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Thomas Aquinas: Soul-Body Connection and the Afterlife Hyde Dawn Krista University of Missouri-St
University of Missouri, St. Louis IRL @ UMSL Theses Graduate Works 4-16-2012 Thomas Aquinas: Soul-Body Connection and the Afterlife Hyde Dawn Krista University of Missouri-St. Louis, [email protected] Follow this and additional works at: http://irl.umsl.edu/thesis Recommended Citation Krista, Hyde Dawn, "Thomas Aquinas: Soul-Body Connection and the Afterlife" (2012). Theses. 261. http://irl.umsl.edu/thesis/261 This Thesis is brought to you for free and open access by the Graduate Works at IRL @ UMSL. It has been accepted for inclusion in Theses by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. Thomas Aquinas: Soul-Body Connection and the Afterlife Krista Hyde M.L.A., Washington University in St. Louis, 2010 B.A., Philosophy, Southeast Missouri State University – Cape Girardeau, 2003 A Thesis Submitted to The Graduate School at the University of Missouri – St. Louis in partial fulfillment of the requirements for the degree Master of Arts in Philosophy April 2012 Advisory Committee Gualtiero Piccinini, Ph.D. Chair Jon McGinnis, Ph.D. John Brunero, Ph.D. Copyright, Krista Hyde, 2012 Abstract Thomas Aquinas nearly succeeds in addressing the persistent problem of the mind-body relationship by redefining the human being as a body-soul (matter-form) composite. This redefinition makes the interaction problem of substance dualism inapplicable, because there is no soul “in” a body. However, he works around the mind- body problem only by sacrificing an immaterial afterlife, as well as the identity and separability of the soul after death. Additionally, Thomistic psychology has difficulty accounting for the transmission of universals, nor does it seem able to overcome the arguments for causal closure. -
The Cutting Edge, March/April 2010, Vol. 21 Issue 2
Marshall University Marshall Digital Scholar The Cutting Edge The Society of American Fight Directors 4-2010 The Cutting Edge, March/April 2010, Vol. 21 Issue 2 The Society of American Fight Directors Follow this and additional works at: https://mds.marshall.edu/cutting Part of the Acting Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Theatre History Commons Recommended Citation The Society of American Fight Directors, "The Cutting Edge, March/April 2010, Vol. 21 Issue 2" (2010). The Cutting Edge. 89. https://mds.marshall.edu/cutting/89 This Newsletter is brought to you for free and open access by the The Society of American Fight Directors at Marshall Digital Scholar. It has been accepted for inclusion in The Cutting Edge by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. March/April 2010, Volume XXI, Issue 2 Introducing Our New Regional Representatives The staff of The Cutting Edge would like to welcome three new regional HEY, YOU! representatives to the SAFD. Danette GO TO MY WORKSHOP! Baker will be taking over for Mike Speck in the Middle America region, Travis Sims will be taking over for Robert Hamilton in the THEN GO TO THIS OTHER WORK Pacific West region, and Matthew Ellis will SHOP! be taking over for Ann Chandler Harlan in the South West region. A D THE BUY SOME RAFFLE TICKETS! Thanks to Ann, Mike and Robert for their years of service! Your commitment to the betterment of the SAFD and this publication is appreciated and valued beyond words. -
Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
Remarks Following a Meeting with Organizations That Support the United States Military in Iraq and Afghanistan October 20, 2006
Administration of George W. Bush, 2006 / Oct. 20 Remarks Following a Meeting With Organizations That Support the United States Military in Iraq and Afghanistan October 20, 2006 I’ve had an uplifting and heartwarming school. It’s a remarkable country when we conversation with fellow citizens of all ages have people who decide to step up and from across our country who are supporting help men and women who are serving their our troops. These folks don’t really care country in a time of need. about politics. What they care about is how And I want to thank you all for coming, best to send a strong message to the men and I appreciate what you’re doing. and women who wear our uniform that Americasupportsyou.mil is a web site where America supports them. our fellow citizens can volunteer to help. And so we’ve had examples of people You can become a part of a group and who started web pages to get different sup- find out ways that you can support our plies to send to troops who are—who need men and women in uniform. These are a care package; to a woman who started brave, courageous people who deserve the a group of people to sew garments to help full support of the American citizenry. the wounded recover faster; to a guy who So I want to thank you all for coming. helped start video conferencing capabilities I appreciate you being here. Thanks very so that loved ones can share big moments much. in their lives together, even though one is in combat; to a child who started treasure NOTE: The President spoke at 2:35 p.m. -
Is Now the Time to Retire the Star-Spangled Banner? by Daniel Hathaway
Is now the time to retire The Star-Spangled Banner? by Daniel Hathaway During the recent demonstrations responding to the death of George Floyd while in police custody in Minneapolis, a number of monuments were toppled that represented the racist history of the United States. Among them, in San Francisco’s Golden Gate Park and elsewhere, statues memorializing Francis Scott Key were pulled down. Key was author of the poem Defence of Fort M’Henry, inspired by the British bombardment in Baltimore Harbor in September 1814, that became the text of The Star-Spangled Banner. Joined to a tune by British composer John Stafford Smith, the song was officially adopted by the U.S. Navy in 1889 and became our National Anthem by resolution of Congress in 1931. The problem with Francis Scott Key, a Baltimore lawyer and district attorney, is that he had owned slaves since 1800. While he went on public record to oppose human trafficking, he also represented the owners of runaway slaves. The problem with his poem is that for 21st-century America, its sentiments seem less and less conducive to uniting a divided nation. The “Star-Spangled Banner” refers to the mammoth flag (originally measuring 30 by 42 feet) with fifteen stars and stripes symbolizing the states that formed the Union at the time. Raised “by dawn’s early light,” the flag, now owned by the Smithsonian Institution, offered proof of an American victory over the British during the War of 1812. Fittingly for the occasion that inspired it, Key’s poem begins with military imagery. -
Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................ -
Contesting and Appropriating Chineseness in Sinophone Music
China Perspectives 2020-2 | 2020 Sinophone Musical Worlds (2): The Politics of Chineseness Contesting and Appropriating Chineseness in Sinophone Music Nathanel Amar Electronic version URL: https://journals.openedition.org/chinaperspectives/10063 DOI: 10.4000/chinaperspectives.10063 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 June 2020 Number of pages: 3-6 ISSN: 2070-3449 Electronic reference Nathanel Amar, “Contesting and Appropriating Chineseness in Sinophone Music”, China Perspectives [Online], 2020-2 | 2020, Online since 01 June 2020, connection on 06 July 2021. URL: http:// journals.openedition.org/chinaperspectives/10063 ; DOI: https://doi.org/10.4000/chinaperspectives. 10063 © All rights reserved Editorial china perspectives Contesting and Appropriating Chineseness in Sinophone Music NATHANEL AMAR he first special issue of China Perspectives on “Sinophone Musical itself as a more traditional approach to Chinese-sounding music but was Worlds” (2019/3) laid the theoretical foundation for a musical appropriated by amateur musicians on the Internet who subvert accepted T approach to Sinophone studies (Amar 2019). This first issue notions of Chinese history and masculinity (see Wang Yiwen’s article in this emphasised the importance of a “place-based” analysis of the global issue). Finally, the last article lays out in detail the censorship mechanisms for circulation of artistic creations, promoted in the field of Sinophone studies by music in the PRC, which are more complex and less monolithic than usually Shu-mei Shih (2007), and in cultural studies by Yiu Fai Chow and Jeroen de described, and the ways artists try to circumvent the state’s censorship Kloet (2013) as well as Marc Moskowitz (2010), among others. -
Greek and Latin Roots, Prefixes, and Suffixes
GREEK AND LATIN ROOTS, PREFIXES, AND SUFFIXES This is a resource pack that I put together for myself to teach roots, prefixes, and suffixes as part of a separate vocabulary class (short weekly sessions). It is a combination of helpful resources that I have found on the web as well as some tips of my own (such as the simple lesson plan). Lesson Plan Ideas ........................................................................................................... 3 Simple Lesson Plan for Word Study: ........................................................................... 3 Lesson Plan Idea 2 ...................................................................................................... 3 Background Information .................................................................................................. 5 Why Study Word Roots, Prefixes, and Suffixes? ......................................................... 6 Latin and Greek Word Elements .............................................................................. 6 Latin Roots, Prefixes, and Suffixes .......................................................................... 6 Root, Prefix, and Suffix Lists ........................................................................................... 8 List 1: MEGA root list ................................................................................................... 9 List 2: Roots, Prefixes, and Suffixes .......................................................................... 32 List 3: Prefix List ...................................................................................................... -
Bill Carrothers Press Pack
605 Ridge Road Mass City, MI 49948 Bill Carrothers (906)883-3820 www.bridgeboymusic.com [email protected] Penguin Guide To Jazz on CD 8th and 9th editions (2006 and 2008) (4 star rating system) Carrothers is a class act, already endowed with a formidable breadth of experience, and able to fit in with most contemporary jazz situations. That's often a problem when it comes to helming your own dates, but these records aren't short on confidence or ideas. While the session in Go Jazz's After Hours series is a bit one- paced - a dozen ballads all negotiated at a slow walk - Carrothers lays bare the material and breaks it into pristine pieces. One to sample a few tracks at a time. It's rather better recorded than some of the entries in this series. Duets With Bill Stewart ★★★ The Duets With Bill Stewart record reduces the cast to two, although since Stewart and Carrothers have worked together many times there's no sense of anything missing. The material's a good deal more diverse in both source and treatment; not many modern pianists would think of playing Puttin' on the Ritz, here played with left hand boogie figures which pop in and out of the improvising, or The Whiffenpoof Song. Oddest piece might be I Apologize, in which Stewart rattles out a tem- poless tattoo before Carrothers enters to play the tune almost straight. A lot of the music sounds like a private dialogue, and it's hard to get inside. Swing Sing Songs ★★★1/2 Swing Sing Songs is an extraordinary programme. -
America the Beautiful Part 2
America the Beautiful Part 2 Charlene Notgrass 1 America the Beautiful Part 2 by Charlene Notgrass ISBN 978-1-60999-142-5 Copyright © 2021 Notgrass History. All rights reserved. All product names, brands, and other trademarks mentioned or pictured in this book are used for educational purposes only. No association with or endorsement by the owners of the trademarks is intended. Each trademark remains the property of its respective owner. Unless otherwise noted, scripture quotations are taken from the New American Standard Bible®, Copyright © 1960, 1962, 1963, 1971, 1972, 1973, 1975, 1977, 1995 by the Lockman Foundation. All rights reserved. Used by permission. Cover Images: Statue of Liberty by Mihai_Andritoiu / Shutterstock.com; Immigrants and Trunk courtesy Library of Congress Back Cover Author Photo: Professional Portraits by Kevin Wimpy The image on the preceding page is of the Pacific Ocean near the Channel Islands. No part of this material may be reproduced without permission from the publisher. You may not photocopy this book. If you need additional copies for children in your family or for students in your group or classroom, contact Notgrass History to order them. Printed in the United States of America. Notgrass History Gainesboro, TN 1-800-211-8793 notgrass.com Aspens in Colorado America the Beautiful Part 2 Unit 16: Small Homesteads and Big Businesses ............... 567 Lesson 76 - Our American Story: Reformers and Inventors .....................................................568 19th President Rutherford B. Hayes .......................................................................................575 -
That's As American As Baseball and Apple
April 2009 A Monthly Publication of the U.S. Consulate Krakow Volume VI. Issue 58. TTHATHAT’’SS ASAS AAMERICANMERICAN ASAS BBASEBALLASEBALL ANDAND AAPPLEPPLE PPIEIE , Photo © AP Images People collect baseballs. Those who catch a ball during speech and often have their own idiomatic meaning. a game can ask for their favorite player’s autograph and Baseball developed on American soil and has its roots also get to keep the ball. Baseball fans stand up after in the game of rounders (such as cricket and one o’cat) the seventh inning of a game during what is called the which were popular with English settlers to the U.S. The “seventh inning stretch” and sing “God Bless America” game uses a ball and a bat and is played between two and “Take Me Out to the Ball Game.” Baseball card col- teams of nine players each. Their task is to score runs lectors spend millions of dollars to own certain rare by hitting a thrown ball with a bat and by running to the cards. Boys and girls alike often spend the summer safety of a base before being tagged with a ball. Each months playing baseball on local little league teams. team has its turn at bat and one such turn is called an These are all aspects of baseball in American culture - a inning. A professional game is made up of nine innings. game that is one of America’s most popular pastimes. Games generally last about 3 hours; however, there is Many consider baseball America’s number one sport; no time limit, so games can sometimes last much longer but even more than being a popular sport, it is a cultural depending how long each inning lasts and whether phenomenon that has influenced many aspects of there is a need for extra innings due to a tie. -
God Bless America
www.singalongwithsusieq.com The Star-Spangled Banner Oh, say, can you see By the dawn's early light What so proudly we hailed At the twilight's last gleaming? Whose broad stripes and bright stars Through the perilous fight O'er the ramparts we watched Were so gallantly streaming. And the rockets' red glare The bombs bursting in air Gave proof through the night That our flag was still there. O say, does that star-spangled banner yet wave O'er the land of the free and the home of the brave. 2 America the Beautiful O beautiful for spacious skies For amber waves of grain For purple mountain majesties Above thy fruited plain! America! America! God shed His grace on thee And crown thy good with brotherhood From sea to shining sea! O beautiful for pilgrim’s feet Whose stern impassioned stress A thoroughfare of freedom beat Across the wilderness! America! America! God mend thine every flaw Confirm thy soul in self-control Thy liberty in law! O beautiful for heroes proved In liberating strife Who more than self their country loved And mercy more than life! America! America! May God thy gold refine Till all success be nobleness And every gain divine! 3 O beautiful for patriot dream That sees beyond the years Thine alabaster cities gleam Undimmed by human tears! America! America! God shed His grace on thee And crown thy good with brotherhood From sea to shining sea! Repeat last 4 lines 4 You’re A Grand Old Flag You're a grand old flag You're a high-flying flag And forever in peace may you wave You're the emblem of The land I love The home of the free and the brave Every heart beats true Under red, white and blue Where there's never a boast or brag But should old acquaintance be forgot Keep your eye on the grand old flag.