2009-11 Final.Indd
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Afa M Footbl__2006Footballme
TTaabbllee ooff CCoonntteennttss This is Air Force Football 2005 Results Defensive Records . 122-123 Note from Fisher DeBerry . 1 Season Statistics . 88-90 All-Time Letterwinners . 124-128 Game Day at Falcon Stadium. 2-3 Team/Individual Highs . 91 Past Season Results. 129-133 Air Force Football Traditions . 4-5 Player career highs . 92 Post-Season Recaps . 134-137 Commander-in-Chief’s Trophy. 6-7 Misc. Statistics . 93-94 Bowl Quick Facts . 137 Bullard Award. 8-9 Game-by-Game Statistics . 95-96 Bowl Records . 138 Falcons in the Pros . 10 2005 Game Recaps . 97-100 Air Force Academy fast facts . 11 Media Table of Contents . 12 Mountain West Conference Covering Air Force . 140 MWC Story. 102 Future Schedules. 140 Academy CSTV . 103 Media Guidelines . 141 The Air Force Academy . 14 2006 Composite Schedule . 104 Local Media Outlets . 142 Academy Senior Leadership. 15 2005 Team Statistics . 105 Academy Map / Directions. 143 Athletic Administration. 16 2005 Individual Statistics . 106 Note pad . 144 Academy Athletics . 17 Falcon Mascot. 18 History Falcon Stadium . 19 All-Americans. 108 Sports Medicine . 20-21 All-Conference Honorees . 109 Pagentry of Air Force Football. 22-23 All-American Profiles. 110-113 Falcon Athletic Center . 24 All-Star Games . 113 Rushing Records. 114-115 Coaches Passing Records . 116-117 Fisher DeBerry . 26-29 Total Offense Records . 118 Richard Bell . 30 Kicking Records . 119 Ron Burton . 31 Scoring Records . 120 Dean Campbell . 32 Receiving Records . 121 Dick Enga . 33 Paul Hamilton . 34 Pete Hurt . 35 Credits Brian Knorr. 36 The 2006 Air Force Football Media Guide is a product of the Academy’s Athletic Tom Miller . -
William James Warren Photojournalism Photoillustration 5342 Don Ricardo Drive Carlsbad, California 92010 760.213.9986 [email protected] November, 2008
William James Warren Photojournalism Photoillustration 5342 Don Ricardo Drive Carlsbad, California 92010 760.213.9986 [email protected] November, 2008 R E S U M E 1942 Born in Los Angeles, the only child of an aircraft engineer, inventor & fine cabinetmaker. Mother was an office manager, inveterate reader & correspondent with a love of humor & classical music. My career as a photojournalist began as a child, before TV, visualizing the world at large through the pages of Life Magazine and National Geographic. Robert Capa, et al, made heroic role models, with the ability to influence events through the power of their imagery. The empathy, drama, passion of the masters, (W. Eugene Smith foremost), I absorbed by osmosis. This was about the extent of my education in photography. 1960 My senior year in High School, a fellow nerd cohort was given a Leica by his folks; an instant ticket to social status and identity as an Official Photographer to the Year Book! I was envious. With a camera around my neck, I imagined, I would have a raison d'être; an identity, a means of expression, and means of looking cool to females. I left some photography magazines around the house, in spoiled reliance on the gift giving patterns of my parents. In the fullness of time (next Christmas), I became the proud owner of a 35mm 'Petri' range finder camera! The Leica would follow, after I had demonstrated that my interest was other than mercurial as I vacillated between careers in Art and Rocket Science. I set about learning how it worked in my preferred fashion, by experimentation. -
Advanced Visual Journalism
Advanced Visual Journalism: Photo J333G Monday/Wednesday 12 - 1:30pm BMC 3.210 Lab 1:30 - 3:00pm BMC 3.210 Office hours - Mon, Tue, Wed 3 - 4pm By appointment Spring Semester 2013 Professor Eli Reed [email protected] [email protected] [email protected] Class Assignments will be returned in a timely manner. (Mostly within one week of receiving assignment.) SYLLABUS: Course Description This syllabus should be viewed simply as a guide to this semester. A very serious guide as in ‒ there will be occasional sudden changes in the schedule at times that are part of the learning curve. Method: Regarding what is expected of students in this class -- Today's photojournalist needs to be able to stand out and above the mass of would be photojournalists who have not learned to tell stories with their cameras. There are quite a few ways to accomplish this and this class is designed to help you learn how to do this and at the same time place your personal imprint on the work that you want to produce. In today's world, everyone thinks that they are a great photographer because of cameras that do the technical side pretty well but smart cameras are not always smart and they do not teach you how to get close to your subjects and create meaningful and quality work. One of the many things that you will learn is how to rid yourself of the fears that prevent you from making intelligent choices within the sphere of your work. Patience and understanding goes a long way in helping the photographer go beyond the obvious. -
Celebrating 50 Years of Genesis Magazine, Part I the Ignatian Guild Proudly Presents the 45Th Annual Fashion Show The
The Quarterly Magazine of St. Ignatius College Preparatory, San Francisco, Fall 2014, Annual Report Celebrating 50 years of Genesis Magazine, Part I THE IGNATIAN GUILD PROUDLY PRESENTS THE 45TH ANNUAL FASHION SHOW the NOVEMBER 1 & 2, 2014 A.M.D.G. September 2014 Dear Friends of St. Ignatius, In September 1964, Rev. Harry Carlin, S.J., began his term as President- genesis Rector at St. Ignatius High School, then located at 222 Stanyan Street just below USF. Fifty years later, I begin my term as President of St. A Report to Concerned Individuals Ignatius College Preparatory, while also serving as the Superior of the Vol. 50, No. 4 Fall 2014 local Jesuit Community. I am sure that Fr. Carlin had already formulated Rev. Edwin B. Harris, S.J. ’63 President & Superior of the SI Jesuit Community a plan for moving the high school when he assumed office, and Genesis Mr. Patrick M. Ruff magazine has chronicled very well the story of how that plan developed Principal and evolved over these many years. The saga of our school at 2001 37th Mr. Joseph A. Vollert ’84 Avenue in the Sunset District has concluded its 45th year, the longest Vice President for Development stint at any of the six locations of SI in San Francisco. We have come Mr. Ken Stupi ’78 Vice President for Finance & Administration a long way from the one-room school that originally opened up where Ms. Marielle A. Murphy ’93 Bloomingdale’s is now located on Market Street. Director of Development Mr. John J. Ring ’86 We inaugurated our 2014–15 academic year with frosh orientation for 374 students and their Director of Alumni Relations parents on Aug. -
Book XVIII Prizes and Organizations Editor: Ramon F
8 88 8 88 Organizations 8888on.com 8888 Basic Photography in 180 Days Book XVIII Prizes and Organizations Editor: Ramon F. aeroramon.com Contents 1 Day 1 1 1.1 Group f/64 ............................................... 1 1.1.1 Background .......................................... 2 1.1.2 Formation and participants .................................. 2 1.1.3 Name and purpose ...................................... 4 1.1.4 Manifesto ........................................... 4 1.1.5 Aesthetics ........................................... 5 1.1.6 History ............................................ 5 1.1.7 Notes ............................................. 5 1.1.8 Sources ............................................ 6 1.2 Magnum Photos ............................................ 6 1.2.1 Founding of agency ...................................... 6 1.2.2 Elections of new members .................................. 6 1.2.3 Photographic collection .................................... 8 1.2.4 Graduate Photographers Award ................................ 8 1.2.5 Member list .......................................... 8 1.2.6 Books ............................................. 8 1.2.7 See also ............................................ 9 1.2.8 References .......................................... 9 1.2.9 External links ......................................... 12 1.3 International Center of Photography ................................. 12 1.3.1 History ............................................ 12 1.3.2 School at ICP ........................................ -
Annual Town Report Dedication Honor Roll
ANNUAL REPORT of the TOWN OF DENNIS FOR THE YEAR ENDING DECEMBER 31, 2011 TABLE OF CONTENTS TO COME IN MEMORIAM 2011 The Town of Dennis lost the following valued employees and volunteers this year.* Donald Grant Cattanach Donald worked for many years at the Highlands Golf Course as a Ranger and Starter. Mary Dumas Mary was a secretary for the Dennis Senior Center. John Malloy John Malloy was a member of the Library and Dennis Public Library Boards. Richard R. Palmer Richard was a member of the Capital Outlay Committee. Robert G. Potter Robert worked many years for the Dennis Police Department as a Police Officer, Firearms Instructor and Mechanic. Lois A. Powers Lois worked for many years in the Police and DPW Departments. Raymond Theodore Speakman Ray worked for over 30 years as a Wiring Inspector for the Town. Richard Swanson Richard was a member of the Caretaker of Veterans’ Graves Committee. *We sincerely apologize if we have inadvertently overlooked anyone- A common mistake when such a task is undertaken. 1 The 2011 Town of Dennis Annual Report is dedicated to Peter Howes David Talbott Richard Howes Richard Howes, Peter Howes and David Talbott The Town of Dennis is unique in that it owns the home of the man our Town was named for, the Josiah Dennis Manse. Built in 1691 of first growth timbers it was rapidly deteriorating over the past twenty years and needed immediate attention. Peter Howes of the Manse Museum Committee volunteered to spearhead the quest for funds. He wrote a large number of grant proposals and was very successful. -
Pressepolitik in Den US- Kriegen Des 20
Die andere Front: Pressepolitik in den US- Kriegen des 20. Jahrhunderts Inauguraldissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Universität zu Köln vorgelegt von Andreas Elter Saarbrücker Str. 5 51107 Köln Köln, April 2003 ii Danksagung Angeregt wurde diese Dissertation durch den verstorbenen Leiter der Anglo- Amerikanischen Abteilung der Universität zu Köln, Prof. Jürgen Heideking. Unmittelbar nach Abschluss meines Studiums im Jahre 1996 kamen Prof. Heideking und ich in mehreren Gesprächen gemeinsam zu der Auffassung, dass bei der Untersuchung US- amerikanischer Kriege des 20. Jahrhunderts häufig ein ganz entscheidender Aspekt fehlte: Nämlich eine übergreifende Analyse der Pressepolitik, die vor allem die Bedeutung der Medienlenkung im Krieg herausarbeitet. Auf dieser Grundlage entstand überhaupt erst mein Entschluss, eine entsprechende Dissertation vorzulegen. Daher soll hier an erster Stelle Prof. Heideking gedankt werden. Durch einen beruflich bedingten Umzug nach Mainz und den Tod Prof. Heidekings verzögerte sich der Start des Projekts um drei Jahre. Eine Initialzündung für die Wiederaufnahme und Vervollständigung der Recherchen stellte dann 1999 ein Aufenthalt als "Visiting Media Fellow" der RIAS-Kommission am "Institute for Public Policy" der Duke University in North Carolina dar. Die Leiterin des Instituts, Ellen Mickiewicz, gewährte mir unter anderem auf Grund ihrer Erfahrungen einer Beratertätigkeit für den ehemaligen US-Präsidenten Jimmy Carter tiefe Einblicke ins Innenleben pressepolitischer Zusammenhänge und Kontakte zu amerikanischen Journalisten. Ihr und den anderen Lehrkräften der Duke University, insbesondere Prof. David Paletz, gebührt ebenfalls Dank. In den USA haben mich darüber hinaus Martin Bohley (CNN Atlanta), Susan Tifft (New York Times), Rick Atkinson (Washington Post), Albert Dagliesh (Presseabteilung des Pentagon) sowie die freundlichen Damen und Herren im CBS und NBC-Archiv sowie an der Library of Congress und den National Archives bei meinen Recherchen unterstützt. -
Dirck Halstead Lecture Series (Pdf)
“Dirck Halstead is one of the most gifted photojournalists of our time. “Moments In Time” is an evocative and memorable reminder of the triumphs and turmoil, tragedies and joy of the closing decades of the twentieth century and the beginning of a new era. There are lessons to be shared for all generations.” — TOM BROKAW, Author of The Greatest Generation DIrck HAlstead Stories And Images From One Of America’s Top Photojournalists Stories And Images From One Of America’s Top Photojournalists With 54 TIME magazine covers to his credit, photojournalist Dirck Halstead has enjoyed a front row seat to the great events of the last half of the twentieth century. Dirck started the UPI photo bureau in Saigon in 1965, photographed the first U.S. Marines as they landed on China Beach, then ten years later captured the exodus of Americans during the fall of Saigon. Dirck covered the inaugural of John F. Kennedy as the 31st president of the United States and went on to document all the following presidents through the Clinton administration. His iconic photograph of Clinton embracing a then-unknown intern, Monica Lewinsky became the “smoking gun” image that was published all over the world. Halstead claims that Washington, DC is “Hollywood without the talent.” Between assignments at the White House for Time Magazine, Dirck built a reputation as one of the film industry’s top “special” photographers, producing scores of posters for major motion pictures. DIRck Hallstead’S lectuRes showcase his award-winning photographs combined with a fast-paced, often hilarious assessment of presidents and stars that take the audience behind the scenes and share true stories of what really transpires in a business where “the inmates are in charge of the asylum.” INTO THE DIGITAL AGE After 29 years as Time Magazine’s Senior White House photographer, Halstead took his experience to the World Wide Web as publisher and editor of The Digital Journalist, (digitaljournalist.org) an online monthly magazine for visual journalism, which is read by more than 1 million people a month. -
19E/Th Festival International Du /Of Photojournalism Photojournalisme Visa Pour L’Image Is Now 19 Years Old
19 e/th Festival International du/of photojournalism photojournalisme 2 0 0 7 01.09 16.09 p r o - w e e k 3.09 au 9.09 Editorial 19e/th Festival International du /of photojournalism photojournalisme Visa pour l’Image is now 19 years old. And these nineteen years have been devoted to promoting a certain type of photography analyzing events around the world and going beyond the coverage presented by the traditional medial. Some people may find this attitude provocative, but that is the goal, as this is the only way of exposing and speaking out against so many negative forces in the world. Visa pour l’Image is an event supported by 4000 professionals working in photography and who come from many countries. 2007 will also be a milestone year, registering the three millionth visitor, and this gives an idea of the scope of the festival and the way it has grown. Visa pour l’Image is not a festival of glitter, and it must continue to expose all the dramatic events which, unfortunately, still prevail and spread, while people so often turn their backs on a spirit of kindness or tolerance to fellow humans, doing so for any number of reasons (e.g. ethnic, religious, economic or political reasons, or simply for personal ambition). Every day more numbers are added to the already millions of victims - abused, forced to join groups or militia, or exterminated - so many innocent victims. Visa pour l’Image also has its own battle to wage, defending a profession under threat with a wabe of restructuring, and defending individuals in cases of hostage-taking, an ever more prevalent threat, and sometimes reality, for photographers and journalists whose only fault has been to pursue the quest for truth out in the field, despite the dangers involved. -
Photo Credits Typically Run Sideways up the Border of the Image, Or Appear in the Gutter Or on Another Page Altogether
PHOTOTRUTH OR PHOTOFICTION? Ethics and Media Imagery in the Digital Age Tom Wheeler School of Journalism and Communication University of Oregon LAWRENCE ERLBAUM ASSOCIATES, PUBLISHERS 2002 Mahwah, New Jersey London Acquisitions Editor: Linda Bathgate Textbook Marketing Manager: Marisol Kozlovski Editorial Assistant: Karin Bates Cover Design: Kathryn Houghtaling Lacey Textbook Production Manager: Paul Smolenski Full-Service & Composition: UG / GGS Information Services, Inc. Text and Cover Printer: Hamilton Printing Company This book was typeset in 11/13 pt. Times Roman, Bold, and Italic. The heads were typeset in ITC Serif Gothic Bold, ITC Serif Gothic Light, and ITC Serif Gothic Regular. Copyright © 2002 by Lawrence Erlbaum Associates, Inc. All rights reserved. No part of the book may be reproduced in any form, by photostat, microform, retrieval system, or any other means, without the prior written permission of the publisher. Lawrence Erlbaum Associates, Inc., Publishers 10 Industrial Avenue Mahwah, New Jersey 07430 Library of Congress Cataloging-in-Publication Data Wheeler, Tom Phototruth or photofiction? : ethics and media imagery in the digital age / Tom Wheeler. p. cm. Includes bibliographical references and index. ISBN 0-8058-4261-6 (pbk.: alk. paper) 1. Photojournalism—moral and ethical aspects. 2. Image processing—Digital techniques—Moral and ethical aspects. 3. Mass media criticism. I. Title. TR820 .W4 2002 174'. 9070—dc21 2002017492 Books published by Lawrence Erlbaum Associates are printed on acid-free paper, and their bindings -
Decisive Moments and Decisive Change: Veteran Photojournalist Perspectives on Changes in Professional Practice and Development Researcher: David S
DECISIVE MOMENTS AND DECISIVE CHANGE: VETERAN PHOTOJOURNALIST PERSPECTIVES ON CHANGES IN LEARNING AND PRACTICE DISSERTATION Presented to the Graduate Council of Texas State University-San Marcos in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by David S. Nolan, AAS, BAAS, MA San Marcos, Texas December 2012 DECISIVE MOMENTS AND DECISIVE CHANGE: VETERAN PHOTOJOURNALIST PERSPECTIVES ON CHANGES IN LEARNING AND PRACTICE Committee Members Approved: _________________________________ Ann K. Brooks, Chair _________________________________ Jovita M. Ross-Gordon _________________________________ Sandhya Rao _________________________________ Robert F. Reardon Approved: J. Michael Willoughby Dean of the Graduate College COPYRIGHT by David S. Nolan, AAS, BAAS, MA 2012 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgment. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, David S. Nolan, refuse permission to copy in excess of the “Fair Use” exemption without my written permission. DEDICATION To my wife Renee’ without whose support none of this would have been possible. I love you. ACKNOWLEDGEMENTS I would like to acknowledge the numerous contributions of the chair of my doctoral committee, Dr. Ann Brooks. Without her support, feedback and dogged pursuit of getting me to the finish line this dissertation would never have been completed. I am also indebted to Dr. Jovita Ross-Gordan, Dr. -
A Visit to the Corbis Picture Mine by Dirck Halstead- the Digital Journalist
A Visit to the Corbis Picture Mine by Dirck Halstead- The Digital Journalist COVER STORY | CAMERA CORNER EDITORIAL | FEATURES | COLUMNS MESSAGE BOARDS | HOME A Visit to the Corbis Picture Mine June 2003 A Special Report by Dirck Halstead It was heart breaking. Ken Johnston loved photographs and photojournalism. For two decades he had been a researcher for the Bettman archives, one of the largest collections of photography in the world. In the late 1980s, Bettmann bought the United Press International archives, and in 1995, Corbis, the giant corporation privately held by billionaire Bill Gates bought the entire collection. For Johnston the problem was that his beloved collection was rapidly dying. Of the 11,000,000 plus negatives, plates and prints stored in manila folders on shelves in Bettmann's Manhattan office, many were turning to vinegar. The smell permeated the entire floor that Bettmann occupied. Employees would start to gag as they retrieved priceless photographs for clients. And worst of all, the negatives would crumble into dust as they were removed from their envelopes. This collection represents a vast proportion of the world's visual legacy. And it was vanishing before Johnston's eyes. The root of the problem is that photographs are inherently unstable. Many photographers are painfully aware that color negatives, prints, and transparencies have a relatively short life span. The dyes in color reversal film introduced in the 1950s are especially vulnerable to fading following exposure to sunlight. But serious photographers take comfort that black and white film has survived for as much as a century, and in most cases outlives the photographer.