Omar Sosa & Yilian Canizares
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Downbeat.Com December 2014 U.K. £3.50
£3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
It's All Good
SEPTEMBER 2014—ISSUE 149 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JASON MORAN IT’S ALL GOOD... CHARLIE IN MEMORIAMHADEN 1937-2014 JOE • SYLVIE • BOBBY • MATT • EVENT TEMPERLEY COURVOISIER NAUGHTON DENNIS CALENDAR SEPTEMBER 2014 BILLY COBHAM SPECTRUM 40 ODEAN POPE, PHAROAH SANDERS, YOUN SUN NAH TALIB KWELI LIVE W/ BAND SEPT 2 - 7 JAMES CARTER, GERI ALLEN, REGGIE & ULF WAKENIUS DUO SEPT 18 - 19 WORKMAN, JEFF “TAIN” WATTS - LIVE ALBUM RECORDING SEPT 15 - 16 SEPT 9 - 14 ROY HARGROVE QUINTET THE COOKERS: DONALD HARRISON, KENNY WERNER: COALITION w/ CHICK COREA & THE VIGIL SEPT 20 - 21 BILLY HARPER, EDDIE HENDERSON, DAVID SÁNCHEZ, MIGUEL ZENÓN & SEPT 30 - OCT 5 DAVID WEISS, GEORGE CABLES, MORE - ALBUM RELEASE CECIL MCBEE, BILLY HART ALBUM RELEASE SEPT 23 - 24 SEPT 26 - 28 TY STEPHENS (8PM) / REBEL TUMBAO (10:30PM) SEPT 1 • MARK GUILIANA’S BEAT MUSIC - LABEL LAUNCH/RECORD RELEASE SHOW SEPT 8 GATO BARBIERI SEPT 17 • JANE BUNNETT & MAQUEQUE SEPT 22 • LOU DONALDSON QUARTET SEPT 25 LIL JOHN ROBERTS CD RELEASE SHOW (8PM) / THE REVELATIONS SALUTE BOBBY WOMACK (10:30PM) SEPT 29 SUNDAY BRUNCH MORDY FERBER TRIO SEPT 7 • THE DIZZY GILLESPIE™ ALL STARS SEPT 14 LATE NIGHT GROOVE SERIES THE FLOWDOWN SEPT 5 • EAST GIPSY BAND w/ TIM RIES SEPT 6 • LEE HOGANS SEPT 12 • JOSH DAVID & JUDAH TRIBE SEPT 13 RABBI DARKSIDE SEPT 19 • LEX SADLER SEPT 20 • SUGABUSH SEPT 26 • BROWN RICE FAMILY SEPT 27 Facebook “f” Logo CMYK / .eps Facebook “f” Logo CMYK / .eps with Hutch or different things like that. like things different or Hutch with sometimes. -
Jazz at Lincoln Center Orchestra
Jazz at Lincoln Center Orchestra Spaces with Lil Buck and Jared Grimes WHEN: VENUE: WEDNESDAY, BING SEPTEMBER 26, 2018 CONCERT HALL 7∶30 PM Program Artists Spaces by Wynton Marsalis: Jazz at Lincoln Center Orchestra Wynton Marsalis, Ch-Ch-Ch-Chicken Music Director, Trumpet Monkey in a Tree Ryan Kisor, Trumpet Pachyderm Shout Kenny Rampton, Trumpet Leap Frogs Marcus Printup, Trumpet Mr. Penguin Please Vincent Gardner, Trombone Chris Crenshaw, Trombone — INTERMISSION — Elliot Mason, Trombone Sherman Irby, Alto and Soprano Like a Snake Saxophones, Flute, Clarinet Those Sanctified Swallows Ted Nash, Alto and Soprano Saxophones, A Nightingale Flute, Clarinet King Lion Victor Goines, Tenor and Soprano Bees Bees Bees Saxophones, Clarinet, Bass Clarinet Greg Tardy, Tenor and Soprano Saxophones, Clarinet This program is generously supported by Paul Nedzela, Baritone and Soprano Stephanie and Fred Harman and the Koret Foundation, Saxophones, Bass Clarinet with additional support from the Western States Arts Federation Dan Nimmer, Piano and the National Endowment for the Arts. Carlos Henriquez, Bass The Koret Jazz Project is a multiyear initiative to support, expand, and celebrate Charles Goold, Drums the role of jazz in the artistic and educational programming of Stanford Live. Lil Buck and Jared Grimes, Dancers Brooks Brothers is the official clothier of the Jazz at Lincoln Center Orchestra Jazz at Lincoln Center’s commissioning of Spaces was made possible, in part, with Wynton Marsalis. by a leadership gift from Jody and John Arnhold and a generous grant from the Howard Gilman Foundation. PROGRAM SUBJECT TO CHANGE. Please be considerate of others and turn off all phones, pagers, and watch alarms. -
JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds. -
Make It New: Reshaping Jazz in the 21St Century
Make It New RESHAPING JAZZ IN THE 21ST CENTURY Bill Beuttler Copyright © 2019 by Bill Beuttler Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to be a digitally native press, to be a peer- reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. DOI: https://doi.org/10.3998/mpub.11469938 Print ISBN: 978-1-64315-005- 5 Open access ISBN: 978-1-64315-006- 2 Library of Congress Control Number: 2019944840 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Contents Member Institution Acknowledgments xi Introduction 1 1. Jason Moran 21 2. Vijay Iyer 53 3. Rudresh Mahanthappa 93 4. The Bad Plus 117 5. Miguel Zenón 155 6. Anat Cohen 181 7. Robert Glasper 203 8. Esperanza Spalding 231 Epilogue 259 Interview Sources 271 Notes 277 Acknowledgments 291 Member Institution Acknowledgments Lever Press is a joint venture. This work was made possible by the generous sup- port of -
Sebastian Noelle -.:: GEOCITIES.Ws
Sebastian Noelle After choosing New York City as his permanent residence in 2002, guitarist Sebastian Noelle has been performing with his group on a regular basis. His name can be found on the programs of the city’s hot spots for creative music such as the 55 Bar, Cornelia Street Café or CBGB’s Gallery. Sebastian Noelle’s performance experiences include concerts at the North Sea Festival, Montreux Festival, and tours in Holland and Slovakia. His melodic playing can be heard to advantage throughout his latest CD “Secret Sound Nation” (2004, Nolimit Records), which showcases original compositions exclusively. Among his former recordings are “Freedom Trail” (2001) featuring a quartet with former mentor John Abercrombie and “Home Is Where The Heart Wants To Go” (2001), an acoustic guitar album with duo partner Gene Bertoncini. After growing up in Germany in a musical family with a classical background, Sebastian became interested in the jazz traditions and the practice of improvised music. The curiosity for musical cultures from all over the world led him to New York, where his style was enriched by Middle Eastern, Asian and South American folk music. His steady group consists of Donny McCaslin or Chris Cheek on tenor saxophone, Ted Poor (Ben Monder Trio, Maria Schneider Orchestra) on drums, Thomson Kneeland (Matthias Lupri, Chris Potter, Mark Turner) and himself on guitar. As a sideman Sebastian Noelle has performed with JoAnne Brackeen, Lewis Nash, Mulgrew Miller, Bob Moses, Maria Schneider, Joel Frahm, Bobby Shew, Kurt Rosenwinkel, Dave Santoro, John Hollenbeck, Scott Reeves, Michael Abene and Tony Moreno. His original compositions also include works for big band, string quartets, solo guitar, voice, and small jazz ensembles and have been performed extensively in the U.S. -
NIGHT SONGS Storia E Della Sua Musica
Il batterista Ferenc Nemeth, ungherese da anni di casa negli Stati Uniti, è E da Budapest ti sei trasferito a Boston. Raccontaci com’è andata. il protagonista del cd che trovate in Nel 1998 feci un’audizione a Parigi per entrare al Berklee ferenc allegato a questo numero di Jazzit con una borsa di studio e la vinsi, trasferendomi a Boston (oppure su www.jazzos.com). per tre anni. Quel periodo è stato molto importante per Assieme a lui, alcuni grandi nomi me: a soli ventidue anni ero negli Stati Uniti e nella prima della scena newyorkese: Mark Turner settimana che ero lì avevo già ascoltato gente come Ken- nemeth drick Scott (nella band di Terence Blanchard), Charles e Chris Cheek al sax tenore, John Haynes (che era con Stanley Clark) e John Lampkin (che Patitucci al contrabbasso, Aaron Parks suonava con Donald Harrison). Ero così travolto che mi al piano e Lionel Loueke alla chitarra. esercitavo per dieci-dodici ore al giorno. Vi raccontiamo qualcosa della sua NIGHT SONGS storia e della sua musica. Chi sono stati i tuoi maestri, negli Stati Uniti? Ho preso le prime lezioni con Bob Kaufmann e Gary Chaffee. Da Bob ho imparato tutto su Elvin Jones e con Gary ho perlustrato tutta la storia della batteria jazz. Gary mi dava delle canzoni da imparare, ma senza trascriverle. Ho imparato così gli stili di Baby Dodds, Art Blakey, Roy Marco Valente Haynes, Max Roach, Elvin Jones, Tony Williams, Jack DeJohnette... Ho studiato anche con John Ramsey, che Partiamo dall’inizio, com’è stata la tua infanzia, dal punto mi ha insegnato la scuola di Alan Dawson. -
NEWS RELEASE Contact: Jorge Luis González at 413-545-4482 Or [email protected]
NEWS RELEASE Contact: Jorge Luis González at 413-545-4482 or [email protected] FOR IMMEDIATE RELEASE: September 23, 2010 WHAT: Lionel Loueke Trio Perform at Bowker WHEN: Thursday, October 7 at 7:30 PM WHERE: Bowker Auditorium University of Massachusetts Amherst TICKETS: Call 1-800-999-UMAS or 545-2511 for tickets or go online to http://www.umasstix.com/ IMAGES: To download images relating to this press release please go online to http://www.fineartscenter.com/centerwide/pressRoom/ Guitarist Lionel Loueke Brings Jazz, African Sounds to UMass’ Bowker Auditorium Lionel Loueke (Lee-oh-nel LWECK-ay) brings a groovy, worldly sound that enriches the harmonies and melodies of jazz with West African music to the Fine Arts Center’s Bowker Auditorium at 7:30 PM on Thursday, October 7th. The performance is part of the Center’s Billy Taylor Jazz residency. Guitarist, vocalist, composer and bandleader Loueke is joined by his long-time collaborators, bassist Massimo Biolcati and drummer Ferenc Nemeth, onstage. Played in unison with his tongue-click percussion, scat-singing and other vocal improvisations, Loueke's highly syncopated, fresh approach to jazz guitar that JazzTimes has called "smartly formed, deftly executed and ear-friendly" has caught the ears of jazz stalwarts including Herbie Hancock, Wayne Shorter and Terence Blanchard – all of whom have served as mentors to Loueke as well as collaborators in performance and in the studio. Named "Up & Coming Musician of the Year" in 2008 by the Jazz Journalists Association, Loueke opened for Hancock at Carnegie Hall the same year with his trio; the performance was hailed by the New York Times as full of "serpentine grooves" and of "engrossing intricacy and ambition." Loueke's musical journey began in hardship, evolved through tri-continental travel and tutelage under musical mainstays and ultimately earned him a spot on the roster of the most iconic jazz record label in the world. -
Danilo Pérez with Ben Street & Terri Lyne Carrington
TD Jazz: The Roots of Jazz Danilo Pérez with Ben Street & Terri Lyne Carrington: Panamonk and Alfredo Rodríguez Trio Saturday, November 25, 2017 at 8:00pm This is the 779th concert in Koerner Hall Danilo Pérez, piano Ben Street, bass Terri Lyne Carrington, drums Alfredo Rodríguez, piano Ricardo Rodríguez, bass Ferenc Nemeth, drums Danilo Pérez Pianist, composer, educator, and social activist, Danilo Pérez is among the most influential and dynamic musicians of our time. He studied jazz composition at the Berklee College of Music and, while still a student, he performed with Jon Hendricks, Terence Blanchard, Slide Hampton, Claudio Roditi, and Paquito D’Rivera. Quickly established as a young master, he soon toured and/or recorded with artists such as the Dizzy Gillespie United Nations Orchestra, Jack DeJohnette, Steve Lacy, Lee Konitz, Charlie Haden, Michael Brecker, Joe Lovano, Tito Puente, Wynton Marsalis, Tom Harrell, Gary Burton, and Roy Haynes. In 2000, he joined Wayne Shorter to form Shorter’s quartet with John Patitucci and Brian Blade and, since 2003, he has been touring with regular trio featuring Ben Street and Adam Cruz. In 1993, Pérez turned his focus to his own ensembles and recording projects, releasing eight albums as a leader, earning Grammy and Latin Grammy nominations. In 1996, he recorded Panamonk, a tribute to Thelonious Monk, which according to DownBeat magazine is one of the most important jazz piano albums in history. Pérez, who served as Goodwill Ambassador to UNICEF, has received a variety of awards for his musical achievements, activism, and social work efforts. He currently serves as UNESCO Artist for Peace, Cultural Ambassador to the Republic of Panama, Founder and Artistic Director of the Panama Jazz Festival, and Artistic Director of the Berklee Global Jazz Institute in Boston’s Berklee College of Music. -
THE LATIN SIDE of HOT HOUSE by Emilie Pons
178430_HH_Feb_0 1/24/17 10:36 AM Page 1 The only jazz magazine THE LATIN SIDE in NY in print, online and on apps! OF HOT HOUSE P33 February 2017 www.hothousejazz.com Cutting Room Page 21 Birdland Page 10 Matthew Shipp Noah Haidu MOPDTK Dianne Reeves Cornelia Street Underground Page 10 JALC Page 17 Where To Go & Who To See Since 1982 178430_HH_Feb_0 1/24/17 10:36 AM Page 2 2 178430_HH_Feb_0 1/24/17 10:36 AM Page 3 3 178430_HH_Feb_0 1/24/17 10:36 AM Page 4 4 178430_HH_Feb_0 1/24/17 10:36 AM Page 5 5 178430_HH_Feb_0 1/24/17 10:36 AM Page 6 6 178430_HH_Feb_0 1/24/17 10:36 AM Page 7 7 178430_HH_Feb_0 1/24/17 10:36 AM Page 8 8 178430_HH_Feb_0 1/24/17 10:36 AM Page 9 9 178430_HH_Feb_0 1/24/17 10:36 AM Page 10 WINNING SPINS By George Kanzler HE TWO ALBUMS THAT COM- "Glen Riddle" begins as two-beat Dixie prise this Winning Spins both feature that veers through decades with Ron and smallT groups with a three-horn frontline, Moppa going modern before Brandon as well as original compositions by the brings the vintage sound back. The album leaders. They also have one musician in ends with "Five (Corners, Points, Forks)," common—saxophonist Jon Irabagon. And, a piece incorporating trad conventions in each case, they present work inspired by with contemporary attitudes. literature. Infinite Distances, Noah Haidu (Cellar But the results are startlingly different: Live), finds a very different, adaptable Jon while pianist Noah Haidu develops his again on soprano and tenor saxes; Jeremy music solidly within the conventions of the Pelt, trumpet and flugelhorn; Sharel mainstream of today's jazz, bassist Moppa Cassity, alto sax; and either Peter Elliott conjures up flights of fancy that Brendler or Alejandro de la Portilla, bass; challenge conventional ideas, creating a John Davis or Mark Ferber, drums. -
A Look Back at the Best of 2006
NEW YORK Your FREE Monthly Guide to the New York Jazz Scene newyork.allaboutjazz.com MUSICIANS RECORD LABELS CLUBS/VENUES ANDREW HILL LEO RECORDS BIRDLAND (Midtown) GEORGE LEWIS MOSAIC RECORDS DIZZY’S CLUB (Upper West Side) JOE LOVANO PSI RECORDS JAZZ STANDARD (Murray Hill/Gramercy) EVAN PARKER SMALLS RECORDS MERKIN HALL (Upper West Side) JOHN ZORN TZADIK RECORDS THE STONE (Alphabet City) PERFORMANCES OMER AVITAL GROUP SCOTT ROBINSON/ J. GRANELLI/DAVID TRONZO/PETER EPSTEIN AFROLATIN JAZZ ORCHESTRA Joel Frahm, Avishai Cohen, Jason Lindner, Eric McPherson JULIAN THAYER/ Bowery Poetry Club, January 10th Rose Hall, April 21st Fat Cat, January 14th KLAUS SUONSAARI Rubin Museum of Art, March 31st RENKU +2 CEDAR WALTON/KENNY BARRON/ FRANÇOIS MOUTIN QUARTET Michael Attias, John Hebert, Satoshi Takeishi, MULGREW MILLER Joel Frahm, Jim Ridl, Ari Hoenig MARC COPLAND/ Russ Lossing, Tony Malaby John Hicks Memorial, Sweet Rhythm, June 3rd 55 Bar, February 2nd GARY PEACOCK/ Barbès, January 23rd PAUL MOTIAN ORNETTE COLEMAN QUARTET LIONEL LOUEKE’S GILFEMA Birdland, June 9th PURE EVIL BASS QUARTET Greg Cohen, Denardo Coleman, Tony Falanga Massimo Biolcati, Ferenc Nemeth Pierre Yves Martel, Miles Perkins, Zack Lober, Josh Paris Carnegie Hall (JVC Jazz Festival), June 16th Jazz Gallery, April 14th PAUL RUTHERFORD TRIO Outpost, March 15th Torsten Müller, Dylan van der Schyff ROY HAYNES QUARTET ALLAN HOLDSWORTH Vision Festival, June 15th GRACHAN MONCUR III SEPTET Jaleel Shaw, Martin Bejerano, David Wong Jimmy Johnson, Chad Wackerman Billy Harper, Michael Blake, John Hicks, Noriko Kamo, Dizzy’s Club, August 27th Iridium, May 18th DAVID S. WARE QUARTET Calvin Hill, Richard Pearson Matthew Shipp, William Parker, Guillermo E. -
Angélique Kidjo
PERSPECTIVES Angélique Kidjo Sofia Sanchez and Mauro Mongiello Sofia Sanchez and Mauro Three-time Grammy Award winner and Benin-born singer Angélique Kidjo brings her intoxicating blend of West African music, American R&B, jazz, and funk to her four-concert Perspectives series throughout Carnegie Hall’s 2019–2020 season. Ms. Kidjo’s Perspectives charts the journey of African music and its culture throughout the world. It launches in October with a program that features Benin International Musical, a fast-rising band that fuses hip-hop, pop, and electronica with traditional rhythms and sounds from Benin. The series continues in December with a concert dedicated to the powerful voices of the African diaspora from generation to generation and continent to continent, featuring notable singers from around the world. Also in December, Ms. Kidjo is honored by longtime friend and guitarist Lionel Loueke and his trio in a concert that both celebrates and reinvents many of her beloved songs. The series culminates in March with a special concert marking both Ms. Kidjo’s 60th birthday and the anniversary of independence for Benin and 16 other West African countries. Ms. Kidjo’s performances over the past two decades have thrilled audiences and left an indelible mark on the history of Carnegie Hall. In 2014, she closed Carnegie Hall’s UBUNTU festival with a tribute to singer and activist Miriam Makeba that inspired concertgoers—including Archbishop Emeritus Desmond Tutu—to rise to their feet and sing along. In 2017, former Talking Heads lead singer David Byrne joined Ms. Kidjo on stage for her cover of the band’s hit “Once in a Lifetime” before she led a conga line that made its way throughout Stern Auditorium / Perelman Stage.