Title: CAPRA 2014 Standards Live Chat 1:26 Danielle Price: Good
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Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
David Liebman Papers and Sound Recordings BCA-041 Finding Aid Prepared by Amanda Axel
David Liebman papers and sound recordings BCA-041 Finding aid prepared by Amanda Axel This finding aid was produced using the Archivists' Toolkit November 30, 2018 Describing Archives: A Content Standard Berklee Archives Berklee College of Music 1140 Boylston St Boston, MA, 02215 617-747-8001 David Liebman papers and sound recordings BCA-041 Table of Contents Summary Information ................................................................................................................................. 3 Biographical/Historical note.......................................................................................................................... 4 Scope and Contents note............................................................................................................................... 4 Arrangement note...........................................................................................................................................4 Administrative Information .........................................................................................................................5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 Scores and Charts................................................................................................................................... -
Keith Jarrett/Gary Peacock/Jack Dejohnette Yesterdays
ECM Keith Jarrett/Gary Peacock/Jack DeJohnette Yesterdays Keith Jarrett: piano; Gary Peacock: double-bass; Jack DeJohnette: drums ECM 2060 6025 177 4447 (9) Release: January 23, 2009 Jerome Kern’s “Yesterdays” speaks of ‘Days I knew as happy sweet/ Sequestered days/ Olden days/Golden days...’”. 2001, clearly, was a golden year for the Jarrett/Peacock/ DeJohnette trio, rich in exceptional performances; “Yesterdays” is the fourth album culled from their 2001 touring. In the chronology it belongs alongside “Always Let Me Go”, also recorded in Tokyo in April of that year, and it balances that album’s exploratory earnestness with a light and often playful touch that also brings forth music of great creativity – this time focussed and marshalled inside the ‘standards’ tradition. As Jarrett said to the Los Angeles Times recently, “We know how musical these songs are...Jazz musicians don’t have to always break down doors: there’s music inside the rooms too.” This particular set’s emphasis on bebop embraces Charlie Parker’s “Scrapple from the Apple”, “Shaw’nuff” by Parker and Dizzy Gillespie, Horace Silver’s “Strollin’”, and a piece often associated with Dexter Gordon, “You’ve Changed”. The show tune “You Took Advantage Of Me”, which in a more rigorously ‘ragtime’ version would be a highlight of the Montreux performance issued as “My Foolish Heart”, is also heard here, and there are beautiful ballad interpretations including two Jerome Kern songs, “Yesterdays” and “Smoke Gets In Your Eyes”, as well as Harold Arlen’s mid-tempo “A Sleepin’ Bee” (which Gary Peacock memorably played with Bill Evans in 1964). -
Pianoforte Solo Trio Quartetto Europeo (Jan Garbarek) Quartetto
Discografia Keith Jarrett marzo 2001 Pianoforte solo # Titolo Anno Etichetta Live Set Strumenti Note 1 Facing You 1971 ECM pf. 2 Solo Concerts 1973 ECM X 3LP pf. 3 The Koln Concert 1975 ECM X pf. 4 Sun Bear Concerts 1976 ECM X 10LP pf. 5 Staircase 1976 ECM 2LP pf. 6 The Moth And The Flame 1979 ECM 2LP pf. Set con Invocations 7 Concerto in solo. Bregenz 1981 ECM X 3LP pf. 8 Concerto in solo. Moanco 1981 ECM X pf. 9 Dark Intervals 1987 ECM X pf. 10 Paris Concert 1988 ECM X pf. 11 Vienna Concert 1991 ECM X pf. 12 La Scala Concert 1997 ECM X pf. 13 The Melody At Night, With You 2000 ECM pf. Trio # Titolo Anno Etichetta Live Set Strumenti Note 1 Standards Vol.1 1983 ECM pf. / basso / batteria Standards 2 Standards Vol.2 1983 ECM pf. / basso / batteria Standards 3 Changes 1983 ECM pf. / basso / batteria Brani riginali 4 Standards Live 1985 ECM X pf. / basso / batteria Standards 5 Changeless 1987 ECM X pf. / basso / batteria Brani originali 6 Still Live 1988 ECM X 2CD pf. / basso / batteria Standards 7 Tribute 1989 ECM 2CD pf. / basso / batteria Standards 8 Standards In Norway 1989 ECM pf. / basso / batteria Standards 9 The Cure 1990 ECM pf. / basso / batteria Standards / 1 or. 10 Bye Bye Blackbird 1991 ECM X pf. / basso / batteria Trib. M.Davis 11 At the Deer Head Inn 1992 ECM X pf. / basso / batteria Con P.Motian 12 Tokyo '96 2000 ECM X pf. / basso / batteria Standards 13 Whisper Not 2000 ECM pf. -
Keith Jarrett, Gary Peacock & Jack Dejohnette
Cal Performances Presents About the Artists Saturday, March 14, 2009, 8pm eith jarrett and jack dejohnette first In October 1991, exactly two weeks after the Zellerbach Hall K played together from 1966–1968 as members death of Miles Davis, the trio went into New of the Charles Lloyd Quartet, then for one year in York’s Power Station studio and recorded Bye Bye 1970 with Miles Davis. All three musicians first Blackbird, their deeply felt tribute to the jazz giant Keith Jarrett, Gary Peacock & played together in 1977, when Messrs. Jarrett and that all three had played with in their early years. DeJohnette played on Gary Peacock’s first ECM The trio’s video releases include: Standards I Records recording, Tales of Another. (1985), Standards II (1986), Live at Open Theatre Jack DeJohnette They came together as a permanent trio in East (1993) and Tokyo Concert ’96 (1996)—all January 1983, when Mr. Jarrett invited the other featuring full concert performances. In fall 2008, two men to join him in New York for a recording ECM re-released all four concerts on two special session dedicated to playing “standards”—the rich two-DVD sets. body of American popular songs from the 1930s, In the past 25 years, the trio has been nominat- ’40s and ’50s. At the time, it was considered passé ed for many international awards, including five for top players to concentrate on playing standards American Grammy Award nominations, plus doz- rather than original material, but Keith Jarrett ens of Record of the Year and Critics Prize awards thought it was important to show that, “Music from the U.S., European and Japanese music press, wasn’t about material, but what the player brings including the Gold Disc Award (2000, 2003) from to the material.” Swing Journal (Japan) and the Choc des Chocs The January 1983 sessions produced the trio’s Award (2000, 2001, 2003) from Jazzman magazine first three ECM releases: Standards Vol. -
Recommended Listening List
RECOMMENDED LISTENING LIST This list is obviously not a comprehensive listening list. It is intended to be a starting point for the student’s discovery, education and enjoyment. This list has been EXTREMELY condensed to account for page numbers… keep exploring!!! (Jazz Albums, except for big bands, are categorized by the instrument played by the leader.) JAZZ • Thrust * Kenny Werner: Chick Corea: • Beat Degeneration PIANO • Now He Sings Now He Bud Powell: Sobs* Steve Kuhn • Three Quartets* • The Amazing Bud • Steve Kuhn Trio- Powell, Volume 1* McCoy Tyner: Life’s Magic Thelonious Monk: • The Real McCoy* Ellis Marsalis • Misterioso * Dave Brubeck: • The Classic Ellis • Live at the Five Spot * Marsalis • Monk’s Music* • Time Out • Thelonious Monk Quartet With John Geri Allen: SAXOPHONE Coltrane: Live At Carnegie Hall* • In The Year of The Sonny Rollins: Dragon Oscar Peterson Trio: • The Nurturer • Live at the Village Vanguard * • Oscar Peterson Trio + 1 Keith Jarrett: • Saxophone Colossus* Red Garland: • Standards Volume 1 and • Way Out West* 2 * • Groovy • Changes * Joe Henderson: • Standards Live * Ahmad Jamal: • Tribute* • Inner Urge* • Belonging* • Power To The People* • Ahmad’s Blues* • The Cure * • The State Of The Tenor * Bill Evans Michel Camilo: Wayne Shorter: • Waltz for Debby * • Michel Camilo • Live at the Village • Live At The Blue Note • Speak No Evil * Vanguard * • Ju-Ju* Brad Mehldau: Herbie Hancock: Oliver Nelson: • Brad Mehldau Trio Live • Maiden Voyage * • Blues and The Abstract • Empyrean Isles* Truth* • Headhunters -
Keith Jarrett Discography
Keith Jarrett Discography Mirko Caserta , [email protected] July 20, 2002 I cannot say what I think is right about music; I only know the “rightness” of it. I know it when I hear it. There is a release, a flowing out, a fullness to it that is not the same as richness or musicality. I can talk about it in this way because I do not feel that I “created” this music as much as I allowed it to “emerge”. It is this emergence that is inexplicable and incapable of being made solid, and I feel (or felt) as though not only do you never step in the same river twice, but you are never the same when stepping in the river. The river has always been there, despite our polluting it. This is a miracle, and in this day and age we need it. At least I do. – Keith Jarrett, from Spirits’ cover Contents 1 Introduction 5 1.1 How it all started ........................................... 5 1.2 Availability .............................................. 5 1.3 Other resources ............................................ 6 1.4 Acknowledgements .......................................... 6 1.5 Copyleft Notice ............................................ 7 1.6 Disclaimer ............................................... 7 1.7 How to contribute .......................................... 7 1.8 Documentation Conventions ..................................... 7 2 The years ranging from 1960 to 1970 8 2.1 Swinging Big Sound, (Don Jacoby and the College All-Stars) .................. 8 2.2 Buttercorn Lady, (Art Blakey and the New Jazz Messengers) .................. 8 2.3 Dream Weaver, (Charles Lloyd Quartet) .............................. 8 2.4 The Flowering of the Original Charles Lloyd Quartet Recorded in Concert, (Charles Lloyd Quartet) ................................................ 8 2.5 Charles Lloyd in Europe, (Charles Lloyd Quartet) ....................... -
September 2013 570 Tracklists 1050 Entries I Received the Skeleton Of
Keith jarrett Disco Version 17 September 2013 570 tracklists 1050 entries . I Received The skeleton of this Discography on December 2010 from Klaus Muller (Many thanks to Him) tracklists (mainly official recordings) I added more than 600 Tracklists/entries coming from the following discos: Olivier Bruchez’s (BR) http://web.archive.org/web/20050426203346/http://www.bruchez.org/olivier/music/keith/tra delist.html Davide sparti’s (SP) Peter Losin’s (PL) Dime entries (DI) Arnulf Muller (mu) (pa) http://web.archive.org/web/20100612160739/http://papoulis.dyndns.org/~sim/jarrett/bootlegs.php My Collection +++ Concerts Prepared by Flambay + u014945 (fl+++) Concerts prepared by U014945 (+++) Hope you all enjoy For every mistake and update please e-mail me at [email protected] 620000 Don Jacoby And The College All Stars Bob Crull, Don Jacoby, Gary Slavo, Tom Wirtel, Chris Witherspoon (tp) Dee Barton, Willie Barton, Loren William Bin- ford, Dave Wheeler (tb) Al Beuler, John Giordano (as) Don Melka, Bob Pierson (ts) Jerry Keys (bs, as) Keith Jarrett (p) Don Gililland (g) Toby Guynn (b) John Van Ohlen (dr) 1962, Chicago, IL 1 Dizzy Atmosphere 2 Young Man With The Blues 3 Sing 4 It's Good For You 5 Just For A Thrill 6 Anema E Core (How Wonderful To Know) 7 Mais Oui 8 Sleepy Serenade 9 Jey Out Of Town 10 Jacob Jones 11 Let Me Love You 12 Teach Me Tonight 13 Groovin' High 14 The End Of A Love Affair 15 Lover Man (Oh, Where Can You Be?) 16 You Don't Know What Love Is 17 Back To The Beat 1-17: Don Jacoby - Swinging Big Sound (Decca DL 4241) 650300 Keith Jarrett trio (PA) Kent Carter Bass Danny Fullerton Drums, Winchester , Massachussets, USA . -
October 2003
• CHARLIE BENANTE • TRAPT • PEARL FIRECRACKERS • JACKJACK DDEEJOHNETTEJOHNETTE CCHANGINGHANGING DDIRECTIONSIRECTIONS SSCOTTCOTT UUNDERWOODNDERWOOD TTRACKINGRACKING WWITHITH TTRAINRAIN TTOMMYOMMY SSICKLESICKLES OFF NOTHINGFACEOTHINGFACE WIN! O N Super Gear From Smith Drums, RROBOB BBOURDONOURDON Sabian Cymbals, LINKININKIN PARKARK CHARTHART Gibraltar Hardware, L P C and Evans Heads YYAMAHAAMAHA’’SS AABSOLUTEBSOLUTE NNOUVEAUOUVEAU KKITIT $4.99US $6.99CAN 10 MDMD F FESTEST 20032003 MMONSTERONSTER PPLAYERSLAYERS && MMASSIVEASSIVE KKITSITS!! 0 74808 01203 9 Contents ContentsVolume 27, Number 10 Jazz Legend Jack DeJohnette Jack DeJohnette has remained one of the world’s premier drummers by always looking forward, and never losing the passion. Oh, and by playing some of the most uniquely beautiful music on the drums ever. by Ken Micallef 38 Paul La Raia Train’s UPDATE 22 Scott Underwood 54 Charlie Benante While fans discuss Train’s “new direction,” followers of Scott of Anthrax Underwood know at least one thing is beyond debate: That’s one helluva player behind the kit. by David John Farinella Sam McCandless of Cold Paul La Raia Stix Hooper of The Crusaders Modern Drummer’s 66 Festival Weekend 2003 J.R. Conners The MD Fest turned Sweet Sixteen this year. How sweet? Check of Cave In the lineup: Steve Smith, Airto, Mike Portnoy, Shawn Pelton, Nick D’Virgilio, Antonio Sanchez, Matt Wilson, Nathaniel Townsley, The Drumbassadors, Hip Pickles, and the two hottest “undiscovered” Stan Frazier drummers around. Yeah, that’s sweet. of Sugar Ray by T. Bruce Wittet Alex Solca Playback 120 Tommy Sickles Aerosmith’s Of Nothingface 130 Joey Kramer Every now and then, a drum roadie seizes that once-in-a-lifetime Everything old is new again, at least on opportunity of replacing the drummer he schleps for. -
Sommaire Catalogue Jazz / Blues Octobre 2011
SOMMAIRE CATALOGUE JAZZ / BLUES OCTOBRE 2011 Page COMPACT DISCS Blues .................................................................................. 01 Multi Interprètes Blues ....................................................... 08 Jazz ................................................................................... 10 Multi Interprètes Jazz ......................................................... 105 SUPPORTS VINYLES Jazz .................................................................................... 112 DVD Jazz .................................................................................... 114 L'astérisque * indique les Disques, DVD, CD audio, à paraître à partir de la parution de ce bon de commande, sous réserve des autorisations légales et contractuelles. Certains produits existant dans ce listing peuvent être supprimés en cours d'année, quel qu'en soit le motif. Ces articles apparaîtront de ce fait comme "supprimés" sur nos documents de livraison. BLUES 1 B B KING B B KING (Suite) Live Sweet Little Angel – 1954-1957 Selected Singles 18/02/2008 CLASSICS JAZZ FRANCE / GEFFEN (SAGAJAZZ) (900)CD 18/08/2008 CLASSICS JAZZ FRANCE / SAGA (949)CD #:GACFBH=YYZZ\Y: #:GAAHFD=VUU]U[: Live At The BBC 19/05/2008 CLASSICS JAZZ FRANCE / EMARCY The birth of a king 10.CLASS.REP(SAGAJAZZ) (899)CD 23/08/2004 CLASSICS JAZZ FRANCE / SAGA (949)CD #:GAAHFD=U[XVY^: #:GACEJI=WU\]V^: One Kind Favor 25/08/2008 CLASSICS JAZZ FRANCE / GEFFEN Live At The Apollo(ORIGINALS (JAZZ)) (268)CD 28/04/2008 CLASSICS JAZZ FRANCE / GRP (899)CD #:GACFBH=]VWYVX: -
17 3Rd WORLD ELECTRIC (Feat. Roine Stolt)
24-7 SPYZ 6 – 8 3rd AND THE MORTAL Painting on glass - 17 3rd WORLD ELECTRIC (feat. Roine Stolt) Kilimanjaro secret brew digipack - 18 3RDEGREE Ones & zeros: volume I - 18 45 GRAVE Only the good die young – 18 46000 FIBRES )featuring Nik Turner) Site specific 2CD – 20 48 CAMERAS Me, my youth & a bass drum – 17 A KEW’S TAG Silence of the sirens - 20 A LIQUID LANDSCAPE Nightinagel express – 15 A LIQUID LANDSCAPE Nightingale express digipack – 17 A NEW’S TAG Solence of the sirens – 18 A SILVER MT ZION Destroy all dreamers on / Debt 6 depression digipack – 10 A SPIRALE Come una lastra – 8 AARDVARK (UK) Same - 17 ABACUS European stories (new album) – 17 ABDULLAH Graveyard poetry – 10 ABDULLAH Same – 10 ABIGAIL'S GHOST Black plastic sun - 18 ABRAXIS Same – 17 ABRETE GANDUL Enjambre sismico – 16 ABYSMAL GRIEF Feretri – 16 ABYSMAL GRIEF Reveal nothing - 16 ABYSMAL GRIEF Strange rites of evil – 16 AC/DC Let there be rock DVD Paris 1979 - 15 AC/DC Back in black digipack – 16 AC/DC Rock or bust – 21 AC/DC The razor’s edge digipack – 16 ACHE Green man / De homine urbano – 17 ACHIM REICHEL & MACHINES Echo & A. R. IV 2CD - 23 ACHIM REICHEL Grüne reise & Erholung - 17 ACID BATH Pagan terrorism tactics – 10 ACID MOTHERS TEMPLE & THE MELTING PARAISO U.F.O. Live in occident digipack – 17 ACINTYA La citè des dieux oublies – 18 ACQUA FRAGILE Mass media stars (Esoteric) - 18 ACQUA FRAGILE Same (Esoteric) – 18 ACTIVE HEED Higher dimensions – 18 ADEKAEM Same – 20 ADICTS Smart alex – 17 ADICTS Sound of music – 17 ADMIRAL SIR CLOUDESLEY SHOVELL Don’t hear it…fear it (Rise Above) – 18 ADRIAN SHAW & ROD GOODWAY Oxygen thieves digipack – 15 ADRIAN SHAW Colours - 17 ADRIANO MONTEDURO E LA REALE ACCADEMIA DI MUSICA Same (Japanes edition) – 18 ADTVI La banda gastrica – 8 ADVENT Silent sentinel digisleeve – 18 AELIAN A tree under the colours – 8 AEONSGATE Pentalpha – 17 AEROSMITH Live and F.I.N.E. -
New Directions in Contemporary Fiddle Playing in Norway Gjermund Kolltveit
studying culture in context New directions in contemporary fiddle playing in Norway Gjermund Kolltveit Excerpted from: Ón gCos go Cluas From Dancing to Listening Fiddle and Dance Studies from around the North Atlantic 5 Edited by Liz Doherty and Fintan Vallely First published in 2019 by The Elphinstone Institute, University of Aberdeen, MacRobert Building, King’s College, Aberdeen, AB24 5UA ISBN: 978-1-85752-073-6 About the author: Gjermund Kolltveit was originally trained as a classical violinist, but he later changed the direction of his career to ethnomusicology, music anthropology, and music archaeology. His research projects include studies of minority music in Norway, documentation of football chanting and the archaeology of musical instruments. His doctoral thesis ‘Jew’s Harps in European Archaeology’ was published by Archaeopress, Oxford (2006). He currently teaches ethnomusicology at Telemark University College at Rauland, and is the editor of Musikk og tradisjon, the journal of the Norwegian National Committee of the ICTM. Copyright © 2019 the Elphinstone Institute and the contributors. While copyright in the volume as a whole is vested in the Elphinstone Institute, copyright in individual contributions remains with the contributors. The moral rights of the contributors to be identified as the authors of their work have been asserted in accordance with the Copyright, Designs and Patents Act 1988. This work is licensed under the Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. 19 New directions in contemporary fiddle playing in Norway GJERMUND KOLLTVEIT A story from the nineteenth century tells about a Hardanger fiddle player who was on the way home after visiting a fellow fiddler on the other side of the mountain, when he suddenly realised that he had forgotten one of the tunes he had learned; in the middle of the mountains, he decided to walk back some fifty kilometres in order to learn and memorise it again.