdam, NL 1999 MFA studies, School of Visual Arts, New York, US 1992–96 BFA, The Bezalel Academy of Arts and Design, Jerusalem, IL Prizes 2010 Artes Mundi 4, Wales, UK Principal Prize by the International Jury and the Prize of the Ecumenical Jury at the Oberhausen Short Film Festival, DE Häagendaismo, Madrid, ES 2009 Prix Dazibao, Montreal, CAN 2007 Gottesdiener Foundation Israeli Art Prize 2006, IL 2006 Recipient of the 2006 Ministry of Science, Culture and Sport Prize, Israel, IL 2005 Dorothea von Stetten-Kunstpreis, Kunstmuseum Bonn, DE Prix de Rome, 2nd award winner, Rijksakademie, Amsterdam, NL 2003 Anselm Kiefer Prize, The Wolf Foundation, IL 1996 The Samuel Prize, for the video / sound installation ‘Ant-Bulb, Bezalel Academy of Art and Design, Jerusalem, IL Residencies / Fellowships / Stipends 2009 Center for Curatorial Studies, Bard Collage, Annandale-on-Hudson, NY, US 2007 Fonds BKVB, Amsterdam, NL 2006 Foksal Gallery Foundation, Warsaw, PL 2005 Platform Garanti, Istanbul, TR 2003 Rooseum – Center for Contemporary Art, Malmo, SE 2002 Jerusalem Center for Visual Arts (JCVA), Jerusalem, IL 2001 NUFFIC, NL Rijksakademie van beeldende kunsten / Dutch Ministry of Education, Culture and Science, NL 2000 Stichting Schürmann-Krant, NL Stichting Trustfonds Rijksakademie, Amsterdam, NL Gallery representations Annet Gelink Gallery, Amsterdam, NL Sommer Contemporary Art, Tel Aviv, IL
    [Show full text]
  • Programs & Exhibitions
    PROGRAMS & EXHIBITIONS Winter/Spring 2020 To purchase tickets by phone call (212) 485-9268 letter | exhibitions | calendar | programs | family | membership | general information Dear Friends, Until recently, American democracy wasn’t up for debate—it was simply fundamental to our way of life. But things have changed, don’t you agree? According to a recent survey, less than a third of Americans born after 1980 consider it essential to live in a democracy. Here at New-York Historical, our outlook is nonpartisan Buck Ennis, Crain’s New York Business and our audiences represent the entire political spectrum. But there is one thing we all agree on: living in a democracy is essential indeed. The exhibitions and public programs you find in the following pages bear witness to this view, speaking to the importance of our democratic principles and the American institutions that carry them out. A spectacular new exhibition on the history of women’s suffrage in our Joyce B. Cowin Women’s History Gallery this spring sheds new light on the movements that led to the ratification of the 19th Amendment to the Constitution 100 years ago; a major exhibition on Bill Graham, a refugee from Nazi Germany who brought us the Grateful Dead, Jefferson Airplane, Jimi Hendrix, and many other staples of rock & roll, stresses our proud democratic tradition of welcoming immigrants and refugees; and, as part of a unique New-York Historical–Asia Society collaboration during Asia Society’s inaugural Triennial, an exhibition of extraordinary works from both institutions will be accompanied by a new site-specific performance by drummer/composer Susie Ibarra in our Patricia D.
    [Show full text]
  • Symbolism of the Ibex Motif in Negev Rock Art
    Supplementary Information SI Fig. 1. Male ibex on the cliffs of the Ramon Crater, central Negev highlands (Photograph by U. Avner, 2012). SI Fig. 2. Ibex hunting scenes in neighboring deserts: A. Sakaka, Sa‘udi ‘Arabia (‘Abdul Nayeem 2002:202), B. Najran, Sa‘udi ‘Arabia (courtesy of Christian Robin), C. Wadi Abu-Qwei, Eastern desert, Egypt, late Predynastic (Redford & Redford 1989:13, c.f. Morrow et al. 2010:218), D. Wadi Abu-Wasil, Eastern desert, Egypt (Morrow et al. 2010:189). SI Fig. 3. Ibex with dogs and hunters in Near Eastern art: A. Susa, Iran ca. 4000 BC. (Clark 2001:69), B. Iran, ca. 800 BC (Kist et al. 2003: Fig. 11), C. Saqqara, Egypt, ca. 2320 BC. (Malek 2001:83), D. Hierakonopolis, Egypt, ca. 2990 BC, lower part of palette (Malek 2001:32, Ashmolean E.3924). SI Fig. 4. Saving the ibex: A. Achaemenid seal impression, Persepolis, ca. 600 BC (Root 2002:182), B. Mesopotamian seal impression, ca. 4th millennium BC (Amiet 1961: No. 698). C. Dilmun, Ba rain (Højland et al. 2005: Fig. 17). ḥ SI Fig. 5. Seal impressions with ibex up and down: A. Akkad, ca.1800 BC, (Hartner 1965: Fig. 25), B-D. Cyprus, ca.1600 BC (Kenna 1967: Figs. 15, 28, 29). SI Fig. 6. Metal object from Nabataean temple at Jebel Serbal, Sinai, 1st century BC-3rd century AD (Avner in press: Fig. 13). SI Fig. 7. Susa, Iranian bowl, ca. 3400 BC (Pope & Ackerman 1938: Pl. 3c). SI Fig. 8. Ibex with celestial symbols: A. Ramat Matred, central Negev Highlands, B.
    [Show full text]