AMANDA ROSS-HO Born in 1975 in Chicago, IL Lives and Works in Los Angeles, CA
AMANDA ROSS-HO Born in 1975 in Chicago, IL Lives and works in Los Angeles, CA
EDUCATION 2006 MFA, University of Southern California Roski School of Art, Los Angeles, CA 1998 BFA, School of the Art Institute of Chicago, Chicago, IL 1997 Exchange Program: California College of Arts and Crafts, Oakland, CA
SOLO EXHIBITIONS
2019 HURTS WORST, Kunsthall Stavanger, Stavanger, Norway 2018 HURTS WORST, Mary Mary, Glasgow, Scotland November 2018 2017 THIS IS A DEVELOPING STORY, Lamar Dodd Gallery, University of Georgia, Athens, GA January 2018-February 28 CONTENTS AND INDEX, Kentucky Museum of Arts and Crafts, Louisville, Kentucky, December 2017-April 2018 UNTITLED PERIOD PIECE, Tramway, Glasgow, Scotland, November 2017 MY PEN IS HUGE, Mitchell-Innes and Nash, New York, NY, September 2017 Solo Presentation, INDEPENDENT BRUSSELS 2017, Praz-Delavallade, April 2017 UNTITLED PERIOD PIECE, Bonner Kunstverein, Bonn, Germany, January 2017 2016 STOP BATH, Michael Jon & Alan, Miami, Florida, December 2016 UNTITLED PERIOD PIECE, Vleeshal Center for Contemporary Art, Middleburg, Netherlands, September-December 2016 ETERNAL FLAME, The Pit II, Glendale, CA, June 2016 2015 HOW TO REMOVE DARK SPOTS, Praz-Delavallade, Paris, FR March 2015 2014 WHO BURIES WHO, The Approach, London, UK October 2014 Untitled Smock (ACCIDENT), “The Suburban” at The Museum of Contemporary Art Cleveland, part of Michelle Grabner, I Work from Home, Cleveland, OH USA 2013 THE CHARACTER AND SHAPE OF ILLUMINATED THINGS, Public Sculpture Commission, Museum of Contemporary Art Plaza, Chicago, IL July 2013 CRADLE OF FILTH, Shane Campbell Gallery, Chicago, IL, May 2013 GONE TOMORROW, Mitchell-Innes and Nash, New York, NY, April 2013 2012 AMANDA ROSS-HO: TEENY TINY WOMAN, Museum of Contemporary Art, Los Angeles, CA, June-October 2012 2011 TIME WAITS FOR NO ONE, The Approach, London, UK, May 2011 UNTITLED NOTHING FACTORY, Visual Arts Center, University of Texas, Austin, TX, January 2011 2010 A STACK OF BLACK PANTS, Cherry and Martin, Los Angeles, CA, November 2010 SOMEBODY STOP ME, Mitchell-Innes & Nash, New York, NY, April 2010 Project Series 40: Amanda Ross-Ho: The Cheshire Cat Principle, Pomona College Museum of Art, Claremont, CA, January-April 2010 2009 UNTITLED EVENT Hoet Bekaert, Gent, Belgium, October 2009 2008 HALF OF WHAT I SAY IS MEANINGLESS, Cherry and Martin, Los Angeles, CA, September 2008 2007 AMANDA ROSS-HO, Hoet Bekaert, Knokke, Belgium NOTHIN FUCKIN MATTERS, Cherry and Martin, Los Angeles, CA, February 2007 2006 gran-abertura, Western Exhibitions, Chicago, IL Don't Front (You Know I Got Cha Open), Cherry and Martin, Los Angeles, CA 2004 Season Finale, Western Exhibitions, Chicago, IL 2003 The Earth is Rotating with this Room as its Axis, Soap Factory, Minneapolis, MN Scene of Changery, Dogmatic, Chicago, IL
SELECTED GROUP EXHIBITIONS
FORTHCOMING: Your Presence is Encouraged, Nevine Mahmoud Residence, Los Angeles, (curated by Isabel Yellin), April 2021
2021 Usual Objects, Carrie Secrist Gallery, Chicago, IL. March-13-April-13, 2021 HANDBALL COURT, (virtual online exhibition), curated by Evan Trine, March 1, 2021. PATHOLOGICALLY SOCIAL, O-Town House, (organized by Scott Cameron Weaver and Mark Verabioff), January 2021 2020 I AM NOT THIS HAIR, I AM NOT THIS SKIN, I AM THE SOUL THAT LIVES WITHIN, (curated by Amir Fallah) Shulamit Nazarian, Los Angeles, September 2020 CRACK UP-CRACK DOWN, (curated by Slavs and Tatars), Ujazdowski Castle Centre for Contemporary Art, Warsaw, Poland, June 2019 Eleven Figures, (curated by John Connelly) The Atkinson Gallery, Santa Barbara City College, February 2020 1-31, (online exhibition curated by Adam Carr), Collecteurs.com, January 2020 18 LA Artists, Outono Projects Los Angeles, Los Angeles, CA January 2020 100 Sculptures, No Gallery, Los Angeles, CA January 2020
2019 Self-Preservation: With or Without Applause, Primary, Miami, FL December 2019 Cloud Chamber, Bernard A. Zuckerman Museum of Art, Kennesaw State University, Kennesaw, GA December 2019 EYES, NOSE, LIPS, ETC…2. (curated by Ryan Travis Christian), Ramp Gallery, London, UK November 2019 Le Magasin, Praz-Delavallade, Los Angeles, CA November 2019 Dune, University of California, Irvine, Irvine, CA October 2019 MASK. In Present-Day Art, Aargauer Kunsthaus, Aarau, Switzerland August, 2019 CRACK UP-CRACK DOWN: The 33rd Ljubljana Biennial of Graphic Arts, (curated by Slavs and Tatars), MGLC International Centre of Graphic Arts, Ljubljana, Slovenia June 2019, COLOR FIELD, Crystal Bridges Museum of American Art, Bentonville, Arkansas June 2019, travels to the Baker Museum, Naples, Florida November 2019 HALFWAYHOUSE, EXILE, Vienna, Austria March 2019 Subversive Stitch, TJ Boulting, London, UK February 2019
2018 Terres de Femmes, Praz-Delavallade, Paris, FR December 2018 Light in the Age of Darkness, Depart Foundation, Los Angeles, CA November 2018 West By Midwest, Museum of Contemporary Art Chicago, Chicago, IL November 2018 I Dream My Painting, Then I Paint My Dream, Unit 5, Los Angeles, CA October, 2018 Out of Line, September Gallery, Hudson, NY. July 21-September 2, 2018. 100 Sculptures (curated by Todd VonAmmon) Anonymous Gallery, Mexico City, DF September 2018 (Traveled to Paris, Anonymous Gallery pop-up, May 2019) In the Eye of the Beholder, EIU TARBLE ARTS CENTER, Charleston, IL. August, 2018 De Fils Ou De Fibres, Abbaye Saint André Centre d’art contemporain, Meymac, FR Wavelength: Re-set, Powerlong Museum, Shanghai, China This Brush for Hire: Norm Laich & Many Other Artists, Institute of Contemporary Art, Los Angeles, LA, CA. June 3–September 2, 2018 Intro by Alan Gutierrez, CCE Miami (Centro Cultural Español De Cooperacion Iberoamericana), Miami, Florida. March 8-April 18, 2018 TICK TOCK: Time in Contemporary Art, Lehman College Art Gallery, Bronx, New York. February 20-May 5, 2018 This is a Pipe, Shane Campbell Gallery, Chicago, IL. February 2018 SOFT FOCUS, Reyes Projects, Birmingham, MI. (curated by Ellie Rines) February 3-March 17, 2018. Ex-Corpse, AWHRHWAR, Other People’s Art Fair (OPAF), San Pedro, CA. February 3, 2018. Transitory Emplacements, McColl Center for Art + Innovation, Charlotte, NC. (Collaboration with Diedrick Brackens, curated by Sally Frater) January 25-May 5, 2018.
2017 The Embedded Message: Quilting in Contemporary Art, Visual Arts Center, Richmond, VA, December 2017 The Time. The Place. Contemporary Art from the Collection, Henry Art Gallery, Seattle, WA November 4, 2017-April 22, 2018 PIVOTAL: HIGHLIGHTS FROM THE COLLECTION, Orange County Museum of Art, Newport Beach, CA, October 2017 On Coldspring Lane, Assembly Point, London, UK (curated by Hannah Lees) July 2017 Brightsiders, Verge Center for the Arts, Sacramento, CA (curated by Adam Miller) (catalog) June 2017 99 Cents or Less, Museum of Contemporary Art Detroit, (curated by Jens Hoffman) (catalog) May 2017 Amanda Ross-Ho and Emily Mae Smith, INDEPENDENT BRUSSELS, Mary Mary, Glasgow April 2017 A beige-looking blob that resembles nightmares, Selena, Brooklyn, NY (curated by Philip VonZweck) March 2017 TOP FIVE BUDDY COP FILMS, Steve Turner Contemporary, (curated by Santi Vernetti) March-April 2017 I LOVE LA, Praz-Delavallade, Los Angeles, CA January-March 2017 'Curve of a hill like the curve of a green shoulder', Mary Mary, Glasgow, Scotland January – February 2017 CONDO, Emalin, London, UK January 2017 Third Space /shifting conversations about contemporary art, curated by Wassan Al- Khudhairi, Birmingham Museum of Art, Birmingham, AL (catalog) January 2017
2016 A Slow Succession with Many Interruptions, SFMOMA, San Francisco, CA December 2016- April 2017 L.A. Exuberance: New Gifts By Artists, LACMA, Los Angeles, CA October-April 2017 Hydroponic Forms, (curated by Joshua Callaghan and Bas Louter) Galerie Ampersand, Köln, DE September-November 2016 Cause the Grass Don't Grow And The Sky Aint Blue, Praz-Delavallade, Paris, FR July 2016-September 2016 PDF-OBJECTS, (curated by Jason Lazarus and Sean Ward), Mana Contemporary, Chicago, IL June-October 2016 not really really, Frédéric de Goldschmidt Collection, Brussels, Belgium June 2016 "Good Dreams Bad Dreams: American Mythologies", (curated by Massilmiano Gioni), Aishti Foundation, Beirut (catalog) June 2016 Cathedrals of Consumption, Spinello Projects, Miami, Fl May-July 2016 Display System 4 (Alice Konitz), Eastern Star Gallery, Los Angeles, CA April 2016 HET KAT SALON, Museum of Contemporary Art Antwerp, Antwerp, Belgium January – April 2016 HALFTIME IN AMERICA, Arturo Bandini, Los Angeles, CA Wasteland, LAND (LA Nomadic Division), Thaddaeus Ropac and Mona Bismarck Center, Paris, FR (catalog) March-July 2016 Ordinary Pictures, Walker Art Center, Minneapolis, MN (catalog) February-October 2016 Walk Artisanal, 3716 Eagle Rock Blvd, curated by Peter Harkawik and Miles Huston, Los Angeles, CA January 2016
2015 NO MANS LAND, The Rubell Family Collection, Miami, FL (catalog) Bloody Red Sun of Fantastic LA, PIASA, Paris, FR November (catalog) The John Riepenhoff Experience, Misako and Rosen, Tokyo, Japan Free Admission, Praz-Delavallade, Paris, FR A Painting is A Painting isn’t a Painting, Curated by Hamza Walker, Kadist Foundation, San Francisco, CA Feed the Meter, Curated by Wallace Whitney, Bernard Ceysson, Luxembourg, FR Monday Me, Curated by Kristen Van Deventer, Soccer Club Club (Drag City Records), Chicago, IL New Wave, Goss Michael Foundation, Dallas, TX Civilization and Its Discontents, (curated by Tyson and Scott Reeder) School of the Art Institute of Chicago, Sullivan Galleries, Chicago, IL Under Construction, Paramo, Guadajara, Mexico Thief Among Thieves, Museum of Contemporary Art Denver, Denver Colorado Womanhouse, Eric Firestone Gallery, East Hampton, NY Poses & Play, La Brasserie, Foncquevillers, FR wow! Woven? Entering the (sub)Textiles, Künstlerhaus Halle für Kunst & Medien, Graz, AT Small Sculpture, Shane Campbell Gallery, Chicago, IL SOGTFO, Francois Ghebaly, Curated by Charlie White, Los Angeles, CA Basement Folds, Claremont Graduate University Gallery, Claremont, CA
2014 Quelle beauté, quel calme. J'ai vu les nuages et, au loin, leur ombre légère. Yuri Gagarin (curated by Wilfried Huet), CNEAI, Chatou, FR SMALL Rome, Frutta, Curated by Adam Carr, Rome, Italy CEMETARIUM, Regina Rex at Emerson Dorsch, Miami, FL Of My Affection, Anonymous Gallery, Mexico City Saying Yes to Everything, (curated by Corinna Peipon) Honor Fraser, Los Angeles, CA Another Cats Show, 356 Mission, Los Angeles, CA The White Album, Richard Telles, Los Angeles, CA Summer & sUMMER, Michael Jon Gallery, Miami, FL and Detroit, MI Picture This, SALTS/Kunst Halle Sankt Gallen, Birsfelden, Switzerland BIEN OU BIEN?, mon Cheri, Brussels, Belgium Fragmented Realities, Delaware County Community College, Media, PA Tragedy + Time, Public Fiction/Hammer Museum, (curated by Lauren Mackler and Sarah Lehrer-Graiwer as part of Made in LA 2014), Los Angeles, CA Infinitude, Roberts and Tilton, Los Angeles, CA Unfinished Season, Curated by Marc LeBlanc, Galerie Christian Nagel, Cologne, Germany Inaugural Show, Loudhailer Gallery, Los Angeles, CA Amy+John+Amanda, (Amy Yao, John Riepenhoff, Amanda Ross-Ho) Artist Curated Projects, Los Angeles, CA I Just Came to Say Hello, Curated by Alexej Meschtschanow, Klemm’s, Berlin, Germany Shakti, Brand New Gallery, Milan,Italy
2013 You Are Here, Worcester Art Museum, Worcester, MA Febreze, Kinman, London, UK ANAMERICANA, American Academy in Rome, curated by Vincenzo de Bellis, Rome, Italy In the Cut: Collage as Idea, Australian Centre for Contemporary Art, Melbourne, Australia Camp Paradox Days, The University of the Arts Rosenwald-Wolf Gallery, Philadelphia, PA. Culm, Night Gallery, Los Angeles, CA TEN YEARS, Wallspace, New York, NY Yes I Will Yes, American Contemporary, New York, NY Stand-In, Albert Baronian, Brussels, Belgium Painting in Place, Los Angeles Nomadic Division, Los Angeles, CA Image Transfer, Salina Art Center, Salina, KS Set Pieces, Cardi Black Box, Milan, Italy
2012 Sincerely How am I Talking?,Hollybush Gardens, curated by FormContent, London, UK Make Hay, David Petersen Gallery, Minneapolis, MN Props for Memory, Invisible-Exports, New York, NY Pure Perception, (Amanda Ross-Ho, Laura Owens, Kristen Baker, Mai-Thu Perret) Monica De Cardenas Gallery, Milan, Italy Commrades of Time, Project Space, Tilburg, Netherlands prince at the forum, Beacon Arts Building, Inglewood, CA Look Here, Upon this Picture, Cherry and Martin, Los Angeles Parings: The Collection at 50, Orange County Museum of Art, Newport Beach, CA Devouring Time, Western Bridge, Seattle, WA Special Blend, The Journal, Brooklyn, NY Image Transfer, Newcomb Art Gallery at Tulane University, New Orleans, LA (August- October 2012)
2011 IT AIN'T FAIR: Materialism, OHWOW, Miami, FL disorder, Todd Madigan Gallery, California State University Bakersfield, Bakersfield, CA Drawing, Shane Campbell Gallery, Chicago, IL Two Schools of Cool, Orange County Museum of Art, Newport Beach, CA (catalog) George Herms: Xenophilia (Love of the Unknown), Museum of Contemporary Art, Los Angeles, CA Painting Expanded, Tanya Bonakdar, New York, NY Greater LA, 483 Broadway, New York, NY NOT THE WAY YOU REMEMBERED, Queens Museum of Art, Queens, NY Human Nature: Contemporary Art from the Collection, Los Angeles County Museum of Art, Los Angeles, CA Image Transfer, Center for Art, Design and Visual Culture, University of Maryland, Baltimore, MD (October-December 2011); Richard E. Peeler Art Center, Depauw University, Greencastle, IN (February-May, 2011) Banquet of the Black Jackal, Luckman Gallery, Cal State, Los Angeles, CA (catalog)
2010 How Soon Now, Rubell Family Collection, Miami, FL (catalog) Drawing, Shane Campbell Gallery, Chicago IL Free, New Museum, New York, NY New Photography 2010, Museum of Modern Art, New York, NY Image Transfer, Henry Art Gallery, Seattle, WA (catalog) Jerry/Jury-Rigged, curated by Jan Tumlir, Glendale Community College Art Gallery, Glendale, CA Artist's Museum, Museum of Contemporary Art, Los Angeles, CA Portugal Arte, Lisbon, Portugal Doctor Zomb, Glendale Community College Art Gallery, Glendale, CA Endless Bummer / Surf Elsewhere, Blum and Poe, Los Angeles, CA Wall-to-Wall, Daniel Weinberg Gallery, Los Angeles, CA They Have Not the Art to Argue with Pictures, Cherry and Martin, Los Angeles, CA Production Site: The Artist's Studio Inside and Out, Museum of Contemporary Art, Chicago, Chicago, IL The Never Ending Story: Fairytale, Fantasy, Obsession, curated by Laura Hoptman, Royal/T, Los Angeles, CA Crosstown Traffic, Wentrup Gallery, Berlin, Germany New Art for a New Century: Recent Acquisitions 2000-2009, Orange County Museum of Art, Newport Beach, CA FAX, Burnaby Art Gallery, Burnaby, Canada; Para/Site Art Space, Hong Kong
2009 Picturing The Studio, School of the Art Institute of Chicago, Chicago, IL In Bed Together, Royal/T, Los Angeles, CA Chinese Box, Overduin and Kite, Los Angeles, CA Wallworks, Yerba Buena Center for the Arts, San Francisco, CA Interiority Complex, Artist Curated Projects, Los Angeles, CA Bitch Is The New Black, Honor Fraser, Los Angeles, CA Summer Group Show, Mitchell-Innes and Nash, New York, NY July Artist of the Month, Invisible Exports, New York, NY To The Left of The Rising Sun, Small A Projects, New York, NY Abstract America: New Painting and Sculpture, Saatchi Gallery, London, UK Selected Works from the MCA Collection, MCA Chicago, Chicago, IL Spoils & Relics: Henning Bohl, Michael Hakimi, Amanda Ross-Ho, The Approach, London, UK FIRST SHOW, Cherry and Martin, Los Angeles, CA FAX, The Drawing Center, New York, NY; traveled to Contemporary Museum, Baltimore, MD and Torrance Art Museum, Torrance, CA. Make Room, Atlanta Contemporary Art Center, Atlanta, GA LA Woman, Hanes Art Gallery, Wake Forest University, Winston Salem, NC
2008 The Station, curated by Shamim Momin and Nate Lowman, Miami, FL Indirect Object: Matt Mullican, Cady Noland, Amanda Ross-Ho, Frances Stark, Mitchell- Innes & Nash, New York, NY Dogtooth and Tessellate, The Approach, London, UK 2008 California Biennial, Orange County Museum of Art, Newport Beach, CA (catalog) Index: Conceptualism In California From The Permanent Collection, Museum of Contemporary Art, Los Angeles, CA a tellurian complex, john connelly presents, New York, NY Whitney Biennial, Whitney Museum of American Art, New York, NY (catalog) Chinaman's Chance, Pacific Asia Museum, Pasadena, CA Depositions, Galerie Francesca Pia, Zurich, Switzerland. Nina in Position, Artists Space, New York, NY Vaginal Rejuvenation, Guild and Greyshkul, New York, NY
2007 for REE, Marc Foxx Gallery, Los Angeles, CA OPEN, Hoet Bekaert Gallery, Ghent, Belgium Sculptors' Drawings, Angles Gallery, Santa Monica, CA Post-Rose: Artists In And Out of The Hazard Park Complex, Christian Nagel, Berlin, Germany Sonotube Forms, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA Warhol and..., Kantor/Feuer Gallery, Los Angeles, CA Me, you, you, a ventriloquy, Small A Projects, Portland, OR Distinctive Messengers, House of Campari, Los Angeles, CA Obscene Soft Sounds, Wallspace, New York, NY Photographs, AR Fine Art, Milan, Italy
2006 Dice Thrown (Will Never Annul Chance), Bellwether, New York, NY 666, curated by Jan Tumlir, USC Roski School of the Arts, Los Angeles, CA
PUBLIC COMMISSIONS
2018 Untitled Timepiece (Beverly Center), Public Installation, Beverly Center, Los Angeles (curated by Jenelle Porter) 2017 Parcours, Art Basel, (curated by Samuel Leuenberger) Multi-site Sculpture Commission, Basel, Switzerland 2015 Image Objects, Public Art Fund, Large-scale Sculpture Commission, City Hall Park, NYC July 2015 2013 THE CHARACTER AND SHAPE OF ILLUMINATED THINGS, Public Sculpture Commission, Museum of Contemporary Art Plaza, Chicago, IL July 2013
BIBLIOGRAPHY Goldner, Liz. UCI’s Radical Approach to Teaching Art, LA Weekly, January 8, 2021. Preston Zappas, Lindsay. Art Insider: Amir Fallah’s colorful paintings reflect his personal history from Iran to US, KCRW.com, Arts and Culture Stories, September 15, 2020. Seeger, Jesse. “Crack Up Crack Down Ljubljana Biennial Curated by Slavs and Tatars”, PIN-UP biannual magazine. Freeman, Nate. “At the Inaugural NADA Chicago Fair, Low Price Points and a Quirky Old Hotel Attracted a Curious and Unfamiliar Crowd” artnetnews.com, September 21, 2019 Bushman, Holly. “The 33rd Ljubljana Biennial of Graphic Arts: Crack Up-Crack Down” The Brooklyn Rail, July-August, 2019. 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Artviewer, Amanda Ross-Ho at Mary Mary, December 11, 2018 Herskowitz, Matt. “MCA Exhibition Maps Out Midwestern Beat History” The Chicago Maroon, November 26, 2018 Macmillan, Kyle. “At Museum of Contemporary Art Chicago, New Show Looks at Artists Who Moved West” Chicago Sun-Times, November 16, 2018 ARTFIXdaily.com, ‘West by Midwest’ Exhibition Traces Artists’ Westward Migration and Influence” September 13, 2018. Morrin, Peter. “Hayden and Ross-Ho: Craft Revisions” Undermain.com, January 29, 2018. Knight, Christopher. Review: “This Brush for Hire: Norm Laich and Many Other Artists” Los Angeles Times. July 19, 2018. LA Review of Books, Quarterly Journal, No. 17 Comedy Issue, Contributing Artist. Diehl, Travis. “Meet Norm Laich: The LA Art World’s Gun for Hire” Frieze.com, July 5, 2018. Doran, Nicole. “Review: Intro by Alan Gutierrez at CCE Miami”, Miami Rail, April 10, 2018 Martinez, Christina Catherine. “Site Pacific” Artforum Diary, February 9, 2018. 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March 23, 2015. Williams, Maxwell. “BIG IDEAS”, Artist Feature, Art +Auction, May 2015. Eyales, Bianca. "Uncluttering Amanda Ross-Ho", Visions Magazine, March 2, 2014 Tung, Robin. "Saying Yes to Everything at Honor Fraser", dailyserving.com, December 2, 2014 "Morning Links: Amanda Ross-Ho Edition", artnews.com, November, 2014 Contemporary Art Daily, "Amanda Ross-Ho at The Approach", November 2014 "Amanda Ross-Ho: OBJECTS" Mini Book, Wood Kusaka Studios, September 2014 "Amanda Ross-Ho", Secret Behavior Issue 2, September 2014 "Top Ten Artists Coveted by Hollywood" Hollywood Reporter, November 4, 2013 Eler, Alicia. "Take Your Picture with an Oversize Neosurrealist Dream Head." Hyperallergic, August 8, 2013. Osorio, José M., Head case, Chicago Tribune, July 2013 Amanda Ross-Ho transforms MCA Chicago's plaza into an open air photo studio, artdaily.org July 2013 Nardi, Sarah. "Amanda Ross-Ho creates a public work with the public very much in mind." Chicago Reader, July 2013. Cristello, Stephanie. "Tête-à-Tête." Artslant, July 2013. Silverman, Julia. "Amanda Ross-Ho--GONE TOMORROW", Sang Bleu Magazine, June 11, 2013. Waxman, Lori. "'War Baby' is something to see, if you can let go", Chicago Tribune, May 8, 2013. Dluzen, Robin. "Editorial: Recommendations Amanda Ross-Ho." Visual Art Source, May 2013. Eler, Alicia. "What a Teenager's Backpack Tells Us About Art", Hyperallergic, May 31, 2013 Roffino, Sara. "ONE LINE REVIEWS: Pithy Takes on Amanda Ross-Ho, Matthew Chambers, and More", blouinartinfo.com, April 19, 2013 Cusak, Anne. “LA Times Faces To Watch”, LA Times, January 3, 2012 Contemporary Art Daily, "Amanda Ross-Ho at MOCA", September 2012 Morse, Rebecca. AMANDA ROSS-HO exhibition catalog. Museum of Contemporary Art, Los Angeles, 2012 Morse, Rebecca. AMANDA ROSS-HO, “Chance Favors the Prepared Mind,” exhibition catalog. Museum of Contemporary Art, Los Angeles, 2012: pp. 4 - 17. “Sad is Stupid Big: Amanda Ross-Ho In Conversation with Joao Ribas, April 2012,” AMANDA ROSS-HO, exhibition catalog. Museum of Contemporary Art, Los Angeles, 2012: pp. 306 - 310. Zellen, Jody. “Continuing and Recommended.” Artscene, September 2012: pp. 19. Martens, Anne. “Amanda Ross-Ho MOCA Pacific Design Center.” Artillery, September – October 2012: pp. 64. Moratto, Rossela. “Pure Perception.” Flash Art International, July – September 2012: pp. 106. Soto, Paul, “Biographical Marks: Q+A with Amanda Ross-Ho” Artinamericamagazine.com, July 25, 2012. Ed. “September Preview Week: Lower East Side Openings.” ArtFagCity.com, September 5, 2012. Cefalu, Christiana. “Art The Won’t Break the Bank.” Barrons.com, September 10, 2012. Ed. “Gallery Round-Up” Last Magazine, September 19, 2012. Knight, Christopher. “Making it clear in her own time.” Los Angeles Times, July 3, 2012. Ross-Ho, Amanda. “500 Words.” Artforum.com, June 2012. Blog on Paper, double, 23 printemps-ete 2012, p.16, 66, 69, 70, 83. Barton, Dave. “At OCMA, It’s Tag Team Time!” OC Weekly, Jan 19, 2012. Knight, Christopher. "Faces to Watch: 2012," Los Angeles Times, January 1, 2012. Ruiz, Steve. Drawing with "Amanda Ross-Ho", Jettison Quarterly, Spring 2011. Bancroft, Sarah. Two Schools of Cool, exhibition catalog, Orange County Museum of Art, 2011. Cavin, Justin. "Amanda Ross-Ho," ...might be good, Issue 164, March 4, 2011. Berardini, Andrew. "Amanda Ross-Ho," Frieze Magazine, No. 137, March 2011. Tan, Lumi. "Free," Frieze Magazine, March 2011, p 141. Puleo, Risa. Weathers, Chelsea. "PICKS: Amanda Ross-Ho," Artforum.com, February 2011. Geha, Katie. "Amanda Ross-Ho: UNTITLED NOTHING FACTORY, Visual Arts Center, The University of Texas at Austin," Art Lies, No. 67, February 2011. Griffin, Jonathan. "Amanda Ross-Ho: A Stack of Black Pants," Art Review, January/February 2011. Vogel, Wendy. "Free: New Museum of Contemporary Art, New York", ...might be good, Issue 160, January 7, 2011. Berardini, Andrew. “Amanda Ross-Ho,” Artillery, January 6, 2011. Williams, Maxwell. "The California Conceptualist Unfurls Form and Structure," Flaunt.com, January 2011. Kopelman, Will. "New Acquisitions", C For Men Magazine, Fall 2011 Contemporary Art Daily, "Amanda Ross-Ho and Cherry and Martin", November 2010 Leher-Graiwer, Sarah. “Amanda Ross-Ho at Cherry and Martin, Los Angeles," Art Agenda, December 2010. Moret, A. “Amanda Ross-Ho @ Cherry and Martin,” WhiteHot Magazine, December 2010. Knight, Christopher. “Oddly, they connect,” Los Angeles Times, November 26, 2010, p D22. Taft, Catherine. "Studio Check: Amanda Ross-Ho," Modern Painters, November 2010, pp. 27-29. Indrisek, Scott. "Free," Artinfo.com, October 28, 2010. Sutton, Benjamin. "Young Artists Find Freedom Online," The L Magazine, October 25, 2010. Aletti, Vince. “Critics Notebook: Cool Hunters,” The New Yorker, October 18, 2010, p. 12. Rosenberg, Karen. “Ignoring Boundaries and Borrowing Freely,” The New York Times, October 7, 2010, p. C28 Myers, Holly. "In The Studio: A playful stage for Amanda Ross-Ho," Los Angeles Times, August 22, 2010, p. E5. Wehr, Anne. "Amanda Ross-Ho," Frieze Magazine, June 2010. Harvey, Doug. "Amanda Ross-Ho: Trick-and-Treater," LA Weekly, May 20, 2010. Waxman, Lori. "A look inside the artist's studio," Chicago Tribune, May 7, 2010. Jacob, Mary Jane and Michelle Grabner, eds. The Studio Reader: On the Space of Artists, Chicago: University of Chicago Press, 2010, p. 11. Laster, Paul. "Amanda Ross-Ho, 'SOMEBODY STOP ME'," Time Out New York, April 29, 2010. Truong, Hong-An. "Absence and Presence in Amanda Ross-Ho's Somebody Stop Me," Idiom, April 14, 2010. Schjeldahl, Peter. "Amanda Ross-Ho," The New Yorker, April 26, 2010, pp: 12-13. Taft, Catherine. "Reviews: Amanda Ross-Ho," Artforum, April 2010, pp: 204-205. Stillman, Steel. "In the Studio: Amanda Ross-Ho," Art in America, April 2010, No. 4, pp: 82- 89. Lassry, Elad. "Amanda Ross-Ho," BOMB Magazine, February, 2010. Foumberg, Jason. "Picturing the Studio" Newcity, December 14, 2009. Jones, Alice. "Bright young things : ones to watch," The Independent, October 9, 2009. Nys Dambrot, Shana. "On The Radar: Seventeen Artists You Should Know About," THE Magazine, September 2009, p. 12. Ward, Ossian. "Abstract America: New Painting and Sculpture," Time Out London, June 4, 2009. Januszczak, Waldemar. "Give Credit to the Crunch," The Sunday Times, May 17, 2009. Ebner, Jörn. "Nicht Alles ist Apokalypse," Frankfurter Allgemeine Zeitung, Kunstmarkt Seite 42, May 16, 2009, NR. 113 White, Charlie. "Cut and Paste," Artforum, XLVII, No.7, March 2009, pp. 210-215. Millar, Jeremy. "Dogtooth and Tessellate," Art Review, Jan/Feb. 2009, p. 32. Cotter, Holland. “Indirect Object,” The New York Times, Friday, December 19, 2008. Mizota, Sharon. “Follow The Clues and, aha!” Los Angeles Times, October 10, 2008, p.E18-E19. Harvey, Doug. “Free Skating,” LA Weekly, September 26-October 2, 2008, p. 58. Vikram, Anuradha. “The LA Annual,” Artillery, Vol 2, no 5, May/June 2008, p. 47-48. Dambrot, Shana Nys. "Young At Art: 15 Artists Under 35," art ltd., May 2008, p.57. Alemani, Cecilla. “Whitney Girls,” Mousse, Issue 13, March 2008, p. 110-112. Cotter, Holland. “Art’s Economic Indicator,” The New York Times, March 7, 2008. Bair, Callen, "The Buy-ennial," Conde Nast Portfolio, March 2008, p. 108. Allan, Stacey. "Introducing Amanda Ross-Ho," Modern Painters, March 2008, pp. 46-48, 95. Smith, Roberta. “Amanda Ross-Ho and Kirsten Stoltmann,” The New York Times, Friday, February 15, 2008, p. B32. Ed. “Infinity’s Limited Engagement (Excerpt),” NY Arts, Vol 13, No ½, Jan. / Feb. 2008, p. 15. Baker, R.C. “Best in Show,” Village Voice, January 30 - February 5, 2008. Holte, Michael Ned. “Los Angeles,” Artforum, December 2007, pp. 288-291. Vogel, Carol. "Whitney Biennial Stretches to Armory," The New York Times, November 16, 2007. Buckley, Annie. "Amanda Ross-Ho at Cherry and Martin," Artweek, Volume 38, Issue 4, May 2007, p. 18. Taft, Catherine. "Amanda Ross-Ho," Modern Painters, May 2007, p. 98, ill. Dambrot, Shana Nys. “Amanda Ross-Ho: Nothin Fuckin Matters,” Art Review, issue 10, p. 144, ill. April 2007. Ross-Ho, Amanda. “Rants and Raves: Amanda Ross-Ho,” NYFA Interactive, March 21, 2007. Clark, Chad. “Nothin Fuckin Matters,” Frontiers, March 2007, p. 103, ill. Gray, Emma. “LA Confidential,” artnet.com, February 14, 2007. Holte, Michael Ned. “First Takes: 10 Writers On Up-and-Coming Artists,” Artforum, January, 2007, pp. 208-209. Smith, Roberta. 'Dice Thrown (Will Never Annul Chance),' The New York Times, November 3, 2006, p. E-34. Doran, Anne. 'Dice Thrown (Will Never Annul Chance),' Time Out, Issue 579, November 2- 8, 2006. Gray, Emma. Kitchen Snyc, Art Review, June, 2006 Harvey, Doug. “State of Emergence: Undiscovered Cracks in the Art-World Infrastructure,' LA Weekly, 2005. 3rdfloor Magazine, Artist Feature, 2005. Pelley, Virginia. Artist Interview, Venus Magazine, 2004. Marsh, Julia. “Welcome to Wonderland'TenbyTen, 2004. Sandler, Carrie. “Short and Sweet', UR Magazine, 2004. Workman, Michael. “2 Second Interview,' Newcity Chicago, 2004. Kucharski, Steven. Artist Interview, Open Issues, 2004. Speh, Scott. “Don't Fail Me Now at TBA,' Hot Commodities 19, 2004. Mayer, Anna. “Don't Fail Me Now @ TBA,' panel-house.com, 2004. Audrey, Michelle. “Glossing,'F news, Mast, 2003. Velez, Pedro. “Summer Thrills,' artnet.com, 2003. “Best of Chicago 2003: Best art opening-night parties,'Newcity Chicago, 2003. Workman, Michael. “Eye Exam,' Newcity Chicago, 2003. Abbe, Mary. “New Name Artists at No Name Gallery,' Minneapolis Star Tribune, 2003. Workman, Michael. “The Great Outdoors, “ Newcity Chicago, 2002. Polanski, Jurek. “Significant Signifiers,' Artscope.net, 2002. “Artist’s Page,' Log Illustrated #9. 2001 Coleman, Juliayn. “The Meaning of A,' Goodlookin’ Magazine, 1999.
WRITING Contributor, 20 Questions to be Answered or Not, Allen Ruppersberg, Intellectual Property 1968-2018. Walker Art Center. Scott Reeder: Ideas (cont.), contributing essay, Milan: Mousse Publishing, Spring 2017 Mary L. Nohl Fund Fellowship Catalog "THE JOHN RIEPENHOFF EXPERIENCE" contributing essay, Milwaukee, Wisconsin, September 2015 Line Script Diary contributing essay, "I BETTER WRITE THIS DOWN", December 2015 The Benefit of Friends Collected "SANCTUARY (ALL HAVE IMMOBILE EYES IN LARGE HEADS)", Amanda Ross-Ho on Alice Konitz, September 2014 2014 Whitney Biennial Catalog, "KARL HAENDEL SPEAKS WITH AMANDA ROSS-HO" Whitney Museum of American Art, March 2014
AWARDS/NOMINATIONS
Anonymous Was A Woman Award, (nomination) 2020 United States Artists Fellowship (nomination) 2018 California Community Foundation Visual Arts Fellowship, 2017 (awarded) Herb Alpert Award, (nomination), 2015 Nancy Graves Grant (nomination), 2015 Joan Mitchell Foundation Painters & Sculptors grant, 2013 (awarded) The Louis Comfort Tiffany Foundation (nomination) (2013) United States Artists Fellowship (nomination) 2012 Future Generation Prize (nomination) (2010) Visions From the New California Award, (nomination), 2008 Altoids Award (nomination) 2008 The Louis Comfort Tiffany Foundation (nomination) (2007) Art Matters Grant (nomination) (2006)
PUBLIC COLLECTIONS
Museum of Contemporary Art, Los Angeles Los Angeles County Museum of Art, Los Angeles Hammer Museum, Los Angeles Orange County Museum, Newport Beach, CA Blanton Museum of Art, Austin, Texas Birmingham Museum of At, Birmingham, Alabama Zabludowicz Collection, London, UK Saatchi Collection, London, UK Kadist Foundation, San Francisco, CA Rubell Family Collection, Miami, FL Yale University Art Gallery, New Haven, Connecticut Aïshti Foundation, Lebanon Henry Art Gallery, Seattle, Washington SFMOMA, San Francisco, CA Crystal Bridges Museum of American Art, Bentonville, AR DePaul Art Museum, Chicago, IL Museum of Modern Art, New York, NY
SPECIAL PROJECTS
Limited edition two-color silkscreen poster, “AS THE WORLD TURNS (BOOK ANTIQUA), Artists For Democracy (A4D), proceeds benefiting A4D 2020 swing state educational outreach. Limited edition multiple, Public Art Fund 2019 Gala, April 2019 BURY THE BODY, Performance with Mark Verabioff, Team Bungalow, February, 2019 “WORK HARD WORK HARD” Limited edition multiple, NADA Artist Editions, December, 2018 THE THING QUARTERLY, San Francisco, Commissioned edition, February 2017 PFEIL MAGAZINE, Commissioned artist pages, Issue #6 "EXTRA", September 2016 The Pit, Los Angeles, Commissioned Print Edition, June 2016 Los Angeles Nomadic Division, Commissioned sculptural edition, December 2016 MOCA LA: Introductions: Barbara Kasten and Amanda Ross-Ho, Limited Edition Zine, January, 2015 Print All Over Me, Commissioned edition for Nada Miami Beach, December 2015 Printed Matter, Commissioned edition for BOOTLEG T SHIRT SHOW II, DECEMBER 2015 Contemporary Art Review Los Angeles, "Amanda Ross-Ho photographs Erik Frydenborg", Commissioned artist pages, Issue #3, November 2016 Wood Kusaka Studios "Amanda Ross-Ho: OBJECTS" Mini Book, September 2014 Gagarin: Artists in their Own Words, Issue #25, Commissioned artist pages, Antwerp, Belgium, 2012 Camera Austria, Commissioned artist pages, curated by Sharon Lockhart, Issue 116, 2011. This Long Century, (thislongcentury.com) "THE CLOSEST EXIT MAY BE BEHIND YOU", June 2010 The Tang Museum, Commissioned photographs for "The Jewel Thief" catalog, curated by Jessica Stockholder, 2010 Zing Magazine, Commissioned pages (with Kirsten Stoltmann) "VAGINAL REJUVENATION", 2009 Invisible Exports, Artist of the Month July 2009, Commissioned Unique Edition, Curated by Shamim Momin
CURATORIAL
2019 WHILE COLOR LIGHTS UP YOUR FACE, Unit 5, Los Angeles, CA 2015 BAD BOYS BAIL BONDS ADPOT A HIGHWAY, Team (gallery, inc.) New York, NY 2013 GLOBAL POSITIONING SYSTEMS (GREEN ACRES), EXPO Chicago, Chicago, IL
PUBLIC LECTURES
Orange County Museum of Art, Newport Beach, California 2008 Pomona Museum, Claremont, California March 2010 Museum of Contemporary Art Los Angeles, July 2012 Museum of Contemporary Art, Chicago, Public Lecture and conversation with exhibition curator Julie Rodrigues-Widholm, July 2013 Ragdale Artists Residency, Lake Forest, IL September 2013 Museum of Contemporary Art, Chicago, September 2013 INOVA, Public Lecture “THE CHARACTER AND SHAPE OF ILLUMINATED THINGS” Milwaukee, Wisconsin, September, 2013 Wattis Institute, San Francisco, CA February 2015 Bonner Kunstverein, Public Lecture and conversation with exhibition curator Michelle Cotton, “UNTITLED PERIOD PIECE” Bonn, Germany, January 2017 The Thing Quarterly, “PHOTOGENIC OBJECTS AND THE CURRENCY OF SCALE” San Francisco, CA March 2017 Public Art Fund Talks at The New School, New York, NY. March 28, 2018 Amanda Ross-Ho in conversation with Norm Laich, AWHRHWAR, Los Angeles, CA, July 22, 2018 Chicago Athletic Association Hotel, Storytelling Series: Amanda Ross-Ho, September 27, 2018 Museum of Contemporary Art, Chicago, Talk: Allen Ruppersberg and Amanda Ross-Ho, November 17, 2018. ICA Boston organized group studio visit and talk led by curator Eva Respini, February 2019
PANEL DISCUSSION/SYMPOSIUM/INTERVIEW
2021 Contemporary Art Museum St. Louis, Panel Discussion: Great Rivers Biennia Artists and Jurors, (José Diaz, Christopher Lew, Amanda Ross-Ho, Misa Jeffries, Kahlil Robert Irving, Tim Portlock, Rachel Youn, February 11, 2021 2020 Conversation with Martin Kersels, Instagram Live, Mitchell-Innes and Nash, December 5, 2020. Conversation with Kahlil Robert Irving and Jose Diaz, Independent Curators International, December 3, 2020. 2019 Podcast interview with Marco Braunschweiler on MARCO’S ISLAND, NTS Radio, Los Angeles. January 4, 2019 Podcast conversation with Norm Laich and interview with Linday Preston-Zappas of CARLA (Contemporary Art Review Los Angeles), October, 2018 2017 Panel Discussion: Pivotal: Highlights form the OCMA Collection, Orange County Museum of Art, November 2017 “PEOPLE TAKING ABOUT THINGS: Jonathan Lethem, Ricky Swallow, Amanda Ross-Ho” THE THING, LAABF, Los Angeles February 2017 2016 "UNFRIEND ME", A Conversation between Charlie White and Amanda Ross-Ho, Art Los Angeles Contemporary, Los Angeles, CA 2016 WASTELAND, Panel discussion, Amanda Ross-Ho, Lisa Anne Auerbach, Edgar Arceneaux, Daniel Joseph Martinez, Mona Bismarck Center, Paris, FR. March 2016 2014 Amanda Ross-Ho and Florian Maier-Aichen in conversation, moderated by Douglas Fogle, Paris Photo Los Angeles 2014 The Social Self: Selfies, Self-Documentation, and Self-Portraiture." Amanda Ross-Ho in conversation with Michael Ned Holte, LACMA, Los Angeles, CA 2014 SUPPORTS/SURFACES, François Ceysson, Amanda Ross-Ho, Raphael Rubinstein, and Wallace Whitney, 356 Mission, Los Angeles, CA 2012 'Reclaiming' the Studio as a Site of Production, Michelle Grabner, Doug Harvey, Amanda Ross-Ho and Karen Kleinfelder, CAA, Los Angeles, CA 2012 Amanda Ross-Ho and Carter Mull in conversation, moderated by Rebecca Morse, Art Platform Los Angeles, September 2012 2011 TALKS ON PAINTING: PAINTERS BEYOND PAINTING, Thomas Lawson, Amanda Ross-Ho, Steve Roden, and Brett Cody Rogers moderated by Jill Newman, Mandrake Bar, Los Angeles, CA Institute of Contemporary Art, Philadelphia (ICA) “ICA Salon: Studio/Post-Studio: Nancy Troy, Corin Hewitt, and Amanda Ross-Ho”, November 2011 2010 WALL WORKS: Yerba Buena Center for the Arts, San Francisco, CA 2010 IMAGE TRANSFER, Matt Keegan, Jordan Kantor, Siebren Versteeg, Amanda Ross- Ho, Carter Mull, Lisa Oppenheim, Erika Vogt, moderated by Ken Allan, Henry Art Gallery, Seattle, WA 2010 Art Dealers of America Collectors Forum, Panel discussion, moderated by Lucy- Mitchell-Innes 2010 Panel Discussion: Amanda Ross-Ho, Carter Mull, Mark Flores, moderated by Michael Ned Holte, Orange County Museum of Art, Newport Beach, CA 2009 Production Site: The Artist’s Studio Inside-Out, lecture and panel discussion, Amanda Ross-Ho, Nikhil Chopra and John Neff, Museum of Contemporary Art Chicago
VISITING ARTIST LECTURE/GRADUATE ADVISING
School of The Art Institute of Chicago, TICA Program, Chicago, IL June 2008 Northwestern University, Chicago, IL November 2008 DePaul University, Chicago, IL November 2008 UC Berkeley, Berkeley, CA March 2009 University of Oregon, Eugene, OR April 2009 Oxbow School of Art, Saugatuck, Michigan August 2009 Claremont Graduate University, Claremont, CA November 2009 California College of the Arts, San Francisco, CA November 2009 OTIS, Los Angeles, CA November 2009 School of The Art Institute of Chicago, Painting and Drawing, Chicago, IL February 2010 Tyler School of Art, Critical Dialogues, Philadelphia, PA April 2010 University of Texas, Austin November 2010 University of Illinois, Champaign, IL March 2011 Cal Arts, Valencia, CA May 2011 University of Washington, Seattle May 2011 Henry Art Gallery, Seattle, WA May 2011 Cal State University, Bakersfield, CA October 2011 UCLA, Los Angeles, CA October 2011 University of California Riverside, Riverside, CA November 2011 University of Pennsylvania School of Design, Philadelphia, PA November 2011 Mason Gross School of the Arts, Rutgers University, New Brunswick, NJ November 2011 Illinois State University, Normal, IL March 2012 University of North Carolina At Chapel Hill, Chapel Hill, NC March 2012 University of California Irvine, Irvine, CA April 2012 Roski School of Art, University of Southern California, Los Angeles, CA October 2012 School of The Art Institute Of Chicago, Undergraduate Seminar, Chicago, IL February 2013 Rhode Island School of Design, Providence, RI April 2013 Yale School of Art, New Haven, CT April 2013 Milwaukee Institute Of Art And Design, Milwaukee, WI September 2013 SUNY Purchase, Purchase, NY October 2013 Pratt Institute, New York, NY October 2013 Portland State University, Portland, OR November 2013 University of Washington/Henry Art Gallery, Seattle February 2014 Arizona State, Phoenix, AZ March 2014 University of California Irvine, Irvine, CA March 2014 Claremont Graduate University, Claremont, CA September 2014 Azusa University, Azusa, California July 2015 Georgia State University, Atlanta, GA September 2015 Claremont Graduate University, Claremont, CA September 2015 Boise State University, Boise Idaho October 2015 OTIS, Los Angeles, CA October 2015 Cal Arts, Valencia, California, March 2016 Vermont Studio Center, Johnson, Vermont, June 2016 Oxbow School of Art, Saugatuck, Michigan July 2016 California State Long Beach, Long Beach, CA November 2016 Northern Illinois University, DeKalb, Illinois February 2017 University of South Florida, Tampa, Florida March 2017 University of Iowa, Iowa City, Iowa April 2017 Claremont Graduate University, October 2017 University of Georgia, January 2018 Yale University, March 2018 NYU, New York City, March 2018 University of Chicago, March 2018 Northwestern University, November 2018 UC Riverside, Riverside, CA January 2019 Rogaland Art School, Stavanger, Norway February 2019 Cornish College of Art, Seattle, WA February 2019 University of Oregon, Eugene, May 31, 2019 USC Roski School of Art and Design (Talk and studio visit for student group) Oct 2019 Carnegie Mellon University, November 2019 UC Santa Barbara, May 2020 (virtual) Santa Barbara City College, November 2020 (virtual) Forthcoming: Art and Practice, Los Angeles, July 2020 (postponed due to Covid-19) Vermont Studio Center, (postponed due to Covid-19) Cranbrook Academy of Art, Bloomfield Hills, Michigan, January 2021 (virtual) Art Center, Pasadena, CA April, 2021 (virtual) Carnegie Mellon University (virtual) March 2021 Michigan State University, Mutant Salon Series (virtual) March 2021 Hunter College, (virtual) forthcoming
ADDITIONAL TEACHING
2016-present Associate Professor of Sculpture, University of California Irvine 2015-2016 Adjunct Professor, Claremont Graduate University 2014-2015 Visiting Critic, Claremont Graduate University 2013-2014 Senior Critic, University of Pennsylvania School of Art and Design
JURIES Nomination Committee, The Heinz Awards, Heinz Family Foundation Juror, Great Rivers Biennial, Contemporary Art Museum St. Louis, (with Christopher Lew and José Diaz) June 2019 Juror/Curator, SOCALMFA 2017 Exhibition, Millard Sheets Art Center, May 2017 Co-Juror/Curator (with Ulysses Jenkins),13th Annual Guest Juried Undergraduate Exhibition, UAG Gallery, University of California, Irvine Jury/Selection Committee, STARTUP FAIR, Los Angeles, CA January 2016
RESIDENCIES 1999 Anderson Ranch, Snowmass, Colorado 2001 Roger Brown House Residency 2001 Gibraltar Point Residency, Toronto Island, Toronto, Canada 2002/2011 Oxbow School of Art Residency, Saugatuck, Michigan 2003 Kunst and Complex Residency, Rotterdam, Netherlands
GALLERY REPRESENTATION
MITCHELL-INNES AND NASH, NEW YORK http://www.miandn.com/
THE APPROACH, LONDON http://theapproach.co.uk/
PRAZ-DELAVALLADE, PARIS http://www.praz-delavallade.com/