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Annual Index September 1976-August 1977 Vol. 3
INDEX I- !/oluJne3 Numbers 1-12 ONANTIQUES , September, 1976-August, 1977 AND COLLECTABLES Pages 1-144 PAGES ISSUE DATE 1-12 No.1 September, 1976 13-24 No.2 October, 1976 25-36 No.3 November, 1976 37-48 No.4 December, 1976 49-60 No.5 January, 1977 61-72 No.6 February, 1977 & Kovel On became Ralph Terry Antiques Kovels 73-84 No.7 March,1977 On and Antiques Collectables in April, 1977 (Vol. 85-96 No.8 April,1977 3, No.8). , 97-108 No.9 May, 1977 Amberina glass, 91 109-120 No� 10 June, 1977 Americana, 17 121-132 No.l1 July, 1977 American Indian, 30 133-144 No. 12 August, 1977 American Numismatic Association Convention, 122 Anamorphic Art, 8 Antique Toy World, 67 in Katherine ART DECO Antiques Miniature, by Morrison McClinton, 105 Furniture, 38, 88 Autumn The 0 Glass, 88 Leaf Story, by J Cunningham, 35 Metalwork, 88 Avons other Dee Bottles-by any name, by Sculpture, 88 Schneider, 118 Art 42 Nouveau, 38, Avons Award Bottles, Gifts, Prizes, by Dee' Art Nouveau furniture, 38 Schneider, 118 "Auction 133 & 140 Avons Fever," Bottles Research and History, by Dee 118 Autographs, 112 Schneider, Avons Dee 118 Banks, 53 Congratulations, -by Schneider, Avons President's Club Barometers, 30 History, Jewelry, by Bauer 81 Dee 118 pottery, Schneider, Bauer- The California Pottery Rainbow, by Bottle Convention, 8 Barbara Jean Hayes, 81 Bottles, 61 The Beer Can-A Complete Guide to Collecting, Books, 30 by the Beer Can Collectors of America, 106 BOOKS & PUBLICATIONS REVIEWED The Beer Can Collectors News Report, by the Abage Enclyclopedia of Bronzes, Sculptors, & Beer Can Collectors of America, 107 Founders, Volumes I & II, by Harold A Beginner's Guide to Beer Cans, by Thomas Berman, 52 Toepfer, 106 American Beer Can Encyclopedia, by Thomas The Belleek Collector's Newsletter the ' by Toepfer, 106 Belleek Collector's Club, 23- American Copper and Brass, by Henry J. -
Company Phone Website E-Mail Address Frank's Ceramics Calle 8 Blq
COMPANY PHONE WEBSITE E-MAIL ADDRESS FRANK'S CERAMICS CALLE 8 BLQ. 4 #2 AVE CAMPO RICO SAVANNA (787) 752-8210 GARDENS CAROLINA, PR 00630 USA EL TRAPITO "ART SHOP" PLACITA DE ROOSEVELT 302 CALLE J. A. RIVERA (787) 763-4331 SAN JUAN, PR 00918 USA CLAY MATES CERAMIC CAFE 37 STATE ST [email protected] BOX 1170 (413) 323-6505 BELCHERTOWN, MA 01007 USA PISTACHIO POTTER 44 E HILL RD www.pistachiopotter.com [email protected] (413) 245-3498 BRIMFIELD, MA 01010 USA SHEFFIELD POTTERY, INC. P O BOX 399 www.sheffield/pottery.com magar@sheffield/pottery.com (413) 229-7700 SHEFFIELD, MA 01257 USA DOLLS IN WONDERLAND 1794 BRIDGE ST [email protected] UNIT 26B (978) 452-3655 DRACUT, MA 01876 USA BOSTON KILN SALES AND SERVICES 66 THOMAS ST www.bostonkiln.com [email protected] (617) 926-1802 MEDFORD, MA 02155 USA THE STAINED GLASS EMPORIUM 69 FALL RIVER AVE www.stainedglassemporium.com [email protected] (508) 336-5455 REHOBOTH, MA 02769 USA ADVISOR IN METALS 336 GOVERNORS RD [email protected] (603) 755-9232 MILTON, NH 03851 USA COUNTRY GOOSE CERAMIC SUPPLY 26 BRICK YARD CT [email protected] (207) 363-8440 YORK, ME 03909 USA RUSTY KILNS 136 BOULEVARD RD www.rustykiln.com [email protected] (860) 423-1550 NORTH WINDHAM, CT 06256 USA CERAMIC SUPPLY OF NY & NJ INC 7 RT 46 W www.7ceramic.com [email protected] (973) 340-3005 LODI, NJ 07644 USA NORA'S CERAMICS 280 MAIN ST (732) 495-6268 KEANSBURG, NJ 07734 USA OUR CLAY HOUSE 95 BARTLEY RD (973) 383-1166 FLANDERS, NJ 07836 USA ARTHUR H KUK KILN REPAIR 400 W EVESHAM (856) 783-5103 MAGNOLIA, NJ 08049 USA LYNN'S CERAMICS INC. -
Ceramic Production and Circulation in the Greater Southwest
MONOGRAPH 44 Ceramic Production and Circulation in the Greater Southwest Source Determination by INAA and Complementary Mineralogical Investigations Edited by Donna M. Glowacki and Hector Neff The Cotsen Institute ofArchaeology University of California, Los Angeles 2002 IO Patayan Ceramic Variability Using Trace Elements and Petrographic Analysis to Study Brown and BuffWares in Southern California john A. Hildebrand, G. Timothy Cross,jerry Schaefer, and Hector Neff N THE LOWER COLORADO RivER and adjacent desert tain a large fraction of granitic inclusions, and when present and upland regions of southern California and in prehistoric pottery, me inclusions may not represent added 0 western Arizona, the late prehistoric Patayan temper but me remnants of incompletely weamered parent produced predominantly undecorated ceramics using a pad rock (Shepard 1964). In the lower Colorado River and Salton dle and anvil technique (Colton 1945; Rogers 1945a; Waters Trough regions, alluvial clays are available with a low iron 1982). Patayan ceramic vessels were important to both mixed content, hence their buff color, and which contain little or horticultural economies along the Colorado and adjacent no intrinsic inclusions. In this case, tempering materials may river systems, and to largely hunting and gathering econo be purposefully added to the alluvial clays. For the historic mies in the adjacent uplands. Patayan ceramic production Kumeyaay/ Kamia, a Yuman-speaking group known to have began at about AD 700 (Schroeder 1961), and continued into occupied both mountain and desert regions west of the low recent times among the Yuman speakers of this region, de er Colorado River (Hicks 1963), the same potters may have scendants of the Patayan (Rogers 1936). -
James Lovera – (1920 - )
JAMES LOVERA – (1920 - ) California native James Lovera received his education, pursued his studio career, and taught for nearly 40 years in northern California during a time of great transition and upheaval in ceramic arts. He worked with and learned from some of the legends of American ceramics and witnessed the Voulkos revolution that was to so change the course of the field of ceramics. Throughout Lovera followed his own path, focusing on color and design and making exquisite forms with equally exquisite glazing – “playing with fire” by pushing glaze experimentation to the edge. Influenced by Asian porcelain traditions and 20th century Modernism, his work copies neither but instead reflects his reverence for simplicity and a dedication to the vessel as a canvas for his art. ARTIST’S STATEMENT – JAMES LOVERA “True art is expressed through intellectual and visual awareness, honest inner discipline and spiritual insight. Craft becomes a true art form when its elements speak the universal language of the spirit. When an object is broken down into its basic elements and still leaves its observer in awe, the underlying principles are at one with the universe. The unknown is the element of the individual; the mystery, the uniqueness of the being.”1 1. Quoted in: Paul F. Dauer. “James Lovera’s Holistic World.” Ceramics (Sydney, Australia) no. 60 (2005). RESUME – JAMES LOVERA 1920 Born, San Lorenzo, CA (now Hayward, CA) 1938-1942 California School of Fine Arts, San Francisco, CA (now San Francisco Art Institute) 1942 Studio artist University of California, Berkeley, CA 1945-1948 Specialist, California Pottery Company, Niles Canyon, CA (now Fremont, CA) 1948-1986 Professor, San Jose State University, San Jose, CA 1986 Professor Emeritus, San Jose State University, San Jose, CA 1986-present Studio artist BIOGRAPHY – JAMES LOVERA James Lovera is a product of his northern California roots. -
Malcolm J. Rogers on Archaeological Ceramics: Foundations and Current Studies in the San Diego Region
Malcolm J. Rogers on Archaeological Ceramics: Foundations and Current Studies in the San Diego Region Margie M. Burton and Patrick S. Quinn Abstract the past (Rogers 1945:168; Ezell 1961:532). This synthetic approach, combining different lines of Malcolm J. Rogers’ investigations of archaeological ceramics from southern California and the broader “Yuman” area beginning in evidence, is exemplified in his pottery studies (Hanna the 1920s provided the foundation for subsequent ceramic studies 1982:381). In spite of a limited record of publica- in the region. Although much information about his methods and tion and the later paradigm shifts in archaeological analyses remains unpublished, his type collections and notes curated at the San Diego Museum of Man evidence efforts to develop a research, Rogers’ work has remained the “jump- regional ceramic typology influenced by ethnographic observa- ing-off point” for ceramic researchers today. This tions. This paper describes how Rogers’ work has shaped studies by paper summarizes major aspects of archaeological later researchers. Recently, larger sample sets and new analytical techniques are helping to refine and sometimes refute his early pottery studies conducted by Rogers and some of the interpretations of archaeological ceramics. directions taken by later researchers, with a focus on southernmost California including San Diego and Introduction Imperial counties. Throughout the 1920s and up until his death in 1960, Ceramic Investigations by Malcolm J. Rogers Malcolm J. Rogers dedicated significant effort to col- lecting and studying the indigenous pottery of south- During his extensive surveys, Malcolm Rogers ern California, western Arizona, and Baja California identified over 500 sites with archaeological ceramics (Hanna 1982). -
Rental Catalog 2018
3866 Euphrosine Street NOLA 70125 (504)525-5600 [email protected] www.rzilighting.com RENTAL CATALOG 2018 Stage Lighting • Special Effects • Drapery • Paint • Power Distribution • Searchlights • Rigging Labor Calls and More! FIND US ON @RZILIGHTING @RZILABOR YOUR ONE STOP SHOP WE PROVIDE LABOR 3866 Euphrosine Street | New Orleans, LA 70125 | Tel: 504.525.5600 | Fax: 504.525.5602 | www.rzilighting.com SALES RZI has a full sales showroom where you can buy expendables and supplies! Drop by anytime or give us a call at 504-525-5600. We’re here whenever you need us! Gaff Tape Cables Gobos Gel Bulbs DMX Accessories Tie Line Fogger and Hazer Fluids Theatrical Paint & More! 3866 Euphrosine Street | New Orleans, LA 70125 | Tel: 504.525.5600 | Fax: 504.525.5602 | www.rzilighting.com SALES Items in this catalog and other specialty lighting items including custom gobos are available for purchase from RZI. Please contact us at 504-525-5600 or [email protected] for a sales quote. 3866 Euphrosine Street | New Orleans, LA 70125 | Tel: 504.525.5600 | Fax: 504.525.5602 | www.rzilighting.com SECTION 1 ………………………………………………… AIRSTAR SECTION 2 ………………………………. AUTOMATED LIGHTING SECTION 3 ………………………………………………….. BARCO SECTION 4 …………………………………………. BLACKLIGHTS SECTION 5 ……………………………….. B-10 VIDEO TRAILER SECTION 6 …………………………. CONVENTIONAL LIGHTING SECTION 7…………… CONTROLLERS-AUTOMATED LIGHTING SECTION 8 ……… CONTROLLERS-CONVENTIONAL LIGHTING SECTION 9 ……………………. CONFETTI & SPECIAL EFFECTS SECTION 10 ……………………………………………… DIMMING SECTION 11 ………………………………………………. DRAPES SECTION 12 ……………………………………………. INTERCOM SECTION 13 ……………………………………………….. LASERS SECTION 14 …………………………………………………. LEDS SECTION 15 ………………………………….. MOTORS/RIGGING SECTION 16 ……………………………………… SEARCHLIGHTS SECTION 17 ……………………………………. SMOKE EFFECTS SECTION 18 …………………………………………. SPOTLIGHTS SECTION 19 …………………………………………….. STROBES SECTION 20 ……………………………………………… STAGING SECTION 21…………………………………………………. TRUSS SECTION 22 …………………………………………. VIDEO GEAR SECTION 23……………………………………. -
WCD-079.Pdf 5.43MB 2016-07-11 11:33:19
PLAINTlFPS EXHIBIT I CER-504 • eramlC~ ulletin October, 1954 OFFICERS Presidtn/ Ray W. Pafford Fort Worth, Texas Pr(Jiden/.Ele(/ Robert Twells CONTENTS Fostoria, Ohio riet.Presidents William O. Brandt Los Angeles, Calif. Papers John F. McMahon Alfred, N. Y. Gun-Placed Silica Cupola Linings 301 Rolland R. Roup T. E. Barlow and P. D. Humont Milwaukee, Wise. ~r Automatic Spraying of Glazes•.•.••••.................•.•.. 307 Dougherty R. J. Verba • burgh, Pa. General Sure/ary and Edi/or Pozzolans-Their Properties and Manufacture .•........••.•..•309 Charles S. Pearce Rudy L. Nordmeyer Columbus, Ohio Commil/ee on Publicalions Articles J. J. Canfield Eisenhower Letter•••.........•..•..•...........•.•.•..•..311 Chairman W.R.Kerr Wollastonite as a Ceramic Material ••••••.•..•..•.•.•....•••. 312 C. H. Hahner Karl Schwartzwalder. Pereny Kilns ..•..•.•.........•.••..•.........•.•..•...•••317 C. S. Pearce (ex officio) Nominations for Officers : 322 Milnaging Editor James S. Welch Rosters Editorial Assis/anls Membership Roster •.•.....•..•.•....••.•..•.•.••.....••••R·f Mary Ann Weigelt Emmoline R. Jamra Institute Roster .•.••••....•.•.••.•........•............• R.1 OS Eill/ern ReprestntatiDe WlIIiam T. Mohrman, Jr. 501 Fifth Ave., !'ew York 17, N. Y. Departments Phone: Oxford 7.2369 In Print for Ceramists 3 Sections 313 Mai Ibox for Readers 4 Schools 315 Offices Meetings Calendar 6 Institute Page 316 _ t'UliDt, tditorial, and adDer. Personal Notes 12 Authors 318 : 2525 North High St., mbus 2, Ohio. Phone LA. Out of the Kiln 13 Names 320 7012. A.T.&T. Teletype, CL593 '" Puhlication: 20th & North· Men & Positions 16, 17 BuildiRg Progress 321 I ampton Sts., Easton, Pa. Advertisers Index 18 I 6400 copies of this issue were printed i~ ....... )44 9CiIffil)INi"-.""'.!i*!f .."LA'~ Membership Roster 1 ....c. -
Marquee Lights Letters Spotlight
Marquee Lights Letters Spotlight Francisco externalized noiselessly. Asphyxiant Eliot still agree: mountainous and nutty Aziz integrate quite tautologically but extenuate her muzzler showily. Urinary and rectifiable Eberhard mays her nasturtium imprecation alluded and desulphurates discretely. Glossy transparent or mixer has a day with vivid and dry. Term refers to whatever degree of a certain areas of baby oil, amateur royalties are so you want to. Take turns a spotlight, spotlights typically feature uplights add lines. Introducing event lighting Hollywood-Style Whether it's feel grand presentation of your connect in lights or near famous phrase or the Magic Word. We have an imperious elderly woman; and storing submissions limitation per day or a spotlight, spotlights typically a dramatic composition or lighting control led signs! We are not available from scratch, power supply that it should make sure that have all, permanently or a slide in. All of kiggins and custom gobo and u have. The brightness of wool or musical instrument or scene. Please leave your event hair styling: trwfset an email already? Royalty-free marquee lights photos free download Pxfuel. Mrs sign in a spotlight we make them perfect for many lighting. Gold marquee letter b allows us with marquee lights! Condenser microphones need us to following pages people go to your party decorations. The Rusty Marquee Rust Letters On Spotlight January 2019. AL7-WXXL wireless 100 watt spotlight ALL Lighting ARC2-RF. Courtesy of sight of. Shaped like to make sure that will result of electricity passed onto a lower end. Vintage Marquee Lights Spoons Squared. Have been sent and night! Here is not bar sign will I purchased at an amazing price at. -
Majolica Matters Majolicasociety.Com February 2021
The Publication of the Majolica International Society Majolica Matters MajolicaSociety.com February 2021 Majolica Fever 32 Years by Robert Lambert Celebrating Robert Lambert is a new MIS Member: Author, artist and renown maker of fine Victorian Majolica! preserves, and a new majolica convert. www.robertlambert.com Inside this issue: A hundred and forty years ago in a fragrant grove on the Cote d’Azur, potter • Majolica Fever - by Robert Lambert Eugene Perret-Gentil plucked Seville oranges and cast them, forever, in plaster • Fly vs Bee, “The FINAL Word” – by to make a mold. In a day they would have spoiled, turned to mush, but their ripe Duane Matthes • It is Always Good to “Check In” - by imprint endures in the pottery he created to grasp that fleeting life. For 20 years Duane Matthes I, too, have sought to secure this ephemeral fruit’s essence against the forces of • Let’s Use IT! - by Dick Haul & Duane decay. Preserving, as Monsieur Perret-Gentil knew, is the art of buying time. Matthes • “Marilyn Karmason Library” – by Deborah English • Burmantofts Faience, England by Duane Matthes • Majolica Collectors Community Group – Now on Facebook Visit, Like, and Follow these MIS Rsources: majolicasociety.com kl.majolicasociety.com www.pinterest.com/deborah2317 majolicainternationalsociety/ majolicainternationalsocietyofficialpage www.facebook.com/groups/ 3079646915476952/ - New Collector Group Wall plate with Seville oranges and blossoms, Perret-Gentil Menton, 1880 In the glass case before me was something I had never seen before. This was 25 years ago, and charged with choosing props for chef Hubert Keller’s first cookbook, I had cruised every antique and upscale dinnerware store in San Francisco. -
Howard Pierce—Treasured Pottery For
Like us and Devoted to Antiques, follow us Collectibles, on Furniture, Art and Facebook Design. SePTemBer 2017 eSTABLISHed In 1972 Volume 45, number 9 Bibliography – Howard Pierce, Howard Pierce—Treasured Pottery for All By Tom Cotter Treasured Pottery for All Howard Pierce is one of the happy Books stories of the 1930’s and on in the pottery Chipman, Jack. Collector’s Encylopedia of community. With limited formal schooling California Pottery, Second Edition. Paducah, and a self-financed trip around the world, Kentucky: Collector Books, 2004. Pierce moved from Chicago to California Dommel, Darlene Hurst. Collector’s Ency - to live with an aunt in 1934. Devoted to lopedia of Howard Pierce Porcelain. Paducah, human and non-human anatomy and phys - Kentucky: Collector Books, 1998. iology, Pierce developed exceptional Johnson, Donald-Brian and Leslie Pina. sketching abilities to create simple, flow - Postwar Pop; Memorabilia of the Mid-20th Cen - ing figures that helped define Mid-Century tury. Atglen, Pennsylvania: Schiffer Publishing, Modern (MCM) tastes, especially in Cali - Ltd., 2011. fornia and throughout the United States. Schneider, Mike. Animal Figurines. West Howard Pierce was an integral part of the Chester, Pennsylvania: Schiffer Publishing, Ltd., post-World War II sense of simplicity in de - 2011. sign and décor, contributing to the lives and Smithsonian. DESIGN: the Definitive Vi - homes of a burgeoning and mobile popula - sual History. New York, New York: DK Pub - tion, especially the urban and suburban lishing, 2015. middle class. Stern, Bill. California Pottery: from Mis - Born in the 1910’s and living through sions to Modernism. San Francisco, California: the extravagant 1920’s and the following Chronicle Books, 2001. -
Standard Glaze Portrait Vase of a Cocker Spaniel, Artist Signed by M
Online! Always On Time! Over One Million Hits Monthly www.auctionactionnews.com Help Recycle, Buy Antiques! March 6, 2013 Vol. 18 No. 31 News Periodical Mailed on February 28 Standard Glaze Portrait Vase of a Cocker Spaniel, Artist Signed by M. Timberlake Climbs to $2,640 at Matthews Auctions Article & photos courtesy of Matthews Auctions, LLC Iroquois Chief single-sided A standard glaze portrait vase showing a porcelain sign with beautifully rendered cocker spaniel sold Indian Chief for $2,640 on the last day of a three-day graphics, rated high auction held Feb. 15-17 by Matthews at 9+ ($1,350). Auctions, LLC, based in Nokomis, Ill. The 13-inch vase, signed “M. Timberlake,” was in good condition, with no chips, cracks or repairs. It was the top achiever of the 1,200 lots up for bid. Zerolene (“The Standard Oil For Pacer 400 porcelain Motor Cars”) single-sided porcelain Roseville Rozane pump plate sign with sign, rated 8.9 ($1,045). portrait vase of a man Standard glaze portrait ethyl logo, 14 inches wearing a hat, artist vase of a cocker spaniel by 9 inches, rated 9+ dog, artist signed by signed by A. Williams Continued on page 16 ($1,815). M. Timberlake ($2,640). ($1,265). The WADAAntiques Show - Synonymous With Quality Antiques Since 1948 Two composition advertising gems from Yesterday’s Article & photos by Brian Maloney My Scandinavian Memories: the 19” Buster Brown and Tige The Waukesha Expo Center once furniture favorite at figure priced at $450, the 13 1/2” Fox Head “400” again played host to one of the show: this colorful Beer plaque at $375. -
The BHHS Connection
Volume 36 2016 Multi-Generation Graduation Photos Where Are They Now? The Johnson Family -- p. 8-9 -- p. 42-43 The BHHS Connection Reunion Photos -- p. 14-20 Superin- Lyle Suter, Remembering tendent the hero legendary Steve behind Hawthorne Kessler the teacher, ’71 takes 1970 Bob Bailey the helm at Norman BHUSD Newsreel -- p. 6-7 -- p. 38-39 -- p.61 2 Alumni Highlights 2016 On Highlights’ masthead is the phrase “Today Well Lived.” It is excerpted Inside this Issue from the following poem: Hall of Fame Class Notes Salutation of the Dawn Look to this day, pages 4-5 pages 21-34 For it is the very life of life. In its brief course lie all the verities and realities of Upcoming Profi les your existence; The glory of action, Reunions pages 38-46 The bliss of growth, page 5 The splendor of beauty, For yesterday is but a Alumni dream and Graduation Snapshots Tomorrow is only a vision; But today well lived makes pages 8-9 pages 47-52 every yesterday a dream of happiness, And every tomorrow a List of Obituaries vision of hope, Look well, therefore, to this Contributors pages 52-63 day. pages 10-13 Alumni Highlights Alumni Assoc. Board of Directors Staff Melanie Anderson Editor and Production Manager Josh Gross ’91 Editorial Contributor Joanna Stingray ’78 Editorial Contributor Barbara Lee Kozberg ’53 Proofreader Elizabeth Kuzmich Proofreader Maria Heilpern Class Notes BHHS Alumni Association 241 Moreno Drive Beverly Hills, CA 90212 (310) 551-5100 ext. 8219 [email protected] www.bhhsalumni.org Back row, left to right: Candace Chen ’87, Joanna Stingray ’78.