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Smart Museum of Art the University of Chicago Bulletin 2013–2014 Welcome

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Smart Museum of Art the University of Chicago Bulletin 2013–2014 Welcome SMART MUSEUM OF ART THE UNIVERSITY OF CHICAGO BULLETIN 2013–2014 WELCOME With all the energy and three interlocking projects—two museum-wide exhibitions EXPLORE forward momentum drawn from the collection, and the GalleryX initiative—were Our interactive online Bulletin format allows surrounding the Smart designed to totally transform the look and feel of the Smart. you to easily view original Museum today, it gives us By inviting our audiences to explore in meaningful ways, and content on our Vimeo great pleasure to reflect on carefully evaluating the results, the Smart delved deeply into channel, slideshows on Flickr, and other great July 1, 2013, to June 30, 2014— what a great academic museum can and should be in the resources. Hyperlinks a fiscal year that went very decades ahead. throughout this document quickly, but that saw a great An undertaking as ambitious as the 40th is only possible are indicated by bold blue text. You can also skip deal accomplished. We presented a range of exceptional at a place like the Smart—a place where the staf and board from section to section exhibitions, including the first in-depth survey of conceptual fully embrace the potential and challenge of a yearlong using the buttons at the art in California, which was organized as part of the experiment, and with audiences equally engaged in big bottom of the page. Enjoy exploring! landmark Pacific Standard Time initiative; a multi-venue ideas. Indeed, in spring 2014, hundreds of visitors took presentation co-curated by two UChicago doctors; and, of part in a prelude to the 40th: a rotating display in the CO N N EC T course, Performing Images, a project that brought Professor contemporary art gallery that invited feedback about Friend us on Facebook Judith Zeitlin’s academic research to exquisite, colorful life diferent approaches to wall text. We debuted the results Follow us on Twitter for more than 26,000 visitors and spurred months of arts as part of our first museum-wide exhibition, Carved, Cast, programming across the University. We welcomed dynamic Crumpled: Sculpture All Ways. You can read more about Watch us on Vimeo new artworks into the collection, and a truly transformative that fascinating process in our new blog. bequest from a longtime friend. And we introduced the The Smart Museum today is the result of our staf, our Odyssey Project docents and the Interpreter in Residence as board, our friends, and our supporters—in short, all of you. two new programs that will support our mission of opening We hope you share our pride in what has been accomplished the world through art and ideas in exciting ways. so far and in what is to come, and we are grateful to you for In the midst of all this, the Smart’s staf and board were being a part of it all. hard at work behind the scenes, preparing for the launch of Pamela Hoehn-Saric our 40th anniversary year in September 2014. Rather than Chair, Smart Museum Board of Governors simply commemorating past accomplishments, we decided to use this milestone as a catalyst to reflect upon and Anthony Hirschel reinvent our core practices. Over the course of ten months, Dana Feitler Director 1 SMART MUSEUM OF ART 2013-2014 BULLETIN EXHIBITIONS & SPECIAL PROJECTS PROGRAMMING COLLECTION SUPPORT STAFF & LEADERSHIP OPERATIONS SMART BY THE NUMBERS WE OFFERED OUR AUDIENCES: 3 Academic initiative programs 64,104 12,800+ 4 Smart Partner events VISITORS DURING OBJECTS IN THE COLLECTION 8 K-12 educator programs 353 DAYS OPEN 11 Engaging with arts programs 12 Family programs WEBSITE: 18 UChicago student programs 109,222 21 Exhibition-specific programs UNIQUE VISITORS 2 EXHIBITIONS PRESENTED COMMISSIONED 17 OBJECTS WERE LOANED TO ARTWORKS 6,911 9 EXHIBITIONS IN 5 COUNTRIES FACEBOOK FANS 16 3,518 COLLECTION GALLERY TWITTER FOLLOWERS ROTATIONS 8EXHIBITION INTERPRETATION 2,048 99 VIDEOS STUDENTS AND 153 CLASSES VISITED NEW ACQUISITIONS TO PRODUCED THE EDUCATION STUDY ROOM THE COLLECTION IN ONE YEAR, OUR DOCENTS LED 130 TOURS OF THE GALLERIES FOR 2,807 PEOPLE WE PROVIDED PAID STUDENT EMPLOYMENT OPPORTUNITIES FOR: n 70 Attendants n 5 Odyssey Project Docents n 3 Curatorial Interns n 2 Registration Volunteers n 46 Docents n 5 Student Program Assistants n 2 Business Ofce Interns n 1 Communications Intern n 16 Café Attendants n 4 Education Interns n 2 Campus Art Assistants n 1 Andrew W. Mellon Foundation Curatorial Intern n 2 Registration Interns n Development & External 1 Relations Intern 2,219 413 175 K-12 students adult visitors college students 2 SMART MUSEUM OF ART 2013-2014 BULLETIN EXHIBITIONS & SPECIAL PROJECTS PROGRAMMING COLLECTION SUPPORT STAFF & LEADERSHIP OPERATIONS 3 SMART MUSEUM OF ART 2013-2014 BULLETIN EXHIBITIONS & SPECIAL PROJECTS PROGRAMMING COLLECTION SUPPORT STAFF & LEADERSHIP OPERATIONS EXHIBITIONS The Land Beneath Our Feet: American Art at the Smart Museum June 27–August 25, 2013 Thanks to the legacy of the 1893 World’s Columbian Exposition and (a bit more recently) areas of UChicago faculty scholarship, the Smart is home to a particularly strong collection of pre-1900 American artworks. Drawn entirely from 8,901 IN ATTENDANCE these holdings, this elegant exhibition featured nearly 80 paintings, sculptures, prints, and photographs by American artists DURING EXHIBITION such as Timothy O’Sullivan and William Bell, James McNeill Whistler, George Inness, and Walker Evans. With a nod to the one hundredth anniversary of the 1913 Armory Show, the landmark exhibition that introduced the United States to modern art, The Land Beneath Our Feet explored themes of American space and place between 1850 and 1945—from the windy 448 walkways of the World’s Columbian Exposition to quiet rural retreats, from bustling urban cityscapes to the rugged wilds of RELATED PROGRAM Arizona. Strolling through the galleries, guests discovered artists who engaged with questions of place and reflected in their ATTENDANCE work the profound changes in our understandings of “American-ness” that could be traced over nearly a century. 4 SMART MUSEUM OF ART 2013-2014 BULLETIN EXHIBITIONS & SPECIAL PROJECTS PROGRAMMING COLLECTION SUPPORT STAFF & LEADERSHIP OPERATIONS EXHIBITIONS The Land Beneath Our Feet: American Art at the Smart Museum SPOTLIGHT Each year, the Smart Museum employs UChicago undergraduate and graduate students as paid interns, docents, and attendants. This opportunity to contribute meaningfully to the Museum’s work broadens the overall quality of a student’s education and helps build a foundation for their continued engagement with the visual arts. For The Land Beneath Our Feet, Carl Fuldner, an art history graduate student studying American art and photography, provided research assistance, while postdoctoral fellow Sarah Miller—who taught an American art course using the Museum’s collection in spring 2012—served as a project consultant. Rachel Kyne, a Smart Museum curatorial intern, also contributed research assistance: as a graduate student in English literature, she was especially alert to literary connections, such as those between Walker Evans and James Agee. According to Anne Leonard, these “graduate students and postdocs bring the freshness of their UChicago studies to their work for the Museum. In doing so they become part of a long Carl Fuldner in the Education Study Room, leading a class section on American tradition of academic engagement with the Smart’s collections. In culture during World War II. fact, The Land Beneath Our Feet was in some ways a summation of past faculty projects, including those focused on the Etching Revival (curated by English Professor Elizabeth Helsinger) and O’Sullivan and Bell’s survey photographs (curated by Professor of Art History Joel Snyder). There is a considerable heritage here at the Smart that future generations of scholars and students can build on.” 5 SMART MUSEUM OF ART 2013-2014 BULLETIN EXHIBITIONS & SPECIAL PROJECTS PROGRAMMING COLLECTION SUPPORT STAFF & LEADERSHIP OPERATIONS EXHIBITIONS The Land Beneath Our Feet: American Art HIGHLIGHTED PROGRAMMING at the Smart Museum GALLERY Richard and Mary L. Gray Gallery for Special Exhibitions CURATOR Anne Leonard, Smart Museum Curator and Associate Director of Academic Initiatives CREDITS Concert: We Could Build a Paradise Curator Tour This exhibition was supported in part by Nuveen Investments. June 29, 2013 August 25, 2013 To celebrate the exhibition opening Anne Leonard led an exploration of and Independence Day, the Smart the ever-changing American artistic hosted radio personality and author tradition during this closing-day tour. Michael Lasser for a special talk and concert at the Reva and David Logan Center for the Arts. Lasser was joined by baritone Drew Boshardy, soprano Alexandra Deis-Lauby, and pianist Claire Mallory. “The carefully culled exhibition wisely takes advantage of the inherent strengths in the Smart’s American art collection.” Amanda Scherker | Clef Notes | America’s Self-Image | June 2013 6 SMART MUSEUM OF ART 2013-2014 BULLETIN EXHIBITIONS & SPECIAL PROJECTS PROGRAMMING COLLECTION SUPPORT STAFF & LEADERSHIP OPERATIONS EXHIBITIONS State of Mind: New California Art Circa 1970 October 3, 2013–January 12, 2014 Organized as part of the Getty’s Pacific Standard Time initiative, State of Mind was the first-ever in-depth survey of conceptual art in California during the 1960s and 1970s—“a movement,” according to NewCity, “whose aftershocks 16,388 IN ATTENDANCE are still being felt.” While the influential forms of contemporary art practice developing in California were emerging DURING EXHIBITION concurrently in other
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