John Cassavetes

Total Page:16

File Type:pdf, Size:1020Kb

John Cassavetes Cinéma classique Rue du Premier-Film, Lyon 8e Du 29 août au 6 octobre 2019 © Sam et Larry Shaw Rétrospective John Cassavetes John En attendant Francis Ford Coppola Soirée Marlon Brando Cassavetes Hommage à Roger Planchon Avant-première : Les Misérables Nuit John Carpenter Shadows Un enfant attend Rosemary’s Baby ou Les Douze de John Cassavetes (1959, 1h27) de John Cassavetes (1963, 1h42) salopards : Cassavetes est de Je 19/09 en présence de Ve 20/09 – Ma 24/09 – Me 25/09 retour au cinéma indépendant. Sophie Soligny – Ma 24/09 – – Sa 28/09 Faces s’installera comme une Me 2/10 – Ve 4/10 Jean Harlan (Judy Garland), œuvre fondamentale de sa New York, années 1950. Benny, professeur de musique, propose filmographie et marquera Hugh et Lelia rêvent d’écriture, ses services à l’institution pour l’histoire du cinéma. de musique et de jazz... Loin des enfants autistes du docteur studios, Cassavetes expérimente Clark (Burt Lancaster). Très vite, Husbands une liberté totale et déclare son elle s’attache au jeune Reuben, de John Cassavetes (1970, 2h11) amour à ses comédiens, au un garçon isolé, abandonné Ma 3/09 présenté par Fabrice jazz et à la mise en scène. Ce par ses parents… Un plaidoyer Calzettoni – Sa 7/09 – Di 8/09 premier film sera récompensé émouvant en faveur du droit à – Ve 13/09 au festival de Venise. Une œuvre la différence. Trois quarantenaires, Archie, révolutionnaire. Harry et Gus, perdent leur Faces quatrième ami Stuart. Afin Rétrospective Too Late Blues de John Cassavetes (1968, 2h09) d’échapper au chagrin, ils partent de John Cassavetes (1961, 1h43) Je 5/09 – Ve 6/09 – Sa 21/09 – quelques jours, propices à une Je 26/09 Séance unique Ve 27/09 profonde remise en question… La déchéance d’un groupe Richard, marié à Maria, s’éprend Cassavetes s’entoure de ses John Cassavetes de jazz, qui, refusant le de Jeannie, une call-girl. Il acolytes favoris Peter Falk et Ben Du vendredi 30 août au dimanche 6 octobre conformisme ambiant, se l’annonce à sa femme, des Gazzara pour signer une ode à déchire... Doté d’un superbe disputes éclatent... Trois ans l’amitié et à la vie. noir et blanc, Too Late Blues de travail qu’il finança par est le premier film tourné en ses prestations d’acteur dans ohn Cassavetes, acteur de formation, liberté qui fera sa légende (Faces, Une femme sous studio pour Cassavetes, à la entame sa carrière de cinéaste en 1959 avec influence, Opening Night …). Paramount. Shadows sans savoir qu’il marquera à jamais Accompagné d’une troupe d’acteurs d’exceptions : Jles cinéphiles du monde entier. À l’image de la Ben Gazzara, Peter Falk, Seymour Cassel et Nouvelle Vague en France, il a bouleversé les codes l’époustouflante Gena Rowlands, son épouse, il du cinéma américain, délaissant les expériences est le père du Nouvel Hollywood qui bouleversera douloureuses de grands studios hollywoodiens le cinéma américain. pour une production indépendante d’une totale Soirée d’ouverture Rencontre avec P2 Mardi 3 septembre à 19h30 Sophie Soligny P3 - Présentée par Fabrice Calzettoni L’auteure de la nouvelle et indispensable - Husbands de John Cassavetes (1970, 2h11) biographie L’Impossible Monsieur Cassavetes (Séguier) sera présente pour évoquer la vie et Les séries des cinéastes, l’œuvre du cinéaste. John Cassavetes Jeudi 19 septembre Mardi 10 septembre à 19h Dès 18h, retrouvez Sophie Soligny pour une John Cassavetes – De Johnny Staccato signature de son livre à la Librairie Cinéma de à Columbo l'Institut Lumière. Par Fabrice Calzettoni En 1972, Peter Falk impose à la production de 18h45 — Shadows de John Cassavetes Columbo que le prochain tueur soit son ami John (1959, 1h27) Cassavetes, déjà vedette dans Johnny Staccato. 21h — Meurtre d’un bookmaker chinois (1976, 1h48) Du jeudi 29 août au dimanche 6 octobre 2019 Résultat sans faute pour l’épisode Symphonie en de John Cassavetes Du jeudi 29 août au dimanche 6 octobre 2019 - noir : une des plus belles enquêtes de la série, Les deux séances seront présentées, Shadows - où la complicité des deux compères transpire à sera suivi d’une discussion avec Sophie Soligny chaque séquence. À la pause, signature du livre INSTITUT LUMIÈRE Husbands INSTITUT LUMIÈRE Minnie et Moskowitz Meurtre d’un bookmaker Gloria de John Cassavetes (1971, 1h56) chinois de John Cassavetes (1980, 2h01) er Sa 31/08 – Ma 3/09 – Sa 14/09 de John Cassavetes (1976, 1h48) Ve 30/08 – Di 1 /09 – Sa 7/09 – – Sa 5/10 Je 19/09 en présence de Sophie Ve 13/09 AVANT-PREMIÈRE Moskowitz, un gardien de Soligny – Di 22/09 – Ve 27/09 – Une femme se retrouve en charge parking solitaire, rencontre Ma 1er/10 (Villa Lumière) d’un jeune garçon dont le père Mercredi 25 septembre Minnie, une femme élégante et À Los Angeles, Cosmo Vittelli est est poursuivi par la mafia... De à 19h15, en présence raffinée qui travaille au Musée tenancier de boîte de nuit. Ayant retour à Hollywood, Cassavetes d’Art moderne. Leur admiration une dette auprès de la mafia, il s’adonne sans retenue au film de de Ladj Ly et pour le cinéma et Humphrey doit rembourser ou tuer son genre et affirme une autre facette Bogart semble bien être leur seul bookmaker... Cet opus, d’abord de son cinéma. Le film connut un de l’équipe du film point commun… Une comédie sorti en France sous le titre Le Bal succès mondial, Gena Rowlands sentimentale et furieuse au des vauriens, revêt tous les codes fut nommée pour l’Oscar de la service d’une histoire d’amour du film noir. Cosmo, qui combat meilleure actrice et Cassavetes entre tendresse et agression, les puissances de l’argent, est décrocha le Lion d’Or à Venise. l’œuvre la plus optimiste et Ben Gazzara qui hypnotise en Le film coup de poing jubilatoire de John Cassavetes. loser sublime. Un film qui prend Love Streams le pouls de la rue. de John Cassavetes (1984, 2h20) du dernier Festival Une femme sous influence Me 4/09 – Ma 10/09 – Je 26/09 de John Cassavetes (1974, 2h35) Opening Night – Sa 28/09 de Cannes Ve 30/08 – Sa 31/08 – Di 15/09 de John Cassavetes (1978, 2h24) Robert est un romancier –Je 3/10 – Sa 5/10 Me 4/09 – Ve 6/09 – Ve 4/10 – Di alcoolique. Sarah, sa sœur, en La fragile Mabel s’ennuie 6/10 pleine procédure de divorce, chez elle tandis que son mari, Myrtle Gordon, comédienne de débarque chez lui et tente contremaître, est dévoré par théâtre adulée et penchée sur de reconstruire leurs vies à son travail... Le couple le plus la bouteille, assiste à la mort la dérive... Le dernier film du prolifique et le plus fascinant du accidentelle d’une admiratrice cinéaste convoque l’indicible, Au cinéma le 20 novembre cinéma indépendant américain ces torrents (“streams”) de qui venait de lui crier son Remerciements Le Pacte offre ici une plongée dans adoration... Témoignage de la désespoir et de sentiments le quotidien des Américains deuxième passion de Cassavetes, qui submergent les individus. middle-class. Un magnifique le théâtre, Opening Night est Cassavetes, déjà malade, portrait de femme, une Gena un film extraordinaire sur les reprend le rôle initialement Rowlands époustouflante. apparences, les métamorphoses tenu par Jon Voight au théâtre et le temps qui passe. de façon bouleversante. Se souvenir de Roger Planchon Soirée en présence de ses amis et collaborateurs Lundi 30 septembre à 20h P4 P5 Hommage au directeur de théâtre, metteur en scène, cinéaste et acteur - français, cher aux Lyonnais. Il créa et dirigea le Théâtre de la Cité de Villeurbanne, obtenant le sigle TNP en 1972. En partenariat avec Auvergne-Rhône-Alpes Cinéma et Les Films du Losange. Louis, enfant roi de Roger Planchon (1993, 2h40, coul.) 1648, la fronde. Dans la tourmente de cette guerre fratricide, un enfant fait l’apprentissage du pouvoir : formation morale, religieuse et sexuelle de celui qui fonda la première monarchie absolue du monde... Une reconstitution fidèle et théâtrale de la grande Histoire, présenté au Festival de Cannes en 1993. Premier film aidé par Rhône-Alpes Cinéma, dont Roger Du jeudi 29 août au dimanche 6 octobre 2019 - Du jeudi 29 août au dimanche 6 octobre 2019 Planchon fut le créateur et le président jusqu’à sa mort - en 2009. Copie restaurée par Les Films du Losange au laboratoire Lumières Numériques (Lyon) en partenariat avec Auvergne- Rhône-Alpes Cinéma INSTITUT LUMIÈRE Gena Rowlands dans Opening Night INSTITUT LUMIÈRE C’EST LA RENTRÉE ! Soirée animée par Maelle Arnaud La séance du dimanche Jeudi 29 août à 20h Une sélection pour terminer le week-end en beauté Projection de The Doors d’Oliver Stone Rendez-vous dès 19h15 pour un verre de l’amitié dans la cour de la librairie et du café Lumière, rue du Premier-Film. FILMS ÉVÉNEMENTS Les Aventures Philadelphia Traffic Trois films chocs, tout juste restaurés, pour démarrer l’année de Rabbi Jacob de Jonathan Demme de Steven Soderbergh de Gérard Oury (1973, 1h35, coul.) (1993, 2h05, coul.) (2000, 2h27, coul.) Easy Rider Sa 31/08 – Di 1er/09 – Di 29/09 Di 8/09 – Di 22/09 Di 15/09 – Di 6/10 de Dennis Hopper (1968, 1h34, coul.) Le combat d’Andrew Beckett Un juge de la Cour Suprême de Di 8/09 – Ma 10/09 – Sa 14/09 – Ve 20/09 – Sa 21/09 Les aventures de Victor Pivert (Tom Hanks), brillant avocat l’Ohio, un policier mexicain, des Sur la route, avec deux motards, entre communautés (Louis de Funès), homme d’affaires irascible et foncièrement persuadé d’avoir été licencié agents infiltrés de la DEA, une hippies et trip acide.
Recommended publications
  • I'm a Sicilian American
    I’m a Sicilian American Dedicated to my parents Gaetano and Rosa Alessi Coniglio and my eldest brother Guy , who came to America in 1913 and 1914 from Serradifalco, SICILY . I’m a Sicilian American. I’m a Sicilian American. I’m the son of immigrants who left a land of history and beauty, of poets and dreamers, volcanoes and olive trees. A land that taught the world what a modern nation could be, before most modern nations existed. A land that formed the largest country, The Kingdom of the Two Sicilies , from Naples and Abruzzo to Messina and Palermo, that was subsumed into the new ‘Kingdom of Italy’ after the ‘unification’. My parents left because for all its lore and loveliness, and their fierce pride in it, Sicily was poor and demeaned, and could offer little hope for their family’s future. I’m a Sicilian American. My heritage includes mythical Persephone, Vulcan, and Icarus; Greek scholars Archimedes, Empedocles and Diodorus Siculus; composers Bellini and Scarlatti, and writers Verga and Sciascia. I’m a Sicilian American. I’m Antonio Crisafi. I came before there was a United States and in 1696 commanded the fort at Onondaga. I’m Padre Saverio Saetta, who died in 1695 while bringing Christianity to the New World. I’m Enrico Fardella, who fought against the Bourbons in Sicily, one of the first people’s revolutions in Europe, in 1848, and then became a brigadier general in America’s Civil War. I’m a Sicilian American. I’m a descendant of Southern Italian immigrants who formed 80% of the ‘Italians’ who came to America in the ‘Great Migration’ of the late 1800s and early 1900s, most, from the island of Sicily.
    [Show full text]
  • Series 28: 7) John Cassavetes, KILLING of a CHINESE BOOKIE (1976, 135 Minutes)
    March 11, 2014 (Series 28: 7) John Cassavetes, KILLING OF A CHINESE BOOKIE (1976, 135 minutes) Directed by John Cassavetes Cinematography by Mitch Breit Ben Gazzara ... Cosmo Vittelli Timothy Carey ... Flo Al Ruban ... Marty Reitz JOHN CASSAVETES (director) (b. John Nicholas Cassavetes, December 9, 1929 in New York City, New York—d. February 3, 1989 (age 59) in Los Angeles, California) directed 16 films and TV shows, which are 1986 Big Trouble, 1984 Love Streams, 1980 Gloria, 1977 Opening Night, 1976 The Killing of a Chinese Bookie, 1974 A Woman Under the Influence, 1972 “Columbo” (TV Series), 1971 Minnie and Moskowitz, 1970 Husbands, 1968 Faces, 1966 “Bob Hope Presents the Chrysler Theatre” (TV Series), 1962-1963 “The Lloyd Bridges Show” (TV Series), 1963 A Child Is Waiting, 1961 Too Late Blues, 1959-1960 “Johnny Staccato” (TV Series), and 1959 Shadows. He also wrote 14 films and TV shows—2010 Antes del estreno (original story), MITCH BREIT (cinematography) has been cinematographer for 1999 Gloria (1980 screenplay), 1997 She's So Lovely, 1984 Love 2 films: 1976 The Killing of a Chinese Bookie and 1974 A Streams, 1980 Gloria, 1977 Opening Night, 1976 The Killing of Woman Under the Influence. a Chinese Bookie, 1974 A Woman Under the Influence, 1971 Minnie and Moskowitz, 1970 Husbands, 1968 Faces, 1966 “Bob BEN GAZZARA ... Cosmo Vittelli (b. Biagio Anthony Gazzara, Hope Presents the Chrysler Theatre” (TV Series), 1961 Too Late August 28, 1930 in New York City, New York—d. February 3, Blues, and 1959 Shadows—and edited 2—1968 Faces and 1959 2012 (age 81) in New York City, New York) appeared in 133 Shadows.
    [Show full text]
  • Texte Intégral (PDF)
    Document généré le 27 sept. 2021 02:58 Séquences La revue de cinéma Sur nos écrans Numéro 109, juillet 1982 URI : https://id.erudit.org/iderudit/51015ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu (1982). Compte rendu de [Sur nos écrans]. Séquences, (109), 33–48. Tous droits réservés © La revue Séquences Inc., 1982 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ • •••a ••**! vISSING (Porté disparu...) • En fication de l'oeuvre. S'il entre dans le débat politi­ attribuant sa Palme d'or conjointement à que, il court le danger de négliger la portée du film deux films politiques: Missing et Yol, le en soi, au bénéfice des positions idéologiques Festival de Cannes vient de souligner, préétablies. pour la deuxième fois consécutive, le rôle Ayant vécu pendant seize ans en Amérique croissant du cinéma comme témoin de notre temps. latine, j'ai pu me rendre compte des complexités qui L'année dernière, c'était L'Homme de Fer qui exal­ caractérisent chacun des pays dans cette région.
    [Show full text]
  • CABARET MAXIME Lands US Distribution Rights at Giant Pictures, Sets Premiere Date for February 2020
    CABARET MAXIME lands US Distribution Rights at Giant Pictures, sets premiere date for February 2020 New York, NY – December, XX, 2019 – Giant Pictures has acquired the US rights for Bruno de Almeida's new movie, Cabaret Maxime, starring Michael Imperioli. It will open theatrically at the Metrograph in NYC on February 21st, ahead of a national, multi-platform rollout on March 3rd. Michael Imperioli plays Bennie Gazza, the owner of Cabaret Maxime, a nightclub in an old, red-light district where a group of colorful characters perform musical numbers, as well as burlesque and striptease acts. Bennie runs the cabaret like a tight family, dealing with each artist’s unique personality while taking care of his performer wife, Stella, who suffers from manic depression. When the once-decadent neighborhood starts to become gentrified, Bennie struggles to keep his club afloat. As the residents are being bought up and pushed out, Benny is violently threatened when he refuses to sell. The pressure builds to a dramatic climax as Benny is forced to take a stand against the powers that be. Michael Imperioli is best known for his Emmy-winning role as Christopher Moltisanti on the HBO television series, The Sopranos. In 1990, he made his film debut as Spider in Martin Scorsese's, Goodfellas. He has since appeared in more than 90 feature films and television series. He has worked with such notable directors and actors as Martin Scorsese, Spike Lee, Abel Ferrara, Peter Jackson, Walter Hill, Mary Harron, Cindy Sherman, Ben Gazzara, Robert De Niro, Rachel Weisz, Christopher Walken, Joe Pesci, Edie Falco, James Gandolfini, and many others.
    [Show full text]
  • A Level Drama and Theatre Studies
    A LEVEL DRAMA AND THEATRE STUDIES A LEVEL DRAMA AND THEATRE STUDIES SUMMARY OF ASSESSMENT Component 1: Theatre Workshop Non-exam assessment: Internally assessed, externally moderated - 20% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of a piece of theatre based on a reinterpretation of an extract from a text chosen from a list supplied by WJEC. The piece must be developed using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company. Learners must produce: • a realisation of the performance or design • a creative log Component 2: Text in Action Non-exam assessment: externally assessed by a visiting examiner - 40% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of two pieces of theatre based on a stimulus supplied by WJEC: 1. a devised piece using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company (a different practitioner or company to that chosen for Component 1) 2. an extract from a text in a different style chosen by the learner. Learners must realise their performance live for the visiting examiner. Learners choosing design must also give a 5-10 minute presentation of their design to the examiner. Learners produce a process and evaluation report within one week of completion of the practical work. Component 3: Text in Performance Written examination: 2 hours 30 minutes 40% of qualification Sections A and B Open book: Clean copies (no annotation) of the two complete texts chosen must be taken into the examination.
    [Show full text]
  • Cinema Sundays Continues Its Look at Television with the Deliciously Racy Masters of Sex
    Hosted by TED WALCH Sundays at 3PM in the Ahmanson Lecture Hall Harvard-Westlake School, Coldwater Campus Sponsored by the Kutler Center Silent film star Harold Lloyd plays an everyman who challenges the world around him. He’ll take your breath away with his astonishing stunts, even as he keeps you laughing. OCT He’s a comic genius par excellence, and his granddaughter, SUZANNE LLOYD, SAFETY LAST! is a celebrated and riveting spokesperson for his films. She will be joined by pianist 01 MICHAEL D. MORTILLA who will accompany the film, live and in person, just as it might (1923) | 1h 7m have been back in the day. It’s a grand way to begin the season. An instant masterpiece, Get Out is a mystery thriller that grabs you by the throat every OCT time you start to laugh – and vice-versa. Host TED WALCH and A GUEST TO BE GET OUT ANNOUNCED will lead an invigorating discussion of this film, which has staked out new 08 territory in the barren field that is sometimes Hollywood. (2017) | 1h 44m JULIE COBB presents her father, Lee J. Cobb, in his larger-than-life portrayal of OCT ON THE a mob-corrupted union boss in Elia Kazan’s masterpiece, On the Waterfront. It’s an all-star cast, including Marlon Brando, Eva Marie Saint, Rod Steiger, and Cobb. WATERFRONT Leonard Bernstein’s score is the icing on the cake. Julie Cobb will be in charge. It’s 22 a Sunday not to be missed. (1954) | 1h 48m As a break-out experience for all of us, visual artist and magnetic presenter CRASH McCREERY will tell us the whole story behind the visual development and extraordinary FEB character design for the offbeat, richly entertaining animated Western Rango.
    [Show full text]
  • Episode Five: Bogdanovich, the Misunderstood
    EPISODE FIVE: BOGDANOVICH, THE MISUNDERSTOOD BURT REYNOLDS FROM THE TONIGHT SHOW: We have a mutual friend of course, Peter Bogdanovich. ORSON WELLES FROM THE TONIGHT SHOW: That’s right. As a matter of fact, you have me to thank for the fact that you were asked to be in the picture that was probably the least successful of any of your past. BEN MANKIEWICZ: That’s Orson Welles and Burt Reynolds on The Tonight Show back in 1978. The most popular late-night talk show of all time. Regularly seen in more than seven million homes. Reynolds was a guest host, sitting in for Johnny Carson. Reynolds had been in Peter’s last two movies. Both flops. ORSON WELLES FROM THE TONIGHT SHOW: My feeling was that the picture needed you. BURT REYNOLDS FROM THE TONIGHT SHOW: No, it needed a lot more. BEN MANKIEWICZ: Burt Reynolds was really famous at this point. 1978 was the first of five consecutive years when he was the most bankable movie star in the country. Orson, of course, was a famous director and actor. And one of Peter’s closest friends. Burt’s jokes Peter could handle. The jokes from Orson devastated him. PETER BOGDANOVICH: Yeah, they'd said some unpleasant things about me. Yeah, I was watching it. I sent Orson a note the next day saying, I was watching, I tuned in to see what you thought, how you guys were doing. Something like that. BEN MANKIEWICZ: Peter is telling me this story late last summer - 41 years had passed. And it’s still hard for him.
    [Show full text]
  • Movies and Mental Illness Using Films to Understand Psychopathology 3Rd Revised and Expanded Edition 2010, Xii + 340 Pages ISBN: 978-0-88937-371-6, US $49.00
    New Resources for Clinicians Visit www.hogrefe.com for • Free sample chapters • Full tables of contents • Secure online ordering • Examination copies for teachers • Many other titles available Danny Wedding, Mary Ann Boyd, Ryan M. Niemiec NEW EDITION! Movies and Mental Illness Using Films to Understand Psychopathology 3rd revised and expanded edition 2010, xii + 340 pages ISBN: 978-0-88937-371-6, US $49.00 The popular and critically acclaimed teaching tool - movies as an aid to learning about mental illness - has just got even better! Now with even more practical features and expanded contents: full film index, “Authors’ Picks”, sample syllabus, more international films. Films are a powerful medium for teaching students of psychology, social work, medicine, nursing, counseling, and even literature or media studies about mental illness and psychopathology. Movies and Mental Illness, now available in an updated edition, has established a great reputation as an enjoyable and highly memorable supplementary teaching tool for abnormal psychology classes. Written by experienced clinicians and teachers, who are themselves movie aficionados, this book is superb not just for psychology or media studies classes, but also for anyone interested in the portrayal of mental health issues in movies. The core clinical chapters each use a fabricated case history and Mini-Mental State Examination along with synopses and scenes from one or two specific, often well-known “A classic resource and an authoritative guide… Like the very movies it films to explain, teach, and encourage discussion recommends, [this book] is a powerful medium for teaching students, about the most important disorders encountered in engaging patients, and educating the public.
    [Show full text]
  • The One-Line Review Roxy
    Share Report Abuse Next Blog» Create Blog Sign In The One-Line Review A concise guide to the cinematic and televisual arts Search Roxy (2010) powered by Iain Stott USA Short Film Writer/Director/Cinematographer: Shirley Petchprapa A...B..C...D...E...F...G..H...I J...K...L..M...N...O...P..Q..R Cast: Damien Puckler, Roxy Puckler S...T...U..V...W..X...Y...Z There are echoes of J.D. Salinger’s A Perfect Day for Bananafish (1948) in Shirley Petchprapa’s intensely sensual and ethereally The Year in Film beautiful self-financed short film, which wallows in the poetry of the Play for Today (1970-1984) every day, finding the beauty in acts as simple as a man watching Obscure, Forgotten, Unloved television, running a bath, and even just cleaning his teeth, whilst his Beyond the Canon dog, Roxy – the film’s real star – lolls around with effortless elegance. The 50 Greatest Films Iain.Stott 1000 Essential Films Hidden Gems Films of the Decade Lists, Collections, Top Tens, Home Older Post etc The Large Association of Movie Blogs LABELS Adam Elliot (5) Alan Bennett (7) Alan Bleasdale (2) Alan Clarke (5) Alastair Sim (4) Alec Guinness (3) Alexander Mackendrick (1) Alfred Hitchcock (7) Algeria (1) Alison Steadman (5) Amy Adams (3) Andrew Dickson (3) Angus MacPhail (3) Animated Feature Documentary (1) Animated Feature Film (20) Animated Short Film (21) Animated Short Televsion Film (1) Anthony Dod Mantle (6) Apichatpong Weerasethakul (2) Argentina (10) Arthur Askey (3) Astaire and Rogers (2) Atom Egoyan (4) Audrey Hepburn (1) Australia (18) Austria (14)
    [Show full text]
  • MICHAEL EMERY Production Sound Mixer 6 Cypress Road, San Anselmo, CA 94960 (415) 459-6615
    MICHAEL EMERY Production Sound Mixer 6 Cypress Road, San Anselmo, CA 94960 (415) 459-6615 Employment ________________ * Feature METALLICA “SOME KIND OF MONSTER”, 2001-2003. Production Sound Mixer. Radical Media. Director: Joe Berlinger, Bruce Sinofsky. Producer: Joe Berlinger. TWEEK CITY 2002. Production Sound Mixer. Tweek City LLC.. Director:Eric Johnson. Producer: Eric Johnson. JERRY SEINFELD “DIARY OF A JOKE”, 2001. Production Sound Mixer. BridgNorth Films, Inc.. Director: Christan Charles. Producer: Gary Steiner. MARGRET CHO “I’M THE ONE THAT I WANT” 2000. Production Sound Mixer. ChoTaussig Productions. Director: Lionel Coleman. Producer: Margret Cho. AMERICAN PERFEKT 1996. Production Sound Mixer. Amanda Plummer, David Theuliss, Robert Forester, Louise Fletcher, Paul Sorvino. American Perfekt Productions. Director: Paul Chart. Producer: Irwin Kirshner. DREAM WITH THE FISHES 1996. Production Sound Mixer. David Arquette, Cathy Moriarty, Brad Hunt, Kathryn Erbe. 3 Ring Circus. Director: Finn Taylor. Producer: Finn Taylor . DEADFALL 1993. Production Sound Mixer. Nicholas Cage, James Coburn, Michael Biehn, Charlie Sheen, Peter Fonda, Talia Shire, Mickey Dolenz. Trimark/Deadfall Productions. Director: Christopher Coppola. Producer: Ted Fox. FARMER & CHASE 1995. Production Sound Mixer. Ben Gazzara, Laura Flynn Boyle, Todd Field. Red Sky Films. Director: Michael Seitzman. Producer: Doug Humphreys. HORSES & CHAMPIONS 1994. Production Sound Mixer. Timothy Bottoms. Augusta Grace Productions. Director: Jonathon Tydor. Producer: Joseph Ruiz. THE GUNFIGHTER 1997. Production Sound Mixer, Sound Designer, Sound Effects Editor. Martin Sheen, Robert Carradine. Commercial Pictures/Zoetrope Studios. Director: Christopher Coppola. Producer: Michael Danty. MAD CITY 1996. Production Sound Mixer, 2nd Unit. Dustin Hoffman, John Travolta, Mia Kirshner. Warner Brothers. Director: Costa Gavras. Producer: Arnold & Anne Kopelson. LIFE TASTES GOOD 1998.
    [Show full text]
  • Cinema-Booklet-Web.Pdf
    1 AN ORIGINAL EXHIBITION BY THE MUSEO ITALO AMERICANO MADE POSSIBLE BY A GRANT FROM THE WRITTEN BY Joseph McBride CO-CURATED BY Joseph McBride & Mary Serventi Steiner ASSISTANT CURATORS Bianca Friundi & Mark Schiavenza GRAPHIC DESIGN Julie Giles SPECIAL THANKS TO American Zoetrope Courtney Garcia Anahid Nazarian Fox Carney Michael Gortz Guy Perego Anne Coco Matt Itelson San Francisco State University Katherine Colridge-Rodriguez Tamara Khalaf Faye Thompson Roy Conli The Margaret Herrick Library Silvia Turchin Roman Coppola of the Academy of Motion Walt Disney Animation Joe Dante Picture Arts and Sciences Research Library Lily Dierkes Irene Mecchi Mary Walsh Susan Filippo James Mockoski SEPTEMBER 18, 2015 MARCH 17, 2016 THROUGH THROUGH MARCH 6, 2016 SEPTEMBER 18, 2016 Fort Mason Center 442 Flint Street Rudolph Valentino and Hungarian 2 Marina Blvd., Bldg. C Reno, NV 89501 actress Vilma Banky in The Son San Francisco, CA 94123 775.333.0313 of the Sheik (1926). Courtesy of United Artists/Photofest. 415.673.2200 www.arteitaliausa.com OPPOSITE: Exhibit author and www.sfmuseo.org Thursdays through co-curator Joseph McBride (left) Tuesdays through Sundays 12 – 4 pm Sundays 12 – 5 pm with Frank Capra, 1985. Courtesy of Columbia Pictures. 2 3 CONTENTS INTRODUCTION Italian American Cinema: From Capra to the Coppolas 6 FOUNDATIONS: THE PIONEERS The Long Early Journey 9 A Landmark Film: The Italian 10 “Capraesque” 11 The Latin Lover of the Roaring Twenties 12 Capra’s Contemporaries 13 Banking on the Movies 13 Little Rico & Big Tony 14 From Ellis Island to the Suburbs 15 FROM THE STUDIOS TO THE STREETS: 1940s–1960s Crooning, Acting, and Rat-Packing 17 The Musical Man 18 Funnymen 19 One of a Kind 20 Whaddya Wanna Do Tonight, Marty? 21 Imported from Italy 22 The Western All’italiana 23 A Woman of Many Parts 24 Into the Mainstream 25 ANIMATED PEOPLE The Golden Age – The Modern Era 26 THE MODERN ERA: 1970 TO TODAY Everybody Is Italian 29 Wiseguys, Palookas, & Buffoons 30 A Valentino for the Seventies 32 Director Frank Capra (seated), 1927.
    [Show full text]
  • February 13-16 2014 People’S Choice Which Films Rock Your World? Take 10 Seconds to Vote
    FEBRUARY 13-16 2014 PEOPLE’s ChoiCE Which films rock your world? Take 10 seconds to vote. Grab a ballot, or, new this year, save a welcome tree and vote with your smart phone! Bribes not accepted. Winners Announced Closing Night. This year we're celebrating 10 years of amazing and fantastic love between the hip, legend- ary film audiences of Boulder and the very best of international film. You’ll be seeing many of these films on new-state-of-the art DCP technology, courtesy of long-time sponsor, RealD, who has also donated a big screen they engineered using their own groundbreaking technol- ogy. It’s new, it’s hot, and we cannot wait to see the first 3D film ever to be screened at the Boulder Theater! (Mr. Hublot - in Shorts Program) On opening night, we're thrilled to host a pre-release screening of one of the funniest, most- talked-about films of 2014, Fading Gigolo, starring John Turturro as a middle-aged man who becomes an "escort." Woody Allen plays his pimp. Turturro wrote this film, and he gives Allen one of his best acting roles in decades. On Friday night, Valentine's Day, we have created a spectacular new event called a "Foovie" (food and movie) with French appetizers, sparkling wine and chocolate, accompanied by a screening of the hit French movie, Le Chef, a luscious, flavorful restaurant film winning hearts in France. The Foovie is at eTown Hall, so there are only 200 tickets; we’ll host a drawing to win a $10,000 pair of one-of-a-kind earrings by Todd Reed.
    [Show full text]