Edward F. Fry papers Ms. Coll. 651 Finding aid prepared by Donna Brandolisio.
Last updated on January 22, 2018.
University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts
2010 Edward F. Fry papers
Table of Contents
Summary Information...... 3 Biography/History...... 4 Scope and Contents...... 7 Administrative Information...... 9 Controlled Access Headings...... 9 Collection Inventory...... 11 Correspondence...... 11 Exhibitions...... 48 Writings...... 57 Research...... 71 Memorabilia...... 78 Miscellaneous and Oversized Materials...... 82
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Summary Information
Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts
Creator Fry, Edward F.
Title Edward F. Fry papers
Call number Ms. Coll. 651
Date circa 1947-1992
Extent 66 boxes
Language English
Abstract Comprising documents related to Fry’s life and career: correspondence, research, and letters from numerous artists and colleagues, handwritten lectures, typescript essays, over 1000 photographs of artists’ works with special interest in Pablo Picasso, Jacques Lipchitz, Henri Laurens, and David Smith. Correspondence with artists (some include slides and drawings), curators, art historians, and museums. Highlights of curated exhibitions include the 1967 5th Guggenheim International Exhibition, the 1969 David Smith retrospective, the canceled 1971 Hans Haacke exhibition, and the 1987 Documenta 8. Materials related to Fry’s special interest in cubism, specifically Pablo Picasso, include the book Cubism, lectures, notes, photographs, and research.
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Cite as:
Edward F. Fry papers, Rare Book & Manuscript Library, University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts, University of Pennsylvania
Biography/History
The papers of Edward Fort Fry (1935-1992) reveal the prestige and controversy surrounding the career of an art historian and curator. As an associate curator at the Solomon R. Guggenheim Museum from 1967 to 1971, Edward Fry experienced accolades in 1969 for his work on the David Smith Retrospective and frustration in 1971 regarding the cancellation of the Hans Haacke exhibition, which lead to Fry’s dismissal. From the early 1960s to 1992, Fry contributed to and curated exhibitions; wrote articles, exhibition catalogs, and essays; taught the history of art and participated in lecture series at several universities; introduced unknown artists from eastern Europe and Asia to the United States; and maintained correspondence with artists and colleagues from around the world. Born 6 May 1935 to Dr. Wilfred Elyes Fry (1899-1976) and Irene Fort Fry (1899-1984), Edward Fry and his sister Margaret resided with their parents in Ardmore, Pennsylvania, just outside Philadelphia. Fry attended the distinguished, all-boys Haverford School from 1947 to 1953, achieving academic excellence in science and math. He attended Princeton University in 1957 where he received his Bachelor of Arts in English literature. Accepted to Harvard University, Fry initially planned to study law but withdrew after the first semester and then enrolled in the fine arts department. He worked with Louis Grodecki on a thesis entitled “Thierry and Champart at Jumièges: the Construction of Notre-Dame and the Romanesque Capitals,” and with Frederick B. Deknatel on his dissertation. During his time at Harvard, Fry was a teaching fellow and became curator and trustee of the Museum of Art, Oqunquit, Maine, where he worked closely with artist Henry Strater. Receiving a Fulbright Fellowship from 1961 to 1963, Fry spent the majority of his time researching and studying in Europe, chiefly in Paris, where he formed invaluable relationships with artists and historians and began his life-long study of sculpture and cubism, as well as his in-depth research and investigation of Pablo Picasso. During his research fellowship Fry traveled extensively, noting places, names, and dinners in his calendars, such as meetings with futurist painter Gino Severini. Personal correspondence with contemporary scholars William Innes Homer and Robert Rosenblum provides a glimpse into the guarding and sharing of information among scholars, as well as rivalries and gossip from home. For instance, during Fry’s sojourn in Paris, scholars and colleagues presented Fry with their own research questions, taking advantage of a contact in Europe, and asking that their queries be kept confidential. One friend and colleague, William Innes Homer, working on a monograph of Georges Seurat, asked Fry to procure— with detailed instructions—copies of documents held by Paul Signac’s daughter. In a 9 February 1962
- Page 4 - Edward F. Fry papers letter Homer relays, “. . . I (unlike Rewald , etc.) am not out to exploit her and her mother’s material; but I do and will need her help, document-wise, if I keep on with Seurat . . . (this is still secret by the way).” Correspondence of this type reveals not only the guarding of original research but also the ways in which scholars gathered source material. Fry was able to build intellectual and congenial relationships with artists and their family and friends. This ability aided in his research on cubism, evidenced in the many pages of correspondence, with Rubin Lipchitz, brother of sculptor Jacques Lipchitz. Discussions of Lipchitz’s sculpture and cubism run throughout their letters. An outline regarding the development of sculpture and cubism in Rubin Lipchitz’s hand serves as one example of their close relationship during Fry’s stay in Paris. Preserved are extensive and copious notes on Jacques Lipchitz, Pablo Picasso, Henri Laurens, and futurism, in original card files with notes from interviews, including photographs of works. The resulting volume from Fry’s Fulbright Fellowship, entitled Cubism, was published by McGraw-Hill Book Company in 1966 and subsequently published in German and Italian. After completing his Fulbright Fellowship, Fry was an instructor in the history of art at Princeton University and worked as a consultant from 1965 to 1967 for the Solomon R. Guggenheim Museum in New York. The consulting work Fry performed for the Guggenheim lead to his associate curatorship after the Fifth Guggenheim International Exhibition: Sculpture from Twenty Nations, 1967–1968; Fry organized the exhibition and wrote the catalog’s essay. The size and scope of the exhibition displayed Fry’s awareness of a multitude of sculptors from the international art scene and the entanglements in acquiring sculptures from artists and dealers to mount such an all-encompassing exhibition. The paper trail to acquire Jean Arp’s Ptolemy III for the exhibition started with a letter to Francois Arp and continued until the sculpture was included in the show. This perseverance exemplifies the specificity of Fry’s vision regarding how each artist should be represented within the multitude of artists being exhibited. Fry organized several exhibitions in 1969, including the significant and substantial David Smith, a Retrospective. Fry meticulously researched all of Smith’s work for the exhibition—with the help of then doctoral student Rosiland Krauss—including amassing a nearly complete photograph collection of all of his sculpture. The Guggenheim was completely filled with Smith’s work, utilizing in its entirety Frank Lloyd Wright’s visionary space of the museum: it was the first time all of the floors of the Guggenheim Museum were open to the public. The critical response to the exhibition and Fry’s catalog was favorable. Newspaper clippings, telegrams, and notes from friends and from David Smith’s sister, Catherine Smith Stewart, praised Fry’s choices and scope and applauded him for showing the range of Smith’s monumental sculpture. From 1968 to 1971 Fry organized several successful sculpture exhibitions at the Guggenheim Museum, including Jean Arp and Japanese Art 1970: The Fifth Japan Arts Festival. In addition, in 1968 Fry was sent on behalf of McGraw-Hill Book Company to acquire and exhibit works of art from Poland and Yugoslavia. Fry received permission from Thomas M. Messer, director of the Guggenheim, to travel and procure the works, a separate project from his duties as curator. The result was the publication of two small catalogs and a 1969 traveling exhibition sponsored by the American Federation of Arts, entitled Contemporary Art in Poland and Contemporary Art in Yugoslavia. The exhibition not only fulfilled a corporate investment and added to its collection but also simultaneously introduced, in some cases, unknown Polish and Yugoslavian artists to the United States. Fry’s achievements at the Guggenheim continued, but his curatorship was short-lived as the ensuing exhibition of one conceptual artist erupted into controversy. Fry spent close to a year researching, pricing,
- Page 5 - Edward F. Fry papers and contemplating the logistics of installing the environmental and social/political works of artist Hans Haacke. One month prior to the opening and after much heated debate and meetings, the show was canceled. The Guggenheim was protecting its trustees from being perceived as slum lords in one of Haacke’s works. Edward Fry, unbending about Haacke’s freedom to show the work without censor, was summarily dismissed from the Guggenheim. On 23 April 1971 Guggenheim Director Thomas M. Messer wrote, “Your sustained and active engagements in opposition to recent decisions go beyond legitimate dissent and make it clear that we have come to a parting of the ways.” The canceled show and firing of Fry produced an outpouring of correspondence, newspaper articles, and controversy. Artists who protested include contemporary sculptor Donald Judd; he exclaimed, “I don’t know how anyone can show at the Guggenheim again.” i Despite this dismissal Fry continued a prolific and engaging professional life, becoming an independent curator and art historian. He was president of the New York chapter of the New Art Association, formed at a College Art Association meeting to address art education. Fry received a Guggenheim fellowship in 1973 to further his research on sculpture and cubism. His curriculum vitae displays several teaching assignments, awards, essays, and consulting positions. Edward Fry’s strong and independent personality contributed to his professional relationships and the expression of his own ideas. For instance, his doctoral dissertation on cubism was initially rejected by his advisor Frederick B. Deknatel: “as it stands what you have written is more in the nature of a narrative account of the movement of cubism . . . This needs more study and certainly could be made into a dissertation.” Fry’s work was published by McGraw-Hill and translated into four other languages and later was accepted as his dissertation. Fry stood by artist Hans Haacke when the Guggenheim Museum wanted to alter the exhibition to suit the board of trustees. Furthermore, Fry became professor and chairman of Visual Arts at York University in Toronto, where a special convocation in the fall of 1973 honored Josef and Annie Albers. Fry resigned from his position in 1975 explaining to the university in a lengthy point-by-point letter the frustration of chairing the visual arts department. His career as a professor continued at Harvard University, Colgate University, University of Pennsylvania, University of Pittsburgh, and the University of South Florida. In the late 1970s and 1980s Fry continued arranging exhibitions and participating in lectures. He was involved in Documenta 6, Kassel, Germany in 1977, where he organized the international sculpture section. He was co-director of Documenta 8 in 1987 and the only American organizer and full-time curator, working with Manfred Schneckenburger, planning and coordinating the entire exhibition; he was also a major contributor to the catalog. Fry’s ideas regarding the role of art in society were expressed prior to leaving for Kassel: “Art is being corrupted. . . . We want to indicate that modernity has a future only if one destroys the misunderstanding between false autonomy for art—in which it has to be pure, like a kind of secular religion—and what I call the substantiveness of art.” Fry and Schneckenburger chose artists who they perceived went beyond the postmodern: they embraced the works of Robert Morris and rejected those of Sol Lewitt. The critical reaction to Documenta 8 noted its vastness and complexity, overwhelming for the audience to absorb. In the two-year process of organizing the Documenta 8, artists submitted their work with the hopes of international exposure, but the ultimate decision of the artist’s fate was subject to the theoretical ideas of the jury and critic. In 1981 Fry represented the United States in UNESCO’s Homage to Picasso—celebrating the 100th year of Picasso’s birth. Fry received the UNESCO medal, designed by Juan Miro, at the conference in Paris for his contribution of essays and lectures on Picasso. Fry’s focus on modern art and his fascination with
- Page 6 - Edward F. Fry papers Picasso commenced with his Fulbright award in 1961 and continued throughout his career. Lectures and numerous essays, some highly acclaimed, abound in his body of work. At the time he received the award, Fry declared, “I’ve been working on Picasso about twenty years. He’s the most important modern artist— by all odds the biggest challenge.” Fry’s extensive research materials on Picasso comprise a large photograph collection and index card file, as well as his many lectures and articles on Picasso and cubism. One article in Art Journal, “Picasso, Cubism and Reflexivity” (1988), produced many queries, correspondence, and praises. In 1989 Fry co- curated, with William Rubin and Pierre Daix, Picasso and Braque: Pioneering Cubism at the Museum of Modern Art. The exhibition included a large symposium on cubism and included many eminent scholars. In the late 1980s and early 1990s Fry continued to organize exhibitions and participate in conferences. He consulted with the Guggenheim on a Robert Morris exhibition and was to be part of the 14th International Sculpture Conference presented by the International Sculpture Center. Fry was on the program committee, and plans for the conference are evidenced in exchanges with sculptor Lin Emery. This would be the last project in which Fry participated; he died suddenly of a heart attack in April 1992, just two months prior to the start of the conference in June. Edward F. Fry, through the generosity of Sandra Ericson, whom Fry married in 1985, has left a wealth of information that spans the many contributions of an art historian who researched, taught, lectured, and worked closely with artists mounting exhibitions. Works Consulted Fry, Edward F. Cubism. New York: McGraw-Hill, 1966. ---. David Smith. New York: Solomon R. Guggenheim Museum, 1969. Getty Union List of Artist Names Online. http://www.getty.edu/research/conducting_research/ vocabularies/ulan (accessed from March 2007 to February 2008). Grove Art Online. http://groveart.com (accessed from March 2007 to January 2008). Krauss, Rosiland E. T he Sculpture of David Smith: A Catalogue Raisonné. New York: Garland Publishing, 1977. On-line Picasso Project. http://picasso.tamu.edu.picasso (accessed from June 2007 to February 2008). Slought Foundation Online Content. http://www.slought.org (accessed, February 4, 2008).
Scope and Contents
The Edward F. Fry Papers comprise the documents of the life and career of an independent art historian and curator. The collection consists of 66 boxes of correspondence, research, lectures, essays, photographs, and drawings; in addition, there are two oversized folders of material housed separately. The
- Page 7 - Edward F. Fry papers papers also include slides of artists’ works, exhibition catalogs, negatives, and a reel-to-reel tape of an interview. The correspondence series, ca. 1958-1991, encompasses eleven boxes containing 686 folders. Included are letters from family, friends, institutions, and artists. There are letters from Fry’s parents, Dr. Wilfred E. Fry and Irene Fort Fry, while Fry was in Europe. Letters from artists such as Beverly Pepper and Jacques Lipchitz discussing their work and ideas; some artists included drawings, slides, and catalogs with their correspondence. Friends and colleagues who aided with his research on cubism include Rubin Lipchitz and William Innes Homer. Also is correspondence with publishers regarding the translation of Fry’s book Cubism and in reference to articles. Many museums are included in the correspondence concerning the curatorial work of Fry, for example acquiring works of art for exhibitions. In addition to the wealth of scholarly publications, books, lectures, and exhibition information contained in the papers are correspondence, calendars, and journals that reveal his personal life. Fry’s calendars, a journal, and some correspondence provide a glimpse of the inner world of this prominent and independent art historian. The letters from Robert Rosenblum are friendly and high-spirited, conveying news of their colleagues. Fry became friends with his editor in Germany Inge Bodesohn-Vogel, in correspondence they discuss his books translation into German as well as personal exchanges, he notes in one calendar his worry for her health. Another close friend Yvonne V. Chabrier shows concern for Fry’s mental state while he was in Europe, “your last letter left me with a quiet sad feeling; you sounded so very, very gray . . . .” The correspondence and calendars reveal many close relationships throughout Fry’s life. A small series, Exhibitions consists of 3 boxes and 71 folders (ca. 1967-1987). The first box contains materials such as inventories, notes, research and travel for several exhibitions. Due to the controversy and cancellation of the Hans Haacke exhibition the second box in this series contains the correspondence from Hans Haacke, the exhibitions plans, correspondence reacting to the exhibition’s cancellation, articles, and research. The third and final box of the series surrounds the Documenta 8 exhibition in Kassel, Germany. Writings is the third series in the collection containing 9 boxes and 208 folders (ca. 1957-1991). Writings has been arranged into five sections: 1 box containing Fry’s undergraduate thesis; 2 boxes of typescripts, drafts, and notes on Cubism; two boxes of essays and articles arranged alphabetically, with accompanying research and drafts; two boxes of lectures arranged chronologically, chiefly handwritten; and 2 boxes of courses, some with class lectures and/or syllabi. Fry’s range of essays and lectures includes not only cubism, but contemporary sculpture, an article on Titian, a lecture series on Jackson Pollock, Paul Cézanne, and constructivism. The research series is housed in eighteen boxes, documenting Fry’s research of various artists and including files, detailed note cards, and photographs. The series has been divided into three distinct parts: artist files encompassing four boxes; arranged alphabetically they contain artist’s biographies, some contain photographs or slides of works of art, and connections with galleries. There are 3 boxes of note cards regarding Jacques Lipchitz, Henri Laurens, Pablo Picasso and David Smith. 8 boxes of photographs make up the last section in this series. Each box is an album containing photographs of the artist’s works and in one album are photographs from exhibitions. The fifth series in the collection is Memorabilia and is in 11 boxes (ca. 1947-1990). One box of Fry’s saved programs, newsletters; 3 boxes contain Fry’s academic career from The Haverford School through Harvard University, including grades, essays for classes, syllabi and some lecture notes. Personal
- Page 8 - Edward F. Fry papers memorabilia including note books, awards, personal photographs, calendars, passports and address are contained in 5 boxes. The calendars provide some personal information in short diary notes and are useful for Fry’s meetings with individuals and artists. Last in the series of the collection is miscellaneous and oversized material. This series is housed in 8 boxes and contains 2 folders in a map drawer. Magazine articles, newspaper clippings, oversized materials from exhibitions and artists (including drawings), and some posters are contained in this series.
Administrative Information
University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts
2010 Finding aid prepared by Donna Brandolisio.
Use Restrictions Copyright restrictions may exist. For most library holdings, the Trustees of the University of Pennsylvania do not hold copyright. It is the responsibility of the requester to seek permission from the holder of the copyright to reproduce material from the Kislak Center for Special Collections, Rare Books and Manuscripts.
Source of Acquisition Gift of Sandra Ericson, 2006.
Electronic Guide The creation of the electronic guide for this collection was made possible through a grant from The Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources’ “Cataloging Hidden Special Collections and Archives” Project. The finding aid was entered into the Archivists' Toolkit by Garrett Boos.
Controlled Access Headings
Form/Genre(s)
- Page 9 - Edward F. Fry papers • Color slides • Correspondence • Drawings (visual works) • Exhibition catalogs • Manuscripts, American--20th century • Memorabilia • Photographs • Writings (documents)
Subject(s)
• Art • Art, Modern--20th century • Art--Study and teaching • Artists • Cubism
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Collection Inventory
I. Correspondence. 11 boxes. Series Description
686 folders arranged alphabetically by correspondent. Includes all correspondence with the exception of Hans Haacke and the response to the cancelation of the exhibition.
Box Folder
Abilene Public Library. 1 1
Achim Moeller Fine Art Limited re: drawing by Pablo Picasso. 1 2
Ackerman, James S. 1 3
Adams, Henry re: Thomas Hart Benton Centennial Exhibition, 1987. 1 4
Agee, William C. 1 5
Albers, Josef. 1 6
Albright-Knox Art Gallery. 1 7
Albright-Knox Art Gallery re: Piero Dorazio Retrospective, see writings. 1 8
Allard, A. 1 9
Alloway, Lawrence, 1926- re: Albert Gleizes Exhibition. 1 10
Alpers, Svetlana. 1 11
Alternative Museum (New York, N.Y.). 1 12
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America-Israel Cultural Foundation. 1 13
American Center for Students and Artists (Paris, France). 1 14
American Federation of Arts. 1 15
Amsterdam (Netherlands) Stedelijk Museum. 1 16
Anderson, Troels. 1 17
Andersen, Wayne re: David Smith. 1 18
Appollonio, Umbro, 1911-. 1 19
Apraxine, Pierre. 1 20
Archipenko, Alexander, 1887-1964. 1 21-22
Archipenko, Frances. 1 23
Architects Collaborative, Inc. 1 24
Armitage, Kenneth, 1916-2002. 1 25
Arp, François. 1 26
Arp, Marguerite. 1 27
Art in America. 1 28
Art International re: Hans Haacke; see: Vinklers, Betite. 1 29
Art Journal. 1 30
Arts and Science Center. 1 31
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Arts Canada Magazine. 1 32
Artschwager, Richard, 1923-. 1 33
Arts Council of Great Britain. 1 34
Ashbery, John, 1927-. 1 35
Ashton, Dore. see: Artists; Barrett, Daniel. 1 36
Association pour la conservation et la reproduction photographique de la 1 37 press.
Atkin, William Wilson. 1 38
Atlantic Community College. 1 39
Attalai, Gábor. 1 39
Aubéry, Pierre. 1 40
Aycock, Alice. see: writings. 1 41
Bak, Irme. 1 42
Baker, Edwin L. 1 43
Ball, Susan L. 1 44
Baltz, Carel. 1 45
Barnes Foundation. 1 46
Barnes, Laura L., 1875-1966. 1 47
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Barr, Alfred Hamilton, 1902-1981. 1 48
Barr, Marga. 1 49
Bartholet, Elizabeth Ives. 1 50
Battcock, Gregory, 1937 re: Hans Haacke. 1 51
Baudouin, René. 1 52
Bauer, Frederick E. 1 53
Bazin, Germain. 1 54
Beaumont, Henri de re: Pablo Picasso. 1 55
Beer, François-Joachim. 1 56
Belz, Carl. 1 57
Benedit, Luis F. (Louis Fernando). See also: Box 60, folder 1171; 1 58-59 drawings, notes and plans; poster.
Benjamin, Judith L. 1 60
Bényi, László re: Guggenheim International Exhibition, 5th, 1967. 1 61
Bereś, Jerzy. 1 62
Bernstein, Gevela Meyer. 1 63
Bethel, Kathleen. 1 64
Beyer, Victor. 1 65
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Bienal de Arte Coltejer, 2nd, 1970. 2 66
Bihalji-Merin, Oto, 1904-. 2 67
Bijyutsu Techo Magazine. 2 68
Blackwell Book Store. 2 69
Blum, Helena. 2 70
Blum, Shirley Neilsen. 2 71
Baal, Sara. 2 72
Bobbs-Merril Company. 2 73
Bodesohn-Vogel, Inge. see: M. DuMont Schauberg (Firm). 2 74
Bogaard, Anke. 2 75
Bogusz, Marian. 2 76
Bois, yve Alain. 2 77
Boston University. 2 78
Bottlin, André. 2 79
Bowlt, John E. 2 80
Bowness, Alan. 2 81
Bozo, Dominique. See also: Musée national d'art moderne (France). 2 82
British Broadcasting Corporation. 2 83
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Brady, Jacqueline, 1932-. 2 84
Broothaers, Marcel re: Haacke, Hans, 1936-. 2 85
Brooke, David S. 2 86
Brücher, Ernst. 2 87
Buckley, John. 2 88
Burden, Chris, 1946-. See also: folder 1175, map drawer. 2 89
Burke, Helen S. 2 90
Burnham, Jack, 1931-. 2 91
Burnham, Judith. 2 92
Bury, Pol, 1922-. 2 93
Bush, Virginia. 2 94
Butler, Eugenia. 2 95
Byars, James Lee. 2 96
Cachin, Françoise. 2 97
Caglioti, Victor, 1935-. 2 98
Cahiers d'art. 2 99
Camfield, William A. 2 100
Carmi, Eugenio, 1920-. 2 101
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Caro, Anthony, 1924-. 2 102-103
Carpenter, Ken. 2 104
Cartier-Bresson, Henri, 1908-2004. 2 105
Casa Frollo: Pensione. 2 106
Castelbarco, Carla. 2 107-108
Čelebonović, Aleska. 2 109
Ćelić, Stojan, 1925-. 2 110
Centers for Advanced Study in the Visual Arts. 2 111
Centre Georges Pompidou. 2 112
Centro de Arte y Communicación (Buenos Aires, Argentina). 2 113
Century Association (New York, N.Y.). 2 114
Chabrier, Yvonne V. 2 115
Géo-Charles, 1882-1963. 2 116
Chicago, Judy, 1939-. 2 117
Childress, William. 2 118
Christo, 1935-. 2 119
Cieński, Stanislaw. 3 120
Clark, Charles D. 3 121
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Clark, Joseph C. 3 122
Clerk, Pierre, 1928-. 3 123
Cogswell, Margaret. 3 124
Čolak-Antić, Ana. 3 125
Cole, R. A. 3 126
Colla, Ettore, 1896-1968. 3 127
Commission Franco-Américane d'Echanges Universitaires (United States 3 128 Educational Commission for France).
Connaissance (Firm); Goldschmidt, Ernest. 3 129
Connelly, Frances S. 3 130
Cooper, Douglas, 1911-1984. 3 131
Cooper, Paul R.; Robert Hull Fleming Museum. See also: Box 60, folder 3 132 1174; poster.
Cooper, Paula. 3 133
Cooper, Richard W. 3 134
Cooper, Sally. 3 135
Corcoran Gallery of Art. 3 136
Corse, Mary. 3 137
Cortesi, Ally; The New York Review of Books. 3 138
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Count Dracula Society (U.S.). 3 139
Cousins, Judith Museum of Modern Art (New York, N.Y.). 3 140
Cragnolini, Pietro. 3 141
Crockwell, Margaret re: Smith, David, 1906-1965. 3 142
Crowell-Collier Educational Corporation. 3 143
Csaky, Joseph, 1888-1971. 3 144
Cummings, Nathan. 3 145
Czartoryska, Urszula. 3 146
Damnjanović-Damnjan, Radomir, 1936-. 3 147
David McKee Gallery. 3 148
Davis, Marjorie. 3 149
Day, Wördem. 3 150
Debenjak, Riko, 1908-1987. 3 151
de Borrero, Marla. 3 152
Dehner, Dorothy, 1901-1994. 3 153
Deknatel, Frederick B. 3 154
Delaunay, Sonia. 3 155
Delehanty, Suzanne, 1944-. 3 156
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Delgado, Gloria. 3 157
DESA Works of Modern Art Foreign Trade Co. 3 158-159
Dignac, Geny, 1982-. 3 160-161
Djuara Limited: Indonesian Importers. 3 162
Dobrović, Juraj, 1928-. 3 163
Documenta GmbH, (Documenta:8th:1987:Kassel, Germany). 3 164
Dombek, Blanche. 3 165
Downey, James M. 3 166
Downing, Robert James. 3 167
Drake, Robert T. 3 168
Drenner, Sarah Wilson. 3 169
Drew University; Hall, Lee. 3 170
Droogers, W.C. 3 171
Dufferin, Sheridan. 3 172
D. Van Nostrand Company re: David Smith catalog. 3 173
Edward MacDowell Association. 3 174
Egbert, Donald Drew, 1902-1973. 3 175
Elliot, James. 3 176
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Eloul, Kosso, 1920-1996. 3 177
Elsen, Albert Edward, 1927-. 3 178
Emery, Lin, 1926-; International Sculpture Conference. 3 179
Emmerick, André. 3 180
Entemann, Raymond. 3 181
Ericson, Sandra. 3 182
Eyquem, Eva. 3 183
Faltermeier, Henrich. 3 184
Faulkner, Dawkins & Sullivan. 3 185
Fay, Nomina T. (Nomina Twining). 3 186
Federal Reserve Bank of Philadelphia. 3 187
Fermigier, André. 3 188
Fernandez, Iglesias Enrique. 3 189
Field, Richard S. 3 190
Field, Virginia. 3 191
Fijalkowski, Stanislaw, 1922-. 3 192
Fine, Jud. 3 193
Finkelstein, Ann B., George Washington University. 3 194
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First Universal Life Church of San Diego. 3 195
Fischbach Gallery; Droll, Donald. 3 196
Fisher, Carl, Mrs. 3 197
Flack, Ann J. 4 198
Flavin, Dan, 1933-1996. 4 199
Fleischer Anhalt Gallery (Los Angeles, Calif.), Fleischer, Mary. 4 200
Fleming, John, 1919-; Penguin (Firm). 4 201
Fleiss, Marcel. 4 202
Franck, Martine. 4 203
Freedberg, S. J. (Sydney Joseph), 1914-1997. 4 204
Fried, Michael. 4 205
Fry, Irene Fort. 4 206
Fry, Wilfred E. 4 207
Fujieda, Teruo, 1936-. 4 208
Fukushima, Noriyasu, 1940-. 4 209-210
Gabriele Mazzotta editore. 4 211
Galen, Elaine. 4 212
Galeria, Foksal. 4 213
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Galerie Breteau. 4 214
Galerie Claude Bernard. 4 215
Galerie de France (Paris, France). 4 216
Galerie Denise René. 4 217
Galerie Gmurznska. 4 218
Galerie Lambert; Lambert, Françoise. 4 219
Galerie Maeght (Paris, France). 4 220
Galerie Müller Stuttgart. 4 221
Galerie Paul Fachetti. 4 222
Galerie Seder. 4 223
Galerije grada Zagreba; Bek, Božo. 4 224
Galić, Mladen. 4 225
Gamwell, Lynn, 1943-. 4 226
Gandee, Cynthia. 4 227
Geoffrey, J. Iqbal, 1939-. 4 228
George Braziller, Inc. 4 229
Gerchman, Rubens, 1942-. 4 230
Gibbons, Felton, 1929-. 4 231
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Gibson, Roland. 4 232
Gieldzinski, H. 4 233
Gielniak, Józef, 1932-1972. 4 234
Ginnever, Charles, 1931-. 4 235
Gleizes, Juliette Roche. 4 236
Goff, Mary Ruth. 4 237
Golding, John. 4 238
Goldschmidt, Ernest. 4 239
Goodyear, John, 1930-. 4 240
Gordon, Donald E. 4 241
Gostomski, Zbigniew, 1932-. 4 242
Grabska-Wallis, Elizabeth. 4 243
Graham Modern (Gallery). 4 244
Gray, Cleve. 4 245
Greater Tarpan Springs Chamber of Commerce. 4 246
Green, Robin. 4 247
Greenberg, Clement, 1909-1994. 4 248
Greenly, Colin. 4 249
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Grigorian, Marcos, 1925-. 4 250
Gris, Josette. 4 251
Grodecki, Louis, 1910-1982. see: Abbaye de Jumièges. 4 252
Habasque, Guy. 4 253
Haese, Ursula; re: Haese, Günter, 1924-. 4 254
Haftmann, Werner. 4 255
Haggerty, Margaret T. 4 256
Hall, David L. 4 257
Hall, Katrina. 4 258
Halpern, Barbara. 4 259
Hammar, Nancy. 4 260
Hamowy, Albert. 4 261
Harvard University. Dept. of Fine Arts. 4 262
Harvard University. Graduate School of Arts and Sciences. 4 263
Haskins, Jno. 4 264
Haven and Co. Photo Supply. 4 265
Heller, Jules. 4 266
Henri Stern Watch Agency, Inc. 4 267
- Page 25 - Edward F. Fry papers I. Correspondence
Herbert F. Johnson Museum of Art. 4 268
Herding, Klaus. 4 269
Hérnbel, Michel. 4 270
Hiery, Oswald. 5 271
Hirshhorn Museum and Sculpture Garden. 5 272
Hiltunen, Eila, 1922-. 5 273
Hödicke, Christa. 5 274
Hofmann, Werner, 1928-. 5 275
Holderbaum, James. 5 276
Holt, Reinhart, and Winston, Inc. 5 277
Holt, Nancy. 5 278
Homer, William Innes. 5 279-280
Horvat-Pintarić, Vera, 1928-. 5 281
Hotel Cipriani. 5 282
Houe, Christian. 5 283
Hozo, Dževad, 1938-. 5 284
Huber, Carlo. 5 285
Hubert, Etienne-Alain. 5 285
- Page 26 - Edward F. Fry papers I. Correspondence
Hunisak, John M., 1944-. 5 286
Indiana University Museum of Art. 5 287
Ingersoll, R. Sturgis (Robert Sturgis, b. 1891). 5 288
Inoue, Michiko. 5 289
Institute of Contemporary Arts (London, England); Penrose, Roland, Sir. 5 290
International Council of Museums. 5 291
International Play Group, Inc. 5 292
International Research and Exchange Board. 5 293
International Sculpture Center. 5 294
Isham, Christopher. 5 295
Isham, Sheila, 1927-. 5 296
Ishii, Atsuo. 5 297
Isobe, Yukihisa. 5 298
Jaar, Alfredo. 5 299
Jackson, Martha Kellog. 5 300
Jacob, Laurent. 5 301
Jakimowicz, Andrezej. 5 302
Janson, H.W. (Horst Woldermar), 1913-1982. 5 303
- Page 27 - Edward F. Fry papers I. Correspondence
Japan Art Center. 5 304
Jappe, Hieba. 5 305
Jarnuszkiewicz, Jerzy. 5 306
Jéanty, Françoise. 5 307
Jessar, Ralph A., Mrs. 5 308
Jewish Museum (New York, N.Y.). 5 309
Joe and Emily Lowe Art Gallery (University o Miami). 5 310
John Simon Guggenheim Memorial Foundation 1971-1973. 5 311
Johnson, Diane, 1943-. 5 312
Johnson, Ron (Ronald William), 1937-. 5 313
Joost, Christiane. 5 314
Kacher, Lewis. 5 315
Kahnweiler, Daniel Henry, 1884-1979; Galerie Louise Leiris. 5 316
Kalamazoo Institute of Arts. 5 317
Kalenberg, Angel. 5 318
Kantor, Tadeusz, 1915-1990. 5 319
Katz, Stephanie Suzanne. 5 320
Kawamata, Tadashi, 1953-. 5 321
- Page 28 - Edward F. Fry papers I. Correspondence
re: Kelly, Ellsworth, 1923- and Red-Blue Rocker, 1963. 5 322
Kemeny, George A. 5 323
Kemeny, Madeleine, 1906-1993. 5 324
Kepalas, Elena. 5 325
Kent Fine Art, Inc. 5 326
Kerney, Mary-Margaret. 5 327
Key-Sock, Lee. 5 328
Kezys, Algimantas. 5 329
Kim, Whanki, 1913-1974. 5 330
Knoedler Gallery. 5 331
Knutson, Ruth M. 5 332
Koenigstein, Georg, 1937-. 5 333
Kokubo, Akira, 1937-. 5 334
Kossow, Vladimir Michaelovitch. 5 335
Kowalski, Piotr, 1927-2004. 5 336
Krampetz, Norman A. 6 337
Krasiński, Edward, 1925-. 6 338
Kreisel Co., Inc. 6 339
- Page 29 - Edward F. Fry papers I. Correspondence
Kriwet, Ferdinand. 6 340
Kržišnik, Zoran. 6 341
Kuduz, Ante, 1935-. 6 342
Kunstverein in Hamburg. 6 343
Kunz, Lucy E. 6 344
Kvaraceus, Rose. 6 345
Lahoda, Vojtěch. 6 346
Landmann, Oscar P. 6 347
Langhorne, Elizabeth Lawrence. 6 348
Lapiner, Alan C. 6 349
Lapinski, Tadeusz. 6 350
Larronde, Daniele. 6 351
Lascombe, Jacqueline. 6 352
Latner, Albert J. 6 353
Laude, Jean, 1922-. 6 354
Laurens, Claude, 1908-. 6 355
Lawson, Thomas, 1951-. 6 356
Leavitt, Boris. 6 357
- Page 30 - Edward F. Fry papers I. Correspondence
Leider, Philip, 1929-. 6 358
Leighton, Patricia Dee. 6 359
Lejwa, Arthur. 6 360
Lenk, Thomas, 1933-. 6 361
Léon, Eduardo A. 6 362
Lewis Brothers Insurance. 6 363
Lewis, Raymond L. 6 364
Linduff, Katheryn M. 6 365
Liong, Koh Tong. 6 366
Lipchitz, Jacques, 1891-1973. 6 367
Lipchitz, Rubin. 6 368-370
Lippincott Environmental Arts. 6 371
Lobanov-Rostovsky, Nikita D. 6 372
Loeser, John D., Mrs. 6 373
Lorch, Leonard G. 6 374
Los Angeles County Museum of Art. 6 375
Lucchini, Jean-Claude. 6 376
Lunn, Harry H. (Harry Hyatt), 1933-. 6 377
- Page 31 - Edward F. Fry papers I. Correspondence
Lynton, Norbert. 6 378
MacAgy, Douglas, 1913-. 6 379
McClintic, Miranda. 6 380
McDowell, Barrie C. 6 381
McGill University. 6 382
MeGraw-Hill Book Company. 6 383-384
Madovra, Galerie. 6 385
Maeght éditeur. 6 386
Magyar Nemzeti Galéria. 6 387
Maine Coon Breeders & Fanciers. 6 388
Malcolm Gardner. 6 389
Marczyński, Adam, 1908-1985. 6 390
Marini, Marino, 1901-1980. 6 391
Marion Koogler McNay Art Museum. 6 392
Marsh, Janice. 6 393
Martin, Robert B. 6 394
Matarazzo Sorbinho, Francisco, 1898-1977. 6 395
Mathieu, Georges, 1921-. 6 396
- Page 32 - Edward F. Fry papers I. Correspondence
Matisse, Paul, 1933-. 6 397
Matsuzawa, Yutaka. 6 398
Matulka, Lida. 6 399
Max Hutchinson Gallery (New York, N.Y.). 6 400
Max Protetch Gallery. 6 401
Maxwell Davidson Gallery. 6 402
Maza, Fernando. 6 403
M. DuMont Schauberg (Firm) see: Bodesohe, Inge. see: Bodesohe, Inge. 7 404
Menaše, Ljerka. 7 405
Menil, Dominique de. 7 406
Messer, Thomas M.; Solomon R. Guggenheim Museum. 7 407
Meštrović, Matko, 1933-. 7 408
Meyer, Ursula, 1915-2003. 7 409
Meyer-Bernstein, Gerda. 7 410
Meyerson, Martin, University of Pennsylvania. 7 411
Michalowski, Jerzy. 7 412
Michael, Julie. 7 413
Miss, Mary, 1944-. 7 414
- Page 33 - Edward F. Fry papers I. Correspondence
Miyawaki, Aiko, 1929-. 7 415
Moderna galerija (Ljublijana, Slovenia) Jerman, Majda. 7 416
Mohr, Lawrence. 7 417
Molho, Vitalis John. 7 418
Molnár, Sándor, 1936-. 7 419
Monti della Corte, Beatrice. 7 420
Morgan, Elizabeth A. 7 421
Moriguchi, Tdirokazu. 7 422
Morland, Dorothy. 7 423
Morland, Francis. 7 424
Morphet, Richard; Penguin (Firm). 7 425
Morris, Robert, 1931-. 7 426
Motherwell, Robert. 7 427
Műcsarnok (Budapest, Hungary). 7 428
Muller, Guy. 7 429
Munk, Zdenka. 7 430
Murray, Joan, 1943-. 7 431
Murray, Robert, 1936-. 7 432
- Page 34 - Edward F. Fry papers I. Correspondence
Museé cantonal de beaux-arts Lausanne. 7 433
Museé national d'art Moderne (France) Bozo, Dominique. 7 434
Museé Picasso (Paris, France). 7 435
Museé Toulouse Lautrec. 7 436
Museum of Art Ogunquit. 7 437
Museum of Contemporary Art (Chicago, Ill.). 7 438
Museum of Modern Art (New York, N.Y.). 7 439
Muzej savremene umetnosti. 7 440
Museum Narodowe w Wrszawie. 7 441
Nádler, István, 1938-. 7 442
Naef, Bianca. 7 443
Naese, Ursula. 7 444
Nakov, Andrei B. 7 445
Nasser, Frederico Jayme. 7 446
National Endowment for the Arts Visual Arts Program. 7 447
National Gallery of Art (U.S.). 7 448
National Gallery of Canada. 7 449
Nationalgalerie (Germany). 7 450
- Page 35 - Edward F. Fry papers I. Correspondence
National Sculpture Center (U.S.). 7 451
Navaretta, E.A. 7 452
Neal, Reginald, 1909-. 7 453
Nederlandse Foto-litho inrichting. 7 454
Nederlandse Kunstistichting. 7 455
Negret, Edgar, 1920-. 7 456
Nesmer, Cindy. 7 457
New Jersey Bell Telephone Co. 7 458
Northwestern University (Evanston, Ill.). 7 459
Oda, Jo. 7 460
Oonishi, Seiji. 7 461
Orr, Olen. 7 462
Ortman, George, 1926-. 7 463
Otreba, Ryszard, 1932-. 7 464
Otto Gerson Gallery (New York, N.Y.). 7 465
Owens, Warren, 1923-. 7 466
Ozenfant, Amédee, 1886-1966. 7 467
Päíviö, Maeja-L. 8 468
- Page 36 - Edward F. Fry papers I. Correspondence
Panicali, Carla. 8 469
Parigoris, Alexandra. 8 470
Pasadena Art Museum. 8 471
Paternosto, César. 8 472
Pavović, Zoran, 1932-. 8 473
Pécon-Vaÿsse, R. 8 474
Peller, Marian. 8 475
Pennsylvania Academy of the Fine Arts. 8 476
Pennsylvania Office of the Governor. 8 477
Pepper, Beverly. 8 478
Pepper, Curtis Bill. 8 479
Perkins, Constance M., 1913-. 8 480
Perls, Klaus. 8 481
Perry, Richard. 8 482
Pfahler, Georg Karl, 1926-. 8 483
Philadelphia Museum of Art. 8 484
Philadelphia (Pa.) Redevelopment Authority. 8 485
Picabia, J. Buffet. 8 486
- Page 37 - Edward F. Fry papers I. Correspondence
Piccione, Dino. 8 487
Pinchbeck, Peter. 8 488
Pogány, Ödön Gábor. 8 489
Poland. Centalne Biuro Wystaw Artystycznych; Szancer, Gizela. 8 490
Porębski, Mieczyslaw, 1921-. 8 491
Portfolio: The Magazine for the Visual Arts. 8 492
Pound, Dorothy. 8 493
Pozzi, Lucio, 1935-. 8 494
Praeger Publishers. See also: Box 60, Folder 1170; galleys. 8 495
Princeton University. Art Museum. 8 496
Princeton University. Dept. of Art and Archaeology. 8 497
Princeton University. Dept. of Physics. 8 498
Princeton University. Office of the Secretary. 8 499
Puente, Alejandro. 8 500
Rabin, Joseph. 8 501
Radiodiffusion-Télévision française. 8 502
Radio Free Europe. 8 503
Rauscher, Leonhardt. 8 504
- Page 38 - Edward F. Fry papers I. Correspondence
Raynal, Germaine. 8 505
Restany, Pierre. 8 506
Richardson, John, 1924-. 8 507
Richter, Vjenceslaw, 1917-. 8 508
Rickey, Edie. 8 509
Rickey, George. 8 510
Rizzoli Journal of Art, Inc. 8 511
Robbins, Daniel. 8 512
Rodgers, Rebecca. 8 513
Rosand, David. 8 514
Rosenblum, Robert. 8 515
Rosing, Larry. 8 516
Roskill, Mark W. 8 517
Ross, John G. 8 518
Rouan, François. 8 519
Rubin, William Stanley. 8 520
Rudenstine, Angelica Zander. 8 521
Rumold, Rainer. 8 522
- Page 39 - Edward F. Fry papers I. Correspondence
Rumsey, Claire. 8 523
Russell, John. 8 524
Russell, Lisa. 8 525
Rutault, Claude. 8 526
Ruth White Gallery. 8 527
Sabre, Lynette. 8 528
Sadley, Wojciech. 8 529
Salmon, André, 1881-. 8 530
Salz, John F. 8 531
Savage, M. S. 8 532
Schippers, Wim T. 9 533
Schmidt, Mary. 9 534
Schneckenburger, Manfred; Documenta 8. 9 535
Schneider, Rosiland. 9 536
Schoenwald, Richard. 9 537
Schroth, Peter. 9 538
Schulze, Bernard & Ursula. 9 539
Schweiker, Richard S. (Richard Schultz), 1926-. 9 540
- Page 40 - Edward F. Fry papers I. Correspondence
Scott, Hugh, 1900-1994. 9 541
Secker & Warburg; Rosenthal, T. G. 9 542
Sekal, Zbynĕk, 1923-. 9 543
Segui, Shinichi. 9 543-2
Selz, Peter Howard, 1919-. 9 544
Serrano, Pablo, 1908-1985. 9 545
Šetlík, Jiři. 9 546
Seuphor, Michel, 1901-. 9 547
Shaffer, Paul V. 9 548
Sheard, Wendy Stedman. 9 549
Shearer, Linda. 9 550
Sidney Janis Gallery. 9 551
Silvagni, Elizabeth. 9 552
Siskov, Ludmil, 1936-. 9 553
Skovram, Anita. 9 554
Skowhegon School of Painting and Sculpture. 9 555
Slesinska, Alina. 9 556
Sloane, Joseph C. 9 557
- Page 41 - Edward F. Fry papers I. Correspondence
Smith, Ralph B. 9 558
Smithsonian Resident Associate Program. 9 559
Soby, James Thrall, 1906-1979. 9 560
Social Register Association (U.S.). 9 561
Soho Artists Association. 9 562
Solmssen, Peter. 9 563
Solomon R. Guggenheim Museum. 9 564
Sonnabend, Illeana. 9 565
Spagnulo, Giuseppe, 1936-. 9 566
Spate, Virginia. 9 567
Spinella, Elizabeth. 9 568
Squires, Norma-Jean. 9 569
Stanislawski, Ryszard, 1921-. 9 570
St[a]rzinki, J. 9 571
Stasik, Andrew. 9 572
State University of New York at Stony Brook Dept. of Art. 9 573
Stażewski, Nenryk, 1894-1988. 9 574
Steinberg, Leo, 1920-. 9 575
- Page 42 - Edward F. Fry papers I. Correspondence
Stele, France. 9 576
Stenvert, Curt, 1920-. 9 577
Stewart, Catherine Smith. 9 578
Stich, Sidra. 9 579
Strater, Henry, 1896-; Museum of Art Ogunquit. 9 580-581
Studio International. 9 582
Suberlack, Stefan, 1928-. 9 583
Svestka, Jiri. 9 584
Swann, Simone. 9 585
Syndicat de la Press Artistique Française. 9 586
Szépmûvészeti Múzeum (Hungary). 9 587
Szyszko, Felix. 9 588
Takama, Natsaki. 9 589
Takamatsu, Jirō, 1936-. 9 590
Tansey, Mark, 1949-. See also: Box 59, folder, 1167; copies of work with 9 591 miscellaneous notes.
Tavares, Gustavo A. 9 592
Tchorek, Mariusz. 9 593
- Page 43 - Edward F. Fry papers I. Correspondence
Tchórzewski, Jerzy. 9 594
Thames and Hudson. 9 595
Tic, Alexandre. 9 596
Timmerman, Harold J. 9 597
Tobias, Julius, 1915-1999. 9 598
Tokyo Gallery. 9 599
Torres, Francesc, 1948-. 9 600
Tosi, Aldo. 9 601
Townsend, J. Benjamin. 9 602
Toynbee, Arnold Joseph, 1889-1975. 9 603
Takas, George, 1944-. 9 604
Tršar, Drago. 9 605
Turnbull, William, 1922-. 9 606
United States. Dept. of State. Bureau of East Asian and Pacific Affairs. 10 607
Underwood, Julia. 10 608
Unesco. Hommage à Picasso. See also: box 44, folder 1105; box 49. 10 609
United States Foreign Service. 10 610
Universal Pictures (Firm). 10 611
- Page 44 - Edward F. Fry papers I. Correspondence
University of California, Berkeley. University Art Museum. 10 612
University of California Press. 10 613
University of Connecticut. Art Dept. 10 614
University of Iowa. 10 615
University of Pennsylvania. Dept. of the History of Art. 10 616
University of Pittsburgh. 10 617
University of Pittsburgh. Bookstore. 10 618
University of Puerto Rico (Mayagüez Campus). 10 619
University of South Florida. Office of the President. 10 620
University of the Arts. 10 621
University of Toronto. 10 622
University of Washington Museum. 10 623
Urbanowicz, Bogdan. 10 624
Uribe de Urdinola, Maritza. 10 625
Van Gendt & Co. 10 626
Vaništa, Josip, 1924-. 10 627
Venet, Bernar, 1941-. 10 628
Vermont Council on the Arts. 10 629
- Page 45 - Edward F. Fry papers I. Correspondence
Vidal, Susana A. 10 630
Viking Press. 10 631
Vinklers, Betite. 10 632
Vlček, Tomáš. 10 633
Volavka, Zdenka. 10 634
Volpi Orlandini, Marisa. 10 635
Von Schlegell, David. 10 636
Wade, Jane. 10 637
Waldemar George 1893-. 10 638
Walsh, Peter. 10 639
Warren, Richard E. 10 640
Wasserman Development Corporation. 10 641
Wauters, André. 10 642
Welch, Lois R. 10 643
Welsh, Robert P. 10 644
Wethey, Harold E. (Harold Edwin), 1902-1984. 10 645
Wheaton, Margaret Fry. 10 646
Wherlin, François. 10 647
- Page 46 - Edward F. Fry papers I. Correspondence
Wight, Frederick Stallknecht, 1902-1986. 10 648
Wilder, Nicholas. 10 649
Wilhelm-Lehmbruck-Museum der Stadt Duisburg. 10 650
Wilkin, Barbara. 10 651
Williams College. 10 652
Winiarski, Ryszard, 1936-. 10 653
Withers, Josephine. 10 654
Wodiczko, Krzysztof. 10 655
Wajciechowski, Alexander. 10 656
Yager, David. 10 657
Yale University. Dept. of the History of Art. 10 658
Yarber, Robert, 1948-. 10 659
York University (Toronto, Ont.). 10 660
Yōseidō Garō. 10 661
Yoshitome, Yo. 10 662
Young, Michael, 1955-. 10 663
Yuhara, Kazuo, 1930-. 10 664
Zabotin, Emma V. 10 665
- Page 47 - Edward F. Fry papers II. Exhibitions
Zabotin, Kostia. 10 666
Zaleski, Bohdan. 10 667
Zalkowitsch, Gennedy. 10 668
Zentralinstitut für Kunstgeschichte in München Bibliothek. 10 669
Ziemski, Jan. 10 670
Zogbaum vas, Marla. 10 671
Recommendation letters Edward F. Fry sent on behalf of some artists and 11 672 students.
Contains letters of indecipherable signatures or where the correspondent 11 673-686 has signed first name only.
II. Exhibitions. 3 boxes. Series Description
Arranged chronologically. First box containing several exhibitions. Second contains the Hans Haacke exhibition and all surrounding materials. The third box contains research and materials regarding Documenta 8.
See also relevant correspondence from Series I.
A. The Guggenheim International Exhibition, 5th: Sculpture from Twenty Nations, 1967. Note:
See also I. Correspondence * Amsterdam (Netherlands) Stedelijk Museum * Armitage, Kenneth, 1916-2002
- Page 48 - Edward F. Fry papers A. The Guggenheim International Exhibition, 5th: Sculpture from Twenty Nation
* Arp, François; re: Arp, Jean, 1887-1966 * Arp, Marguerite; re: Arp, Jean, 1887-1966 * Bényi, László * Bury, Pol, 1922- * Caro, Anthony, 1924- * Christo, 1935- * Colla, Ettore, 1896-1968 * Emmerick, André * Fischbach Gallery * Flack, Ann J. * Flavin, Dan, 1933-1996 * Galerie Breteau * Galerie Claude Bernard * Galerie Denise René * Galerie Maeght (Paris, France) * Galerie Müller Stuttgart * Galerie Paul Facchetti (see: oversize) * Haese, Ursula * Jakimowicz, Andrzej * Jarnuskiewicz, Jerzy * Kemeny, Madeleine, 1906-1993 * Kowalski, Piotr * Lipchitz, Jacques * Marini, Marino, 1901-1980 * Meštrovic, Matko, 1933- * Miyawaki, Aiko, 1929- * Moderna galerija (Ljubljana, Slovenia) * Murray, Robert * Musée national d’art moderne (France) * Muzej savremene umetnosti * Muzeum Narodowe w Warszasie * National Gallery of Canada * Nederlandse Kunststichting * Negret, Edgar
- Page 49 - Edward F. Fry papers A. The Guggenheim International Exhibition, 5th: Sculpture from Twenty Nation
* Panicali, Carla * Pfahler, George Karl * Poland. Centralne Biuro Wystaw Artystycznych * Porebski, Mieczyslaw, 1921- * Radio Free America * Restany, Pierre * Rickey, George * Selz, Peter Howard, 1919- * Serrano, Pablo, 1908-1985 * Skovram, Anita * Stanislawski, Ryszard, 1921- * Stazewski, Henryk, 1894-1988 * Stele, France * Tokyo Gallery * Tršar, Drago * Turnbull, William, 1922- * Urbanowicz, Bogdan * Vaništa, Josip, 1924- * Wilhelm-Lehmbruck-Museum der Stadt Duisburg * Wojciechowski, Alexander * Yuhara, Kazuo, 1930-
See also IV. Research; Artists * Burgoyne, Diller * Consagra, Pietro * Giacometti, Alberto * Kresler, Frederick * Kemeny, Zoltan
Box Folder
Travel, expense, report, travel report, list of contacts, 1967. 12 687
Exhibition Catalog, 1967. 12 688
- Page 50 - Edward F. Fry papers B. Contemporary Art in Poland/Contemporary Art in Yugoslavia
Trip to Yugoslavia; miscellaneous, 1967; 1965-1966. 12 689
B. Contemporary Art in Poland/Contemporary Art in Yugoslavia, 1969-1970.
Box Folder
notes, lists, two unknown letters, 1969-1970. 12 690
Typecript: "Contemporary Painting and Graphics in Poland, 12 691 1969-1970.
Typecript: "Contemporary Painting and Graphics in Yugoslavia, 12 692 1969-1970.
C. Jean Arp Memorial Exhibition, 1969.
Box Folder
Shelf list for exhibition, list of lenders, photographs of Arp's work, 12 693 1969.
D. David Smith Retrospective at Solomon R. Guggenheim Museum, 1969.
Box Folder
Press release, 1969. 12 694
Memorabilia from exhibition: photograph, invitation, "Medals for 12 695 Dishonor" booklet by David Smith, 1969.
Research and notes; Article, manuscript for the David Smith catalog, 12 696 1969.
Photographs and image proofs for the David Smith catalog, 1969. 12 697
Drawings; copies, 1969. 12 698
- Page 51 - Edward F. Fry papers E. Contemporary Japanese Art. Fifth Japan Art Festival Exhibition
Matulka, Jan, 1890-1972; photographs of his work, 1969. 12 699
Inventory, loan lists, notes, 1969. 12 700
Muller, Wolf F.: copy of a letter to Chanin, Margit W., 1969. 12 701
E. Contemporary Japanese Art. Fifth Japan Art Festival Exhibition, December 1970-January 1971.
Box Folder
1968 correspondence from Fry, Edward F.; schedule: production and 12 702 plans; wall list, December 1970-January 1971.
Press release, December 1970-January 1971. 12 703
Japan Art Festival Association: exhibition catalog information; 12 704 typescripts; invoice and packing list of works, December 1970- January 1971.
Japan: The New Art, 1970: documentary film, synopsis and transcript, 12 705 interviews with Japanese artists and commentary by Edward F. Fry, December 1970-January 1971.
Butcher, George: design and exhibition consultant, December 1970- 12 706 January 1971.
Philadelphia Civic Center Museum, December 1970-January 1971. 12 707
Terada, Takeshiro: image and instructions for the exhibition, 12 708 December 1970-January 1971.
- Page 52 - Edward F. Fry papers F. Barnett Newman Dinner
F. Barnett Newman Dinner, October 19, 1971.
Box Folder
"Barnett Newman Dinner" list of attendees, October 19, 1971. 12 709
G. Constructivist Exhibition, ca. 1970.
Box Folder
"Constructivist Exhibition" Planning: outlines, articles, contacts, ca. 12 710 1970.
Tatlin, Vladamir Egrafovitch, 1885-1953: research file 10 12 711 photographs, notecards, ca. 1970.
H. Robert Morris: The Mind/Body Problem, January-April 1991.
Box Folder
Checklists for the exhibition, January-April 1991. 12 712
I. Hans Haacke: Systems, 1963-1970.
Box Folder
outline and installation, exhibition proposal, Fry's notes and estimated 13 713 costs, 1963-1970.
April 5, 1971 - cancellation of the exhibition, press release, Fry's 13 714 notes, 1963-1970.
Haacke, Hans, 1936-: correspondence, articles, 1963-1970. 13 715
Bohner, Blythe, 1963-1970. 13 716
- Page 53 - Edward F. Fry papers I. Hans Haacke: Systems
Botts, Edward, 1963-1970. 13 717
Bucher, François, 1963-1970. 13 718
Collins, George R. (George Roseborough), 1917-1993, 1963-1970. 13 719
Deitch, Daniel, 1963-1970. 13 720
Donaldson, Andrew G., 1963-1970. 13 721
Guerilla Art Action Group, 1963-1970. 13 722
Haffenreffer, Karl, 1963-1970. see: V. Memorabilia, Box 49. 13 723
Holtzmann, Harry, 1963-1970. 13 724
Judd, Donald, 1928-1994, 1963-1970. 13 725
Kertess, Klaus, 1963-1970. 13 726
Kozloff, Max, 1963-1970. 13 727
McCoy, Garrett, 1963-1970. 13 728
Reise, Barbara, 1963-1970. 13 729
Walsh, John, 1937-, 1963-1970. 13 730
Wise, Howard, 1963-1970. 13 731
Young, Dennis, 1963-1970. 13 732
1967-1988 Hans Haacke, exhibition catalogs and installations 13 733 Burnham, Jack, 1931- "Hans Haacke: Wind & Water Sculpture" 1967 Documenta 8, 1969-1970.
- Page 54 - Edward F. Fry papers J. Documenta 8, Kassel, Germany
Copies of articles re: Hans Haacke, 1963-1970. 13 734
Book "Hans Haacke" 1972 Typescript with Fry's notes, 13 735 1963-1970. See: M. Dumont Schauberg (Firm).
1962-1970: Typescript and ms. of artist's statements by Hans Haacke, 13 736 1963-1970.
Essay: "Hans Haacke and Political Art" [1990?], 1963-1970. 13 737
Newspaper clippings, articles, publicity, 1971-1972, 1963-1970. 13 738
Index cards of Haacke's work (8 cards), 1963-1970. 13 739
Drawing (artist unknown) Hans Haacke Edward F. Fry, 1963-1970. 13 740
J. Documenta 8, Kassel, Germany, 1987.
Box Folder
Documenta GmbH (Documenta 7th: 1982: Kassel, Germany), 1987. 12 741
Documenta 8, Kassel, Germany: Documenta 8th 1987 Kassel, 14 742 Germany Essay: "Documenta 8" by Manfred Schneckenburger, ms. notes by Edward F. Fry, 1987.
Documenta 8, Kassel, Germany: Artschwager, Richard, 1921- 14 743 Typescript: artist's biography by Edwards F. Fry.
Documenta 8, Kassel, Germany: Frangos, Seva; Re: representation at 14 744 Documenta 8, 1987.
Documenta 8, Kassel, Germany: Marter, Joan M. recommendation of 14 745 artist Ben-Haim, Zigi, 1945-, 1987.
- Page 55 - Edward F. Fry papers K. Japanese artists' biographies
Documenta 8, Kassel, Germany: Documenta GmbH (Documenta 8th 14 746 1987 Kassel, Germany) Memorabilia, notes, clippings, business cards, maps, schedules, 1987.
Documenta 8, Kassel, Germany: Japanese Artists (list of artists and 14 747 galleries), 1987.
K. Japanese artists' biographies.
Box Folder
Abe, Mamoru, 1947-. 14 748
Endō Toshikatsu, 1950-. 14 749
Fuji, Hiroshi. 14 750
Hara Bijutsukan (Tokyo, Japan). 14 751
Hirabayashi, Kaoru. 14 752
Kitatsuji, Yoshihisa. 14 753
Kokuritsu Kindai Bijutsukan (Japan). 14 754
Miyawaki, Aiko, 1929-. 14 755
Nomura, Hitoshi, 1945-. 14 756
Sekiguchi, Atsuhito, 1958-. 14 757
Senzaki, Chieo. 14 758
FolSumi, Wakiro. 14 759
- Page 56 - Edward F. Fry papers III. Writings
Yoshimoto, Sakzy. 14 760
III. Writings. 9 boxes. Series Description
208 folders divided into five sections.
A. Thesis: 1 box, 8 folders Fry’s undergraduate thesis, typescript and research B. Cubism: 2 boxes, 33 folders Fry’s book published in 1966 contains typescripts drafts and research C. Essays and articles: 2 boxes, 64 folders Arranged alphabetically by title, includes typescripts and handwritten drafts D. Lectures: 2 boxes, 74 folders Arranged chronologically, chiefly handwritten E. Courses: 2 boxes, 25 folders Arranged alphabetically by institution, includes syllabi and lecture notes.
A. Thesis.
Box Folder
Course notes [Romanesque], Professor Louis Grodecki, Harvard 15 761 University, 1959.
Essay/Thesis "Thierry and Champart at Jumièges: the Construction 15 762 of Notre-Dame and the Romanesque Capitals" p. 1-35, ms. notes by Grodecki, Louis, 1910-1982, 1960.
Essay/Thesis "Thierry and Champart at Jumièges: the Construction of 15 763 Notre-Dame and the Romanesque Capitals" figures 1-19, 1960.
Essay/Thesis "Thierry and Champart at Jumièges: the Construction of 15 764 Notre-Dame and the Romanesque Capitals" figures 20-37, 1960.
Draft: "Notre Dame de Jumièges: The Sequence of Construction and 15 765 the Romanesque Capitals", 1958?.
- Page 57 - Edward F. Fry papers B. Cubism
Outline for essay: "Jumièges: Abbey Church of Notre Dame", 1958?. 15 766
Research for essay: Abbaye de Jumièges, 1 booklet, photographs. 15 767
Research for essay: Abbaye de Jumièges, photographs and notes. 15 768
Research for essay: Abbaye de Jumièges, 1 photograph. 15 769
B. Cubism, 1964-1966. see Box 55 for Fry's master copy of Cubism.
Box Folder
Book: Cubism by Edward F. Fry: typescript with notes; manuscript; 16 770-786 drafts; notes and outlines; research on Picasso; copied articles; rights and reproductions.
African Art Photographs. 17 787
Allarad, Roger, 1885-1942. 17 788
Apollinaire, Guillaume, 1880-1918. 17 789
Burgess, Gelett, 1866-1951. 17 790
Claris, Edmund. 17 791
Duchamp-Villon, Rymond, 1876-1918. 17 792
Galerie Georges Giroux. 17 793
Gris, Juan, 1887-1927. 17 794
Kahnweiler, Daniel Henry, 1884-1979. 17 795-796
Léger, Fernand, 1881-1955. 17 797
- Page 58 - Edward F. Fry papers C. Essays and Articles
Metzinger, Jean, 1883-1956. 17 798
Raynal, Maurice. 17 799
Photocopies of articles from French Publications. 17 800-802
Book reviews from the German translation of Cubism. 17 803
C. Essays and Articles.
Box Folder
"Albert Gleizes at the Guggenheim", 1964. 18 804
"American Modern and Baroque" re: Aycock, Alice, 1990. 18 805
"Art in New York, Past and Present: From Art World to Art Market", 18 806 August 1987.
"Art of Sculpture". 18 807
"Aspects of Cézanne's Still-Life Paintings, 1873-1900" with 7 leaves 18 808 of images, ca. 196?.
"Beverly Pepper: As Earth is to Sky;" [published in Beverly Pepper: 18 809 Sculpture 1971-1975, San Francisco Museum of Art], 1975.
"Baraque, Cubism, and the French Tradition", 1982. 18 810
"Braque, le cubisme et la tradition française," published in Braque: les 18 811 papiers colles, Paris, Centre Georges Pompidou, 1982.
"A Central European Miscellany", 1968 or 1969. 18 812
"Color Errors in the Reproduction of Titian's Rape of Europa", 1960s. 18 813
- Page 59 - Edward F. Fry papers C. Essays and Articles
"Computers and Their Potential Applications in Museums", 1968. 18 814
Reprint: "Computers and Their Potential Applications in Museums", 18 815 1968.
Galley: "Convergence of Traditions: the Cubism of Picasso and 18 816 Braque", November 1991.
Transcript re: "Convergence of Traditions: the Cubism of Picasso and 18 817 Braque," Picasso ad Braque Symposium, Museum of Modern Art, November 1990.
[Draft?] "Convergence of Traditions: the Cubism of Picasso and 18 818 Braque;" extensive ms. notes by N.C.S., 1990.
Draft: "Convergence of Traditions: the Cubism of Picasso and 18 819 Braque;" includes comments through correspondence, Lynn Zelevansky, Museum of Modern Art (New York, N.Y.), May 1990.
Research for: "Convergence of Traditions: the Cubism of Picasso and 18 820 Braque;", 1990.
"Cubism 1907-1908: An Early Eyewitness Account" published in Art 18 821 Bulletin, vol. 48, no. 1, 1966.
"Cubist and Abstract Sculpture, 1945-1970"; ms. notes. 18 822
Outline: "Cubist Sculpture". 18 823
"Czech Cubism in a European Context", October 1990. see: Lahoda, 18 824 Vojtěch.
Research for: "Czech Cubism in a European Context"; photocopies of 18 825 images, 1990.
- Page 60 - Edward F. Fry papers C. Essays and Articles
Draft: "Economics of Visual Arts". 18 826
Diagrams and tables re theory: "Epistemological Dualisms in the 18 827 Western Artistic Tradition", 1979.
"The Future of Art", 1969. 18 828
"Innovation in Sculpture". 18 829
"Jack Krueger: the Aesthetics of Ecology", after 1968. 18 830
"James Rosenquist", [1964 or 1965]. 18 831
"Menashe Kadishman: the Forest", April 1970. 18 832
"For Kadishman", May 1985. 18 832
Review: "Kaspar Thomas Lenk". see: Fischbach Gallery. 18 833
"Larry Poons: a Clean and Balanced World?", published in Art News, 18 834 v. 65, February 1967.
[Research essay] [Laurens, Henri, 1885-1954]. 18 835
"Lipchitz's 'Images of Italy'". 18 836
Research for essay re: Lipchitz, Jacques, 1891-1973, includes contact 18 837 sheet and negatives.
Draft: "Modernity to Modernism". 18 838
"National Styles and the International Avant-garde", includes diagram, 18 839 1969.
- Page 61 - Edward F. Fry papers C. Essays and Articles
"A New Modernity", after 1986. 18 840
"A Note on Picasso and Tatlin", 1988-1989. 19 841
Draft: "A Note on Picasso and Tatlin", 1988. 19 842
Research: "A Note on Picasso and Tatlin"; includes images, 1988. see: 19 843 oversize.
"Picasso, Cubism and Reflexivity"; published in Art Journal, 1988. 19 844
Proof: "Picasso, Cubism and Reflexivity" with letter and comments 19 845 from Art Journal, September 1988.
[pre-proof]: "Picasso, Cubism and Reflexivity" [1988]. 19 846
[Draft] "Picasso, Cubism and Reflexivity", 1983-1984. 19 847
Draft: "Picasso's Guitar and the summit of Cubism, 1912-1913", ca. 19 848 1987.
Research: "Picasso's Guitar and the summit of Cubism, 1912-1913"; 19 849 notes, articles, image.
Research: "Picasso's Guitar and the summit of Cubism, 1912-1913"; 19 850 notes and images.
"Piero Dorazio and the Crisis of European Values", re: exhibition 19 851 "Piero Dorazio: a Restrospective", Albright-Knox Gallery, 1979.
Notes: "Piero Dorazio and the Crisis of European Values", 1979. 19 852
"Response to Vojtěch Lahoda". see: "Czech Cubism in a European 19 853 Context" [1991-1992].
- Page 62 - Edward F. Fry papers C. Essays and Articles
"Review of Primitivism in 20th-century Art", ca. 1984. 19 854
"Robert Morris: the Grand Rapids Project". 19 855
"Roy Lichtenstein". 19 856
"Roy Lichtenstein: the Inner Style". 19 857
"The Spectrum of Arts at Moore", June 1989. 19 858
"Tatlin and Paris, 1913-1916", 1988. see: "A Note on Picasso and 19 859 Tatlin".
“Titian’s Sacred and Profane Love”; edited typescript with comments 19 860 from Portfolio Magazine for the Visual Arts, published Oct./Nov. 1979, 1979.
Draft: "Titian's Sacred and Profane Love", 1979. 19 861
Research: "Titian's Sacred and Profane Love"; outlines and draft, 19 862 1979.
Research: "Titian's Sacred and Profane Love"; images, articles, notes. 19 863
Research: "Titian's Sacred and Profane Love"; articles and notes. 19 864
Draft: "Words, Images and Modernism". 19 865
Introduction: [Contemporary Sculpture]. 19 866
Outline: "Modern Art". 19 867
Partial ms.: [Modern Art]. 19 868
- Page 63 - Edward F. Fry papers D. Lectures
D. Lectures.
Box Folder
[Art of the 1960s], Yale University, 1970 February 26. 20 869
“What Are Museums and Why Do They Exist?”, Mount Clair State 20 870 College, includes research for lecture, 1971 November 4.
[Specific Aspects of Post-World War II Sculpture], Albright-Knox Art 20 871 Gallery, 1972 January.
[Artists and Outsiders], Museum of Fine Arts, Boston, 1972 March 7. 20 872
“Modernism and Maniera in 20th-century Art”, Princeton University, 20 873 1972 May 9.
“Art of the 1960s”, Chapel Hill [University of North Carolina], 1972 20 874 Spring.
[Georges Braque], Art Institute of Chicago, 1972 October. 20 875
[20th-century Sculpture], Grand Rapids, Mich., 1973 October 1. 20 876
“Conceptual Art, Historicism, and the Duchampian Ready-Made”, 20 877 University of Guelph, 1973 November 1.
“Primitivism and Historicism in 20th-century Art”, Bryn Mawr 20 878 College and Haverford College, 1974 February 20.
[Sculpture], Fall Hills, N.J, 1974 October 5. 20 879
“Marcel Duchamp’s Bottle Rack: The History of an Idea”, University 20 880 of Virginia, 1974 November 15.
- Page 64 - Edward F. Fry papers D. Lectures
“Post-Modernist Sculpture” [Modernism: Meaning after World War 20 881 II], Museum of Modern Art (New York, N.Y.), 1975 May 6.
“Jackson Pollock as Exemplar of the American Cultural Dilemma”, 20 882 Harvard University, 1975 July 31.
“Art of the 1970s: Part I,” University of Hartford, 1975 October 16. 20 883
“Evolution of Tatlin’s Art,” Yale University, 1975 October 30. 20 884
“Sculpture of the 1960s and 1970s,” University of Pennsylvania, 1975 20 885 November 4.
“Cubist Tradition in Modern Sculpture,” Toronto A G O, 1975 20 886 November 21.
“? of Investigation of Meanings, Iconologies of Recent Art,” 20 887 University of Pennsylvania, 1975 November 25.
“Cubism and the Classical Tradition,” Smithsonian Institution, 1976 20 888 February 21.
Research for “Cubism and the Classical Tradition” notes and 5 20 889 photographs, 1976 February 21.
“Constructivisim in Poland,” Detroit Institute of Arts, 1976 March 3. 20 890
“Present Situation of American Art,” University of Delaware, 1976 20 891 May 11.
“U.S. as Center of Art Since c. 1950," New York, 1976 October 16. 20 892
“Question of Medium and [Identity],” Yale University, 1976 October 20 893 21.
- Page 65 - Edward F. Fry papers D. Lectures
“Observations on Cubism,” Williams College, 1977 March 11. 20 894
“A Look at some Emerging New Tendencies in Contemporary Art and 20 895 Their Relations to Immediate Past,” Colgate University, 1977 April 30.
“Earth Projects in Europe and the U.S.,” Hirschhorn Museum and 20 896 Sculpture Garden, 1977 Fall.
”Cézanne and Modern Art: Dualities in the Modern Tradition,” 20 897 Colgate University, 1977 December 8.
“Cézanne and the Western Tradition,” Houston, Texas, 1978 February 20 898 25.
“Problem of Realism in Modern Art,” University of New Mexico, 20 899 1978 March 27.
“[Burns] Collection of Prints: A Cross Section of [?] Recent Modern 20 900 Art,” Jaffe Lecture, Union College (Schenectady, N.Y.), 1978 April 20.
“Idea and Experiment in Recent Art,” Art Gallery of Ontario, 1978 20 901 May 18.
“Picasso, Tatlin and the Western Tradition,” University of 20 902 Pennsylvania; 1979 May, University of South Florida, 1979 April.
“Cézanne, Picasso and the Classic Tradition,” Amherst College, 1979 20 903 October 18.
“Contemporary American Art,” Tampa Art Alliance, 1980 February 20 904 20.
- Page 66 - Edward F. Fry papers D. Lectures
"[Constructivist] and Related Art," [Carnegie Mellon University], 20 905 1980 October 6.
“Futurism and the Futurist-Cubist Interaction, 1911-1914: Special 20 906 Attention to Boccioni,” includes research and notes, 1980 October.
“Cubism and Russian Art, c. 1912-1915," Carnegie Institute, 1980 20 907 November 1. see: Box 59, folder1154, research.
[Life without Picasso and 20th-century Art], University of Pittsburgh, 20 908 1980 December 11.
“Picasso’s 1912 Guitar,” College Art Association of America. 20 909 Meeting 69th Annual, 1981 February 25-28.
“Picasso’s 1912 Guitar,” College Art Association of America, 20 910 includes notes, 1981 February.
Research for: “Picasso’s 1912 Guitar,” notes and 13 photographs, 20 911 1981.
“Picasso and Cubism,” City University of New York (CUNY), 1982 21 912 May.
“David Smith and the Land,” conference, Hirschhorn Museum and 21 913 Sculpture Garden, 1982 November 6.
“Picasso and [the] Classical Tradition,” York University (Toronto, 21 914 Ont.), 1982 November.
[Max, Experience, Knowledge], conference, International Association 21 915 of Art Critics (New York), 1983 February 14.
- Page 67 - Edward F. Fry papers D. Lectures
[Minotaur as an Image . . .], Surrealism conference, Eckerd College, 21 916 1983 February 25.
I. Classical Art to Modern, Modernism Conference. Musée national 21 917 d’art moderne. Centre Georges Pompidou (France), 1983 April 27.
II. The Great Dialectict of Modernism, Modernism Conference. Musée 21 917 national d’art moderne. Centre Georges Pompidou (France), 1983 May 4.
III. The End of Modernism?, Modernism Conference. Musée national 21 918 d’art moderne. Centre Georges Pompidou (France), 1983 May 11.
IV. Towards a Theory of Modernism. Modernism Conference. Musée 21 918 national d’art moderne. Centre Georges Pompidou (France), 1983 May 19.
[Nature of French Tradition and Modernism with in that Tradition], 21 919 Museum of Fine Arts (St. Petersburg, Fla.), 1983 September.
[Cubism], University of California, Berkeley. University Art Museum, 21 920 1984 February 28.
“A Critique of Modernism; What is Modernism?,” University of 21 921 California, Berkeley, 1984 February 29.
[Picasso], University of Pittsburgh, 1985 January. 21 922
I. “Portrait: Pollock’s Art and Life,” University of Pittsburgh, 1985 21 923 February 27.
II. “Dream: Pollock, the Mind/Body Problem ...”, 1985 March 6. 21 923
- Page 68 - Edward F. Fry papers D. Lectures
“The Privateness of David Smith’s Public Art,” Symposium, Modern 21 924 Monumental Sculpture, Columbia University, 1985 April 26.
“A Critical Overview of Contemporary Art,” Bryn Mawr College, 21 925 1986 April 11.
“Contemporary Art: Modernism, Post-Modernism, Neo-Modernism,” 21 926 Tokyo Art University, 1986 May 27.
“Benton, America and Modernity,” Symposium, Thomas Hart Benton: 21 927 An American Original, Nelson-Atkins Museum of Art, 1987 April 11.
“Modernity,” University of Tel Aviv, 1987 November 11. 21 928
“A New Modernity: Documenta 8 and Contemporary Art,” Iceland, 21 929 1987 or 1988.
“Kiefer and German Art Since 1945," University of the Arts 21 930 (Philadelphia, Pa.), 1988 April 4.
“Documenta 8 and the State of Modernity,” University of South 21 931 Florida, 1988 April 5.
“An American Dilemma: Evolution of Modernity After Pollock,” 21 932 Amherst College, 1989 April 3.
[Picasso and Braque], Symposium, Museum of Modern Art (New 21 933 York, N.Y.), in relation to the exhibition "Picasso and Braque: Pioneering Cubism," September 24, 1989-January 16, 1990, 1989 October 26. see: “Convergence of Traditions: the Cubism of Picasso and Braque” November 1991, folder 816.
[Robert Motherwell], Montclair Art Museum, 1989 November. 21 934
- Page 69 - Edward F. Fry papers E. Courses
“Crisis of Purpose in Contemporary Art,” Ivy League Club of Tampa 21 935 Bay. University of South Florida, 1989 December 6.
“Picasso as Auto-analyst: The Minotauromachia and Lacan,” 21 936 conference, University of Puget Sound, 1991 April 19-21.
“American Art Since the 1970s,” Bryn Mawr College, 1991 April 30. 21 937
[Kramář, Czechoslovakia and Cubism], 1991. see: Lahoda, Vojtech. 21 938
lecture? "Stephen Antonakos", undated. 21 939
draft of lecture [Cézanne and Manet], Museum of Modern Art (New 21 940 York, N.Y.), undated.
partial lecture [20th century Sculpture], undated. 21 941
[Modernism], undated. 21 942
[20th-century Sculpture], undated. 21 943
E. Courses.
Box Folder
Colgate University, 1976 and 1978. 22 944-946
Harvard University, 1961, 1964, 1975. 22 947-950
University of Pennsylvania, 1978. 22 951
University of Pittsburgh, 1980, 1984-1986. 22 952-958
University of South Florida, 1980-1983. 22 959-962
- Page 70 - Edward F. Fry papers IV. Research
Yale University, 1972, 1975. 23 963-966
York University, 1973. 23 967-968
Student Paper, undated. 23 969
IV. Research. 17 boxes. Series Description
86 folders (1150 items) divided into three sections.
A. Artist files: 4 boxes, 86 folders Arranged alphabetically by artist, contains some photographs and slides B. Note cards: 3 boxes Preserved in the original arrangement of Edward F. Fry and rehoused in archival boxes. Handwritten research on artists and their works includes some photographs C. Photographs: 8 boxes, 1150 items Albums containing photographs of artist’s works. Photographs are housed in mylar and some mounted on archival paper and housed in mylar. Arranged by artist and works of art in chronological order with the exception of Pablo Picasso. This album has a sub-series. Some photographs with ms. notes by Fry.
A. Artists.
Box Folder
Allen, Terry. 24 970
Alviani, Getulio, 1939-. See also: Box 59, folder 1155; blueprint for 24 971 Mudulo, 1964; folder 1162.
Applebroog, Ida. 24 972
Armleder, John. 24 973
Atkinson, Conrad, 1940-. 24 974
- Page 71 - Edward F. Fry papers A. Artists
Banbridge, Eric, 1955-. 24 975
Barrett, Daniel, 1927-; Fry's essay, 4 photographs. 24 976
Berkley, Bill, 1946-. 24 977
Berthot, Jake, 1939-. 24 978
Bickerton, Ashley, 1959-. 24 979
Bidlo, Mike. 24 980
Biennale di Venezia (42nd: 1986), Germany (East), 2 photographs. 24 981
Bolande, Jennifer, 1957-. 24 982
Burgin, Victor "Modernism in the Work of Art". 24 983
Burgoyne, Diller. 24 984
Byron, Michael, 1954-. 24 985
Chandler, Michael. 24 986
Charlesworth, Sarah. 24 987
Carlson, Mary, 1951-. 24 988
Consagra, Pietro, 1920-. 24 989
Cresci, Fabio. 24 990
Davenport, Gloria. 24 991
Dennis, Jeffrey. 24 992
- Page 72 - Edward F. Fry papers A. Artists
Dietman, Erik, 1937-. 24 993
Dlubak, Zbigniew. 24 994
Eloul, Kosso, 1920-1966. 24 995
Falguière, Jean-Alexandre-Joseph, 1831-1900. 24 996
Finn, David, 1952. 24 997
Garelli, Franco. 25 998
General Idea (Firm). 25 999
Giacometti, Alberto, 1901-1966. 25 1000
Gilbert & George. 25 1001
Gleizes, Albert, 1881-1953. 25 1002
Goldenstein, Jack, 1945-2003. 25 1003
Gormley, Anthony. 25 1004
Grosvenor, Robert, 1937-. 25 1005
Group Material (Firm: New York, N.Y.). 25 1006
Hollis, Doug. 25 1007
Holzer, Jenny, 1950-. 25 1008
Hull, John, 1952-. 25 1009
Humphrey, David, 1955-. 25 1010
- Page 73 - Edward F. Fry papers A. Artists
Hutchinson, Peter, 1930-. 25 1011
Insley, Will, 1929-. 25 1012
Kamrowski, Gerome. 25 1013
Kiesler, Frederick. 25 1014
Kostabi, Mark, 1960-. 25 1015
Kruger, Barbara, 1945-. 25 1016
Lawler, Louise. 25 1017
Leccia, Ange, 1952-. 25 1018
Lemieux, Annette, 1957-. 25 1019
Levine, Les, 1935-. 25 1020
Longo, Robert. 25 1021
Manuelli, Colombo. 25 1022
Manzú, Giacomo, 1908-1991. 25 1023
Menard, Andrew. 25 1024
Mončys, Antanas, 1921-1993. See also: Box 59, folder 1164, 25 1025 exhibition posters.
Newman, Barnett, 1905-1970. 25 1026
Otterness, Tom, 1952-. 25 1027
- Page 74 - Edward F. Fry papers A. Artists
Örn, Gunnar. 25 1028
Pace, Roberto. 25 1029
Paone, Peter. 25 1030
"Tlenek Zasobow" by Partum, Andrzej et. al.; book privately 25 1031 published 1970.
Peña, Rolando, 1942-. 25 1032
Piper, Adrian, 1948-. 25 1033
Popova, L.M. (Liú`bov´ Mikhaïlovna). 25 1034
Porter, Katherine, 1941-. 25 1035
Prince, Richard, 1949-. 25 1036
Pusey, Stephen. 25 1037
PULSA: Yale University. School of Art and Architecture. See also: 26 1038 Box 59, Folder 1168; article.
Rohrbach, Brigitta. 26 1039
Rosenthal, Ted. 26 1040
Ruscha, Edward. 26 1041
Salvatore Ala Gallery (New York, N.Y.). 26 1042
Schwitters, Kurt, 1887-1948. 26 1043
Sekiguchi, Atsuhito, 1958-. 26 1044
- Page 75 - Edward F. Fry papers B. Notecard Files
Syrop, Mitchell. 26 1045
Therrien, Robert, 1947-. 26 1046
Tracy, Michael. 26 1047
Uddin, Snafigue. 26 1048
Uecker, Günther, 1930-. 26 1049
Wilding, Alison, 1948-. 26 1050
Wilding, Walter. 26 1051
Zych, Anthony. 26 1052
unknown. 26 1053
“Exposition Kemeny,” Musée National d’art moderne, Paris, with 27 1054 Fry’s notes, 1966.
Galerie Paul Facchetti, catalog and 15 photographs. 27 1055
Kemeny, Madeleine, 1906-1993; 46 photographs, 2 envelopes. . 27 1056
B. Notecard Files. Arrangement note
Index card files have been maintained in the original order in which Edward F. Fry arranged them.
Box Item
Smith, David, 1906-1965. Chronological card file of David Smith's 28 work. Includes provenance. See also: David Smith, a Retrospective, 1969, Solomon R. Guggenheim Museum, 1932-1965.
- Page 76 - Edward F. Fry papers C. Photographs
Lipchitz, Jacques, 1891-1973 (chronological card file, includes catalog 29 1-301, of works with photographs and references) Lauren, Henri, 1885-1954 651-812a (chronological card file, includes photographs and references), undated.
Card file arranged by subject for Cubism, including: 30 1-952a Bibliography, folded pages of notes, some photographs, exhibition history, theory, undated. Scope and Contents note
Subjects include: Picasso, Pablo, 1881-1973; Braque, Georges, 1882-1963; Boccioni, Umberto, 1882-1916; Gris, Juan, 1887-1927; Leger, Fernand, 1881-1956; Gleizes, Albert, 1881-1953
C. Photographs.
Box Item
Photographs of works, arranged chronologically. Arp, Jean, 1887-1966, 31 1-94 1914-1965. see: Guggenheim International Exhibition 5th 1967 Jean Arp Memorial Exhibition 1969, Solomon R. Guggenheim Museum.
Photographs of works, arranged chronologically. Laurens, Henri, 32 95-172 1885-1954, 1912-1919.
Photographs of works, arranged chronologically, Laurens, Henri, 33 173-229 1885-1954, 1920-1929.
Photographs of works, arranged chronologically, Lipchitz, Jacques, 34 230-326 1891-1973, 1911-1928.
Photographs of works, Picasso, Pablo, 1881-1973, 1907-1920; 35 327-429 1961. arrangement: Picasso’s studio, 1908-1913 Sketch books, June-
- Page 77 - Edward F. Fry papers V. Memorabilia
September 1912 (2 leaves of notes by Edward F. Fry) Drawings, sketches, 1910-1920 Collages, 1912-1914 Paintings, 1907-1918, 1930 Sculpture, 1908-1914, 1961.
Photographs in original arrangement, from albums created by Edward F. 36-38 883-995 Fry, chiefly chronological. Smith, David, 1906-1965.
Works arranged chronologically. Smith, David, 1906-1965. 39 996-1041
Drawings and sketches arranged chronologically. David Smith, 40 1042-1113 1906-1965. see: David Smith Retrospective, 1969; Solomon R. Guggenheim Museum.
Photographs from an unknown exhibition; Sculpture exhibition in 41 1114-1150 Uruguay, ca. 1969.
V. Memorabilia. 11 boxes. Series Description
Divided into three sections.
A. Programs and Newsletters, 1 box. Arranged alphabetically by organization B. Education, 3 boxes. Arranged chronologically C. Personal Memorabilia: notebooks, awards, and photographs
Box Folder
Haverford School: report cards, commencement programs, awards, 42 1057-1081 photographs, school essays, 1947-1953.
Science Awards and memberships. 42 1064-1066
Princeton University: transcripts, course essays some with professor's 42 1067-1081 comments, courses and lecture notes, 1953-1957. see: Box 59, Folder
- Page 78 - Edward F. Fry papers V. Memorabilia
1157; The Daily Princetonian, April 26-29, 1966; Box 59, Folder 1165; drawing.
Harvard University: Course syllabi, course notes, and course essays, 43 1082-1099 Ph.D. written exam requirements, miscellaneous, 1957-1960. see: Dekental, Frederick B.; Gombrich, E. H. (Ernst Hans), 1909-2001 .
Fry, Edward F.: Curriculum vitae, ca. 1978-1991. 44 1100
Press release of Fry's position at Solomon R. Guggenheim Museum, 44 1101 October 12, 1967.
Clippings, Fry's obituary, April 1992. 44 1102
Identification cards from International art events. 44 1103
Travel itinerary, June-July 1968. 44 1104
Personal diary, Paris; UNESCO-8 Leaves, October 25-37, 1981. 44 1105
Notes, trip to Budapest (Hungary), 1965. 44 1106
Booklets: John Simon Guggenheim Memorial Foundation, Fellowships, 44 1107 971, 1973-1974.
Correspondence re: cameras and photography, business cards and notes. 44 1108
Bank credit statements. 44 1109
Bills, Credit applications, receipts. 44 1110
Miscellaneous brochures and gallery guides. 44 1111
Miscellaneous notes. 44 1112
- Page 79 - Edward F. Fry papers V. Memorabilia
Directions. 44 1113
Newspaper clippings, October 1970. 44 1114
American Society for Aesthetics, 1991. 45 1115
Art Gallery of Ontario, Exhibition Catalog, New Alchemy: Elements, 45 1116 Systems, Forces, 1969.
Chicago Horticultural Society "Art Policy". 45 1117
College Art Association: 1970 Election of Board, Fry, Edward F., 1970. 45 1118
College Art Association: Meeting, proposal for 20th Century Sculpture 45 1119 session, [1975?].
College Art Association: "Marxism and Art History Session: 1976; essay 45 1120 abstracts, 1976.
College St. Pierre (Port-au-Prince, Haiti)-Press release, 1972. 45 1121
Daimler-Benz Aktiengesellschaft, exhibition catalog, 1986. 45 1122
Newsletter: "Environmentals: Man Art Community", 1970. 45 1123
Flyers for lectures. 45 1124
Fogg Art Museum, Newsletter, February 1964, re: Gris, Juan, 1887-1927. 45 1125
Greater Philadelphia Philosophy Consortium. 45 1126
International Sculpture Conference, 1992; Brochure. 45 1127
Kuspit, Donald B. (Donald Burton), Arts Magazine article; 1990. 45 1128
- Page 80 - Edward F. Fry papers V. Memorabilia
New Art Association Newsletters, 1970-1971. 45 1129
Pennsylvania Governor. Sculpture Commission, 1989. 45 1130
Princeton Alumni Weekly, 1961. 45 1131
Program: "Response", Princeton University, 1966. 45 1132
San Francisco State College, Bibliography: Art Dept. 45 1133
Southern Christian Leadership Conference, 1968. 45 1134
York Gazette, 1973 and 1974. 45 1135
York University (Toronto, Ontario); Fall Convocation Program, 1973. 45 1136
Haverford School Yearbook, 1953. 46
Two notebooks, Harvard University, fall 1957. 47
Three notebooks, Harvard University, 1958, [1957-1960?]. 48
Personal photographs, 12 business cards, some with notes or signatures, 49 1-54 36 slides, 1948-1981.
Photograph album; 11 leaves, 2 postcards, Edward F. Fry and Sandra 50 Ericson in Iceland after 1985.
Edward F. Fry's calendars, 1962-1971. 11 books. 52
Edward F. Fry's calendars, 1971-1972; 1973-1981; 1983; 6 books; 52 Address books; 4 books; personal journal; June 1966; June 1968; 1 book, 21 leaves with ms. notes; the remainder is blank; passports: 1957, 1961, 1966, 1971, 1981, 1987.
- Page 81 - Edward F. Fry papers VI. Miscellaneous and Oversized Materials
Plaque, 1951; 1974 calendar of Dr. Wilfred E. Fry, 1 key in Solomon R. 53 Guggenheim envelope.
VI. Miscellaneous and Oversized Materials. 8 boxes. Series Description
2 folders, stored in map drawer, of various oversized materials connected with exhibitions and artists, as well as some magazine articles and newspaper clippings.
Box Folder
Exhibition Catalog, Lucy R. Lippard “557, 087" Seattle, 1969/”955,000" 54 Vancouver, 139 6 x 4" cards (copy 2 incomplete), 1970.
Fry, Edward. Cubism, New York: McGraw-Hill Book Co. inscribed on 55 half-title: “Edward Fry (Master copy)” with notations by author in red ink.
Catalog: “Vomen van de Kleur (New Shapes of Color),” Amsterdam 56 1137 (Netherlands) Stedelijk Museum inscription on jacket: “Edward F. Fry”, 1966-1967.
Research: Israeli Art, 3 catalogs; 1 article “Trends in Israeli Art,” 1965 56 1138 “Biennale XXXII Venezia 1964," Israele “Biennale XXXIII Venezia 1966," Israele, 1964-1966.
Catalog: “Earth Air Fire Water: Elements of Art,” Museum of Fine Arts 56 1139 Boston, 1971.
Catalog: “American Abstract Expressionists and Imagists,” Solomon R. 56 1140 Guggenheim Museum, 1961.
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Arts Magazine, May 1971 “Hans Haacke, the Guggenheim: the Issues,” 57 1141 by Edward Fry; p. 17 “An Interview with Hans Haacke,” by Jeanne Siegel, pp. 18-21, May 1971.
ARTnews: Editorial “Artists vs. Museums, continued,” by Hans Haacke, 57 1142 pp. 21 & 58.
Studio International, “A Tail of Two Exhibitions: The Aborted Haacke 57 1143-1144 and Robert Morris Shows, “by Barbara Reise, pp. 30-37, July/August 1971.
Art in America, No. 1, January/February, 1970. 58 1145
Art in America, No. 2, March/April 1970. 58 1146
Art in America, No. 4, July/August, 1970. 58 1147
Art International, vol. 13/7, "Hans Haacke" by Betite Vinklers, pp. 58 1148 44-49, September 1969.
Artinf: Arte Informa, October 1987. 58 1149
Ms. outline re: contemporary sculpture (4 leaves) one leaf in the hand of 59 1150 Rubin Lipchitz?; other leaves by Edward F. Fry.
Copy of article "du Cubisme" from Le Figuiere, no. 3 & 4, 59 1151 1912-1913. See also: Cubism boxes.
Galley proofs Hans Haacke (19 leaves), March 22, 1971. 59 1152
Certificates of Award (2 leaves) Cum Laude Society Haverford School, 59 1153 1951 Fulbright Scholarship, 1962-1962.
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Copies of articles in Berlinere Tageblatt, June 10-17, 1913. See also: 59 1154 Lecture: “Cubism and Russian Art”, November 1, 1980.
Alviana, Getulio, 1939- Artist's blueprint for Modulo and flyers, 59 1155 1964. See also: artist’s files.
Contemporary Japanese Art: Fifth Japan Art Festival. Solomon R. 59 1156 Guggenheim Museum, Yamamoto, Eishi, 1946-; instructions for installation of Container 4 (Wet and Dry) Exhibition inventory clipping regarding Exhibition, 1970.
The Daily Princetonian, re: art and society, April 26-29, 1966. 59 1157
Documenta Press, Kassel; re: Documenta 8, April 1987. 59 1158
Endō, Toshikatsu, 1950-; ms. notes and slides. 59 1159
Flash Art; Statements re: Hans Haacke, May 1971. See also: Haacke, 59 1160 Hans; Messer, Thomas M..
Flash Art; "Special Issue on Documenta 5", May/June 1972. See also: 59 1161 Haacke, Hans.
Protest poster, 1971. See also: Haacke, Hans. 59 1163
Mončys, Antanas, 1921-1993; exhibition posters, Paris, January 1963. 59 1164
Drawing to Edward F. Fry from "his Princeton Friends", 1966. 59 1165
Newspaper articles and clippings re: David Smith Retrospective, 59 1166 Solomon R. Guggenheim Museum, 1969.
Tansey, Mark, 1949-; copies of his work with ms. notes by the artist. See 59 1167 also: correspondence.
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Clipping re: Yale Art School Light Show, [PULSA?], [1968?]. See also: 59 1168 Artist files.
Empty envelopes with miscellaneous notes by Edward F. Fry. 59 1169
Newspaper clippings, ca. 1966-1987. 60
Galleys, “Cubist Abstract Sculpture” (6 leaves) Praeger Publishing, Inc., 61 1170 August 11, 1972.
Benedit, Luis, 1937- Drawings by the artist with ms. notes and plans, 1 61 1171 poster, Biennale Venezia XXXV, 1966.
Geys, Jef, 1935- 1 Exhibition Poster and flyer, 1986-1987. 61 1172
Piacentino, Gianni, 1945- Postcard and exhibition poster, 1966. 61 1173
Robert Hull Fleming Museum, 1 poster, "Vermont '73", September- 61 1174 October, 1973.
Duplicate photographs, Negatives from photographs of David Smith 62 sketchbooks.
Negatives of artists' works; research (1-32A). 63
Negatives of artists' works; research (33-48I). 64
7 boxes of microfilm: Le Journal, Nov.- Dec. 1912; Jan.-Dec. 1913. 65
2 audio reel to reel tapes of Edward F. Fry's interview with Radio Free 66 Europe; 12 canisters of film.
Burden, Chris, 1946- drawings for "Sex Tower". See also: map 1175 correspondence. drawer
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Poster: Lippincott, Inc. large-scale sculpture, New Haven, Connecticut. map 1176 drawer
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