Sound Film Amplification & Synchronization

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Sound Film Amplification & Synchronization • Edison Kinetophone • Gaumont Chronophone • 1907 Audion tube • Lee De Forest • De Forest Phonofilm • Optical sound on film A.T.&T. Bell Labs Western Electric Microphones & Loudspeakers Sound on Disk Warner Bros. • Harry, Jack, Sam, & Al Warner • Vitaphone • DON JUAN, August 6, 1926 • Sound on disk • Vitaphone music & effects • 8 synchronized sound shorts • THE JAZZ SINGER, October 6, 1927. • Singing, music, effects & a talking scene • 1928: THE SINGING FOOL -- $3 film • 1928: THE LIGHTS OF NEW YORK – first all talkie Hollywood & Sound • 1927 Feb Big Five agreement • ERPI (Electrical Research Products Inc.) • 1928 Feb Majors sign with AT&T/Western Electric/ERPI • 1928 – 220 Silent, 74 Sound 1929 – 38 Silent, 252 Sound • US Theaters wired for sound 1926-1931 Fox Movietone • Fox Case optical sound on film • 1927 April 30 Movietone News premieres • 1927 May 20 Lindbergh Radio • 1895 Guglielmo Marconi 1874 -1937 • Wireless Telegraph – Point to point • World War I – research, training, military use • 1919 – Radio Corporation of America – RCA • 1920 – KDKA Pittsburgh – First Broadcast Station • 1922 – Toll (commercial) Broadcasting • 1922 – Network Radio • 1926 – RCA creates NBC Radio Network • 1927 -- CBS Radio Network • RCA, NBC & David Sarnoff 1891 - 1971 R.K.O. • RCA Photophone • Optical sound on film • FBO -- Kennedy’s Film Booking Office • Keith-Albee-Orpheum • Radio Pictures 1929 • RCA RKO NBC – David Sarnoff • Paramount Vitaphone CBS – Adolph Zukor • Fox Loews-MGM First National • Loew’s Inc Pres. Nicholas Schenck • 1929 October Stock Market crash • The Big 5 Sound Changes in Production – sound stages, motorized cameras, microphones Sound Changes in Exhibition – wiring the theaters Early Sound Films – part talkies Early Sound Stars – voices tested; influx of new talent from stage & radio Early Sound Genres – The Musical Busby Berkeley Astaire/Rogers at RKO Early Sound Genres – Gangster Films .

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A Timeless Introduction in MOTION PICTURE SOUND RECORDING
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Abstract Acknowledgments TOC 2
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