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Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
Sohnewreleasebook.Pdf
Cypress Spring American White Trash on Average Joes Entertainment $15.99 SRP street: 10.12.18 UPC: 661869003207 Holding true to the cliché ‘country to the core,’ Florida-based country rap group Cypress Spring’s beat-driven music and down-home Southern lifestyle continue to connect with fans far and wide. On their long-awaited 12- track album American White Trash, the country rap trio flies a proud flag espousing the virtues of hard work and partying harder, patriotism, God and family – virtues closely aligned with their exploding fan base. Cypress Spring’s music was first introduced on CMT’s highest rated hit show “Party Down South.” Since then, the band has gggarnered over 18 million YouTube views of their breakthrough video “Way of Life” with over 25 million streams across digital radio platforms, over 100,000 fans across social media and more than 500,000 sales on the popular Mud Digger compilation albums. Sonically, the 12-track album has something for every fan. Patriotism shines through on the driving, hit song and video “America,” while “Whiskey’s Always Strong,” a standout ballad, will surely tug at the heartstrings and “Needle Junkie,” a clever throwback, sings the praises of vinyl records. Recognized as the hottest newcomers on the country rap music scene, the band is quickly gaining fans and growing their fan base. An extensive tour booked by Nashville’s Buddy Lee Agency is planned to support the new album. In addition, the marketing campaign includes major media mailings, playlist procurement on digital streaming platforms, online reviews, features and interviews, weekly webisodes with band members, Facebook live sessions, social media engagement, digital marketing and contesting and giveaways. -
Southeast Texas: Reviews Gregg Andrews Hothouse of Zydeco Gary Hartman Roger Wood
et al.: Contents Letter from the Director As the Institute for riety of other great Texas musicians. Proceeds from the CD have the History of Texas been vital in helping fund our ongoing educational projects. Music celebrates its We are very grateful to the musicians and to everyone else who second anniversary, we has supported us during the past two years. can look back on a very The Institute continues to add important new collections to productive first two the Texas Music Archives at SWT, including the Mike Crowley years. Our graduate and Collection and the Roger Polson and Cash Edwards Collection. undergraduate courses We also are working closely with the Texas Heritage Music Foun- on the history of Texas dation, the Center for American History, the Texas Music Mu- music continue to grow seum, the New Braunfels Museum of Art and Music, the Mu- in popularity. The seum of American Music History-Texas, the Mexico-North con- Handbook of Texas sortium, and other organizations to help preserve the musical Music, the definitive history of the region and to educate the public about the impor- encyclopedia of Texas tant role music has played in the development of our society. music history, which we At the request of several prominent people in the Texas music are publishing jointly industry, we are considering the possibility of establishing a music with the Texas State Historical Association and the Texas Music industry degree at SWT. This program would allow students Office, will be available in summer 2002. The online interested in working in any aspect of the music industry to bibliography of books, articles, and other publications relating earn a college degree with specialized training in museum work, to the history of Texas music, which we developed in cooperation musical performance, sound recording technology, business, with the Texas Music Office, has proven to be a very useful tool marketing, promotions, journalism, or a variety of other sub- for researchers. -
Book Review:" We're the Light Crust Doughboys from Burrus Mill": An
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for 2005 Book Review: "We're The Light Crust Doughboys from Burrus Mill": An Oral History Kevin Coffey Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Coffey, Kevin, "Book Review: "We're The Light Crust Doughboys from Burrus Mill": An Oral History" (2005). Great Plains Quarterly. 165. https://digitalcommons.unl.edu/greatplainsquarterly/165 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 264 GREAT PLAINS QUARTERLY, FALL 200S is the more substantial and successful of the two new books. Boyd's is far narrower in scope-its main text weighs in at only 121 pages-as well as less accurate and less colorfully told. The Jazz of the Southwest was characterized by an alarming lack of scholarly vigor, and that same defect pervades the newer work. Problems arise from the start. The opening chapter on various strains of Texas music is perfunctory, distilled from a few extremely general texts (or Web sites); it offers little insight into the musi cal and social milieu from which the Doughboys "We're The Light Crust Doughboys from Burrus and their music sprang. Once Boyd delves into Mill": An Oral History. By Jean Boyd. Austin: the band's history proper, errors-some small, University of Texas Press, 2003. -
G-Eazy & DJ Paul Star in the Movie Tunnel Vision October/November 2017 in the BAY AREA YOUR VIEW IS UNLIMITED
STREET CONSEQUENCES MAGAZINE Exclusive Pull up a seat as Antonio Servidio take us through his life as a Legitimate Hustler & Executive Producer of the movie “Tunnel Vision” Featuring 90’s Bay Area Rappers Street Consequences Presents E-40, Too Short, B-Legit, Spice 1 & The New Talent of Rappers KB, Keak Da Sneak, Rappin 4-Tay Mac Fair & TRAP Q&A with T. A. Corleone Meet the Ladies of Street Consequences G-Eazy & DJ Paul star in the movie Tunnel Vision October/November 2017 IN THE BAY AREA YOUR VIEW IS UNLIMITED October/November 2017 2 October /November 2017 Contents Publisher’s Word Exclusive Interview with Antonio Servidio Featuring the Bay Area Rappers Meet the Ladies of Street Consequences Street Consequences presents new talent of Rappers October/November 2017 3 Publisher’s Words Street Consequences What are the Street Consequences of today’s hustling life- style’s ? Do you know? Do you have any idea? Street Con- sequences Magazine is just what you need. As you read federal inmates whose stories should give you knowledge on just what the street Consequences are. Some of the arti- cles in this magazine are from real people who are in jail because of these Street Consequences. You will also read their opinion on politics and their beliefs on what we, as people, need to do to chance and make a better future for the up-coming youth of today. Stories in this magazine are from big timer in the games to small street level drug dealers and regular people too, Hopefully this magazine will open up your eyes and ears to the things that are going on around you, and have to make a decision that will make you not enter into the game that will leave you dead or in jail. -
SIGNS on the Early Days of Radio and Television
TEXAS SIGNS ON The Early Days of Radio and Television Richard Schroeder Texas AÒM University Press College Station www.americanradiohistory.com Copyright CI 1998 by Richard Schroeder Manufactured in the United States of America All rights reserved First edition The paper used in this book meets the minimum requirements of the American National Standard for Permanence of Paper for Printed Library Materials, Z39.48 -1984. Binding materials have been chosen for durability. Library of Congress Cataloging -in- Publication Data Schroeder, Richard (Morton Richard) Texas signs on ; the early days of radio and television / Richard Schroeder. - ist ed. P. cm. - (Centennial series of the Association of Former Students, Texas A &M University ; no. 75) Includes bibliographical references and index. ISBN o-89o96 -813 -6 (alk. paper) t. Broadcasting-Texas- History. I. Title. II. Series. PN1990.6U5536 5998 384.54 o9764 -dcz1 97-46657 CIP www.americanradiohistory.com Texas Signs On Number Seventy-five: The Centennial Series of the Association of Former Students, Texas Ae'rM University www.americanradiohistory.com www.americanradiohistory.com To my mother Doris Elizabeth Stallard Schroeder www.americanradiohistory.com www.americanradiohistory.com Contents List of Illustrations ix Preface x1 Acknowledgments xv CHAPTERS i. Pre -Regulation Broadcasting: The Beginnings to 1927 3 z. Regulations Come to Broadcasting: 1928 to 1939 59 3. The War and Television: 1941 to 195o 118 4. The Expansion of Television and the Coming of Color: 195o to 196o 182 Notes 213 Bibliography 231 Index 241 www.americanradiohistory.com www.americanradiohistory.com Illustrations J. Frank Thompson's radios, 1921 II KFDM studio, 192os 17 W A. -
Underground Volume 16 for Da Summa Free Download DJ Paul Underground Volume 17 - for Da Summa
underground volume 16 for da summa free download DJ Paul Underground Volume 17 - For Da Summa. The newest DJ Paul album, "Underground Volume 17 - For Da Summa", was released on September 15th, 2017. The LP features guest appearances from artists such as Dave East, Yelawolf, Lil Jon, Lil Wyte, Riff Raff, and Lord Infamous (R.I.P.). Track list: 1. Fresh Out da Crazy House 2. Bitch Move (feat. Lil Jon, Lord Infamous & Layzie Bone) 3. Go Buck 4. Hell 2 da Naw 5. No High Enough (feat. Lil Wyte) 6. Headshot Hair Do 7. Tryin' to Get It (Album Mix) [feat. Dave East & Jon Connor] 8. Spend Sum (Album Mix) [feat. Weirdo King] 9. Me Too (Skit) [feat. Computer Russell Resthaven] 10. Me Too 11. Crazy Off da Bud (Remix) [feat. Lord Infamous] 12. Poe Up Wetty (feat. Lil Wyte) 13. Litty Up (Album Mix) [feat. Yelawolf] 14. No Sex, No Cryin' (Skit) [feat. Joe Judah] 15. No Sex, No Cryin' 16. Real Fake (feat. Riff Raff) 17. Ain't Gone Love It (Album Mix) [feat. Weirdo King] 18. Side Figga 19. My Shadow (feat. Seed of 6ix) 20. Outro. Days to release. Add News & Media Report Leak or stream. Album details. Hype: 0 Artist: DJ Paul Album: Underground Volume 17 - For Da Summa Official Release: Sep 15, 2017 Genre: HipHop, Rap. Visit Has it Leaked but for movies, Where You Watch. Slaughter To Prevail . Iron Maiden : Senjutsu Dream Theater : A View. The Killers : Pressure. Kanye West : DONDA Between The Buried And. Lorna Shore : …And I Re. Lorde : Solar Power Deafheaven : Infinite G. -
Big Ed and Steel Country
PO Box 14003 Mill Creek, WA 98082 Celebrating Founded Our 31st Year In 1983 Visit us on the web at: www.nwwsms.com Volume 31, Issue 6 A News Letter For and About Our Members June 2014 Preserving the music that is too country for Jazz and too jazz for Country The Enduring Legend of the Light Crust Doughboys The world’s longest continually performing and recording country band Written by Terry Reid, Chairman, Sunnyvale Chamber of Commerce (Editor’s Note: Many thanks to Terry Reid, Chairman of the Sunnyvale Chamber of Commerce, for giving us permission to print her article and the photos provided by Misti Pierce avid fan and promoter. Western swing, sometimes referred to as the North Texas-born love child of rural Americana and urban cosmopolitanism, became a sensation -- especially in the Southwest -- in the '30s and '40s with such acts as Bob Wills and His Texas Playboys and the Light Crust Doughboys. Long-running acts like the Doughboys and Austin's Asleep at the Wheel are still today's standard-bearers of Western Swing. A declaration by the Texas Legislature on June 17, 2011, which adopted Western swing as the state's official music gave new legitimacy to this American music style that often has been caught between genres. For more information on the Light Crust Doughboys, check out their videos on YouTube! Here is a link to their newest video, produced their newest member, Marek Eneti Leszczynski: https://www.youtube.com/watch?v=9XX-GFpBInI) This is a story about a band and its members that reads like The original Light Crust Dough Boys in 1931, from left: a classic American novel, and contains all the poignant Herman Arnspiger, Bob Wills, Milton Brown, Truett Kemsey, elements that demand the eventual telling of the tale in some Borris Mills (official), W. -
Book Review with TTU Libraries Cover Page (277.5Kb)
BOOK REVIEW OF "BOB WILLS: HUBBIN' IT" The Texas Tech community has made this publication openly available. Please share how this access benefits you. Your story matters to us. Citation Weiner, R.G. (1999). [Review of the book Bob Wills: Hubbin' It by Ruth Sheldon]. Popular Music and Society, 23(3), 108-111. https://doi.org/10.1080/03007769908591748 Citable Link http://hdl.handle.net/2346/1543 Terms of Use CC-BY Title page template design credit to Harvard DASH. 108 Popular Music and Society and whether the spaces where it can be listened and danced to will become more appropriate spaces for a wider range of women. All in all, the book is quite captivating and draws the reader into fun emotional contact with a popular, sad, and humorous musical form that might oth erwise be inaccessible. Donna Goldstein University of Colorado-Boulder Sheldon, Ruth. Bob Wills: Hubbin' It. Country Music Foundation: Nashville, 1995. 100 pp. $14.95. Hubbin'lt, originally published by journalistRuth Sheldon in 1938, remained the only real biography of Bob Wills until Charles Townsend published his San Antonio Rose in 1976. Sheldon's book was published privately, available only by mail order. She chronicles the life of Bob Wills from his humble beginnings as a farm boy through his rise to fame as one of the world's greatest fiddlers and band leaders. Sheldon was originally assigned to write a story on Wills for the Tulsa Tribune. Her boss told her to go investigate the man who gets a "thousand fan letters a week" due to the publicity generated from his radio shows and dance appearances (1). -
PDF (1.41 Mib)
B2 ARCADE WWW.THEHULLABALOO.COM THREE 6 MAFIA, 15 YEARS· LATER: .. :r '» THE INFLUENCE OF MYSTIC STYLEZ f t' BY ZACH YANOWITZ rel couldn't tell you half about this antichrist/Look into my eyes ASSISTANT ARCADE EDITOR tell me what you see/1he demonic man about s 」 。 イ ・ 」 イ ッ キ ゥ ウ ュ セ The J vast majority of Mystic Stylez is far too offensive for publication: • i.i There's something intrinsically off about a white boy from the These guys (and singular gal) were not messing around. Massachusetts suburbs reviewing what might be the hardest rap Despite the shocking lyrics and underground production, Tri- h'lbum of all time, but I'm going to give it a shot ple-6 made the most of its low budget 'lhe eerie minimalist beats _.. ,: The members of 'lhree 6 Mafia had a long journey before they sample church bells and graveyard ・ ヲ ヲ ・ 」 セ N producing sounds that '&gan winning Academy Awards and hanging out with Andy could be the score to a horror movie. Chopped-and-screwed vocals Milonakis. Brothers DJ Paul and Juicy J formed the group, which and minor piano chords emphasize the rising tension throughout %iginally included Lord Infamous (Da Scarecrow), Gangsta Boo, the album that settles with laidback '90s hoodrat tunes such as 't<oopsta Knicca and Crunchy Black Since then, they've lost all "Da Summa," a song about the simple yet still explicit pleasures of 1nembers but Paul and J - and most of their street creel, too - Memphis life. Call-and-response choruses and the high-cadence 'lfiut their early music is a very· different creature. -
Three 6 Mafia, We 'Bout to Ride
Three 6 Mafia, We 'Bout To Ride [DJ Paul: talking] yeah nigga the mother fuckin two time two time motherfuckin champions in this bitch I got another motherfuckin gold plaque on the wall now nigga now tell me what you think about that look me in my eyes and tell me nigga bitch bitch bitch bitch hoe hoe hoe nigga [Juicy J] (background mixed through various parts of whole song) drop em in the trunk lock em in trunk real fast you'll be flying [Crunchy Black] we bout to ride on these fools cock these nines on these fools [x2] [DJ Paul] like thisssssssssss now in my city its so real in my city its so fake got some niggas that's gone play got some niggas that gone hate got some niggas that's gone dis the treal niggas on the tape but them the ones who want the streets so they start to evaporate that's why them niggas ain't around no more cause them niggas could sell no more without the Hypnotize or the Prophet nigga you is no more got plaques up on my walls got twenties on my cars keep coming like you coming and I'm gonna show you I ain't fucked up bout no charge nigga [Juicy J] can you niggas feel my pain catch me standing in the rain holding on a rusty 2 bout to act a fuckin fool is the 6 the devil though make you wanna powder your nose have you smoking hydro weed satisfaction guaranteed bucking wild and throwing signs knowing these niggas done loss they minds blame it on Coriddy and Ooh when we cock them thangs and shoot thinking somebody had seen my face now I'm gonna catch a murder case just gonna beat him round for round and leave him in -
Texas Music Conference, Dallas Public Library Additional On-Line
Texas Music Conference, Dallas Public Library Additional On‐Line Information As Big as All of Texas: Overview of Music in the Lone Star State (Kevin Mooney) Presenter biography: http://www.music.txstate.edu/facultystaff/bios/mooney.html Subject information: http://www.tshaonline.org/handbook/online/articles/TT/xbt2.html http://ecommons.txstate.edu/cgi/viewcontent.cgi?article=1006&context=jtmh http://en.wikipedia.org/wiki/Texas_music http://www.txstate.edu/ctmh Big D Meets the Big Easy—And All That (Texas) Jazz (Tim Schuller) Subject information: http://openlibrary.org/b/OL8165270M/MusicHound‐Blues http://www.centexjazz.com http://www1.onr.com/atjs http://www.tjea.org http://www.texasjazz‐fest.org Dancing about History: The Continuing Saga of the Fort Griffin Fandangle (Jim Coker) Presenter biography: http://dallaslibrary.org/fineArts/docs/coker.pdf Subject information: http://www.fortgriffinfandangle.org http://www.tshaonline.org/handbook/online/articles/FF/kkf2.html http://en.wikipedia.org/wiki/Fort_Griffin_Fandangle From the Delta to Deep Ellum: Texas Blues (Jay Brakefield, Michael Dyson, Alan Govenar) Presenter biography: http://www.docarts.com http://www.blueshoeproject.org http://www.theeagle.com http://dallaslibrary.org/fineArts/docs/govenar.pdf Subject information: http://texasbluesassociation.com http://en.wikipedia.org/wiki/Texas_blues http://www.texasbluesradio.com http://dentonblues.com King of Western Swing: The Life and Legacy of Bob Wills (Jeffrey W. Storie) Presenter biography: http://webtest.dbu.edu/fine_arts/Faculty/MusicFaculty‐JeffreyStorie.asp