1. the Mark Twain Prize
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3-Year Academic Assessment Plan Cover Sheet Email To: [email protected]
3-Year Academic Assessment Plan Cover Sheet Email to: [email protected] Program Information: Program Assessed MFA Writing for Dramatic Media Department Film College College of Fine Arts Department Chair Heather Addison Assessment Coordinator Sean Clark Date Submitted 12/20/2018 Contact Person for This Plan Name Sean Clark Phone 54536 Email [email protected] Please address the following items: • What are the student learning outcomes? Please provide a numbered list. • Plans must include a curriculum map showing which courses will address which learning outcomes. Examples can be found here: http://provost.unlv.edu/Assessment/map.html • Which learning outcomes will be assessed in each cycle year (i.e., assessment timeline)? • How will the learning outcomes be assessed? (Programs must use at least one direct assessment of student learning.) • Undergraduate programs should assess at least one University Undergraduate Learning Outcome (UULO) each year, which may or may not overlap with a program learning outcome. • Graduate programs should assess at least one outcome related to one of the following graduate level requirements each year: o student engagement in research, scholarship, creative expression and/or appropriate high- level professional practice. o activities requiring originality, critical analysis and expertise. o the development of extensive knowledge in the field under study. • What is your plan for sharing the assessment results and acting on them (i.e., closing the loop)? Please limit the narrative portion of your report to no more than four pages. You may attach appendices with data, tables, charts, or other materials as needed. Please explain the relevant conclusions from any appendices in your narrative. -
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing Bethany Rooney and Mary Lou Belli AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier 225 Wyman Street, Waltham, MA 02451, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2011 Bethany Rooney and Mary Lou Belli. Published by Elsevier Inc. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. -
2020 Croner Animation Position Grids.Xlsx
Survey Position Grids STORY / VISUAL DEVELOPMENT ANIMATION Family 200 210 220 230 240 250 260 280 300 Production TV Animation / Character Visual Character Level Story Design / Art Pre-Visualization Modeling Layout Shorts Design Development Animation Direction Executive Management 12 Head of Production Management Generates and Manages the Creates the look Creates characters Creates and Creates sequences of Creates, builds and Creates 3D layouts. Defines, leads and 14 Head of Animation Studio develops story ideas, animation process of and artistic to meet established presents concepts shots that convey the maintains models Translates sketches into 3D executes major 16 Top Creative Executive sequences, an animated deliverables to vision for the and designs for the story through the of story elements, layouts and shot sequences character animation storyboards, television or short film meet the artistic, production, production, including application of traditional including and scenes. May create for productions, elements and production, ensuring creative and including look, character, sets, filmmaking principles in characters, sets and scenes. including personality Brief Job Family Descriptions enhancements that the creative aesthetic vision of personality, lighting, props, key a 3D computer graphics environments, Determines camera and animation style. throughout desires, as well as a production. movement, art. Creates plan environment. elements, sets, placement, blocks production. production expression. views and blue structures. characters, -
Alphabetical List Updated 11/15/2013
Alphabetical List Updated 11/15/2013 Movie Name Movie ID Movie Name Movie ID 255 Avengers, The 493 1408 1 Baby Mama 337 15 Minutes 240 Back to the Future 614 2 Fast 2 Furious 2 Bad Boys II 387 2001: A Space Odyssey 598 Bad Education 471 21 Jump Street 487 Bad Teacher 386 24: Season 1 680 Bandits 15 24: Season 2 681 Barbershop 16 24: Season 3 682 Basic 17 27 Dresses 509 Batman Begins 543 28 Days Later 677 Batman Beyond: Return of the Joker 18 3 Idiots 570 Battlestar Galactica: Season 1 649 3:10 to Yuma 3 Battlestar Galactica: Season 2.0 650 300 4 Battlestar Galactica: Season 2.5 651 40-Year Old Virgin, The 590 Battlestar Galactica: The Miniseries 640 50/50 406 Be Cool 20 A View to a Kill 561 Beasts of the Southern Wild 544 A-Team, The 243 Beautiful Thing 403 Abraham Lincoln Vampire Hunter 514 Beauty Shop 19 Adjustment Bureau, The 494 Bee Movie 21 Aguirre, Wrath of God 524 Before Midnight 690 Air Force One 685 Before Sunrise 22 Albert Nobbs 470 Beowulf 23 Alice in Wonderland 6 Best in Show 24 All Good Things 504 Best Man, The 348 Almost Famous 7 Bicentennial Man, The 601 Amazing Spiderman, The 525 Big Fish 701 American Beauty 241 Bill & Ted's Excellent Adventure 25 American Gangster 8 Black Dynamite 415 American History X 242 Black Hawk Down 26 American Violet 464 Black Snake Moan 27 Amores Perros 9 Black Swan 325 Amour 695 Blades of Glory 28 An American in Paris 388 Blair Witch Project, The 29 Anastasia 592 Blind Side, The 244 Anger Management 10 Blood Diamond 30 Animal House 239 Bourne Identity, The 31 Animatrix 390 Bourne Legacy, The -
45Th Cluster Reunion June 16-19, 2016 Class Tent: Alumni Gym Lawn West
Class of 1971 – 45th Cluster Reunion June 16-19, 2016 Class Tent: Alumni Gym Lawn West ($) Separate charge not included in class reunion fee Green denotes College-sponsored activities Blue denotes clustered events with ’70s and ’72s TUESDAY AND WEDNESDAY, JUNE 14 AND 15 Mt. Moosilauke Ravine Lodge Overnight Stay ($) This optional Dartmouth Outing Club event includes hiking, meals, and overnight lodging. Registration required: (603) 764-5858 Wednesday, June 15 6-9 p.m. Reunion and Executive Committee Gathering: Etna home of Kathy Rines ‘71a and Ben Shore. Early reunion arrivals are also invited to join the class reunion and Executive Committee for beverages and heavy appetizers. Please confirm attendance to [email protected] by June 9, 2016. THURSDAY, JUNE 16 REGISTRATION OPEN FROM 1–9 P.M. IN CLASS TENT 7-8 a.m. Get the Engines Running! Meet at the Hanover Inn Lobby Easy 2-3 mile run through Pine Park, led by Peter Pratt ’71. 12:15–5:30 p.m. Golf Outing ($) Hanover Country Club 12:30 p.m. shotgun start. To reserve your first-come, first-served spot, please confirm participation with Barry Brink at [email protected]. Per person fee is $65 including cart. We ask that you make direct payment to Hanover Country Club prior to your match. 2:30–5 p.m. Open Tennis Topliff Tennis Courts, Alumni Gym 2:30-4:00 p.m. Mink Brook Trail Hike Meet at the Hanover Inn Led by Tom Oxman ’71. 4:30-5:30 p.m. Pilates Alumni Gym, Studio TBC Led by Lisa Lider. -
VU Resume 111720
VANESSA UHLIG vanessauhlig.com EDUCATION UNIVERSITY OF TEXAS AT AUSTIN Master of Fine Arts, May 2019 Film and Media Production, Moody College of Communication UNIVERSITY OF CALIFORNIA AT DAVIS Bachelor of Arts, Highest Honors, May 2007 English, College of Arts and Sciences SKILLS • Pre-Production: Movie Magic Scheduling, Final Draft, Shot Designer, Adobe Creative Suite • Production: Canon, Sony, Black Magic camera systems; 16mm / 35mm film cameras, field sound recording equipment • Post-Production: Avid Media Composer Certified, Adobe Premiere Pro, Final Cut, Avid Pro Tools, Adobe Audition • Languages: Spanish [proficient], Thai [intermediate], French [intermediate], Kaqchikel Maya [beginning] SELECTED PRODUCTION CREDITS Writer/Director/Producer The Low Season (narrative feature) script in development to be produced and shot in Guatemala Las Cruces (short narrative/documentary hybrid) thesis film, UT Austin [premiered at Austin FF] A Woman Loves (narrative short) screened at UT SXSW Showcase (2018) Jazz for Sleep (narrative short) screened at UT SXSW Showcase (2017) If You Were Going to Leave (short documentary) University of Texas at Austin (2016) A Note (narrative short) screened at CineAid FF and Bangkok Short FF (2015) Writing Department SKAM Austin Season 1 Facebook Watch (2018) [Script Coordinator] Production Panic Season 1 Amazon Studios (2020) [Director’s Assistant - Blocks 2 and 4] SKAM Austin Season 2 Facebook Watch (2018) [Production Assistant] Overachievers (narrative short) Sam Mohney Productions (2019) [Producer and First AD] The Fix (narrative short) Edward Jack Productions, premiered Palm Springs FF (2017) [Producer and First AD] Motorized Subcultures (TV episode) Dragonfly Media/Discovery Channel (2015) [Segment Field Producer] Kong: Skull Island (Thai Unit) Legendary Pictures/Warner Brothers (2015) [Production Assistant] Star Wars: The Last Jedi (Thai Unit) Lucasfilm/Walt Disney Pictures (2015) [Production Assistant] “Bucket List” (TVC) Expedia/Park Pictures d. -
FS 309 01 the SPORTING SPIRIT Course Syllabus
ENG 109 01 – FS 309 01 THE SPORTING SPIRIT Course Syllabus Instructor: Dr. Randy Richardson [email protected] Office: Thompson Clark 307 Office Phone: 724 946-7348 Office Hours: M-W-F 9:30-11:30 AM/ T-TH 1:00-2:00 PM Class Hours: T-TH 2:00-3:30 PM Room: TC 210 Text: 8 reading packets are available on our class D2L page. Readings are drawn from journal articles, essays and book chapters. Several handouts will be distributed in class. Course Description The Sporting Spirit invites students to consider a variety of classic and contemporary, international and domestic sports films featuring heroes and villains from baseball, basketball, boxing, biking, track & field, football, auto racing, soccer and other sports stages. Students will develop a rhetorical analysis of a socially significant sports film after exposure to numerous critical perspectives. Sports films will be understood as communicative acts born in social contexts. A myriad of social issues will be explored through the lens of sports film including, but not limited to nationalism, globalism, racial and ethnic identity, gender identity, communalism, individualism and commodification. Epideictic, inspirational and motivational aspects of sports films will also be examined. Course Objectives • The student will be able to demonstrate an understanding of the communication process as it relates to film. • The student will be able to demonstrate an understanding of several terms related to film production and analysis. • The student will be able to identify generic components of classical and contemporary sports films. • The student will be able to write 2 essays in response to questions arising from particular sports films in social contexts. -
Feature Films
Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243 -
Movie Titles List, Genre
ALLEGHENY COLLEGE GAME ROOM MOVIE LIST SORTED BY GENRE As of December 2020 TITLE TYPE GENRE ACTION 300 DVD Action 12 Years a Slave DVD Action 2 Guns DVD Action 21 Jump Street DVD Action 28 Days Later DVD Action 3 Days to Kill DVD Action Abraham Lincoln Vampire Hunter DVD Action Accountant, The DVD Action Act of Valor DVD Action Aliens DVD Action Allegiant (The Divergent Series) DVD Action Allied DVD Action American Made DVD Action Apocalypse Now Redux DVD Action Army Of Darkness DVD Action Avatar DVD Action Avengers, The DVD Action Avengers, End Game DVD Action Aviator DVD Action Back To The Future I DVD Action Bad Boys DVD Action Bad Boys II DVD Action Batman Begins DVD Action Batman v Superman: Dawn of Justice DVD Action Black Hawk Down DVD Action Black Panther DVD Action Blood Father DVD Action Body of Lies DVD Action Boondock Saints DVD Action Bourne Identity, The DVD Action Bourne Legacy, The DVD Action Bourne Supremacy, The DVD Action Bourne Ultimatum, The DVD Action Braveheart DVD Action Brooklyn's Finest DVD Action Captain America: Civil War DVD Action Captain America: The First Avenger DVD Action Casino Royale DVD Action Catwoman DVD Action Central Intelligence DVD Action Commuter, The DVD Action Dark Knight Rises, The DVD Action Dark Knight, The DVD Action Day After Tomorrow, The DVD Action Deadpool DVD Action Die Hard DVD Action District 9 DVD Action Divergent DVD Action Doctor Strange (Marvel) DVD Action Dragon Blade DVD Action Elysium DVD Action Ender's Game DVD Action Equalizer DVD Action Equalizer 2, The DVD Action Eragon -
November 3, 2011
Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 11-3-2011 Kenyon Collegian - November 3, 2011 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - November 3, 2011" (2011). The Kenyon Collegian. 226. https://digital.kenyon.edu/collegian/226 This Book is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Thursday, November 3rd>WT]UM+@@@1@6W___SMVaWVKWTTMOQIVKWUXIOM[ Kenyonthe Collegian Serving Gambier, Ohio Since 1856 +IVLQLI\M;]XXWZ\[ A Presidential Reunion Religion in Schools MADELEINE THOMPSON ting their Christian values into their lessons despite the risk of Six Mount Vernon Board another expensive lawsuit like of Education candidates will Freshwater’s, which has now contest three seats in the local cost the schools almost $2 mil- election on Tuesday, Nov. 8. lion. !e candidates, Margie Ben- “As it stands today, with the nett (incumbent), Je"rey Cline, separation of church and state, Marie Curry, Cheryl Feasel, the law is that you can’t preach Jolene Goetzman (incumbent) religion from the classroom,” and Stephen Kelly, are all non- Cline said. “With that law, as partisan, but some of their cam- bogus as I think it is, we have paign promises -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
Canadian Canada $7 Fall 2016 Vol.19, No.1 Screenwriter Film | Television | Radio | Digital Media
CANADIAN CANADA $7 FALL 2016 VOL.19, NO.1 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA We Celebrate Our Epic Screenwriting Success Stories It’s Time To Work On Your Pitch Baroness Von Sketch Show: Creating A World In Two Minutes Animated Conversation: Ken Cuperus Opens Up About His Live Action-Cartoon Crossover PM40011669 ★ ★ SCREENWRITERS STAY TUNED FOR IMPORTANT DEADLINES THE 21ST ANNUAL WGC SCREENWRITING AWARDS APRIL 24, 2017 | KOERNER HALL, TORONTO 2017 SPECIAL AWARDS: THE WGC SHOWRUNNER AWARD for excellence in showrunning THE JIM BURT SCREENWRITING PRIZE for longform screenwriting talent THE SONDRA KELLY AWARD for female screenwriters CALL FOR ENTRIES COMING SOON TO WWW.WGC.CA CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 19 No. 1 Fall 2016 ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Contents Publisher Maureen Parker Editor Tom Villemaire Features [email protected] Having An Animated Conversation 6 Director of Communications Li Robbins We talk to Ken Cuperus about how he and his writing team create a hybrid animation and live-action comedy. Editorial Advisory Board By Mark Dillon Denis McGrath (Chair) Michael MacLennan Susin Nielsen Simon Racioppa Changing The Rules 12 President Jill Golick (Central) While bureaucrats tinker with the points system in an effort Councillors to make Canadian television more successful, we offer our Michael Amo (Atlantic) epic track record, proving the system works. Mark Ellis (Central) By Matthew Hays Dennis Heaton (Pacific) Denis McGrath (Central) Warming Up For The Pitch 16 Anne-Marie Perrotta (Quebec) Pitching is often a bigger challenge to writers than, Andrew Wreggitt (Western) well, writing.