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PRESS Graphic Designer
© 2021 MARVEL CAST Natasha Romanoff /Black Widow . SCARLETT JOHANSSON Yelena Belova . .FLORENCE PUGH Melina . RACHEL WEISZ Alexei . .DAVID HARBOUR Dreykov . .RAY WINSTONE Young Natasha . .EVER ANDERSON MARVEL STUDIOS Young Yelena . .VIOLET MCGRAW presents Mason . O-T FAGBENLE Secretary Ross . .WILLIAM HURT Antonia/Taskmaster . OLGA KURYLENKO Young Antonia . RYAN KIERA ARMSTRONG Lerato . .LIANI SAMUEL Oksana . .MICHELLE LEE Scientist Morocco 1 . .LEWIS YOUNG Scientist Morocco 2 . CC SMIFF Ingrid . NANNA BLONDELL Widows . SIMONA ZIVKOVSKA ERIN JAMESON SHAINA WEST YOLANDA LYNES Directed by . .CATE SHORTLAND CLAUDIA HEINZ Screenplay by . ERIC PEARSON FATOU BAH Story by . JAC SCHAEFFER JADE MA and NED BENSON JADE XU Produced by . KEVIN FEIGE, p.g.a. LUCY JAYNE MURRAY Executive Producer . LOUIS D’ESPOSITO LUCY CORK Executive Producer . VICTORIA ALONSO ENIKO FULOP Executive Producer . BRAD WINDERBAUM LAUREN OKADIGBO Executive Producer . .NIGEL GOSTELOW AURELIA AGEL Executive Producer . SCARLETT JOHANSSON ZHANE SAMUELS Co-Producer . BRIAN CHAPEK SHAWARAH BATTLES Co-Producer . MITCH BELL TABBY BOND Based on the MADELEINE NICHOLLS MARVEL COMICS YASMIN RILEY Director of Photography . .GABRIEL BERISTAIN, ASC FIONA GRIFFITHS Production Designer . CHARLES WOOD GEORGIA CURTIS Edited by . LEIGH FOLSOM BOYD, ACE SVETLANA CONSTANTINE MATTHEW SCHMIDT IONE BUTLER Costume Designer . JANY TEMIME AUBREY CLELAND Visual Eff ects Supervisor . GEOFFREY BAUMANN Ross Lieutenant . KURT YUE Music by . LORNE BALFE Ohio Agent . DOUG ROBSON Music Supervisor . DAVE JORDAN Budapest Clerk . .ZOLTAN NAGY Casting by . SARAH HALLEY FINN, CSA Man In BMW . .MARCEL DORIAN Second Unit Director . DARRIN PRESCOTT Mechanic . .LIRAN NATHAN Unit Production Manager . SIOBHAN LYONS Mechanic’s Wife . JUDIT VARGA-SZATHMARY First Assistant Director/ Mechanic’s Child . .NOEL KRISZTIAN KOZAK Associate Producer . -
Rising Sun Pictures
Multichannel News – 1 June Edition RISING SUN PICTURES Adelaide, South Australia—Rising Sun Pictures Education has earned a stellar reputation among aspiring visual effects artists both because it offers a unique opportunity to train in a working studio environment, and for the success its graduates enjoy in launching their careers. Many young artists who have completed its rigorous Graduate Certificate programs, operated in partnership with the University of South Australia (UniSA), have been hired by RSP itself, where they’ve had a chance to work on Ford v Ferrari, Spider-Man: Far From Home, Captain Marvel and other hit films. Others have found employment at studios elsewhere in Australia and internationally. RSP provides its students with the visual effects training they need to get a foot in the door and prepares them to thrive in their first VFX role. Having honed their skills in a professional environment, under the tutelage of highly-experienced, working professionals, most find the transition to real-world employment seamless. Similarly, having benefitted from the school’s diverse career guidance resources, graduates understand what’s expected of them as working professionals, how to develop industry contacts and how to market themselves to prospective employers. “Teaching practical, professional skills is central to our program,” says the studio’s Manager of Education and Training Anna Hodge. “We provide crucial building blocks to long-term success and career advancement. We are thrilled when our graduates land their first jobs in industry, but our interest doesn’t end there. We want them to continue to succeed, move up the ranks and achieve their career goals.” Abby Nath and Rebecca Wells are prime RSP success stories. -
Rising Sun Pictures' Female Artists Making Strides in an Industry Once
Shoot Publicity Wire 10/3/2020 Rising Sun Pictures’ Female Artists Making Strides In An Industry Once Dominated By Men Adelaide, South Australia --(SPW)-- Historically, the visual effects (VFX) industry has had a male-dominated workforce. Gender disparity runs across the board, but is especially evident in artist and supervisory roles, where women occupy a small fraction of positions, and have for decades. But, at long last, that is slowly changing. Even as female-led blockbusters like Captain Marvel, Wonder Woman and Rogue One: A Star Wars Movie have taken the box office by storm, women have begun to turn up with greater frequency on VFX studio credits. Rising Sun Pictures (RSP) has been especially successful in this regard. As a company with women in several prominent Executive roles, the Adelaide studio has been making a concerted effort to encourage more females to pursue a career in VFX, at all levels, with an ultimate goal of achieving gender parity. Similarly, its highly-regarded Education department has been collaborating with its program- partner the University of South Australia (UniSA) and other local schools to recruit talented young women who want to study VFX. One such success story is Adelaide local Rebecca Wells. An aspiring artist, Wells was motivated to study VFX because of her love of films. In a couple of her classes at UniSA, she was one of few women, “I wish there had been more women in the class, but it didn’t discourage me”, she says. Completing the Graduate Certificate program in 2017, Wells has gone on to work at several Australian studios including Luma Pictures, KOJO and Resin. -
Samhodge Ridleyton SA 5008 AUSTRALIA Software Engineer
Address 32 Paget St, SamHodge Ridleyton SA 5008 AUSTRALIA Software Engineer ..... Tel & Skype Digital Experience +61 8 417801006 samhodge 07/17 - Now Lead Pipeline Software Engineer Rising Sun Pictures, Adelaide, South Australia Design and development of scene description upgrade, for all departments at Rising Sun Pictures. Maintainence of Arnold Shading and Rendering Pipeline Mail for Look Development Lighting and Effects Departments. Design and Initial sam.hodge@ Implementation of Layout Asset Package gmail.com sam@ 10/14 - 07/17 Lead Pipeline Technical Director Rising Sun Pictures, Adelaide, South Australia hodge.net.au Design and implementation of Solid Angle Arnold rendering pipeline in Hou- dini including hosting of C++ Alembic Procedural in Side FX Houdini for mate- rial application and delayed load of geometry. Development of Environment Web & Git layout tools. Stereo camera pipeline. Mari asset pipeline. Optimisation of hodge.net.au/sam network data traffic during the render and caching processes. Optimisation github.com/samhodge of geometric serialisation. 10/12 - 10/14 Asset Build Lead Rising Sun Pictures, Adelaide, South Australia OS Preference Workflow and Pipeline for the production of assets from modelling, lookdev GNU/Linux and layout through to lighting on the following shows: The Great Gatsby, The MacOS Seventh Son, The Wolverine, iFrankenstien, i, X-Men: Days of Future Past, Unix ANZAC Girls, The Pirates (Korea) , The Water Diviner, Pan Windows 12/09 - 07/13 Computer Graphics Supervisor Rising Sun Pictures, Adelaide, South Australia Programming Supervision of production of computer graphic on the following Visual Effects productions: The Dragon Pearl, Green Lantern, Red Tails, Gravity (VFX Os- Languages car Winner), iFrankenstein, and previously Get Smart in 2007. -
AACTA Announces the Asia | Australia Film Forum
Media Release For Immediate Release AACTA Announces the Asia | Australia Film Forum Tickets are now on sale for the Australian Academy of Cinema and Television Arts (AACTA) Asia | Australia Film Forum which includes an afternoon of exciting panel discussions and networking opportunities, held on Tuesday 3 December at Doltone House, Darling Island Wharf, Sydney. The latest event to be held as part of AACTA’s Asia International Engagement Program, the 2019 Asia | Australia Film Forum aims to further encourage collaboration between the film industries of Asia and Australia. This year the forum includes two exclusive panel discussions that will bring together some of the most important figures working across the regions. The international VFX industry continues to grow at a rapid pace with films rich in visual effects dominating the box office, including Marvel’s AVENGERS: ENDGAME, the highest-grossing film of all time and PETER RABBIT, the highest grossing Australian film in 2018. AACTA’s Cross-Border World Creation through VFX panel will bring together some of the most talented Visual Effects Producers and Supervisors to discuss their work in creating and developing unique worlds from acclaimed studios including Marvel, Rising Sun Pictures and Zhang Yimou Studio. Panellists will discuss the creation of Marvel Universe, the dark world of SHADOW and the slums of DISTRICT 9 as well as the soon-to-be-released Chinese blockbuster THE EIGHT HUNDRED. The audience will also be taken on a deep-dive through some of the most sophisticated worlds ever