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Lord Huron Strange Trails Album Download

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Lord Huron Strange Trails Album Download lord huron strange trails album download zip Lord Huron - Vide Noir (2018) [Hi-Res] Artist : Lord Huron Title : Vide Noir Year Of Release : 2018 Label : Republic Genre : Indie Folk Quality : Mp3 320 kbps / FLAC (tracks) / 24bit-96kHz FLAC Total Time : 48:55 Total Size : 121 / 316 MB / 1.0 GB WebSite : Album Preview. 01. Lost in Time and Space 04:44 02. Never Ever 02:52 03. Ancient Names (Part I) 06:02 04. Ancient Names (Part II) 02:05 05. Wait by the River 03:11 06. Secret of Life 03:50 07. Back from the Edge 03:03 08. The Balancer's Eye 04:29 09. When the Night is Over 05:12 10. Moonbeam 04:19 11. Vide Noir 04:30 12. Emerald Star 04:38. Lord huron strange trails album download zip. Artist: Lord Huron Album: Strange Trails Released: 2015 Style: Indie Folk. Format: MP3 320Kbps / FLAC. Tracklist: 01 – Love Like Ghosts 02 – Until The Night Turns 03 – Dead Man’s Hand 04 – Hurricane (Johnnie’s Theme) 05 – La Belle Fleur Sauvage 06 – Fool For Love 07 – The World Ender 08 – Meet Me In The Woods 09 – The Yawning Grave 10 – Frozen Pines 11 – Cursed 12 – Way Out There 13 – Louisa 14 – The Night We Met. DOWNLOAD LINKS: HITFILE: DOWNLOAD RAPIDGATOR: DOWNLOAD. Strange Trails. On their follow-up, Strange Trails, Lord Huron settle into the Western themes and sense of open prairies that marked the band's debut, Lonesome Dreams. Frontman/songwriter Ben Schneider fully embraces the American West/Troubadour character, illustrated even in song titles like "Dead Man's Hand," "Meet Me in the Woods," and "The Yawning Grave." The album's lyrics tell haunted stories of adventure and survival ("On the night you disappeared/Oh, if I had seen it clear/But a strange light in the sky was shining right into my eyes"), with nature imagery ("In a grave out here where the carrions cry"), and the occasional old-time turn of phrase ("Before I commence my ride/I'm asking Lily to be my bride"). With warm electric guitar sounds, soft and constant reverb, harmonized vocals, and a faint but persistent twang, it's a contemporary, specifically Fleet Foxes- reminiscent, indie folk-influenced rock haunted by allusions to the Old West. Listeners may envision fringe and spurs without any overt country presence (though there's certainly a subtle one) outside of lilting vocals, such as on "Way Out There." The band still focuses more on atmosphere and haunting, harmonic sound and rhythm than on progressions or memorable hooks, but the landscapes that they create are consistent and sound- defining, and there's no shortage of eerie beauty in the melodies. "The Night We Met," in particular, has a lullaby quality to its wistful, singsong melody ("I don't know what I’m supposed to do/Haunted by the ghost of you"). The record takes a few interesting musical routes on its journey: the reverbed rockabilly and surf sounds of "The World Ender," the campfire-gathering feel of "Meet Me in the Woods" with handclaps and female vocal harmonies, and the pulsing, ramblin' road tune "Frozen Pines" all contribute to an impression of timelessness as well as a certain folksiness befitting the album's well-established rural themes. There are no big surprises here; fans of Lonesome Dreams will surely be pleased, and Strange Trails' serene ambience and unconventional narrative may capture the imagination of inclined first-timers. Strange Trails. © 2021 Rhapsody International Inc., a subsidiary of Napster Group PLC. All rights reserved. Napster and the Napster logo are registered trademarks of Rhapsody International Inc. Napster. Music Apps & Devices Blog Pricing Artist & Labels. About Us. Company Info Careers Developers. Resources. Account Customer Support Redeem Coupon Buy a Gift. Legal. Terms of Use Privacy Policy End User Agreement. © 2021 Rhapsody International Inc., a subsidiary of Napster Group PLC. All rights reserved. Napster and the Napster logo are registered trademarks of Rhapsody International Inc. Lord Huron – Strange Trails. O riginally a low key DIY solo project for Ben Schneider, time and a burgeoning reputation has seen Lord Huron develop into a full band sound, though, even back in the early days his self-released EPs made it clear he wasn’t another of those cabin in the woods types. His voice may have a similarly grainy tone reminiscent of Fleet Foxes and, perhaps, Bon Iver, but those formative songs with their tropical folk pop sound indicated a more expansive dynamic and a keen ear for a catchy tune. That bore fruit on his first full length album, Lonesome Dreams, although this did have its fair share of washed-out balladry, filtered through an echoey haze. On Strange Tails this has now blossomed into a full orchard of radio friendly, hugely infectious melodies and hooks, drenched in reverb and with punchy arrangements and instrumentation. That said, it’s actually bookended by two tracks that play to the more shimmery end of the spectrum with Schneider’s distant, echoing vocals with (lyrically slightly disturbing) break-up number Love Like Ghosts (though, to be fair, this does flex its musical muscles as it progresses) and the weary closing slow waltz The Night We Met . Likewise, The Yawning Grave reprises those Fleet Fox comparisons. For the most, however, although themes of heartache, loneliness, searching and death prevail across the largely story-telling material, things are much more full-blooded and rock n roll with several very notable influences. Buddy Holly’s ghost hovers over Fool For Love with both the Not Fade Away rhythm and Schneider’s vocal while Meet Me In The Woods channels Springsteen’s I’m On Fire (the Boss is also evident on Louisa while both artists feed into the choppy rock n roll shuffle of Until The Night Turns ), La Belle Fleur Sauvage adopts a Johnny Cash chug and both Dead Man’s Hand and tumbling chiming guitar line and handclapping Hurricane (Johnnie’s Theme) , the album’s most poppily infectious track, have hints of the Everlys. Elsewhere The World Ender has a Morricone meets voodoobilly rhythm and Cursed rides a rich, twangy guitar, which goes some way to alleviating the feel that, in the closing stretch, the band are slightly retreading what’s gone before. But such observation in no way diminishes the energy or appeal of an album whose trails and pathways are well worth enthusiastically exploring and which, given the exposure it deserves, should see the band step out of the cult shadows and into the mainstream Americana spotlight. Review by : Mike Davies. Touring the UK & Ireland in June 2015. All albums featured on Folk Radio are independently selected by our editor. However, when you buy something through our purchase links, we may earn an affiliate commission. Love what we're doing? Mike Davies. I wrote for Melody Maker and Sounds in the late 70s, have written for local, national and international music publications and have covered the West Midlands scene in Brum Beat for over 40 years. I currently present Alternative Roots on Brum Radio..
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