216437768.Pdf

I used to bite my tongue and hold my breath I got the eye of the tiger, a fighter Scared to rock the boat and make a mess Dancing through the fire So I sit quietly ‘Cause I am a champion Agree politely And you’re gonna hear me roar

I guess that I forgot I had a choice Louder, louder than a lion I let you push me past the breaking ‘Cause I am a champion point And you’re gonna hear me roar I stood for nothing You’re gonna hear me roar So I fell for everything Now I’m floating like a butterfly You held me down but I got up Stinging like a bee, I earned my stripes Already brushing off the dust I went from zero You hear my voice, you hear that sound To my own hero Like thunder, gonna shake the ground

You held me down but I got up Get ready ‘cause I’ve had enough I see it all I see it now Under a silver moon, tropical temperature I feel my lotus bloom, come closer I want your energy, I want your aura You are my destiny, my mantra

I never knew I could see something so clearly looking through my third eye Never knew karma could be so rewarding and bring me to your life Maybe this is the beginning of something so magical tonight Oh, oh, oh, oh, oh

Take me down to the river Underneath the blood orange sun Say my name like a scripture Keep my heart beating like a drum

Legendary lovers, we could be legendary La la la la la Legendary lovers, we should be legendary La la la la la

Go down in history Go down together, into infinity, forever You’re Cleopatra You’re blushing Juliet Anything for your love, a ride or die I heard you’re feeling Pop your confetti we can carry on nothing’s going bright So hot and heavy till dawn Why don’t you let me stop by? I got you spinning like a disco ball The clock is ticking, running out of time All night they’re playing your song So we should party all night We’re living the life So cover your eyes, We’re doing it right I have a surprise You’re never gonna be unsatisfied I hope you got a healthy appetite If you wanna dance If you wanna dance, If you want it all If you want it all You know that I’m the girl that you should call You know that I’m the girl that you should call Happy birthday Boy, when you’re with me I’ll give you a taste So let me get you in your birthday suit Make it like your birthday everyday It’s time to bring out the big balloons I know you like it sweet So let me get you in your birthday suit So you can have your cake It’s time to bring out the big balloons Give you something good to celebrate Happy birthday So make a wish I’ll make it like your birthday everyday I’ll be your gift Give you something good to celebrate I’m walking on air tonight I’m walking on air I’m walking, I’m walking on air tonight I’m walking on air

I’m walking on air tonight I’m walking on air I’m walking, I’m walking on air tonight I’m walking on air I’m

Oh no, did I get too close? You’re giving me sweet, sweet ecstasy Oh, did I almost see what’s really on the inside? Yeah, you take me to utopia All your insecurities You’re reading me like erotica, This is pure paradise, All the dirty laundry Boy, you make me feel exotic, yeah Even heaven is jealous of our love Never made me blink one time Yes, we make angels cry, Just when I think I can’t take anymore Raining down on earth from up above Unconditional, unconditionally We go deeper and harder than ever before I will love you unconditionally We go higher and higher Heaven is jealous of our love I feel like I’m already there Angels are crying from up above There is no fear now Let go and just be free I will love you unconditionally Oh no, did I get too close? Come just as you are to me Oh, did I almost see what’s really on the inside? Don’t need apologies All your insecurities Know that you are worthy All the dirty laundry I’ll take your bad days with your good Never made me blink one time Walk through the storm I would I do it all because I love you, I love you Unconditional, unconditionally I will love you unconditionally So open up your heart and just let it begin Open up your heart and just let it begin There is no fear now Open up your heart and just let it begin Let go and just be free Open up your heart I will love you unconditionally Acceptance is the key to be To be truly free Will you do the same for me? I knew you were You were gonna come to me And here you are But you better choose carefully ‘Cause I, I’m capable of anything Of anything and everything

Make me your Aphrodite Make me your one and only Don’t make me your enemy, your enemy, your enemy

So you wanna play with magic Boy, you should know what you’re falling for Baby do you dare to do this Cause I’m coming at you like a dark horse

Are you ready for, ready for A perfect storm, perfect storm Cause once you’re mine, once you’re mine There’s no going back

Mark my words This love will make you levitate Like a bird She’s a beast, I call her Karma That fairy tale ending with a knight in shining armor Like a bird without a cage She eats your heart out , like Jeffrey Dahmer She can be my Sleeping Beauty But down to earth Be careful, try not to lead her on I’m gon’ put her in a coma If you choose to walk away, don’t walk away Shawty’s heart was on steroids, cause her love Damn I think I love her, Shawty so bad was so strong I’m sprung and I don’t care ,She got me like a roller coaster It’s in the palm of your hand now baby You may fall in love, when you meet her Turn the bedroom into a fair It’s a yes or no, no maybe If you get the chance you better keep her Her love is like a drug, I was tryna hit it and quit it So just be sure before you give it up to me She’s sweet as pie but if you break her heart But lil’ mama so dope, I messed around and got addicted Up to me, give it up to me She’ll turn cold as a freezer This is how we do

Sipping on Rosé, Silver Lake sun, coming up all lazy Slow cooking pancakes for my boy, still up, still fresh as a Daisy Playing ping pong all night long, everything’s all neon and hazy Chanel this, Chanel that, hell yeah All my girls vintage Chanel baby

It’s no big deal, it’s no big deal, it’s no big deal, this is no big deal

This is how we do, yeah, chilling, laid back Straight stuntin’ yeah we do it like that This is how we do, this is how we do

This is how we do, yeah, chilling, laid back Straight stuntin’ yeah we do it like that This is how we do, this is how we do

Big hoops, and maroon lips, my clique hoppin’ in my Maserati Santa Barbara, chique, at La Super Rica, grabbing tacos, checking out hotties Now we talking astrology, getting our nails did, all Japanese-y Day drinking at the Wildcats, sucking real bad at Mariah karaoke

This one goes out to the ladies at breakfast in last night’s dress (It’s how we do, straight stuntin’ like that) I see you Yo, this goes out to all you kids that still have their cars at the club valet and it’s Tuesday (This is how we do yeah straight stuntin like that) Yo, shout out to all you kids, buying bottle service, with your rent money Respect

his goes out to all you people going to bed with a ten and waking up with a two Ha, not me

What? Wait. No, no, no, no. Bring the beat back. That’s right Flowers in her hair, she don’t care Peach-pink lips, yeah, everybody stares You think you’ve seen her in a magazine It’s like she walked right out of your dreams

Black ray-bans, you know she’s with the band Passport stamps, she’s cosmopolitan Yeah, she runs a place at Penny lane Yeah, you’re lucky if you’re on her plane

From Tokyo to Mexico, to Rio

That girl’s a trip, A one way ticket Takes you miles high, so high,

‘cause she’s got that one international smile Catch her if you can Yeah, she’s so in demand Takes you miles high, so high, ‘cause she’s got that one international smile

She’s got that, je ne sais quoi, you know it So tres chic, yeah, she’s a classic But she’s pole dancing so fancy free Yeah, she dances to her own beat

‘Cause she’s the muse and the artist Always leaves the trail of stardust ‘Cause she’s a little bit of “Yoko”, You sent a text It’s like the wind changed your mind We were best friends Yeah, we were building our life

With every kiss, and every letter Every promise of forever, oh But you hit “Send” And disappeared in front of my eyes

And now you’re just a ghost When I look back never would have known that You could be so cold Like a stranger vanish like a vapor There’s just an echo where your heart used to be Now I see it clearly And there’s just a pillow where your head used to sleep My vision’s 20/20 I see through you now

Something has died Now that I have made up my mind I’ll be alright It doesn’t harm me at night

‘Cause every gift, and every letter, Every promise of forever Now, it’s out of sight Like you were never alive

Now, now, now, now, now Now, now, now, now, now

So rest in peace I see you on the other side I lost myself in fear of losing you ...love me, I wish I didn’t do No more second guessing But I did No, there’s no more questioning I lost my own, my own identity I’ll be the one defining who I’m gonna be Forgot that you picked me for me No concealing feelings, or changing seasonally I’m gonna love myself, the way I want you to But now, I don’t negotiate with insecurities They always seem to get the best of me I found I had to love myself, the way I wanted you to...

Sometimes I wish my skin was a costume That I could just unzip And strip But who I am is who I’m meant to be And it’s who you are in love, in love with

So now, I don’t negotiate with insecurities No more standing in my own way They’re gonna have to take a back seat Let’s go deeper, let’s get closer I know I have to love myself, the way I want you to... No more standing in my own way Can you tell me, who called the race? Do you ever think that, we’re just chasing our tails? Can anyone stay in one place? Like life is one big fast treadmill And when you get to the finish line And we pop what is prescribed Will you wish for more time? If it gets us first prize I say one day, one day you will But you know who I, who I think will win But maybe one day you will find Are the ones that love loving That you just can’t push rewind Are the ones that take the time

All we have is this moment Be here with me now Tomorrow’s unspoken ‘Cause the future is right now, Yesterday is history right in front on you So why don’t you be here with me? Don’t let the clock, All we have is this moment the clock tell you what to do To put our love into motion A future is right now, I’m in front of you Yesterday is history Baby don’t blink and miss So why don’t you be here with me? Be here with me now You’re a one of a one, a one of a kind They say one man’s trash is another girl’s treasure Was a phenomenon when you came along That you only find once in a lifetime So if it’s up to me, I’m gonna keep you forever Yeah, our chemistry was more than science Made to fit like a fingerprint It was deafening, loud like lightning, it was striking A code that clicks open a gold mine ‘Cause I understand you, we see eye to eye You couldn’t deny it Like a double rainbow in the sky They say one man’s trash is another man’s treasure And wherever you go, so will I They say one man’s trash is another man’s treasure When I found you, it was all pitter-patter ‘Cause a double rainbow is hard to find The two of us together, make everything glitter

Secretly, I hit the lottery To the bottom of the sea, I’d go to find you ‘Cause you’re brighter than all of the Northern Lights Climb the highest peak to be right beside you You speak to me, even in my dreams Every step I take, I’m keeping you in mind Wouldn’t let you go for even the highest price Was 27 surviving my return of Saturn A long vacation didn’t sound so bad Was full of secrets locked up tight like iron mountain Running on empty so out of gas

Thought I wasn’t enough Found I wasn’t so tough Layin’ on the bathroom floor We were living on a fault line And I felt the fault was all mine Couldn’t take it anymore

By the grace of God (there was no other way) I picked myself back up (I knew I had to stay) I put one foot in front of the other And I looked in the mirror and decided to stay Wasn’t gonna let love take me out that way

I thank my sister For keeping my head above the water When the truth was like swallowing sand Now every morning, there is no more mourning Oh, I can finally see myself again

I know I am enough Was a phenomenon when you came along Possible to be loved Yeah, our chemistry was more than science It was not about me It was deafening, loud like lightning, it was striking Now I have to rise above You couldn’t deny it Let the universe call the bluff Yeah, the truth’ll set you free They say one man’s trash is another man’s treasure The two of us together, make everything glitter No, that way, no Not in the name of love To the bottom of the sea, I’d go to find you In the name of love Climb the highest peak to be right beside you That way, no, Every step I take, I’m keeping you in mind That way, no I am not giving up Lay me down at your altar, baby Is Mercury in retrograde? It takes two, two sides to every story I’m a slave to this love Or is that the excuse that I’ve always made? Not just me Your electric lips have gotten me speaking in the tongues ‘Cause I wanna blame you, You can’t keep ignoring But I can only blame myself But let me be first baby to say “I’m sorry” I have prayed for a power like you To see deep down in my soul Yeah, it’s easy to throw you under the bus I face my demons, yeah, I paid my dues Oh, you make me bloom like a flower, a desert rose Or call you crazy, while filling my cup I had to grow up, I wish you could too I say these things to hurt you I wanted to save you, but I can only save myself Magical one and mystery But I only hurt myself All of your charms have worked on me Oh, I can only take responsibility for me Oh, I can only be the change I want to see I will surrender myself Yeah, to see Holding hell and heaven high It takes two, two sides to every story You have opened up my eyes Not just you I point my finger but it does me no good And I am finally healed I can’t keep ignoring I look in the mirror and it tells me the truth, yeah I admit half of it, I’m not that innocent, oh yeah Why all these lessons always learned the hard way This is spiritual, under your spell Is it too late to change? Phenomenal, the way you make me feel Like an angel, all a glow Like a feather, you make me float

Flying high as a kite on your love Lost in sweet ecstasy Found a nirvana finally

You are my hurt locker lover Stop digging your own grave Keep me walking on a wire When there’s so much to live for Don’t know when you’ll blow So I tip toe through your triggered mine Choose your battles, babe You fight me but I’m on your side Cause I’m not fighting anymore Defeated, now retreating I am not fighting anymore

Why you trying to make me your enemy I try to pick off your red flags All I really need is a little peace But dancing up on broken glass I just wanna be your lover Your mind games hit like grenades Oh, this is not a competition You’re cursed just like the Kennedys So baby why the ammunition But you somehow get me on my knees, defeated I don’t wanna be the last one standing Not retreated

Choose your battles, babe If you wanna go, then go Then you win the war If you wanna stay then stay Stop digging your own grave Cause I don’t wanna fight no more, baby When there’s so much to live for I am not fighting anymore INTERNATIONAL SMILE ROAR

Written by Katy Perry, Lukas Gottwald, Max Martin, Bonnie McKee and Henry Walter Written by Katy Perry, Jordan Written by Katy Perry, Lukas Gottwald, Max Martin, and Henry Walter Produced by Dr. Luke for Prescription Songs, Max Martin for MXM Productions and Cirkut for Prescription Songs | Mixed by Serban Ghernea Produced by Dr. Luke for Prescription Songs, Max Martin for MXM Productions and Cirkut for Prescription Songs | Mixed by Serban Ghernea Engineered by Peter Carlsson, Clint Gibbs, Sam Holland and Michael Ilbert at Luke’s in the Boo, Malibu, CA; Conway Recording Studios, Hollywood, CA; MXM Studios, Engineered by Peter Carlsson, Clint Gibbs, Sam Holland and Michael Ilbert at Luke’s in the Boo, Malibu, CA; Playback Recording Studio, Santa Stockholm, Sweden; and Secret Garden Studios, Montecito, CA Barbara, CA; MXM Studios, Stockholm, Sweden; and Secret Garden Studios, Montecito, CA Assisted by Eric Eylands, Rachael Findlen, Justin Fox and Elliot Lanam and Cory Bice | Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Assisted by Rachael Findlen, Justin Fox and Elliot Lanam | Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals Vocals by Katy Perry by Katy Perry All Instruments and Programming by Dr. Luke, MXax Martin and Cirkut Production All Instruments and Programming by Dr. Luke, Max Martin and Cirkut | Production Coordination by Irene Pichter It takes two, two sides to every story ©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp / Kasz Money Publishing (ASCAP) / MXM (ASCAP) administered by Kobalt Songs Music Publishing, Inc. / Oneirology Publishing / Prescription Songs (ASCAP). All rights reserved. Used by permission ©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp / Kasz Money Publishing (ASCAP) / MXM (ASCAP) adminis- Not just me tered by Kobalt Songs Music Publishing. Inc. / Bonnie McKee Music / Where Da Kasz At? Administered by Songs of Kobalt Music Publishing. Inc. / GHOST Songs of Pulse Recording (BMI) / Oneirology Publishing / Prescription Songs (ASCAP). All rights reserved. Used by permission You can’t keep ignoring Written by Katy Perry, Lukas Gottwald, Max Martin, Bonnie McKee and Henry Walter LEGENDARY LOVERS Produced by Dr. Luke for Prescription Songs, Max Martin for MXM Productions and Cirkut for Prescription Songs | Mixed by Serban Ghernea Engineered by Peter Carlsson, Clint Gibbs, Sam Holland and Michael Ilbert at Luke’s in the Boo, Malibu, CA; Playback Recording Studio, Santa Barbara, CA; MXM Studios, But let me be first baby to say “I’m sorry” Written by Katy Perry, Lukas Gottwald, Max Martin, Bonnie McKee and Henry Walter Stockholm, Sweden; and Secret Garden Studios, Montecito, CA Assisted by Rachael Findlen, Justin Fox, Elliot Lanam and Cory Bice | Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry Produced by Dr. Luke for Prescription Songs, Max Martin for MXM Productions and Cirkut for Prescription Songs | Mixed by Serban Ghernea Engineered by Peter Carlsson, Clint Gibbs, Sam Holland and Michael Ilbert at Luke’s in the Boo, Malibu, CA; Playback Recording Studio, Santa All Instruments and Programming by Dr. Luke, Max Martin and Cirkut | Production Coordination by Irene Pichter Barbara, CA; MXM Studios, Stockholm, Sweden; and Secret Garden Studios, Montecito, CA I face my demons, yeah, I paid my dues Assisted by Rachael Findlen, Justin Fox, Elliot Lanam and Cory Bice | Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John ©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp / Kasz Money Publishing (ASCAP) / MXM (ASCAP) administered by Kobalt Songs Hanes | Vocals by Katy Perry Music Publishing, Inc. / Bonnie McKee Music / Where Da Kasz At? Adminisitered by Songs of Kobalt Music Publishing, Inc. / Songs of Pulse Recording (BMI) / Oneirology Publishing / Prescription Songs (ASCAP). All rights reserved. Used by permission I had to grow up, I wish you could too All Instruments and Programming by Dr. Luke, Max Martin and Cirkut Production | Coral Sitar by Dr. Luke | Double Violin by Gingger Shankar | Sitar LOVE ME by Ronobir Lahiri | Tabla by Adit Kalyanpur | Production Coordination by Irene Pichter I wanted to save you, but I can only save myself Written by Katy Perry, Max Martin, Christian “Bloodshy” Karlsson, Vincent Pontare and Mangus Lidehall Produced by Christian “BloodShy” Karlsson, Magnus and Vincent Pontare at Gottetar, Stockholm, Sweden, Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix ©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp / Kasz Money Publishing (ASCAP) / MXM (ASCAP) adminis- by John Hanes | Vocals by Katy Perry tered by Kobalt Songs Music Publishing. Inc. / Bonnie McKee Music / Where Da Kasz At? Administered by Songs of Kobalt Music Publishing. Inc. / Songs of Pulse Recording (BMI) / Oneirology Publishing / Prescription Songs (ASCAP). All rights reserved. Used by permission All Instruments and Programming by Christian “BloodShy” Karlsson, Magnus and Vincent Pontare

Oh, I can only be the change I want to see BIRTHDAY ©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp / MXM (ASCAP) administered by Kobalt Songs Music Publishing, Inc. / Universal Music Publishing (ASCAP) / Prescription Songs (ASCAP) / All rights revered. Used by Permission. Yeah, to see Written by Katy Perry, Lukas Gottwald, Max Martin, Bonnie McKee and Henry Walter Produced by Dr. Luke for Prescription Songs, Max Martin for MXM Productions and Cirkut for Prescription Songs | Mixed by Serban Ghernea THIS MOMENT Engineered by Peter Carlsson, Clint Gibbs, Sam Holland and Michael Ilbert at Luke’s in the Boo, Malibu, CA; Playback Recording Studio, Santa Barbara, Written by Katy Perry, Tor Erik Hermansen, Mikkel Starleer Eriksen, and Benjamin Levin CA; MXM Studios, Stockholm, Sweden; and Secret Garden Studios, Montecito, CA Produced by Stargate for 45th and 3rd Music, LLC and Benny Blanco for Matza Ball Productions, Inc. | Mixed by Serban Ghenea Assisted by Rachael Findlen, Justin Fox, Elliot Lanam and Cory Bice | Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes Engineered by Mikkel Storleer Eriksen at Roc The Mic Studios, New York, NY; and Westlake Studios, Hollywood, CA | Assisted by Chris “Anger Management” Sclafani | Mixed I point my finger but it does me no good | Vocals by Katy Perry at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry |

All Instruments and Programming by Dr. Luke, Max Martin and Cirkut | Production Coordination by Irene Pichter | Horn Arrangement by Lenny Pickett | All Instruments and Programming by Stargate and Benny Blanco | Additional Guitar by John Mayer | Production Coordination by Andrew “McMuffin” Luftman and Scott I look in the mirror and it tells me the truth, yeah “Yarmov” Yarmovsky Horns Engineered by Dave O’Donnell at Germano Studios, New York, NY | Assisted by Kenta Yonesaka Why all these lessons always learned the hard way Stargate Managed by Tim Blacksmith & Danny D. for Tim & Danny Music, LLC Saturday Night Live Band: Tenos Sax by Lenny Pickett | Trumpet by Earl Gardner | Alto Sax by Alex Foster | Trombone by Steve Turre | Baritone Sax by Ron Blake ©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp. / EMI Music Publishing (ASCAP) / Matza Ballzack Music / Where Da Kasz At? (BMI) / Is it too late to change? Prescriptin Songs (ASCAP). All right reserved. Used by permission.

©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp / Kasz Money Publishing (ASCAP) / MXM (ASCAP) administered DOUBLE RAINBOW by Kobalt Songs Music Publishing. Inc. / Bonnie McKee Music / Where Da Kasz At? Administered by Songs of Kobalt Music Publishing. Inc. / Songs of Pulse Recording (BMI) / Oneirology Publishing / Prescription Songs (ASCAP). All rights reserved. Used by permission Written by Katy Perry, Sia Furler and Greg Kurstin Produced by Greg Kurstin | Mixed by Manny Marroquin | Engineered by Greg Kurstin and Jesse Shatkin at Echo Studio, Los Angeles, CA | Additional Engineering by Alex WALKING ON AIR Pasco | Mixed at Larrabee Sound Studios, Universal City, CA | Assisted by Chris Galland and Delbert Bowers | Vocals by Katy Perry | Guitar, Keyboards and Programming by Greg Kurstin Written by Katy Perry, Klas Ahlund, Max Martin, Adam Baptiste and Camela Leierth Produced by Klas Ahlun \m/(-_-)\m/ and Max Martin for MXM Productions | Mixed by Serban Ghenea | Engineered by Michael Ilbert, Peter Carlsson © 2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp. / EMI Music Publishing (ASCAP) / Kurstin Music / EMI April Music. Inc. (ASCAP). and Sam Holland BY THE GRACE OF GOD at Apmamam, Stockholm, Sweden; MXM Studios, Stockholm, Sweden; and Conway Recording Studios, Hollywood, CA | Assisted by Cory Bice Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry | Background Vocals by Sabina Ddumba and Written by Katy Perry, and Greg Wells, Tensta Gospel Choir Produced by Greg Wells and Katy Perry | Mixed by Serban Ghenea | Engineered by Ian McGregor at Rocket Carousel Studio, Los Angeles, CA | Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry Drums, Pianos, Synths and Programming by Greg Wells All Programming by Klas Ahlun and Max Martin © 2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp. / Firehouse Cat Music / BMG Gold Songs (ASCAP) administered by BMG Rights ©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp / Klas Ahlund Publishing (ASCAP) / MXM (ASCAP) administered Management LLC. All rights reserved. Used by permission. by Kobalt Songs Music Publishing. Inc. / Bonnie McKee Music / Klas Ahlund Publishing (ASCAP) / Universal Music Publ. Scandinavia / Prescription SPIRITUAL Songs (ASCAP). All rights reserved. Used by permission Written by Katy Perry, Greg Kurstin, and John Mayer UNCONDITIONAL Produced by Greg Kurstin | Mixed by Serban Ghenea | Engineered by Greg Kurstin and Jesse Shatkin at Echo Studio, Los Angeles, CA | Additional Engineering by Alex Pasco | Mixed at Larrabee Sound Studios, Universal City, CA | Assisted by Chris Galland and Delbert Bowers | Vocals by Katy Perry | Guitar, Keyboards and Programming by Greg Written by Katy Perry, Lukas Gottwald, Max Martin, and Henry Walter Kurstin Produced by Dr. Luke for Prescription Songs, Max Martin for MXM Productions and Cirkut for Prescription Songs | Mixed by Serban © 2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp. / EMI Music Publishing (ASCAP) / Kurstin Music / EMI April Music. Inc. / Specific Ghernea Harm Music o/b/o Goodrum Music, Inc. (ASCAP). All rights reserved. Used by permission. Engineered by Peter Carlsson, Clint Gibbs, Sam Holland and Michael Ilbert at Luke’s in the Boo, Malibu, CA; Conway Recording IT TAKES TWO Studios, Hollywood, CA; MXM Studios, Stockholm, Sweden; and Secret Garden Studios, Montecito, CA; Assisted by Eric Eylands, Rachael Findlen, Justin Fox and Cory Bice Written by Katy Perry, Tor Erik Hermansen, Mikkel Starleer Eriksen, Benjamin Levin, and Emeli Sandé Produced by Stargate for 45th and 3rd Music, LLC and Benny Blanco for Matza Ball Productions, Inc. | Mixed by Serban Ghenea Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry Engineered by Mikkel Storleer Eriksen at Roc The Mic Studios, New York, NY; and Westlake Studios, Hollywood, CA | Assisted by Chris “Anger Management” Sclafani | Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry | All Instruments and Programming by Stargate and Benny Blanco | Additional All Instruments and Programming by Dr. Luke, Max Martin and Cirkut | Production Coordination by Irene Pichter Guitar by John Mayer | Production Coordination by Andrew “McMuffin” Luftman and Scott “Yarmov” Yarmovsky Stargate Managed by Tim Blacksmith & Danny D. for Tim & Danny Music, LLC ©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp. / EMI Music Publishing (ASCAP) / Matza Ballzack Music / Where Da Kasz At? (BMI) / ©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp / Kasz Money Publishing (ASCAP) / MXM Stellar Songs Ltd / EMI April Music Ltd (ASCAP) / Prescriptin Songs (ASCAP). All right reserved. Used by permission.

(ASCAP) administered by Kobalt Songs Music Publishing, Inc. / Oneirology Publishing / Prescription Songs (ASCAP). All rights CHOOSE YOUR BATTLES DARK HORSE Written by Katy Perry, Jonatha Brooke, and Greg Wells, Written by Katy Perry, Jordan Houston, Lukas Gottwald, Sarah Theresa Hudson, Max Martin, and Henry Walter Produced by Greg Wells and Katy Perry | Mixed by Serban Ghenea | Engineered by Ian McGregor at Rocket Carousel Studio, Los Angeles, CA | Mixed at MixStar Studios, Produced by Dr. Luke for Prescription Songs, Max Martin for MXM Productions and Cirkut for Prescription Songs | Mixed by Serban Ghernea Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry Drums, Pianos, and Programming by Greg Wells Engineered by Peter Carlsson, Mike “Crazy Mike” Foster, Clint Gibbs, Sam Holland and Michael Ilbert Kalimba by Jonatha Brooke at Luke’s in the Boo, Malibu, Ca; Conway Recording Studios, Hollywood, Ca; Playback Recording Studio, Santa Barbara, CA; MXM Studios, Stockholm, © 2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp. / Naughty Puppy Music (ASCAP) c/o Patrick Rains & Associates / Firehouse Cat Music / Sweden; and BMG Gold Songs (ASCAP) administered by BMG Rights Management LLC. All rights reserved. Used by permission. Secret Garden Studios, Montecito, CA | Assisted by Eric Eylands, Rachael Findlen, Justin Fox, Elliot Lanam and Cory Bice Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry and Juicy J Mastered by Chris Gehringer at Sterling Sound, New York, NY

All Instruments and Programming by Dr. Luke, Max Martin and Cirkut | Background Vocals by Katy Perry and Max Martin | Additional Vocals by Ava James | Production Coordination by Irene Richter A&R: Dan McCarroll Direct Management Group/Bradford Cobb, Martin Kirkup, Steven Jensen and Ngoc Hoang Juicy J appears courtesy of Kemosabe Records / Columbia Records, a division of Sony Music Entertainment Ava James appear courtesy of Kemosabe Records / Prescription Songs Photography by Ryan McGinley ©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp / DeeEtta Music (BMI) / Kasz Money Publishing (ASCAP) / Ital- Digital Booklet designed by : ChrisR7x / Erase-This ians Do It Better (ASCAP) / MXM (ASCAP) administered by Kobalt Songs Music Publishing, Inc. / Oneirology Publishing / Prescription Songs (ASCAP). All rights reserved. Used by permission THIS IS HOW WE DO ©2013 Capitol Records. Manufactured by Capitol Records, Printed in U.S.A B001921502

Written by Katy Perry, Klas Ahlund, and Max Martin Produced by Klas Ahlun \m/(-_-)\m/ and Max Martin for MXM Productions | Mixed by Serban Ghenea | Engineered by Michael Ilbert, Peter Carlsson and Sam Holland at Apmamam, Stockholm, Sweden; MXM Studios, Stockholm, Sweden; and Conway Recording Studios, Hollywood, CA | Assisted by Cory Bice | Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry |

All Programming by Klas Ahlun and Max Martin

©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp / Klas Ahlun Publishing (ASCAP) / MXM (ASCAP) administered by Kobalt Songs Music Publishing, Inc. / Prescription Songs (ASCAP). All rights reserved. Used by permission PRISMK A T Y P E R R Y